<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5065023344788765386</id><updated>2012-02-16T06:19:37.804-08:00</updated><title type='text'>CaligulaDisco</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>70</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-2479382451051170372</id><published>2010-12-31T06:13:00.000-08:00</published><updated>2010-12-31T06:33:14.935-08:00</updated><title type='text'>Music Picks for December 31st, 2010</title><content type='html'>Alright my loyal readers. This is it. The last music post of 2010. I'll be taking the next 52 days off to prepare the 2010 Drager Awards. Have a safe New Year's Eve and I'll see you again on February 22nd, 2011. Carry on...&lt;br /&gt;&lt;br /&gt;December 31st, 2010 &lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG: &lt;br /&gt;&lt;br /&gt;Briton Rites – “Vampire Hunter, 1600” (from For Mircalla)&lt;br /&gt;http://www.youtube.com/watch?v=YY1L4f8IZt0&lt;br /&gt;&lt;br /&gt;Duran Duran – “All You Need Is Now” (from All You Need Is Now)&lt;br /&gt;http://www.youtube.com/watch?v=d0tKdKh-XZo &lt;br /&gt;&lt;br /&gt;Helmet – “Seeing Eye Dog” (from Seeing Eye Dog)&lt;br /&gt;http://www.youtube.com/watch?v=YxAFCNLXIHg &lt;br /&gt;&lt;br /&gt;Kanye West – “Power” (from My Beautiful Dark Twisted Fantasy)&lt;br /&gt;http://www.youtube.com/watch?v=96tTu9-aW9k  &lt;br /&gt; &lt;br /&gt;Sarah McLachlan – “Heartbreak” (from Laws Of Illusion)&lt;br /&gt;http://www.youtube.com/watch?v=KMeXAqd_wQE &lt;br /&gt;&lt;br /&gt;Shinedown – “Diamond Eyes” (from The Expendables Soundtrack)&lt;br /&gt;http://www.youtube.com/watch?v=1m7OCPfJF9A  &lt;br /&gt;&lt;br /&gt;Smashing Pumpkins – “Stitch In Time” (from Teargarden By Kaleidyscope EP, Vols. 1 and 2)&lt;br /&gt;http://www.youtube.com/watch?v=szCbkMF2Ttc  &lt;br /&gt;&lt;br /&gt;Tesseract – “Concealing Fate, Pts. 1 – 6” (from Concealing Fate EP)&lt;br /&gt;http://www.youtube.com/watch?v=JF_YIiRoRFM  &lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Smashing Pumpkins – Teargarden By Kaleidyscope EP, Vols. 1 and 2 (Martha’s Music / Rocket Science)&lt;br /&gt;http://en.wikipedia.org/wiki/Teargarden_By_Kaleidyscope&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME: &lt;br /&gt;&lt;br /&gt;Drake – Thank Me Later&lt;br /&gt;&lt;br /&gt;Father Befouled – Morbid Destitution Of Covenant&lt;br /&gt;&lt;br /&gt;Gil Scott-Heron – I’m New Here&lt;br /&gt;&lt;br /&gt;Ghost – Opus Eponymous&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:   &lt;br /&gt;&lt;br /&gt;Black Dub – Self-Titled&lt;br /&gt;&lt;br /&gt;Deathspell Omega – Paracletus&lt;br /&gt;&lt;br /&gt;Lesbian – Stratospheria Cubensis&lt;br /&gt;&lt;br /&gt;Thou - Summit&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-2479382451051170372?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/2479382451051170372/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=2479382451051170372' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/2479382451051170372'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/2479382451051170372'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/12/music-picks-for-december-31st-2010.html' title='Music Picks for December 31st, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-230845197861974599</id><published>2010-12-12T14:05:00.000-08:00</published><updated>2010-12-12T14:06:37.828-08:00</updated><title type='text'>Music Picks for December 12th, 2010</title><content type='html'>December 12th, 2010 &lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG:&lt;br /&gt;&lt;br /&gt;Agalloch – “The Watcher’s Monolith” (from Marrow Of The Spirit)&lt;br /&gt;http://www.youtube.com/watch?v=DlKzz78hj60  &lt;br /&gt;&lt;br /&gt;Cee-Lo Green- “Fuck You” (from The Lady Killer)&lt;br /&gt;http://www.youtube.com/watch?v=pc0mxOXbWIU &lt;br /&gt;&lt;br /&gt;Cough – “Crippled Wizard” (from Ritual Abuse)&lt;br /&gt;http://www.youtube.com/watch?v=u9gm1MoMuzY  &lt;br /&gt;&lt;br /&gt;Detail – “Shakin’ My Head” (with Flo Rida) (from Only One Flo, Part One)&lt;br /&gt;http://www.youtube.com/watch?v=yaJ0TSnlkIA  &lt;br /&gt;&lt;br /&gt;Duffy – “Keeping My Baby” (from Endlessly)&lt;br /&gt;http://www.youtube.com/watch?v=fml_rC43KUM  &lt;br /&gt;&lt;br /&gt;Equilibrium – “Der Wassermann” (from Rekreatur)&lt;br /&gt;http://www.youtube.com/watch?v=NUBQiOVd_6o &lt;br /&gt;&lt;br /&gt;Far East Movement – “Rocketeer (w/Ryan Tedder)” (from Free Wired)&lt;br /&gt;http://www.youtube.com/watch?v=RcmKbTR--iA  &lt;br /&gt;&lt;br /&gt;Flo Rida – “Puzzle” (from Only One Flo, Part One)&lt;br /&gt;http://www.youtube.com/watch?v=vmkA7cdP4A8  &lt;br /&gt;&lt;br /&gt;Girl Talk – “Triple Double” (from All Day)&lt;br /&gt;http://www.youtube.com/watch?v=10f-WBX2umE  &lt;br /&gt;&lt;br /&gt;Hinder – “What Ya Gonna Do?” (from All-American Nightmare)&lt;br /&gt;http://www.youtube.com/watch?v=3CJMwmEmXjA  &lt;br /&gt;&lt;br /&gt;Krieg – “All Paths To God” (from The Isolationist)&lt;br /&gt;http://www.youtube.com/watch?v=yHokojg05P4  &lt;br /&gt;&lt;br /&gt;N.E.R.D. – “Hot-n-Fun” (w/ Nelly Furtado) (from Nothing)&lt;br /&gt;http://www.youtube.com/watch?v=F6ZfA5QZDHY  &lt;br /&gt;&lt;br /&gt;Nicki Minaj – “Roman’s Revenge” (w/Eminem) (from Pink Friday)&lt;br /&gt;http://www.youtube.com/watch?v=4cnr2wLOv8o  &lt;br /&gt;&lt;br /&gt;Oceano – “Weaponized” (from Contagion)&lt;br /&gt;http://www.youtube.com/watch?v=Mlsdx_IDhwQ  &lt;br /&gt;&lt;br /&gt;Rascal Flatts – “All Night To Get There” (from Nothing Like This)&lt;br /&gt;http://www.last.fm/music/Rascal+Flatts/_/All+Night+To+Get+There  &lt;br /&gt;&lt;br /&gt;Robyn – “Indestructible” (from Body Talk)&lt;br /&gt;http://www.youtube.com/watch?v=ketX6HITIDU &lt;br /&gt;&lt;br /&gt;Salome – “Terminal” (from Terminal)&lt;br /&gt;http://www.npr.org/2010/10/31/130884801/first-listen-salome-terminal&lt;br /&gt;&lt;br /&gt;Sargeist – “From The Black Coffin Lair” (from Let The Devil In)&lt;br /&gt;http://www.youtube.com/watch?v=iWsZcp2B76k  &lt;br /&gt;&lt;br /&gt;The Saturdays – “Higher” (Remix with Flo Rida) (from Headlines! And Only One Flo, Part One)&lt;br /&gt;http://www.youtube.com/watch?v=fyQdIfL7fhk  &lt;br /&gt;&lt;br /&gt;Sugarland – “Tonight” (from The Incredible Machine)&lt;br /&gt;http://www.youtube.com/watch?v=Pok6WDCRaWI  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Cough – Ritual Abuse (Relapse)&lt;br /&gt;www.myspace.com/cough666&lt;br /&gt;&lt;br /&gt;Equilibrium – Rekreatur (Nuclear Blast)&lt;br /&gt;http://en.wikipedia.org/wiki/Rekreatur   &lt;br /&gt;&lt;br /&gt;Far East Movement – Free Wired (Cherrytree / Interscope Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Free_Wired   62.1485&lt;br /&gt;&lt;br /&gt;Girl Talk – All Day (Illegal Art)&lt;br /&gt;http://en.wikipedia.org/wiki/All_Day_(album)&lt;br /&gt;&lt;br /&gt;Hinder – All-American Nightmare (Universal Republic)&lt;br /&gt;http://en.wikipedia.org/wiki/All_American_Nightmare  &lt;br /&gt;&lt;br /&gt;Oceano – Contagion (Earache Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Contagion_(Oceano_album)&lt;br /&gt;&lt;br /&gt;Robyn – Body Talk (Konichiwa , Interscope)&lt;br /&gt;http://en.wikipedia.org/wiki/Body_Talk_(Robyn_album)  &lt;br /&gt;&lt;br /&gt;Sargeist – Let The Devil In (Moribund Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Sargeist  60.0357&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME: &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Atheist - Jupiter&lt;br /&gt;&lt;br /&gt;Kamelot – Poetry For The Poisoned&lt;br /&gt;&lt;br /&gt;Unearthly Trance - V&lt;br /&gt;&lt;br /&gt;Warpaint – Self-Titled&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:   &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Cradle Of Filth – Darkly, Darkly Venus Aversa&lt;br /&gt;&lt;br /&gt;Daft Punk – Tron: Legacy – Original Soundtrack&lt;br /&gt;&lt;br /&gt;Electric Wizard – Black Masses&lt;br /&gt;&lt;br /&gt;Melechesh – The Epigenesis&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-230845197861974599?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/230845197861974599/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=230845197861974599' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/230845197861974599'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/230845197861974599'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/12/music-picks-for-december-12th-2010.html' title='Music Picks for December 12th, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-1039836650437503616</id><published>2010-11-25T16:31:00.000-08:00</published><updated>2010-11-25T16:33:19.126-08:00</updated><title type='text'>Music Picks for November 25th, 2010</title><content type='html'>November 25th,  2010 (Thanksgiving Edition)&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG:&lt;br /&gt;&lt;br /&gt;Eric Clapton – “Rolling And Tumbling” (from Clapton)&lt;br /&gt;http://www.youtube.com/watch?v=uTkBc2spNls  &lt;br /&gt;&lt;br /&gt;Jamey Johnson – “Heartache” (from The Guitar Song)&lt;br /&gt;http://www.youtube.com/watch?v=CDh81xL5R6Q  &lt;br /&gt;&lt;br /&gt;Kid Rock – “Purple Sky” (from Born Free)&lt;br /&gt;http://www.youtube.com/watch?v=T1aLnxtwHXI  &lt;br /&gt;&lt;br /&gt;Lauren Pritchard – “Going Home” (from Wasted In Jackson)&lt;br /&gt;http://www.we7.com/#/song/Lauren-Pritchard/Going-Home  &lt;br /&gt;&lt;br /&gt;Mark Ronson And The Business International – “Record Collection (w/Simon LeBon and Wiley)” (from Record Collection)&lt;br /&gt;http://www.youtube.com/watch?v=xjoEA1vaKkM &lt;br /&gt;&lt;br /&gt;Mutant Supremacy – “Extinction” (from Infinite Suffering)&lt;br /&gt;http://www.youtube.com/watch?v=F5fucDrfoLU  &lt;br /&gt;&lt;br /&gt;Neil Young – “Love And War” (from Le Noise)&lt;br /&gt;http://www.youtube.com/watch?v=skJddbSJQjA  &lt;br /&gt;&lt;br /&gt;No Age – “Fever Dreaming” (from Everything In Between)&lt;br /&gt;http://www.youtube.com/watch?v=kno3QhKm1Z4 &lt;br /&gt;&lt;br /&gt;Rihanna – “What’s My Name? (w/Drake)” (from Loud)&lt;br /&gt;http://www.youtube.com/watch?v=U0CGsw6h60k&lt;br /&gt;&lt;br /&gt;Robert Plant – “Satan Your Kingdom Must Come Down” (from Band Of Joy)&lt;br /&gt;http://www.youtube.com/watch?v=_1n2JLbrgo8 &lt;br /&gt;&lt;br /&gt;Shakira – “Lo Que Mas” (from Sale El Sol)&lt;br /&gt;http://www.youtube.com/watch?v=l-kXtR06zKo &lt;br /&gt;&lt;br /&gt;Terror – “Return To Strength” (from Keepers Of The Faith)&lt;br /&gt;http://www.youtube.com/watch?v=lJhbdGFVYkE  &lt;br /&gt;&lt;br /&gt;Withered – “From Shadows” (from Dualitas)&lt;br /&gt;http://www.youtube.com/watch?v=NZMsrz6Vyno &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Jamey Johnson – The Guitar Song (Mercury Nashville)&lt;br /&gt;http://en.wikipedia.org/wiki/The_Guitar_Song&lt;br /&gt;&lt;br /&gt;Mark Ronson And The Business International – Record Collection (Columbia)&lt;br /&gt;http://en.wikipedia.org/wiki/Record_Collection_(album)&lt;br /&gt;&lt;br /&gt;Terror – Keepers Of The Faith (Reaper Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Terror_(band)&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME: &lt;br /&gt;&lt;br /&gt;John Legend And The Roots – Wake Up!&lt;br /&gt;&lt;br /&gt;Richard Thompson – Dream Attic&lt;br /&gt;&lt;br /&gt;Salem – King Night&lt;br /&gt;&lt;br /&gt;Sia – We Are Born&lt;br /&gt;&lt;br /&gt;Sister Sin – True Sound Of The Underground&lt;br /&gt;&lt;br /&gt;Therion – Sitra Ahra&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:   &lt;br /&gt;&lt;br /&gt;The Black Angels – Phosphene Dream&lt;br /&gt;&lt;br /&gt;Forbidden – Omega Wave&lt;br /&gt;&lt;br /&gt;Joe Elliott’s Down ‘N’ Outz – My Regeneration&lt;br /&gt;&lt;br /&gt;Skyforger – Kurbads&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT &lt;br /&gt;&lt;br /&gt;Bob Dylan – The Bootleg Series, Vol. 6: Concert At Philharmonic Hall (2004)&lt;br /&gt;&lt;br /&gt;The Clash – Self-Titled (1977)&lt;br /&gt;&lt;br /&gt;The Doors – Self-Titled (1967)&lt;br /&gt;&lt;br /&gt;Grateful Dead – Golden State Studios 11-3-65 (1965)&lt;br /&gt;&lt;br /&gt;Immortal – Battles In The North (1995)&lt;br /&gt;&lt;br /&gt;Live – Birds Of Pray (2003)&lt;br /&gt;&lt;br /&gt;Mudoney – My Brother The Cow (1995)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO:&lt;br /&gt;&lt;br /&gt;Albert King – “That’s What The Blues Is All About” (from I Wanna Get Funky 1974)&lt;br /&gt;&lt;br /&gt;Buddy Holly – “Brown Eyed Handsome Man” (from Reminiscing 1963)&lt;br /&gt;&lt;br /&gt;Full Blown Chaos – “Hollowed” (from Within The Grasp Of Titans 2006)&lt;br /&gt;&lt;br /&gt;Jann Arden – “I Would Die For You’ (from Self-Titled 2005)&lt;br /&gt;&lt;br /&gt;Joy Division – “Day Of The Lords” (from Unknown Pleasures 1979)&lt;br /&gt;&lt;br /&gt;The Smiths – “Meat Is Murder” (from Meat Is Murder 1985)&lt;br /&gt;&lt;br /&gt;Steve Earle – “Billy And Bonnie” (from I Feel Alright 1996)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-1039836650437503616?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/1039836650437503616/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=1039836650437503616' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/1039836650437503616'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/1039836650437503616'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/11/music-picks-for-november-25th-2010.html' title='Music Picks for November 25th, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-7902283850071198724</id><published>2010-11-14T12:55:00.000-08:00</published><updated>2010-11-14T12:58:23.062-08:00</updated><title type='text'>Music Picks for November 14th, 2010</title><content type='html'>November 14th, 2010&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG :&lt;br /&gt;&lt;br /&gt;Acid Tiger – “Dark Hands” (from Self-Titled)&lt;br /&gt;http://www.myspace.com/acidtigermusic   &lt;br /&gt;&lt;br /&gt;Alter Bridge – “Isolation” (from AB III)&lt;br /&gt;http://www.youtube.com/watch?v=9S9D5RRwQ8g   &lt;br /&gt;&lt;br /&gt;Blind Guardian – “Sacred Worlds” (from At The Edge Of Time)&lt;br /&gt;http://www.youtube.com/watch?v=vC2shNk6RFI  &lt;br /&gt;&lt;br /&gt;Brian Eno – “Bone Jump” (from Small Craft On A Milk Sea)&lt;br /&gt;http://www.last.fm/music/Brian+Eno/_/Bone+Jump  &lt;br /&gt;&lt;br /&gt;Cephalic Carnage – “When I Arrive” (from Misled by Certainty)&lt;br /&gt;http://www.youtube.com/watch?v=vXLy7sNHln0 &lt;br /&gt;&lt;br /&gt;Dawn Of Ashes – “God-Like-Demon” (from Genocide Chapters)&lt;br /&gt;http://www.youtube.com/watch?v=kq2pp6ZpwBQ  &lt;br /&gt;&lt;br /&gt;Devo – “What We Do” (from Something For Everybody)&lt;br /&gt;http://www.youtube.com/watch?v=fc0uQXxkOcg   &lt;br /&gt;&lt;br /&gt;Elvis Costello – “Bullets For The New-Born King” (from National Ransom)&lt;br /&gt;http://www.elviscostello.com/words-detail/Hear+Music/Elvis+Costello+/Bullets+for+the+New-Born+King/cd/729/8919&lt;br /&gt;&lt;br /&gt;Monster Magnet – “Gods And Punks” (from Mastermind)&lt;br /&gt;http://www.youtube.com/watch?v=347M0hcgjcw  &lt;br /&gt; &lt;br /&gt;Paramore – “You Ain’t Woman Enough (To Take My Man)” (from Coal Miner’s Daughter: A Tribute To Loretta Lynn)&lt;br /&gt;http://www.youtube.com/watch?v=eWGGj4duzIo &lt;br /&gt;http://en.wikipedia.org/wiki/Coal_Miner%27s_Daughter:_A_Tribute_to_Loretta_Lynn &lt;br /&gt;&lt;br /&gt;Suicidal Angels – “The Pestilence Of Saints” (from Sanctify The Darkness)&lt;br /&gt;http://www.youtube.com/watch?v=hsTvM-bLwVk &lt;br /&gt;&lt;br /&gt;Taylor Swift – “Mean” (from Speak Now)&lt;br /&gt;http://www.youtube.com/watch?v=1CPrzNr1b14  &lt;br /&gt;&lt;br /&gt;Trent Reznor And Atticus Ross – “In The Hall Of The Mountain King” (from The Social Network -  Original Soundtrack)&lt;br /&gt;http://www.youtube.com/watch?v=TPZtigbbkz4 &lt;br /&gt;&lt;br /&gt;Zac Brown Band – “Colder Weather” (from You Get What You Give)&lt;br /&gt;http://www.youtube.com/watch?v=-CXDmKg7SS4  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Acid Tiger – Self-Titled ( Deathwish)&lt;br /&gt;http://www.myspace.com/acidtigermusic  &lt;br /&gt; &lt;br /&gt;Alter Bridge – AB III (Road Runner)&lt;br /&gt;http://en.wikipedia.org/wiki/AB_III   &lt;br /&gt;&lt;br /&gt;Blind Guardian – At The Edge Of Time (Nuclear Blast)&lt;br /&gt;http://en.wikipedia.org/wiki/At_the_Edge_of_Time  &lt;br /&gt;&lt;br /&gt;Brian Eno – Small Craft On A Milk Sea (Warp)&lt;br /&gt;http://en.wikipedia.org/wiki/Small_Craft_On_A_Milk_Sea &lt;br /&gt;  &lt;br /&gt;Cephalic Carnage – Misled By Certainty (Relapse)&lt;br /&gt;http://en.wikipedia.org/wiki/Misled_by_Certainty &lt;br /&gt;  &lt;br /&gt;Dawn Of Ashes – Genocide Chapters (Metal Blade Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Dawn_Of_Ashes&lt;br /&gt;&lt;br /&gt;Devo – Something For Everybody (Warner Bros.)&lt;br /&gt;http://en.wikipedia.org/wiki/Something_for_Everybody_(Devo_album)&lt;br /&gt;&lt;br /&gt;Elvis Costello – National Ransom (Hear Music / Universal Records) &lt;br /&gt;http://en.wikipedia.org/wiki/National_Ransom&lt;br /&gt;&lt;br /&gt;Monster Magnet – Mastermind (Napalm Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Mastermind_(Monster_Magnet_album)  &lt;br /&gt; &lt;br /&gt;Taylor Swift – Speak Now (Big Machine)&lt;br /&gt;http://en.wikipedia.org/wiki/Speak_Now   &lt;br /&gt;&lt;br /&gt;Zac Brown Band – You Get What You Give (Atlantic Nashville)&lt;br /&gt;http://en.wikipedia.org/wiki/You_Get_What_You_Give_(album)  &lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME: &lt;br /&gt;&lt;br /&gt;Charred Walls Of The Damned – Self-Titled&lt;br /&gt;&lt;br /&gt;Das Racist – Sit Down, Man&lt;br /&gt;&lt;br /&gt;Lil’ Wayne – I Am Not A Human Being&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:   &lt;br /&gt;&lt;br /&gt;Drudkh – Handful Of Stars&lt;br /&gt;&lt;br /&gt;Philip Selway – Familial&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT: &lt;br /&gt;&lt;br /&gt;Elvis Presley – 50,000,000 Elvis Fans Can’t Be Wrong (1959)&lt;br /&gt;&lt;br /&gt;John Lennon – Double Fantasy (1980)&lt;br /&gt;&lt;br /&gt;Judas Priest – Unleashed In The East (1979)&lt;br /&gt;&lt;br /&gt;Napalm Death – Scum (1987)&lt;br /&gt;&lt;br /&gt;Rob Zombie – Educated Horses (2006)&lt;br /&gt;&lt;br /&gt;Rush – Snakes And Arrows (2007)&lt;br /&gt;&lt;br /&gt;Toad The Wet Sprocket – Pale (1990)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO :&lt;br /&gt;&lt;br /&gt;The Contours – “Do You Love Me?” (from Do You Love Me? 1962)&lt;br /&gt;&lt;br /&gt;Edgar Winter’s White Trash – “Turn On Your Love Light” (from Roadwork 1972)&lt;br /&gt;&lt;br /&gt;The Kinks – “Acute Schizophrenia Paranoia Blues” (from Everybody’s In Showbiz 1972)&lt;br /&gt;&lt;br /&gt;The Monkees – “I’m A Believer” (from More Of The Monkees 1966)&lt;br /&gt;&lt;br /&gt;Roy Orbison (w/K.D. Lang) – “Crying” (from The Best Of Roy Orbison 1996)&lt;br /&gt;&lt;br /&gt;Smashing Pumpkins – “Glynis” (from Rarities And B-Sides 2005)&lt;br /&gt;&lt;br /&gt;Neil Young – “If I Could Have Her Tonight” (from Self-Titled 1968&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-7902283850071198724?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/7902283850071198724/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=7902283850071198724' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7902283850071198724'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7902283850071198724'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/11/music-picks-for-november-14th-2010.html' title='Music Picks for November 14th, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-4698589392608840692</id><published>2010-10-30T15:47:00.000-07:00</published><updated>2010-10-30T15:49:02.778-07:00</updated><title type='text'>Music Picks 10 / 31/ 2010 (Halloween / Samhain Edition)</title><content type='html'>October 31st, 2010(Halloween / Samhain Edition)&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG&lt;br /&gt;&lt;br /&gt;Accept – “The Abyss” (from Blood Of The Nations)&lt;br /&gt;http://www.youtube.com/watch?v=k5yp19t4VYs  &lt;br /&gt;&lt;br /&gt;All That Remains – “Aggressive Opposition” (from For We Are Many)&lt;br /&gt;http://www.youtube.com/watch?v=TKcHct3O_6s   &lt;br /&gt;&lt;br /&gt;Beneath The Massacre – “The Casket You Sleep In” (from Maree Noire EP)&lt;br /&gt;http://www.youtube.com/watch?v=MUOZRcocoFI &lt;br /&gt;&lt;br /&gt;Brandon Flowers – “Jilted Lovers And Broken Hearts” (from Flamingo)&lt;br /&gt;http://www.youtube.com/watch?v=52DUVvuI1S4  &lt;br /&gt;&lt;br /&gt;Bruno Mars – “The Other Side” (w/Cee-Lo Green and B.o.B.) (from Doo-Wops And Hooligans)&lt;br /&gt;http://www.youtube.com/watch?v=m8Ed8in9Qng  &lt;br /&gt;&lt;br /&gt;Dimmu Borgir – “Ritualist” (from Abrahadabra)&lt;br /&gt;http://www.youtube.com/watch?v=Ck61ZX7MQ2Y  &lt;br /&gt;&lt;br /&gt;Elton John and Leon Russell – “Hey Ahab” (from The Union)&lt;br /&gt;http://www.youtube.com/watch?v=L88lY_IEQvw &lt;br /&gt;&lt;br /&gt;Goo Goo Dolls – “Sweetest Lie” (from Something For The Rest of Us)&lt;br /&gt;http://www.youtube.com/watch?v=zXqxNMOB1Z4  &lt;br /&gt;&lt;br /&gt;Kvelertak - "Mjød" (from Self-Titled)&lt;br /&gt;http://www.youtube.com/watch?v=yc_zhE9tBeg&lt;br /&gt;&lt;br /&gt;Kylesa – “Drop Out” (from Spiral Shadow)&lt;br /&gt;http://www.youtube.com/watch?v=fKQcjX3_SlA  &lt;br /&gt;&lt;br /&gt;Otargos – “Hexameron” (from No God, No Satan)&lt;br /&gt;http://www.myspace.com/otargos &lt;br /&gt;&lt;br /&gt;Soulfly – “Great Depression” (from Omen)&lt;br /&gt;http://www.last.fm/music/Soulfly/_/Great+Depression &lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;All That Remains – For We Are Many (Prosthetic / Razor &amp; Tie)&lt;br /&gt;http://en.wikipedia.org/wiki/For_We_Are_Many &lt;br /&gt;  &lt;br /&gt;Brandon Flowers – Flamingo (Island / Vertigo)&lt;br /&gt;http://en.wikipedia.org/wiki/Flamingo_(album)&lt;br /&gt;&lt;br /&gt;Bruno Mars – Doo-Wops And Hooligans (Atlantic / Elecktra)&lt;br /&gt;http://en.wikipedia.org/wiki/Doo_Wops_and_Hooligans&lt;br /&gt;&lt;br /&gt;Dimmu Borgir – Abrahadabra (Nuclear Blast)&lt;br /&gt;http://en.wikipedia.org/wiki/Abrahadabra_(album)&lt;br /&gt;&lt;br /&gt;Elton John and Leon Russell – The Union (Decca Records)&lt;br /&gt;http://en.wikipedia.org/wiki/The_Union_(album) &lt;br /&gt;&lt;br /&gt;Kvelertak – Self-Titled (Indie Recordings)&lt;br /&gt;http://en.wikipedia.org/wiki/Kvelertak_(album)&lt;br /&gt;&lt;br /&gt;Kylesa – Spiral Shadow (Prosthetic)&lt;br /&gt;http://en.wikipedia.org/wiki/Spiral_Shadow    &lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME: &lt;br /&gt;&lt;br /&gt;Kings Of Leon – Come Around Sundown&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:   &lt;br /&gt;&lt;br /&gt;Abigail Williams – In The Absence Of Light&lt;br /&gt;&lt;br /&gt;Torche – Songs For Singles EP&lt;br /&gt; &lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT &lt;br /&gt;&lt;br /&gt;Alkaline Trio – Agony &amp; Irony (2008)&lt;br /&gt;&lt;br /&gt;The B-52s – Wild Planet (1980)&lt;br /&gt;&lt;br /&gt;Captain Beefheart And His Magic Band – Doc At The Radar Station (1980)&lt;br /&gt;&lt;br /&gt;The Eagles – Hotel California (1976)&lt;br /&gt;&lt;br /&gt;Fleetwood Mac – The Original Fleetwood Mac (1971)&lt;br /&gt;&lt;br /&gt;Garbage – Self-Titled (“Pink Feathers Album”) (1995)&lt;br /&gt;&lt;br /&gt;Helloween – Keeper Of The Seven Keys, Pt.2 (1988)&lt;br /&gt;&lt;br /&gt;Incubus – S.C.I.E.N.C.E. (1997)&lt;br /&gt;&lt;br /&gt;Samhain – November-Coming-Fire (1986)&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO &lt;br /&gt;&lt;br /&gt;Aqua – Halloween (from Aquarius 2000)&lt;br /&gt;&lt;br /&gt;Fastway - Trick or Treat (from Trick Or Treat: Original Soundtrack 1987)&lt;br /&gt;&lt;br /&gt;Dave Matthews Band – Halloween (from Recently EP 1994)&lt;br /&gt;&lt;br /&gt;Dead Kennedys – Halloween (from Plastic Surgery Disasters 1982)&lt;br /&gt;&lt;br /&gt;King Diamond – Halloween (from Fatal Portrait 1986)&lt;br /&gt;&lt;br /&gt;Marilyn Manson – This Is Halloween (from The Nightmare Before Christmas: Special Edition Soundtrack 2006) &lt;br /&gt;&lt;br /&gt;Ministry - Everyday is Halloween (from Twelve Inch Singles 1987)&lt;br /&gt;&lt;br /&gt;The Shaggs – It’s Halloween (from The Shaggs’ Own Thing 1982)&lt;br /&gt;&lt;br /&gt;Type O Negative – Halloween In Heaven (from Dead Again 2007)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-4698589392608840692?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/4698589392608840692/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=4698589392608840692' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4698589392608840692'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4698589392608840692'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/10/music-picks-10-31-2010-halloween.html' title='Music Picks 10 / 31/ 2010 (Halloween / Samhain Edition)'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-3078919447986509178</id><published>2010-10-10T11:17:00.000-07:00</published><updated>2010-10-10T11:18:38.988-07:00</updated><title type='text'>Music Picks for October 10th, 2010</title><content type='html'>October 10th, 2010&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG&lt;br /&gt;&lt;br /&gt;22-20s – “Heart On A String” (from Shake/Shiver/Moan)&lt;br /&gt;http://www.youtube.com/watch?v=1NlmtyPBF6I  &lt;br /&gt;&lt;br /&gt;Bad Religion – “The Resist Stance” (from The Dissent Of Man)&lt;br /&gt;http://www.youtube.com/watch?v=Sykzo1QpSlE  &lt;br /&gt;&lt;br /&gt;Bettye LaVette – “It Don’t Come Easy” (from Interpretations: The British Rock Songbook)&lt;br /&gt;http://www.youtube.com/watch?v=X_9QRuoZoHE &lt;br /&gt;&lt;br /&gt;Brian Wilson – “I Got Rhythm” (from …Reimagines Gershwin)&lt;br /&gt;http://www.youtube.com/watch?v=l1DOjrGGDiM&lt;br /&gt;&lt;br /&gt;Broken Social Scene – “World Sick” (from Forgiveness Rock Record)&lt;br /&gt;http://www.youtube.com/watch?v=Lb9WKJhqVWs  &lt;br /&gt;&lt;br /&gt;The Candles – “Not Enough” (from Between The Sounds)&lt;br /&gt;http://www.youtube.com/watch?v=Q0Ejw7UTQE8  &lt;br /&gt;&lt;br /&gt;Fall Of Envy – “White Flag” (Radio Single)&lt;br /&gt;http://www.youtube.com/watch?v=cLDbwKMz-Jc  &lt;br /&gt;&lt;br /&gt;Hail The Villain – “Take Back The Fear” (from Population: Declining)&lt;br /&gt;http://www.youtube.com/watch?v=0lFBbDzHIwQ &lt;br /&gt;&lt;br /&gt;How To Destroy Angels – “The Space In Between” (from Self-Titled EP)&lt;br /&gt;http://www.youtube.com/watch?v=nWbfgGDl6XE &lt;br /&gt;&lt;br /&gt;Linkin Park – “The Catalyst” (from A Thousand Suns)&lt;br /&gt;http://www.youtube.com/watch?v=Rjs08E-Ps7w  &lt;br /&gt;&lt;br /&gt;Mouth of The Architect – “Restore” (from The Violence Beneath EP)&lt;br /&gt;http://www.youtube.com/watch?v=mpEZwOPqxKg  &lt;br /&gt;&lt;br /&gt;The National – “Anyone’s Ghost” (from High Violet)&lt;br /&gt;http://www.youtube.com/watch?v=45OKNWxvgXg  &lt;br /&gt;&lt;br /&gt;Papa Roach – “Kick in The Teeth” (from Time For Annihilation)&lt;br /&gt;http://www.youtube.com/watch?v=iiI4rA6nrog &lt;br /&gt;&lt;br /&gt;Saving Abel – “The Sex Is Good” (from Miss America)&lt;br /&gt;http://www.youtube.com/watch?v=hriW0--5NhE &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Sun Kil Moon – “Third And Seneca” (from Admiral Fell Promises)&lt;br /&gt;http://www.youtube.com/watch?v=dMrYmEJXfY0  &lt;br /&gt;&lt;br /&gt;The Sword – “Lawless Lands” (from Warp Riders)&lt;br /&gt;http://www.youtube.com/watch?v=2pxicylHN9o &lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Brian Wilson – Reimagines Gershwin (Disney Pearl Series)&lt;br /&gt;http://en.wikipedia.org/wiki/Brian_Wilson_Reimagines_Gershwin&lt;br /&gt;&lt;br /&gt;Broken Social Scene – Forgiveness Rock Record (Arts &amp; Crafts)&lt;br /&gt;http://en.wikipedia.org/wiki/Forgiveness_Rock_Record   &lt;br /&gt;&lt;br /&gt;Linkin Park – A Thousand Suns (Warner Bros.)&lt;br /&gt;http://en.wikipedia.org/wiki/A_thousand_suns&lt;br /&gt;&lt;br /&gt;The National – High Violet (4AD)&lt;br /&gt;http://en.wikipedia.org/wiki/High_Violet&lt;br /&gt;&lt;br /&gt;Sun Kil Moon – Admiral Fell Promises (Caldo Verde Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Admiral_Fell_Promises&lt;br /&gt;&lt;br /&gt;The Sword – Warp Riders (Kemado)&lt;br /&gt;http://en.wikipedia.org/wiki/Warp_Riders    &lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME: &lt;br /&gt;&lt;br /&gt;Circle Of Dead Children – Psalm Of The Grand Destroyer&lt;br /&gt;&lt;br /&gt;Haken – Aquarius&lt;br /&gt;&lt;br /&gt;Ice Cube – I Am The West&lt;br /&gt;&lt;br /&gt;Shining - Blackjazz&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:    &lt;br /&gt;&lt;br /&gt;Crowned In Earth – Visions Of The Haunted&lt;br /&gt;&lt;br /&gt;Interpol – Self-Titled&lt;br /&gt;&lt;br /&gt;School Of Seven Bells – Disconnect From Desire&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT &lt;br /&gt;&lt;br /&gt;King Diamond – A Dangerous Meeting (1992)&lt;br /&gt;&lt;br /&gt;Oasis – (What’s The Story)Morning Glory? (1995)&lt;br /&gt;&lt;br /&gt;Queensryche – American Soldier (2009)&lt;br /&gt;&lt;br /&gt;Sponge – New Pop Sunday (1999)&lt;br /&gt;&lt;br /&gt;Testament – The Ritual (1992)&lt;br /&gt;&lt;br /&gt;The Who – Live at the Royal Albert Hall (2000)&lt;br /&gt;&lt;br /&gt;Neil Young And Crazy Horse – Rust Never Sleeps (1979)&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO &lt;br /&gt;&lt;br /&gt;Fred Neil – “Everybody’s Talkin’” (from Self-Titled 1966)&lt;br /&gt;&lt;br /&gt;George Jones – “The Race Is On” (from The Race Is On 1964)&lt;br /&gt;&lt;br /&gt;John Lennon – “Dizzy Miss Lizzy” (from Live Peace In Toronto 1969)&lt;br /&gt;&lt;br /&gt;Primus – “Wounded Knee” (from Pork Soda 1993)&lt;br /&gt;&lt;br /&gt;Repulsion – “Bodily Dismemberment” (from Horrified 1986)&lt;br /&gt;&lt;br /&gt;The Undertones – “Male Model” (from Teenage Kicks 1993)&lt;br /&gt;&lt;br /&gt;V.A.S.T. – “Be With Me” (from Turquoise And Crimson 2004)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-3078919447986509178?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/3078919447986509178/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=3078919447986509178' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3078919447986509178'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3078919447986509178'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/10/music-picks-for-october-10th-2010.html' title='Music Picks for October 10th, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-4736758830478203740</id><published>2010-09-12T13:40:00.000-07:00</published><updated>2010-09-12T13:42:56.986-07:00</updated><title type='text'>Music Picks For September 12th, 2010</title><content type='html'>September 12TH,  2010&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG&lt;br /&gt;&lt;br /&gt;10 Years – “Don’t Fight It” (from Feeding The Wolves)&lt;br /&gt;http://www.youtube.com/watch?v=zEAte7K_7ok  &lt;br /&gt;&lt;br /&gt;The Abominable Iron Sloth – “Heterodox Nonconformists” (from The Id Will Overcome)&lt;br /&gt;http://www.myspace.com/theironsloth &lt;br /&gt;&lt;br /&gt;Ares Kingdom – “Descent Of Man” (from Incendiary)&lt;br /&gt;http://www.youtube.com/watch?v=0j8fLnqm0mU &lt;br /&gt;&lt;br /&gt;Band Of Horses – “Compliments” (from Infinite Arms)&lt;br /&gt;http://www.youtube.com/watch?v=nW6hmtjZ37c &lt;br /&gt;&lt;br /&gt;Best Coast – “Crazy For You” (from Crazy For You)&lt;br /&gt;http://www.youtube.com/watch?v=e-hLFn5XsJw&lt;br /&gt;&lt;br /&gt;Big Boi – “Tangerine (w/T.I. and Khujo Goodie) (from Sir Luscious Left Foot: The Son Of Chico Dusty)&lt;br /&gt;http://www.youtube.com/watch?v=8lLZlaNn-bo &lt;br /&gt;&lt;br /&gt;Cypress Hill – “Carry Me Away (w/Mike Shinoda)” (from Rise Up)&lt;br /&gt;http://www.youtube.com/watch?v=dP4iRw_du_Y  &lt;br /&gt;&lt;br /&gt;Hellyeah – “Hell Of A Time” (from Stampede)&lt;br /&gt;http://www.youtube.com/watch?v=iyC5xTD_2po  &lt;br /&gt;&lt;br /&gt;John Mellencamp – “No Better Than This” (from No Better Than This)&lt;br /&gt;http://www.youtube.com/watch?v=jBrQv66oLxc &lt;br /&gt;&lt;br /&gt;Kataklysm – “Push The Venom” (from Heaven’s Venom)&lt;br /&gt;http://www.youtube.com/watch?v=hlUNc8vA1Tg  &lt;br /&gt;&lt;br /&gt;Katy Perry – “California Gurls” (from Teenage Dream)&lt;br /&gt;http://www.youtube.com/watch?v=CwE-SLnLkqY&lt;br /&gt;&lt;br /&gt;Kylie Minogue – “Better Than Today” (from Aphrodite)&lt;br /&gt;http://www.youtube.com/watch?v=Qh87t2HhXC4 &lt;br /&gt;&lt;br /&gt;Mike Posner – “Cooler Than Me” (from 31 Minutes To Takeoff)&lt;br /&gt;http://www.youtube.com/watch?v=mqWq_48LxWQ &lt;br /&gt;&lt;br /&gt;Noctiferia – “Demoncracy” (from Death Culture)&lt;br /&gt;http://www.youtube.com/watch?v=kfUdtyZ4dVQ &lt;br /&gt;&lt;br /&gt;Sheryl Crow – “Long Road Home” (from 100 Miles From Memphis)&lt;br /&gt;http://www.youtube.com/watch?v=6U_4VMVpcBE &lt;br /&gt; &lt;br /&gt;Sting – “Every Little Thing She Does Is Magic” (from Symphonicities)&lt;br /&gt;http://www.youtube.com/watch?v=ZKIJ9g7jVr4 &lt;br /&gt;&lt;br /&gt;Stone Sour – “Say You’ll Haunt Me” (from Audio Secrecy)&lt;br /&gt;http://www.youtube.com/watch?v=eEn-nTkbEM0 &lt;br /&gt;&lt;br /&gt;Uffie – “ADD SUV (w/Pharrell Williams)” (from Sex Dreams And Denim Jeans)&lt;br /&gt;http://www.youtube.com/watch?v=qzh9RzYyWpg &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;10 Years – Feeding The Wolves (Republic)&lt;br /&gt;http://en.wikipedia.org/wiki/Feeding_The_Wolves  &lt;br /&gt; &lt;br /&gt;The Abominable Iron Sloth – The Id Will Overcome (&lt;br /&gt;Independent)&lt;br /&gt;http://www.myspace.com/theironsloth &lt;br /&gt; &lt;br /&gt;Ares Kingdom – Incendiary (The End Records)&lt;br /&gt;http://www.myspace.com/areskingdom  &lt;br /&gt; &lt;br /&gt;Best Coast – Crazy For You (Mexican Summer)&lt;br /&gt;http://en.wikipedia.org/wiki/Crazy_for_You_(album)&lt;br /&gt;&lt;br /&gt;Big Boi – Sir Luscious Left Foot: The Son Of Chico Dusty (Purple Ribbon, Def Jam)&lt;br /&gt;http://en.wikipedia.org/wiki/Sir_Lucious_Left_Foot:_The_Son_of_Chico_Dusty  &lt;br /&gt;&lt;br /&gt;Cypress Hill – Rise Up (Priority)&lt;br /&gt;http://en.wikipedia.org/wiki/Rise_Up_(Cypress_Hill_album)&lt;br /&gt;&lt;br /&gt;John Mellencamp –No Better Than This (Rounder Records)&lt;br /&gt;http://en.wikipedia.org/wiki/No_Better_Than_This&lt;br /&gt;&lt;br /&gt;Kataklysm – Heaven’s Venom (Nuclear Blast)&lt;br /&gt;http://en.wikipedia.org/wiki/Heaven%27s_Venom&lt;br /&gt;&lt;br /&gt;Noctiferia – Death Culture (Listenable Records)&lt;br /&gt;www.myspace.com/noctiferia &lt;br /&gt;&lt;br /&gt;Sting – Symphonicities (Deutsche Grammophon)&lt;br /&gt;http://en.wikipedia.org/wiki/Symphonicities&lt;br /&gt;&lt;br /&gt;Stone Sour – Audio Secrecy (Roadrunner)&lt;br /&gt;http://en.wikipedia.org/wiki/Audio_Secrecy&lt;br /&gt;&lt;br /&gt;Uffie – Sex Dreams And Denim Jeans (Ed Banger, Because, Elektra)&lt;br /&gt;http://en.wikipedia.org/wiki/Sex_Dreams_and_Denim_Jeans_(album)  &lt;br /&gt; &lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME: &lt;br /&gt;&lt;br /&gt;Korn – III: Remember Who You Are&lt;br /&gt;&lt;br /&gt;Wavves – King Of The Beach&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:    &lt;br /&gt;&lt;br /&gt;Disturbed - Asylum&lt;br /&gt;&lt;br /&gt;Horseback – The Invisible Mountain&lt;br /&gt;&lt;br /&gt;Tarot – Gravity Of Light&lt;br /&gt;&lt;br /&gt;Warbeast – Krush the Enemy&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT &lt;br /&gt;&lt;br /&gt;• Due to time and scheduling restraints, there are no albums listed for this &lt;br /&gt;&lt;br /&gt;segment. They will return in the next segment*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO (“Chris Is Two Years’ Sober” edition)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;AC / DC – “Have  A Drink On Me” (from Back in Black 1980)&lt;br /&gt;&lt;br /&gt;Amy Winehouse – “Rehab” (from Back To Black 2007)&lt;br /&gt;&lt;br /&gt;Johnny Cash – “Sunday Mornin’ Comin’ Down” (Radio Single 1970)&lt;br /&gt;&lt;br /&gt;Kiss – “Cold Gin” (from Cold Gin 1974)&lt;br /&gt;&lt;br /&gt;Metallica – “The House Jack Built” (from Load 1996)&lt;br /&gt;&lt;br /&gt;Ozzy Osbourne – “Demon Alcohol” (from No Rest For The Wicked 1988)&lt;br /&gt;&lt;br /&gt;Thin Lizzy – “Whiskey In The Jar” (from Vagabonds of The Western World 1972)&lt;br /&gt;&lt;br /&gt;Tool – “Sober” (from Undertow 1993)&lt;br /&gt;&lt;br /&gt;Van Morrison – “Don’t Go To Nightclubs Anymore” (from Keep It Simple 2008)&lt;br /&gt;&lt;br /&gt;War – “Spill The Wine” (from Eric Burdon Declares War 1970)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-4736758830478203740?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/4736758830478203740/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=4736758830478203740' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4736758830478203740'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4736758830478203740'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/09/music-picks-for-september-12th-2010.html' title='Music Picks For September 12th, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-577660538000802790</id><published>2010-08-20T11:47:00.000-07:00</published><updated>2010-08-20T11:49:24.316-07:00</updated><title type='text'>Music Picks for August 20th, 2010</title><content type='html'>August 20th, 2010&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG:&lt;br /&gt;&lt;br /&gt;Arcade Fire – “City With No Children” (from The Suburbs)&lt;br /&gt;http://www.youtube.com/watch?v=unwL8TaG8LA  &lt;br /&gt;&lt;br /&gt;The Black Keys – “Ten Cent Pistol” (from Brothers)&lt;br /&gt;http://www.youtube.com/watch?v=xnR3I9xXd1U&lt;br /&gt;&lt;br /&gt;Buckcherry – “Dead” (from All Night Long)&lt;br /&gt;http://www.myspace.com/buckcherry &lt;br /&gt;&lt;br /&gt;The Dead Weather – “Looking At The Invisible Man” (from Sea Of Cowards)&lt;br /&gt;http://www.youtube.com/watch?v=mW-TpX5mXbE &lt;br /&gt;&lt;br /&gt;Die Antwoord – “Enter The Ninja” (from $O$)&lt;br /&gt;http://www.youtube.com/watch?v=8NZBxwjcwMc &lt;br /&gt;&lt;br /&gt;Enemy Of The Sun – “I Am One” (from Caedium)&lt;br /&gt;http://www.youtube.com/watch?v=tTJ11_OTbrg &lt;br /&gt;&lt;br /&gt;Grace Potter And The Nocturnals – “Medicine” (from Self-Titled)&lt;br /&gt;http://www.youtube.com/watch?v=hjaTVkRAxaI &lt;br /&gt;&lt;br /&gt;Iron Maiden – “Coming Home” (from The Final Frontier)&lt;br /&gt;http://www.youtube.com/watch?v=GfgDXrs81Rs  &lt;br /&gt;&lt;br /&gt;M.I.A. – “XXXO” (from Maya)&lt;br /&gt;http://www.youtube.com/watch?v=ontdIqBc3Sk &lt;br /&gt;&lt;br /&gt;Mike Patton – “Urlo Negro” (from Mondo Cane)&lt;br /&gt;http://www.youtube.com/watch?v=jTSq3A0470w&lt;br /&gt;&lt;br /&gt;The New Pornographers – “Crash Years” (from Together)&lt;br /&gt;http://www.youtube.com/watch?v=_KZANuDcRO4 &lt;br /&gt;&lt;br /&gt;Ov Hell – “Krigsatte Faner” (from The Underworld Regime)&lt;br /&gt;http://www.youtube.com/watch?v=qtsHl9Dqf8s  &lt;br /&gt;&lt;br /&gt;Villagers – “I Saw The Dead” (from Becoming A Jackal)&lt;br /&gt;http://www.youtube.com/watch?v=QZGCfIIHWhk   &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Whitechapel – “Reprogrammed To Hate” (from A New Era Of Corruption)&lt;br /&gt;http://www.youtube.com/watch?v=spCOhySipdw  &lt;br /&gt;&lt;br /&gt;The White Stripes – “Jolene” (from Under Great White Northern Lights)&lt;br /&gt;http://www.youtube.com/watch?v=ekxFlPENWQY &lt;br /&gt;&lt;br /&gt;Woe Of Tyrants – “Threnody” (from Threnody)&lt;br /&gt;http://www.youtube.com/watch?v=LfBpX43kcCY &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Arcade Fire – The Suburbs (Merge)&lt;br /&gt;http://en.wikipedia.org/wiki/The_Suburbs_(Arcade_Fire_album)&lt;br /&gt;&lt;br /&gt;The Black Keys – Brothers (Nonesuch)&lt;br /&gt;http://en.wikipedia.org/wiki/Brothers_(The_Black_Keys_album)&lt;br /&gt;&lt;br /&gt;Buckcherry – All Night Long (Eleven Seven Music , Atlantic)&lt;br /&gt;http://en.wikipedia.org/wiki/All_Night_Long_(Buckcherry_album) &lt;br /&gt; &lt;br /&gt;The Dead Weather – Sea Of Cowards (Third Man)&lt;br /&gt;http://en.wikipedia.org/wiki/Sea_of_Cowards&lt;br /&gt;&lt;br /&gt;Die Antwoord - $O$ (Interscope Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Die_antwoord  &lt;br /&gt;&lt;br /&gt;Grace Potter And The Nocturnals – Self-Titled (Hollywood)&lt;br /&gt;http://en.wikipedia.org/wiki/Grace_Potter_and_the_Nocturnals_(album)&lt;br /&gt;&lt;br /&gt;Iron Maiden – The Final Frontier (EMI)&lt;br /&gt;http://en.wikipedia.org/wiki/The_Final_Frontier_(Iron_Maiden_album)&lt;br /&gt;&lt;br /&gt;M.I.A. – Maya (N.E.E.T., XL, Interscope, Hostess)&lt;br /&gt;http://en.wikipedia.org/wiki/Maya_(M.I.A._album)&lt;br /&gt;&lt;br /&gt;Mike Patton – Mondo Cane (Ipecac Recordings)&lt;br /&gt;http://en.wikipedia.org/wiki/Mondo_Cane_(album)&lt;br /&gt;&lt;br /&gt;The New Pornographers – Together (Matador)&lt;br /&gt;http://en.wikipedia.org/wiki/Together_(The_New_Pornographers_album)&lt;br /&gt;&lt;br /&gt;Ov Hell – The Underworld Regime (Prosthetic Records)&lt;br /&gt;http://en.wikipedia.org/wiki/The_Underworld_Regime   &lt;br /&gt;&lt;br /&gt;Whitechapel – A New Era Of Corruption (Metal Blade)&lt;br /&gt;http://en.wikipedia.org/wiki/A_New_Era_of_Corruption  &lt;br /&gt;&lt;br /&gt;The White Stripes – Under Great White Northern Lights (Third Man)&lt;br /&gt;http://en.wikipedia.org/wiki/Under_Great_White_Northern_Lights   &lt;br /&gt;&lt;br /&gt;Woe Of Tyrants – Threnody (Metal Blade)&lt;br /&gt;http://en.wikipedia.org/wiki/Threnody_(album)&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME: &lt;br /&gt;&lt;br /&gt;Clinging To The Trees Of A Forest Fire – Songs Of Ill Hope And Desperation&lt;br /&gt;&lt;br /&gt;Sleigh Bells - Treats&lt;br /&gt;&lt;br /&gt;Valkyrie – Man Of Two Visions&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:    &lt;br /&gt;&lt;br /&gt;Grave – Burial Ground&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO &lt;br /&gt;&lt;br /&gt;The Brogues – “I Ain’t No Miracle Worker” (Radio Single 1965)&lt;br /&gt;&lt;br /&gt;Elvis Presley – “Welcome To My World” (from Aloha From HawaiI 1973)&lt;br /&gt;&lt;br /&gt;John Lennon – “Isolation” (from Plastic Ono Band 1970)&lt;br /&gt;&lt;br /&gt;Rush – “Working Man” (from Self-Titled 1974)&lt;br /&gt;&lt;br /&gt;Tom Waits – “Singapore” (from Rain Dogs 1985)&lt;br /&gt;&lt;br /&gt;Trouble – “Psalm 9” (from Psalm 9 1984)&lt;br /&gt;&lt;br /&gt;Zoroaster – “Voice Of Saturn” (from Voice Of Saturn 2009)&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT:&lt;br /&gt;&lt;br /&gt;The Kinks – Preservation Acts 1 &amp; 2(1973)&lt;br /&gt;&lt;br /&gt;Morbid Angel – Formulas Fatal To The Flesh (1998)&lt;br /&gt;&lt;br /&gt;Neil Young And Crazy Horse – Broken Arrow (1996)&lt;br /&gt;&lt;br /&gt;Opeth – Still Life (1999)&lt;br /&gt;&lt;br /&gt;Queensryche – Rage For Order (1986)&lt;br /&gt;&lt;br /&gt;Smashing Pumpkins –Turpentine Kisses (1995)&lt;br /&gt;&lt;br /&gt;Stevie Ray Vaughan – Mega Rare Tracks (2007)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-577660538000802790?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/577660538000802790/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=577660538000802790' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/577660538000802790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/577660538000802790'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/08/music-picks-for-august-20th-2010.html' title='Music Picks for August 20th, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-720524986233863786</id><published>2010-08-08T11:23:00.000-07:00</published><updated>2010-08-08T11:24:43.761-07:00</updated><title type='text'>Music Picks for August 8th, 2010</title><content type='html'>August 8th, 2010&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG&lt;br /&gt;&lt;br /&gt;Aeon – “Abomination To God” (from Path To Fire)&lt;br /&gt;http://www.youtube.com/watch?v=A_MR_6l5qP8&lt;br /&gt;&lt;br /&gt;Alan Jackson – “Freight Train” (from Freight Train)&lt;br /&gt;http://www.youtube.com/watch?v=9xyt9gUlrec&lt;br /&gt;&lt;br /&gt;Black Tusk – “Way Of Horse And Bow” (from Taste The Sin)&lt;br /&gt;http://www.youtube.com/watch?v=wmYTl2FGEk4 &lt;br /&gt;&lt;br /&gt;The Bravery – “Ours” (from Twilight: Eclipse Soundtrack)&lt;br /&gt;http://www.youtube.com/watch?v=jmtuwDddcos &lt;br /&gt;&lt;br /&gt;Cee-Lo Green – “What Part Of Forever?” (from Twilight: Eclipse Soundtrack)&lt;br /&gt;http://www.youtube.com/watch?v=EpgJtsmB9Aw &lt;br /&gt;&lt;br /&gt;Court Yard Hounds – “See You In The Spring” (w/Jakob Dylan) (from Self-Titled)&lt;br /&gt;http://www.youtube.com/watch?v=hCstHX_HH7o  &lt;br /&gt;&lt;br /&gt;Die – “Rise Of The Rotten” (from Rise Of The Rotten)&lt;br /&gt;http://www.myspace.com/diedenmark  &lt;br /&gt;&lt;br /&gt;Florence + The Machine – “Heavy In Your Arms” (from Twilight: Eclipse Soundtrack)&lt;br /&gt;http://www.youtube.com/watch?v=BELNiWGF0aM &lt;br /&gt;&lt;br /&gt;Freya – “The Light That Rivaled The Sun” (from All Hail The End)&lt;br /&gt;http://www.youtube.com/watch?v=ZwC7VFXNNsc &lt;br /&gt;&lt;br /&gt;Hanson – “Carry You There” (from Shout It Out)&lt;br /&gt;http://www.youtube.com/watch?v=fl6gvug_11o &lt;br /&gt;&lt;br /&gt;Karen Elson – “The Ghost Who Walks” (from The Ghost Who Walks)&lt;br /&gt;http://www.youtube.com/watch?v=YmFQfgdmyzY &lt;br /&gt;&lt;br /&gt;Miseration – “Voyaging The Seas Of Thought” (from The Mirroring Shadow)&lt;br /&gt;http://www.youtube.com/watch?v=at2uAn2DPK0 &lt;br /&gt;&lt;br /&gt;Nachtmystium – “Addicts” (from Addicts: Black Meddle, Pt. 2)&lt;br /&gt;http://www.youtube.com/watch?v=EKqBQq-jCrs &lt;br /&gt;&lt;br /&gt;Orphaned Land – “Sapari” (from The Never Ending Way of ORWarriOR)&lt;br /&gt;http://www.youtube.com/watch?v=3doOjLwJHDg  &lt;br /&gt;&lt;br /&gt;The Roots – “Radio Daze” (w/Blu, P.O.R.N. and Dice Raw) (from How I Got Over) &lt;br /&gt;http://www.youtube.com/watch?v=VqfNBbtn5e4 &lt;br /&gt;&lt;br /&gt;Soilwork – “Late For The Kill, Early For The Slaughter” (from The Panic Broadcast)&lt;br /&gt;http://www.youtube.com/watch?v=dww2JwSbOl4 &lt;br /&gt;&lt;br /&gt;Truth And Salvage Co. – “Hail Hail” (from Self-Titled)&lt;br /&gt;http://www.youtube.com/watch?v=djoYfi24rOc  &lt;br /&gt;&lt;br /&gt;Ufomammut – “Eve Pt. 1” (from Eve)&lt;br /&gt;http://www.youtube.com/watch?v=ks8_QZe0UfM  &lt;br /&gt;&lt;br /&gt;Veil Of Maya – “Resistance” (from (id))&lt;br /&gt;http://www.youtube.com/watch?v=m61ep5DanpI   &lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Aeon – Path Of Fire (Metal Blade Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Path_of_Fire  &lt;br /&gt;&lt;br /&gt;Black Tusk – Taste The Sin (Relapse)&lt;br /&gt;http://en.wikipedia.org/wiki/Black_Tusk_(band)&lt;br /&gt;&lt;br /&gt;Court Yard Hounds – Self-Titled (Open Wide / Columbia)&lt;br /&gt;http://en.wikipedia.org/wiki/Court_Yard_Hounds_(album)&lt;br /&gt;&lt;br /&gt;Freya – All Hail The End (Victory Records)&lt;br /&gt;http://www.myspace.com/freya&lt;br /&gt;&lt;br /&gt;Miseration – The Mirroring Shadow (Lifeforce)&lt;br /&gt;http://en.wikipedia.org/wiki/Miseration&lt;br /&gt;&lt;br /&gt;Nachtmystium – Addicts:  Black Meddle Pt. 2 (Century Media Records / Candlelight Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Addicts:_Black_Meddle,_Part_II&lt;br /&gt;&lt;br /&gt;The Roots – How I Got Over (Def Jam)&lt;br /&gt;http://en.wikipedia.org/wiki/How_I_Got_Over_(album)&lt;br /&gt;&lt;br /&gt;Soilwork – The Panic Broadcast (Nuclear Blast)&lt;br /&gt;http://en.wikipedia.org/wiki/The_Panic_Broadcast&lt;br /&gt;&lt;br /&gt;Truth And Salvage Co. – Self-Titled (Silver Arrow)&lt;br /&gt;http://en.wikipedia.org/wiki/Truth_and_Salvage_Co._(album)&lt;br /&gt;&lt;br /&gt;Twilight: Eclipse – Original Soundtrack (Chop Shop / Atlantic)&lt;br /&gt;http://en.wikipedia.org/wiki/The_Twilight_Saga:_Eclipse_(soundtrack)&lt;br /&gt;&lt;br /&gt;Ufomammut – Eve (Supernatural Cat)&lt;br /&gt;http://en.wikipedia.org/wiki/Ufomammut   &lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME: &lt;br /&gt;&lt;br /&gt;Jucifer – Throned In Blood&lt;br /&gt;&lt;br /&gt;Nightbringer – Apocalypse Sun&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:   &lt;br /&gt;&lt;br /&gt;Decrepit Birth - Polarity&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO &lt;br /&gt;Destiny’s Child – “Say My Name” (from The Writing’s On The Wall 2000)&lt;br /&gt;&lt;br /&gt;The Fatima Mansions – “Evil Man” (from Valhalla Avenue 1992)&lt;br /&gt;&lt;br /&gt;Eddie Rabbitt – “I Love A Rainy Night” (from Horizon 1980)&lt;br /&gt;&lt;br /&gt;Greg Kihn Band – “Jeopardy” (from Kihnspiracy 1983)&lt;br /&gt;&lt;br /&gt;Judge Dread – “Big Eight” (Radio Single 1973)&lt;br /&gt;&lt;br /&gt;Lord Tariq And Peter Gunz – “Déjà Vu” (from Make It Rain 1998)&lt;br /&gt;&lt;br /&gt;Napoleon XIV – “They’re Coming To Take Me Away Ha-Haaa” (Radio Single 1966)&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT:&lt;br /&gt;&lt;br /&gt;8 Mile – Original Soundtrack (2002)&lt;br /&gt;&lt;br /&gt;A Chorus Line – Original Broadway Soundtrack (1975)&lt;br /&gt;&lt;br /&gt;Alice Cooper- Pretties For You (1968)&lt;br /&gt;&lt;br /&gt;Al Green – Green Is Blues (1969)&lt;br /&gt;&lt;br /&gt;Immortal – At The Heart Of Winter (1999)&lt;br /&gt;&lt;br /&gt;Katatonia – Dance Of December Souls (1993)&lt;br /&gt;&lt;br /&gt;Machito – Kenya (1957)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-720524986233863786?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/720524986233863786/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=720524986233863786' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/720524986233863786'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/720524986233863786'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/08/music-picks-for-august-8th-2010.html' title='Music Picks for August 8th, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-8951808657324828537</id><published>2010-07-23T09:52:00.000-07:00</published><updated>2010-07-23T09:55:42.158-07:00</updated><title type='text'>Music Picks for July 23rd, 2010</title><content type='html'>July 23rd, 2010&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG&lt;br /&gt;Eminem – “White Trash Party” (from Recovery)&lt;br /&gt;http://www.youtube.com/watch?v=n5f7HZtx0rg &lt;br /&gt;&lt;br /&gt;The Gaslight Anthem – “Bring It On” (from American Slang)&lt;br /&gt;http://www.youtube.com/watch?v=VfjeiCkZzgg &lt;br /&gt;&lt;br /&gt;Ihsahn – “Frozen Lakes On Mars” (from After)&lt;br /&gt;http://www.youtube.com/watch?v=QpluTn_bPXI &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Laura Marling – “Devil’s Spoke” (from I Speak Because I Can)&lt;br /&gt;http://www.youtube.com/watch?v=QirL0HXnyS4 &lt;br /&gt;&lt;br /&gt;Melvins – “The Water Glass” (from The Bride Screamed Murder)&lt;br /&gt;http://www.youtube.com/watch?v=zZaPDhhrdaY   &lt;br /&gt;&lt;br /&gt;Ozzy Osbourne – “Diggin’ Me Down” (from Scream)&lt;br /&gt;http://www.youtube.com/watch?v=6dHHZ6W2tsw &lt;br /&gt;&lt;br /&gt;Tom Petty And The Heartbreakers – “I Should Have Known It” (from Mojo)&lt;br /&gt;http://www.youtube.com/watch?v=3_iBKacXIA4  &lt;br /&gt;&lt;br /&gt;Watain – “Reaping Death” (from Lawless Darkness)&lt;br /&gt;http://www.youtube.com/watch?v=IrOfvhFiq6E &lt;br /&gt;&lt;br /&gt;Witchery – “The God Who Fell From Earth” (from Witchkrieg)&lt;br /&gt;http://www.youtube.com/watch?v=T8oLTpw7veQ &lt;br /&gt;&lt;br /&gt;Yakuza – “Be That As It May” (from Of Seismic Consequence)&lt;br /&gt;http://www.youtube.com/watch?v=wizHGyNuM_U &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE: &lt;br /&gt;&lt;br /&gt;Eminem – Recovery  (Aftermath / Interscope / Shady)&lt;br /&gt;http://en.wikipedia.org/wiki/Recovery_(Eminem_album)&lt;br /&gt;&lt;br /&gt;The Gaslight Anthem – American Slang  (SideOneDummy) &lt;br /&gt;http://en.wikipedia.org/wiki/American_slang&lt;br /&gt;&lt;br /&gt;Ozzy Osbourne – Scream  (Epic)&lt;br /&gt;http://en.wikipedia.org/wiki/Scream_(Ozzy_Osbourne_album)&lt;br /&gt;&lt;br /&gt;Tom Petty And The Heartbreakers – Mojo  (Reprise)&lt;br /&gt;http://en.wikipedia.org/wiki/Mojo_(album) &lt;br /&gt; &lt;br /&gt;Watain – Lawless Darkness   (Seasons Of Mist)&lt;br /&gt;http://en.wikipedia.org/wiki/Watain&lt;br /&gt;&lt;br /&gt;Witchery – Witchkrieg  (Century Media)&lt;br /&gt;http://en.wikipedia.org/wiki/Witchery   &lt;br /&gt;&lt;br /&gt;Yakuza – Of Seismic Consequence   (Prosthetic Records) &lt;br /&gt;http://en.wikipedia.org/wiki/Yakuza_(band) &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME:&lt;br /&gt;&lt;br /&gt;Bison B.C. – Dark Ages&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:   &lt;br /&gt;&lt;br /&gt;Jacob Dylan – Women And Country&lt;br /&gt;&lt;br /&gt;The Ocean - Heliocentric&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO &lt;br /&gt;&lt;br /&gt;Caleb – “Baby Your Phrasing Is Bad” (from Nuggets, Vol. 2 2001)&lt;br /&gt;&lt;br /&gt;Genesis – “Cul-De-Sac” (from Duke 1980)&lt;br /&gt;&lt;br /&gt;KMFDM – “What Do You Know?” (from What Do You Know Deutschland? 1986)&lt;br /&gt;&lt;br /&gt;Ministry – “Here We Go” (from With Sympathy 1983)&lt;br /&gt;&lt;br /&gt;Only Living Witness – “Nineveh” (from Prone Mortal Form Demo 1992)&lt;br /&gt;&lt;br /&gt;Quicksand – “Transparent” (from Slip 1993)&lt;br /&gt;&lt;br /&gt;Richie Havens – “Freedom” (from Woodstock: Disc One 1969)&lt;br /&gt;&lt;br /&gt;Testament – “New Eyes Of Old” (from Demonic 1997)&lt;br /&gt;&lt;br /&gt;The Undertones – “Hypnotised” (from Teenage Kicks 1993)&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT:&lt;br /&gt;&lt;br /&gt;Dire Straits – Live At The BBC (1995)&lt;br /&gt;&lt;br /&gt;Iron Maiden – Beast Over Hammersmith (2002)&lt;br /&gt;&lt;br /&gt;Judge – What It Meant (2005)&lt;br /&gt;&lt;br /&gt;Led Zeppelin – The Song Remains The Same (1976)&lt;br /&gt;&lt;br /&gt;Poison – Crack A Smile…And More (2000)&lt;br /&gt;&lt;br /&gt;Rainbow – Rising (1976)&lt;br /&gt;&lt;br /&gt;Slayer – Decade Of Aggression (1991)&lt;br /&gt;&lt;br /&gt;Sarah Vaughan – The Complete Sarah Vaughan (1986)&lt;br /&gt;&lt;br /&gt;The Yardbirds – Live! Blues Wailing (1964)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-8951808657324828537?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/8951808657324828537/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=8951808657324828537' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8951808657324828537'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8951808657324828537'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/07/music-picks-for-july-23rd-2010.html' title='Music Picks for July 23rd, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-7185681390347529843</id><published>2010-07-02T11:26:00.000-07:00</published><updated>2010-07-02T11:27:53.589-07:00</updated><title type='text'>Music Picks for July 2nd, 2010</title><content type='html'>NEW SONGS THAT I DIG&lt;br /&gt;Against Me! – “Spanish Moss” (from White Crosses)&lt;br /&gt;http://www.youtube.com/watch?v=5s3VyKAr5fo  &lt;br /&gt;Ariel Pink’s Haunted Graffiti – “Round And Round” (from Before Today)&lt;br /&gt;http://www.youtube.com/watch?v=wiLqAu4s-_s &lt;br /&gt;&lt;br /&gt;Danzig – “On A Wicked Night” (from Deth Red Sabaoth)&lt;br /&gt;http://www.youtube.com/watch?v=MREBqMtJeao&lt;br /&gt;&lt;br /&gt;Destruktor – “Endless Reign Of Terror” (from Nailed)&lt;br /&gt;http://www.youtube.com/watch?v=Yxv8UrkdLVQ&lt;br /&gt;&lt;br /&gt;Easton Corbin – “A Lot To Learn About Livin’” (from Self-Titled)&lt;br /&gt;http://www.youtube.com/watch?v=imuJs6CJvbM &lt;br /&gt;&lt;br /&gt;Heidevolk – “Reuzenmacht” (from Uit Oude Grond)&lt;br /&gt;http://www.youtube.com/watch?v=1p8j3qAXF14  &lt;br /&gt;&lt;br /&gt;Jimmy Buffett – “Paradise” (from Encores)&lt;br /&gt;http://www.margaritaville.com/index.php&lt;br /&gt;&lt;br /&gt;Melissa Etheridge – “Drag Me Away” (from Fearless Love)&lt;br /&gt;http://awakening.melissaetheridge.com/music/ &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;Against Me! – White Crosses (Sire)&lt;br /&gt;http://en.wikipedia.org/wiki/White_Crosses_(album)   &lt;br /&gt;Danzig – Deth Red Sabaoth (Evilive / The End Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Deth_Red_Sabaoth&lt;br /&gt;Easton Corbin – Self-Titled (Mercury Nashville)&lt;br /&gt;http://en.wikipedia.org/wiki/Easton_Corbin_(album)   &lt;br /&gt;Heidevolk – Uit Oude Grond (Naplam Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Uit_oude_Grond&lt;br /&gt;Jimmy Buffett – Encores (Mailboat)&lt;br /&gt;http://en.wikipedia.org/wiki/Encores_(Jimmy_Buffett_album)&lt;br /&gt;Melissa Etheridge – Fearless Love (Island)&lt;br /&gt;http://en.wikipedia.org/wiki/Fearless_Love   &lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME:&lt;br /&gt;&lt;br /&gt;Nevermore – The Obsidian Conspiracy&lt;br /&gt;&lt;br /&gt;Raven – Walk Through Fire &lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:   &lt;br /&gt;&lt;br /&gt;Cathedral – The Guessing Game&lt;br /&gt;&lt;br /&gt;Defeated Sanity – Chapters Of Repugnance &lt;br /&gt;&lt;br /&gt;Dr. Dog – Shame, Shame&lt;br /&gt;&lt;br /&gt;Janelle Monae – The ArchAndroid&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO (4th Of July Edition)&lt;br /&gt;&lt;br /&gt;Caitlin Cary – “Fireworks” (from While You Weren’t Looking 2002)&lt;br /&gt;Elliott Smith – “Independence Day” (from XO 1998)&lt;br /&gt;Jimmy Eat World – “Just Watch The Fireworks” (from Clarity 1999)&lt;br /&gt;Less Than Jake – “In-Dependence Day” (from In With The Out Crowd 2006)&lt;br /&gt;Martina McBride – “Independence Day” (from The Way That I Am 1993)&lt;br /&gt;No Motiv – “Independence Day” (from Daylight Breaking 2004)&lt;br /&gt;Soundgarden – “4th Of July” (from Superunknown 1994)&lt;br /&gt;X  – “Fourth Of July” (from See How We Are 1987)&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT (4th Of July Edition):&lt;br /&gt;&lt;br /&gt;America – History (1975)&lt;br /&gt;The Charlatans – Self-Titled (1969)&lt;br /&gt;David Bowie – Hunky Dory (1971) &lt;br /&gt;Elton John – Captain Fantastic And The Brown Dirt Cowboy (1975)&lt;br /&gt;Ladytron – Light &amp; Magic (2002)&lt;br /&gt;Miles Davis – Sketches Of Spain (1960)&lt;br /&gt;Minutemen – Double Nickels On The Dime (1984)&lt;br /&gt;Paul Revere And The Raiders – Just Like Us! (1966)&lt;br /&gt;Primus – Brown Album (1997)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-7185681390347529843?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/7185681390347529843/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=7185681390347529843' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7185681390347529843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7185681390347529843'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/07/music-picks-for-july-2nd-2010.html' title='Music Picks for July 2nd, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-2706849257040712293</id><published>2010-06-13T07:45:00.000-07:00</published><updated>2010-06-13T07:46:05.915-07:00</updated><title type='text'>Music Picks for June 13th, 2010</title><content type='html'>NEW SONGS THAT I DIG:&lt;br /&gt;&lt;br /&gt;1349 – “When I Was Flesh” (from Demonoir)&lt;br /&gt;http://www.youtube.com/watch?v=GqK4cXZ095k &lt;br /&gt;&lt;br /&gt;Barren Earth – “Curse Of The Red River” (from Curse Of The Red River) &lt;br /&gt;http://www.youtube.com/watch?v=zlTqtXUjQFU &lt;br /&gt;&lt;br /&gt;Blood Of The Black Owl – “Intent” (from A Banishing Ritual)&lt;br /&gt;http://www.myspace.com/bloodoftheblackowl &lt;br /&gt;&lt;br /&gt;Cornershop – “Who Fingered Rock N’ Roll?” (from Judy Sucks A Lemon For Breakfast)&lt;br /&gt;http://www.youtube.com/watch?v=KTt42i8oQBQ &lt;br /&gt;&lt;br /&gt;Exodus – “Class Dismissed” (from Exhibit B: The Human Condition)&lt;br /&gt;http://www.youtube.com/watch?v=oHGiInoCo9I&lt;br /&gt;&lt;br /&gt;GBH – “This Is Not The Real World” (from Perfume And Piss)&lt;br /&gt;http://www.youtube.com/watch?v=HFYGrksPpeI &lt;br /&gt;&lt;br /&gt;Gogol Bordello – “Immigraniada” (from Trans-Continental Hustle)&lt;br /&gt;http://www.youtube.com/watch?v=ulGQVyRpzvA &lt;br /&gt;&lt;br /&gt;Hole – “Honey” (from Nobody’s Daughter)&lt;br /&gt;http://www.youtube.com/watch?v=v5YwUS0AEZw&lt;br /&gt;&lt;br /&gt;Kingdom Of Sorrow – “Behind The Blackest Tears” (from Behind The Blackest Tears)&lt;br /&gt;http://www.youtube.com/watch?v=tqyVL18UL2Y &lt;br /&gt;&lt;br /&gt;Landmine Marathon – “Shadows Fed To Tyrants” (from Sovereign Descent)&lt;br /&gt;http://www.youtube.com/watch?v=31-b95z0iz4 &lt;br /&gt;&lt;br /&gt;LCD Soundsystem – “Drunk Girls” (from This Is Happening)&lt;br /&gt;http://www.youtube.com/watch?v=qdRaf3-OEh4&lt;br /&gt;&lt;br /&gt;Meat Loaf – “Living On The Outside” (from Hang Cool Teddy Bear)&lt;br /&gt;http://www.youtube.com/watch?v=-PMw1AXlKBw &lt;br /&gt;&lt;br /&gt;Merle Haggard – “Live And Love Always” (from I Am What I Am)&lt;br /&gt;http://new.music.yahoo.com/merle-haggard/tracks/live-and-love-always--218663054&lt;br /&gt;&lt;br /&gt;Ratt – “Best Of Me” (from Infestation)&lt;br /&gt;http://www.youtube.com/watch?v=HjEYZaG8rYQ &lt;br /&gt;&lt;br /&gt;Stone Temple Pilots – “Hickory Dichotomy” (from Self-Titled)&lt;br /&gt;http://www.youtube.com/watch?v=kxWcndzhAbc &lt;br /&gt;&lt;br /&gt;V.V. Brown – “Shark In The Water” (from Travelling Like The Light)&lt;br /&gt;http://www.youtube.com/watch?v=wPQlxHWsemI &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Barren Earth – Curse Of The Red River (Peaceville Records)&lt;br /&gt;http://www.myspace.com/officialbarrenearth&lt;br /&gt;&lt;br /&gt;Blood Of The Black Owl – A Banishing Ritual (Bindrune Recordings)&lt;br /&gt;http://www.myspace.com/bloodoftheblackowl  &lt;br /&gt;&lt;br /&gt;Exodus – Exhibit B: The Human Condition (Nuclear Blast)&lt;br /&gt;http://en.wikipedia.org/wiki/Exhibit_B:_The_Human_Condition&lt;br /&gt;&lt;br /&gt;Gogol Bordello – Trans-Continental Hustle (American Recordings)&lt;br /&gt;http://en.wikipedia.org/wiki/Trans-Continental_Hustle&lt;br /&gt;&lt;br /&gt;Hole – Nobody’s Daughter (CherryForever)&lt;br /&gt;http://en.wikipedia.org/wiki/Nobody%27s_Daughter&lt;br /&gt;&lt;br /&gt;Kingdom Of Sorrow – Behind The Blackest Tears (Relapse)&lt;br /&gt;http://en.wikipedia.org/wiki/Behind_the_Blackest_Tears  &lt;br /&gt;&lt;br /&gt;Landmine Marathon – Sovereign Descent (Prosthetic Records)&lt;br /&gt;http://www.myspace.com/landminemarathon  &lt;br /&gt;&lt;br /&gt;LCD Soundsystem – This Is Happening (DFA)&lt;br /&gt;http://en.wikipedia.org/wiki/This_Is_Happening&lt;br /&gt;&lt;br /&gt;Meat Loaf – Hang Cool Teddy Bear (Mercury, Loud And Proud)&lt;br /&gt;http://en.wikipedia.org/wiki/Hang_Cool_Teddy_Bear&lt;br /&gt;&lt;br /&gt;Stone Temple Pilots – Self-Titled (Atlantic)&lt;br /&gt;http://en.wikipedia.org/wiki/Stone_Temple_Pilots_(album)&lt;br /&gt;&lt;br /&gt;V.V. Brown – Travelling Like The Light (Island)&lt;br /&gt;http://en.wikipedia.org/wiki/Travelling_Like_The_Light  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME:&lt;br /&gt;&lt;br /&gt;High On Fire – Snakes For The Divine&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:    &lt;br /&gt;&lt;br /&gt;Kate Nash – My Best Friend Is You&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO:&lt;br /&gt;&lt;br /&gt;Apocalyptica – “Toreador II” (from Reflections 2003)&lt;br /&gt;1987)&lt;br /&gt;Guano Apes – “Open Your Eyes” (from Proud Like A God 1997)&lt;br /&gt;Iron Maiden – “Hallowed Be Thy Name (Live)” (from Live After Death 1985)&lt;br /&gt;King Diamond – “Tea” (from Them 1988)&lt;br /&gt;Ray Charles – “Nobody Cares” (from The Birth Of Soul Boxset 1991)&lt;br /&gt;Steve Earle And The Dukes – “Six Days On The Road” (from Planes, Trains and Automobiles Soundtrack Thelonious Monk – “San Francisco Holiday” (from Thelonious Monk In Italy 1961)&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT:&lt;br /&gt;&lt;br /&gt;The Allman Brothers Band – Idlewild South (1970)&lt;br /&gt;Black Flag – The First Four Years (1983)&lt;br /&gt;Danzig – 777: I Luciferi (2002)&lt;br /&gt;Faith No More – King For A Day…Fool For A Lifetime (1995)&lt;br /&gt;Funk, Inc. – Chicken Lickin’ (1972)&lt;br /&gt;Huey Lewis And The News – Fore! (1986)&lt;br /&gt;Jackson 5 – G.I.T. Get It Together (1973)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-2706849257040712293?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/2706849257040712293/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=2706849257040712293' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/2706849257040712293'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/2706849257040712293'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/06/music-picks-for-june-13th-2010.html' title='Music Picks for June 13th, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-4054215963277113061</id><published>2010-05-21T11:32:00.000-07:00</published><updated>2010-05-21T11:33:39.375-07:00</updated><title type='text'>Music Picks for May 21st, 2010</title><content type='html'>May 21st, 2010&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG:&lt;br /&gt;&lt;br /&gt;Cavo – “Over Again” (from Bright Nights, Dark Days)&lt;br /&gt; http://www.youtube.com/watch?v=Z3uh49FMzUQ&lt;br /&gt;&lt;br /&gt;Lair Of The Minotaur – “Let’s Kill These Motherfuckers”  (from Evil Power)&lt;br /&gt;http://www.youtube.com/watch?v=N5dmeTZQ4CQ&lt;br /&gt;&lt;br /&gt;Sharon Jones And The Dap-Kings – “Money” (from I Learned The Hard Way)&lt;br /&gt;http://www.youtube.com/watch?v=FJlTWubKSsc&lt;br /&gt;&lt;br /&gt;Sevendust – “Ride Insane” (from Cold Day Memory)&lt;br /&gt;http://www.youtube.com/watch?v=pZ2sf7CPJ04&lt;br /&gt;&lt;br /&gt;Sick Of It All – “Lowest Common Denominator” (from Based On A True Story)&lt;br /&gt;http://www.ryansrockshow.com/php2/news/37-tidbits/2563-sick-of-it-all-new-song-lowest-common-denominator-streaming-online.html&lt;br /&gt;&lt;br /&gt;Slash – “Watch This” (w/Dave Grohl and Duff McKagan) (from Self-Titled)&lt;br /&gt;http://www.youtube.com/watch?v=gF_ZHErYb5s&lt;br /&gt;&lt;br /&gt;White Wizzard – “Iron Goddess Of Vengeance” (from Over The Top)&lt;br /&gt;http://www.youtube.com/watch?v=2PmKhxkQMDc&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Cavo – Bright Nights, Dark Days (Reprise)&lt;br /&gt;http://en.wikipedia.org/wiki/Bright_Nights_Dark_Days  &lt;br /&gt;&lt;br /&gt;Sharon Jones And The Dap-Kings – I Learned The Hard Way (Daptone)&lt;br /&gt;http://en.wikipedia.org/wiki/I_Learned_the_Hard_Way&lt;br /&gt;&lt;br /&gt;Sick Of It All – Based On A True Story (Century Media Records)&lt;br /&gt;http://en.wikipedia.org/wiki/Based_on_a_True_Story_(Sick_of_It_All_album)&lt;br /&gt;&lt;br /&gt;Slash – Self-Titled (EMI)&lt;br /&gt;http://en.wikipedia.org/wiki/Slash_(album)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME:&lt;br /&gt;&lt;br /&gt;The Apples In Stereo – Travellers In Space And Time&lt;br /&gt;Deiphago – Filipino Antichrist&lt;br /&gt;Spoon - Transference&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:    &lt;br /&gt;&lt;br /&gt;Urgehal - Ikonoklast&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO:&lt;br /&gt;&lt;br /&gt;Atheist – “An Incarnation’s Dream” (from Unquestionable Presence 1991)&lt;br /&gt;The Cranberries – “Put Me Down” (from Everybody Else Is Doing It So Why Can’t We? 1993)&lt;br /&gt;David Gray – “January Rain” (from Lost Songs: 95-98 2001)&lt;br /&gt;Enslaved – “Krigaren Eg Ikkje Kjende” (from Mardraum-Beyond The Within 2000)&lt;br /&gt;Iron Maiden – “Seventh Son Of A Seventh Son” (from Seventh Son Of A Seventh Son 1988)&lt;br /&gt;Kyuss – “Deadly Kiss” (from Wretch 1991)&lt;br /&gt;Van Morrison – “Hymns To The Silence” (from Hymns To The Silence 1991)&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT:&lt;br /&gt;&lt;br /&gt;Big Bad Voodoo Daddy – This Beautiful Life (1999)&lt;br /&gt;George Jones – 24 Gospel Greats (1989)&lt;br /&gt;Jimi Hendrix – Electric Ladyland (1968)&lt;br /&gt;John Denver – Aerie (1971)&lt;br /&gt;John Lennon – Plastic Ono Band (1970)&lt;br /&gt;Napalm Death – Noise For Music’s Sake (2003)&lt;br /&gt;Nelly Furtado – Whoa, Nelly! (2000)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-4054215963277113061?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/4054215963277113061/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=4054215963277113061' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4054215963277113061'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4054215963277113061'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/05/music-picks-for-may-21st-2010.html' title='Music Picks for May 21st, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-5613045119065626812</id><published>2010-05-01T17:32:00.000-07:00</published><updated>2010-05-01T17:33:11.894-07:00</updated><title type='text'>Music Picks for May 1st, 2010</title><content type='html'>May 1st, 2010&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG:&lt;br /&gt;&lt;br /&gt;Dark Tranquility – “The Fatalist” (from We Are The Void)&lt;br /&gt;http://www.youtube.com/watch?v=c9Cvu9-kNhY&lt;br /&gt;&lt;br /&gt;Fear Factory – “Controlled Demolition” (from Mechanize)&lt;br /&gt;http://www.youtube.com/watch?v=-PDlOoHZfVw&lt;br /&gt;&lt;br /&gt;Ludacris – “I Know You Got A Man” (w/Flo Rida) (from Battle Of The Sexes)&lt;br /&gt;http://www.youtube.com/watch?v=MXFl5WldThA&lt;br /&gt;&lt;br /&gt;MGMT – “Brian Eno” (from Congratulations)&lt;br /&gt;http://www.youtube.com/watch?v=mkS6x7ihljc&lt;br /&gt;&lt;br /&gt;Triptykon – “Myopic Empire” (from Eparistera Daimones)&lt;br /&gt;http://www.youtube.com/watch?v=FX1IK8tOXdE&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Dark Tranquility – We Are The Void (Century Media) &lt;br /&gt;http://en.wikipedia.org/wiki/We_Are_the_Void&lt;br /&gt;&lt;br /&gt;Fear Factory – Mechanize (Candlelight Records) &lt;br /&gt; http://en.wikipedia.org/wiki/Mechanize&lt;br /&gt;&lt;br /&gt;Ludacris – Battle Of The Sexes (DTP, Island Def Jam)  http://en.wikipedia.org/wiki/Battle_of_the_Sexes_(album)&lt;br /&gt;&lt;br /&gt;MGMT – Congratulations (Columbia)&lt;br /&gt;http://en.wikipedia.org/wiki/Congratulations_(album)&lt;br /&gt;&lt;br /&gt;Triptykon – Eparistera Daimones (Prowling Death Records, Ltd) http://en.wikipedia.org/wiki/Eparistera_Daimones&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME:&lt;br /&gt;&lt;br /&gt;Apostle Of Solitude – Last Sunrise&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:    &lt;br /&gt;&lt;br /&gt;Angst Skvadron – Sweet Poison&lt;br /&gt;Burzum – Belus&lt;br /&gt;Sarcolytic – Thee Arcane Progeny&lt;br /&gt;   &lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO:&lt;br /&gt;&lt;br /&gt;Better Than Ezra – “A Southern Thang” (from Before The Robots 2005)&lt;br /&gt;Bryan Adams – “I Finally Found Someone” (from The Mirror Has Two Faces Soundtrack 1996)&lt;br /&gt;The Cramps – “Journey To The Center Of A Girl” (from Stay Sick! 1990)&lt;br /&gt;Patsy Cline – “I Don’t Wanta” (1957 Radio Single)&lt;br /&gt;Ella Fitzgerald – “Over The Rainbow” (from The Complete Ella Fitzgerald 1993)&lt;br /&gt;Eric Clapton – “Before You Accuse Me” (from Unplugged 1992)&lt;br /&gt;Fats Domino – “No No Baby” (1951 Radio Single)&lt;br /&gt;Ladytron – “They Gave You A Heart, They Gave You A Name” (from Velocifero 2008) &lt;br /&gt;Little Richard – “Slippin’ And Slidin’” (from Here’s Little Richard 1957)&lt;br /&gt;Lords Of Acid – “Marijuana In Your Brain” (from Voodoo U 1994)&lt;br /&gt;Poison – “I Won’t Forget You” (from Look What The Cat Dragged In 1987)&lt;br /&gt;Rascal Flatts – “Backwards” (from Me And My Gang 2006)&lt;br /&gt;Rollins Band – “During A City” (from Come In And Burn 2005)&lt;br /&gt;Tom Waits – “Rockin’ Chair” (from The Early Years, Vol. 1 2004)&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT:&lt;br /&gt;&lt;br /&gt;Anthrax – Live: Hammersmith Odeon , London 2-15-87 (1987)&lt;br /&gt;Counting Crows – Recovering The Satellites (1996)&lt;br /&gt;Crosby, Stills, Nash and Young – American Dream (1988)&lt;br /&gt;David Bowie – On Air Radio 2 (1995)&lt;br /&gt;Elton John – Peachtree Road (2004)&lt;br /&gt;Fugazi – Repeater (1990)&lt;br /&gt;James Brown – Live At The Apollo, 1968 (1968)&lt;br /&gt;King Diamond – Fatal Portrait (1986)&lt;br /&gt;KMFDM – ANGST (1993)&lt;br /&gt;Life Of Agony – River Runs Red (1993)&lt;br /&gt;Louvin Brothers – Tragic Songs Of Life (1956)&lt;br /&gt;Pink Floyd – Live At Pompeii (1972)&lt;br /&gt;Queensryche – Q2K (1999)&lt;br /&gt;Sarah Vaughan – The Complete Sarah Vaughan (1990)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-5613045119065626812?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/5613045119065626812/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=5613045119065626812' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/5613045119065626812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/5613045119065626812'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/05/music-picks-for-may-1st-2010.html' title='Music Picks for May 1st, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-8201432216561596004</id><published>2010-04-15T15:46:00.000-07:00</published><updated>2010-04-15T15:47:08.772-07:00</updated><title type='text'>Music Picks for April 15th, 2010</title><content type='html'>April 15th, 2010&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG:&lt;br /&gt;&lt;br /&gt;Armored Saint – “Loose Cannon” (from La Raza)&lt;br /&gt;http://www.last.fm/music/Armored+Saint/_/Loose+Cannon&lt;br /&gt;&lt;br /&gt;Broken Bells – “The Ghost Inside” (from Self-Titled) &lt;br /&gt;http://www.youtube.com/watch?v=mDeO46FwdeU&lt;br /&gt;&lt;br /&gt;Eluveitie – “Quoth The Raven” (from Everything Remains As It Never Was)&lt;br /&gt;http://www.youtube.com/watch?v=13X2G5_AL_s&lt;br /&gt;&lt;br /&gt;Freelance Whales – “Broken Horse” (from Weathervanes)&lt;br /&gt;http://www.youtube.com/watch?v=sZPvp-HRRYQ&lt;br /&gt;&lt;br /&gt;Gorillaz – “Some Kind Of Nature (w/Lou Reed)” (from Plastic Beach)&lt;br /&gt;http://www.youtube.com/watch?v=461DTk1C5_Y&lt;br /&gt;&lt;br /&gt;Rage – “Empty Hollow (Pts. I-V)” (from Strings To A Web)&lt;br /&gt;http://www.youtube.com/watch?v=ddNRieQNbj4&lt;br /&gt;&lt;br /&gt;Rob Zombie – “Werewolf, Baby” (from Hellbilly Deluxe 2)&lt;br /&gt;http://www.youtube.com/watch?v=kHkggBj4YYk&lt;br /&gt;&lt;br /&gt;She And Him – “Over It Over Again” (from Volume 2)&lt;br /&gt;http://www.youtube.com/watch?v=NfScLmVkJNs&lt;br /&gt;&lt;br /&gt;Shout Out Louds – “Walls” (from Work)&lt;br /&gt;http://www.youtube.com/watch?v=xZXUjfleqKA&lt;br /&gt;&lt;br /&gt;Valkyrja – “Oceans To Dust” (from Contamination)&lt;br /&gt;http://www.youtube.com/watch?v=LCf8JVDtetI&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Armored Saint – La Raza (Metal Blade Records) &lt;br /&gt;http://en.wikipedia.org/wiki/La_Raza_(album)&lt;br /&gt;&lt;br /&gt;Eluveitie – Everything Remains As It Never Was (Nuclear Blast) http://en.wikipedia.org/wiki/Everything_Remains_as_It_Never_Was&lt;br /&gt;&lt;br /&gt;Freelance Whales – Weathervanes (Frenchkiss / Mom + Pop) http://www.myspace.com/freelancewhales&lt;br /&gt;&lt;br /&gt;Rob Zombie – Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool (Roadrunner) http://en.wikipedia.org/wiki/Hellbilly_Deluxe_2&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME:&lt;br /&gt;&lt;br /&gt;Bigbang – Edendale &lt;br /&gt;Black Rebel Motorcycle Club – Beat The Devil’s Tattoo&lt;br /&gt;Danny Barnes – Pizza Box&lt;br /&gt;Drive By Truckers – The Big To-Do&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:       &lt;br /&gt;&lt;br /&gt;De Profundis – A Bleak Reflection&lt;br /&gt;Troll – Neo-Satanic Supremacy&lt;br /&gt;Vampire Weekend – Contra&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO:&lt;br /&gt;&lt;br /&gt;Accept  - “Breaker (Live)” (from Staying A Life 1990)&lt;br /&gt;Cracker – “Night Falls” (from Greenland 2006)&lt;br /&gt;Great White – “I Don’t Need No Doctor (Live)” (from Recovery: Live 1988)&lt;br /&gt;Iron Maiden – “The Trooper” (from Piece Of Mind 1983) &lt;br /&gt;Johnathan Coulton – “Lady Aberlin’s Muumuu” (from The Aftermath 2008)&lt;br /&gt;Miles Davis – “Autumn Leaves (Live)” (from Miles In Berlin 1965)&lt;br /&gt;Richie Havens – “The Key” (from Nobody Left To Crown 2008)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT:&lt;br /&gt;&lt;br /&gt;Alice In Chains – Dirt (1992)&lt;br /&gt;Allman Brothers Band, The  - Live At Ludlow Garage (1991)&lt;br /&gt;Band, The – The Last Waltz (1978)&lt;br /&gt;Crystal Method, The  - Vegas (1997)&lt;br /&gt;Jimmy Buffett – Havana Daydreamin’ (1975) &lt;br /&gt;Leonard Cohen – Songs From A Room (1969)&lt;br /&gt;Wolfmother – Self-Titled (2005)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-8201432216561596004?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/8201432216561596004/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=8201432216561596004' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8201432216561596004'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8201432216561596004'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/04/music-picks-for-april-15th-2010.html' title='Music Picks for April 15th, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-6140457262051326925</id><published>2010-04-01T11:11:00.000-07:00</published><updated>2010-04-01T11:12:10.000-07:00</updated><title type='text'>Music Picks for April 1st, 2010</title><content type='html'>April 1st, 2010&lt;br /&gt;&lt;br /&gt;NEW SONGS THAT I DIG:&lt;br /&gt;&lt;br /&gt;Alkaline Trio – “This Addiction”(from This Addiction) &lt;br /&gt;http://www.youtube.com/watch?v=e7fJincn4Yg&lt;br /&gt;&lt;br /&gt;Cavo – “Champagne” (from Bright Nights, Dark Days)&lt;br /&gt; http://www.youtube.com/watch?v=oA3pESvUl3I&lt;br /&gt;&lt;br /&gt;Crash Kings – “Mountain Man” (from Self-Titled)&lt;br /&gt; http://www.youtube.com/watch?v=yVa7M2aC4n4&lt;br /&gt;&lt;br /&gt;Hot Chip – “Hand Me Down Your Love” (from One Life Stand) http://www.youtube.com/watch?v=MCLNU_lxz9w&lt;br /&gt;&lt;br /&gt;Jeff Mangum – “Sign The Dotted Line” (from Live at Jittery Joe’s) http://www.youtube.com/watch?v=EOWyIPKV81U&lt;br /&gt;&lt;br /&gt;Jim James And The Preservation Hall Band – “Louisiana Fairytale” (from Preservation Hall Benefit Album) http://www.youtube.com/watch?v=YXeGGDcnDnY&lt;br /&gt;&lt;br /&gt;Lady Antebellum – “Love This Pain” (from Need You Now)&lt;br /&gt;http://www.youtube.com/watch?v=8x3c9PFj9gg&lt;br /&gt;&lt;br /&gt;Mammoth Grinder – “Frozen” (from Extinction Of Humanity”)&lt;br /&gt;http://www.youtube.com/watch?v=6Hio-71Kb8o&lt;br /&gt;&lt;br /&gt;Massive Attack – “Paradise Circus” (from Heligoland)&lt;br /&gt;http://www.youtube.com/watch?v=O86iI7oXYfA&lt;br /&gt;&lt;br /&gt;Portishead – “Chase The Tear” (Amnesty International Single)&lt;br /&gt;http://www.youtube.com/watch?v=W5hpnLIswbQ&lt;br /&gt;&lt;br /&gt;Sade – “Soldier Of Love” (from Soldier Of Love)&lt;br /&gt;http://www.youtube.com/watch?v=IR5_rTCi-Bo&lt;br /&gt;&lt;br /&gt;Throwdown – “The Blinding Light” (from Deathless)&lt;br /&gt;http://www.youtube.com/watch?v=630SFMfSupI&lt;br /&gt;&lt;br /&gt;Timbaland – “Morning After Dark” (with Nelly Furtado) (from Presents Shock Value II)&lt;br /&gt;http://www.youtube.com/watch?v=25LBTSUEU0A&lt;br /&gt;&lt;br /&gt;Titus Andronicus – “Theme From Cheers” (from The Monitor)&lt;br /&gt;http://www.myspace.com/titusandronicus&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Sade – Soldier Of Love (RCA Epic) http://en.wikipedia.org/wiki/Soldier_of_Love_(album)&lt;br /&gt;Throwdown – Deathless (E1) http://en.wikipedia.org/wiki/Deathless&lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT JUST DIDN’T WORK FOR ME:&lt;br /&gt;&lt;br /&gt;Alberta Cross – Broken Side Of Time &lt;br /&gt;Arkona – Goi, Rode, Goi!!&lt;br /&gt;Barn Burner - Bangers&lt;br /&gt;Devin Townsend Project, The - Addicted&lt;br /&gt;OK Go – Of The Blue Colour Of The Sky&lt;br /&gt;Secrets Of The Moon - Privilegivm&lt;br /&gt;Sinister Realm – Self-Titled&lt;br /&gt;Squash Bowels - Grindvirus&lt;br /&gt;Swallow The Sun – New Moon&lt;br /&gt;Tenebrae in Perpetuum - L'eterno Maligno Silenzio&lt;br /&gt;Witchmaster – Trucizna       &lt;br /&gt;&lt;br /&gt;NEW ALBUMS THAT WERE “MEH”:       &lt;br /&gt;&lt;br /&gt;Immolation - Majesty And Decay&lt;br /&gt;&lt;br /&gt;OLD SONGS YOU SHOULD LISTEN TO:&lt;br /&gt;&lt;br /&gt;Animals, The – “The Other Side Of Life” (from Animalism 1966)&lt;br /&gt;Asteroids Galaxy Tour , The – “Bad Fever” (from  Fruit 2009)&lt;br /&gt;Bad Brains – “Without You” (from Rise 1993)&lt;br /&gt;Cathedral – “Blue Light” (from The Carnival Bizarre 2007)&lt;br /&gt;Iron Maiden – “Wildest Dreams” (from Dance Of Death 2003) &lt;br /&gt;Johnny Cash – “Orange Blossom Special” (from Orange Blossom Special 1965)&lt;br /&gt;Loverboy – “Turn Me Loose” (from Self-Titled 1981)&lt;br /&gt;&lt;br /&gt;OLD ALBUMS YOU SHOULD CHECK OUT:&lt;br /&gt;&lt;br /&gt;Breaking Benjamin – We Are Not Alone (2004)&lt;br /&gt;Butthole Surfers – Rembrandt Pussyhorse (1999)&lt;br /&gt;Carcass – Necroticism: Descanting The Insalubrious (1991)&lt;br /&gt;Frank Sinatra – The Voice Of Frank Sinatra (1946)&lt;br /&gt;Glen Campbell – Unconditional Love (2007)&lt;br /&gt;King Diamond And Black Rose – 20 Years Ago: A Night Of Rehearsals (2001)&lt;br /&gt;Ringo Starr – Live At Soundstage (2007)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-6140457262051326925?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/6140457262051326925/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=6140457262051326925' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/6140457262051326925'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/6140457262051326925'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/04/music-picks-for-april-1st-2010.html' title='Music Picks for April 1st, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-8214451142250171337</id><published>2010-03-26T12:06:00.001-07:00</published><updated>2010-03-26T12:06:58.309-07:00</updated><title type='text'>4th annual Drager Awards For 2009 (as Presented by Caligula Disco)</title><content type='html'>4th Annual Drager Awards For The Best In Music 2009 (As Presented By Caligula Disco)&lt;br /&gt;     Okay, I know they’re like a month late but, here you go. The longest and most involved list of Drager Awards to date,this thing almost freaking killed me. &lt;br /&gt;     At this point, I would normally like to be quippy, sardonic, snarky with just a soupcon of self-interest and all-around witty with my scintilating music-based reparte, breaking my arm patting myself on the back, but I just simply don’t have the energy. &lt;br /&gt;     Myself and the rest of the Caligula Disco crew (which is me, basically) would like to extend a sincere, heartfelt “Thanks” to: Tiger Woods’ sex therapist, Sandra Bullock’s divorce attorney (whichever one she picks anyway)Aerosmith’s anger management counselor, the Harrah’s Casino employee who “accidentally” erased the Ben Roethlisberger sexual assault tape, the Canadien women’s Olympic curling team, the staffs of Rolling Stone and Decibel magazine, the design teams behind Toyota’s floor mats and gas pedals and, of course, the fine people at Mountain Dew without whom none of this would have been possible.&lt;br /&gt;     Lastly, the weekly picks will be back starting sometime in April. I need a few days off, first, ya dig? See you then. Kole Sere! &lt;br /&gt;     The 2009 Drager Awards (as presented by Caligula Disco) are brought to you in cooperation with Nickolodeon, BlackBerry, Adidas, Books-A-Million, Hewlett-Packard and a grant from the Chubb Group.&lt;br /&gt;      And now, the four words you’ve been waiting a year to hear…(dramatic pause)…&lt;br /&gt;&lt;br /&gt;Let The Arguing Begin..!&lt;br /&gt;&lt;br /&gt;Best Songs Of 2009&lt;br /&gt;&lt;br /&gt;291. Wind Phoenix - CYMBALS EAT GUITARS (from Why There Are Mountains):  Starting off this year’s list is Staten Island’s own (and Pitchfork favorites) Joseph Ferocious (a.k.a Joseph D’Agostino) and his bandmates smoking American Spirit cigarettes while doing an indie pop stroll by strippers grinding on Ikea furniture. http://www.youtube.com/watch?v=d8nctB2b_Jo&lt;br /&gt;&lt;br /&gt;290. When You Call My Name – DAWES (from North Hills): Trading in their post-punk sounds for a ride to the North Hills area of Los Angeles, the Goldsmith brothers and brethren echo the Laurel Canyon sounds of CSN&amp;Y with “authentically vintage” analog vibes and help from Conor Oberst, Chris Robinson and Wilco’s own multi-tasker Pat Sansone.&lt;br /&gt; www.last.fm/music/Dawes/_/When+You+Call+My+Name &lt;br /&gt;&lt;br /&gt;289. For The Rest Of Your Life - HOPE SANDOVAL AND THE WARM INVENTIONS (from Through The Devil Softly): Opal and Mazzy Star vocalist Sandoval backlights her crippling stagefright with this smoldering turn that is just as dark and sultry as her famous near blacked-out live performances.&lt;br /&gt;http://www.last.fm/music/Hope%2BSandoval%2B%2526%2BThe%2BWarm%2BInventions/_/For+The+Rest+Of+Your+Life&lt;br /&gt;&lt;br /&gt;288. Barbecue In Bhopal – MUMAKIL (from Behold The Failure): Swiss grinders climb “mountains of waste” and wade “rivers of dried blood” to bring you an ode to the “new terraforming” and eventual exticntion of the “human virus” that will trample you like the band’s namesake J.R.R. Tolkien war elephant on the cd jacket.&lt;br /&gt;http://www.youtube.com/watch?v=YHg7uz8gxeQ&lt;br /&gt;&lt;br /&gt;287. Bird Of All Faiths And None/Bell From Madrone - BLACK MATH HORSEMAN (from Wyllt): Picture if you will P.J. Harvey as vocalist for Black Sabbath circa the writing sessions for”The Writ” as Sera Timms and her slow bludgeoning bandmates gloomily bore into you like a medieval drill press and all encased in a creep-tastic cover jacket combining the best of Welsh linguistics, “The Godfather” severed horsehead scene and a Magic: The Gathering playing card.&lt;br /&gt;http://www.myspace.com/blackmathhorseman&lt;br /&gt;&lt;br /&gt;286. Percussion Gun - WHITE RABBITS (from It’s Frightening):  The Missouri sextet combines Indie-Tiki swing rhythm and a love of switching instruments on this relentless nod to “jumping ship” on a sinking relationship&lt;br /&gt;http://www.youtube.com/watch?v=IClBpch9vmM&lt;br /&gt;&lt;br /&gt;285. Lee Majors Come Again - BEASTIE BOYS (from  Hot Sauce Committee, Pt. 1): Hot off it’s debut on DJ Hero (where it was mixed with Daft Punk, mind you) our favorite Jewish rapping legends spin a yarn about the Six Million Dollar Man wearing Apple Bottom Jeans while using his kung-fu grip to help Mark Nishita spin records at famed New York club A7 (or something like that).&lt;br /&gt;http://www.youtube.com/watch?v=sfVqHwjvOsI&lt;br /&gt;&lt;br /&gt;284. Crosses Made Of Bone – BELPHEGOR (from Walpurgis Rites-Hexenwahn): Moving on from the Spanish Inquisition themes of the past, Salzburg, Austria’s favorite blackened death metallers regurgitate demonology, witchcraft, erotica(?) and in the case of this track, dead children, black masses, ravens picking through shallow graves and Lord Satan himself. Consult a Priest before ingestion.&lt;br /&gt;http://www.youtube.com/watch?v=O0Eawo8suG4&lt;br /&gt;&lt;br /&gt;283. Cost Of Living - LIVING THINGS (from Habeus Corpus): In-between holding live concert debates and toasting our “broken American dream”, the three  St. Louis brothers and their friend who lent their song “Bom Bom Bom” to those old Cingular ads found time to compose an alt-rock take on the seven deadly sins that fits somewhere between lust and greed.&lt;br /&gt;http://www.youtube.com/watch?v=Cw8N_AKaF7U&lt;br /&gt;&lt;br /&gt;282. Lips - MICACHU AND THE SHAPES (from Jewellery): Hailed as “thrillingly improbable pop made by a grade-A maverick”, Surrey born Mica Levi (her oddly low voice) and her band use homemade instruments (including a cd rack / bowed instrument) to make homemade music that will stick in your cranium for days. And in case you’re wondering, “Micachu” is her first name plus “Chu”, a type of homemade, hammer action guitar. You just got learned.&lt;br /&gt;http://www.youtube.com/watch?v=UoEA_xYaLBw&lt;br /&gt;&lt;br /&gt;281. Nobody Got No Bizness - NEW YORK DOLLS (from Cause I Sez So): Only original remaining members David Johansen and Sylvain Sylvain (with help from producer Todd Rundgren) let it roll from Chicago to Philadelphia, preaching  from  the pulpit how to be a REAL rock n roll band  with harmonica and bass that will “swaggerjack” you.&lt;br /&gt;http://popup.lala.com/popup/360569488122542747&lt;br /&gt;&lt;br /&gt;280. Sic Semper Tyrannis - GRAVES OF VALOR (from Salarian Gate): From a proud South Carolina band formerly known as Through the Eyes Of The Dead and yet another 2009 ode to the Roman Empire (see: Ex Deo – Romulus) comes “Sic Semper Tyrannis” and it just goes to show that in a different timeline John Wilkes Booth could’ve parlayed his acting skills into a career as a vocalist for a death metal band.&lt;br /&gt;http://www.youtube.com/watch?v=zX0O-SvQfFQ&lt;br /&gt;&lt;br /&gt; 279. Dead Skin Mask – NADJA (from When I See The Sun Always Shines On T.V.): From the Canadian duo’s doom / metalgaze cover album comes this entrancing, droning, funeral procession send up of the classic Slayer track about Ed Gein.&lt;br /&gt;http://www.youtube.com/watch?v=QASe0nt_Lng&lt;br /&gt;&lt;br /&gt;278. Crime Wave - 50 CENT (from Before I Self Destruct)&lt;br /&gt;http://www.youtube.com/watch?v=qRa9iqO_WCg&lt;br /&gt;&lt;br /&gt;277. Possibility - LYKKE LI (from Twilight: New Moon Soundtrack): Perfectly placed on the soundtrack to Twilight: New Moon, Swedish born Li Lykke Timotej Zachrisson (pronounced just how it looks)and her sullen church bell vocals weave a eulogy to the silence of hearts being both broken and stopped outright.&lt;br /&gt;http://vimeo.com/7161094&lt;br /&gt;&lt;br /&gt;276. Fire Burning - SEAN KINGSTON (from Tomorrow)&lt;br /&gt;http://www.youtube.com/watch?v=YkyhvCdJ_vM&lt;br /&gt;&lt;br /&gt;275. No Dice – BEIRUT (from March Of The Zapotec and Real People): &lt;br /&gt;http://www.youtube.com/watch?v=3M1YsGKgHXc&lt;br /&gt;                                                                                      &lt;br /&gt;274. Street Walkin’ - DAN AUERBACH (from Keep It Hid): &lt;br /&gt;http://www.youtube.com/watch?v=C5GG30zLSPs&lt;br /&gt;&lt;br /&gt;273. Next Attack - MANTIC RITUAL (from Executioner): Formerly known as Meltdown and leading the thrash revival from Pittsburgh (?), these Pennsylvania boys channel Kill ‘Em All era Metallica (with just a hint of Laaz Rockit) all while flashing the headlights and chugging beer (like the kids in Heavy Metal Parking Lot) as they drive from the steel mill to the Golden Gate Bridge cranking this seeming Bay Area homage to Iron Maiden’s classic track “Killers”&lt;br /&gt;http://www.youtube.com/watch?v=O6f8ZSWeVjw&lt;br /&gt;&lt;br /&gt;272. I’m Sittin’ On Top The World - WILLIE NELSON AND ASLEEP AT THE WHEEL (from Willie And The Wheel): Adding to a list of artists that includes Carl Perkins, Dean Martin, Les Paul, Doris Day and Jerry Lewis who have performed this 1925 Henderson/Lewis/Young classic, the Red-Headed Stranger and Paw Paw, West Virginia natives Asleep At The Wheel cut a perfect musical switch of their own.&lt;br /&gt;http://www.youtube.com/watch?v=CJE3e_Mjewg&lt;br /&gt;&lt;br /&gt;271. Fast Fuse – KASABIAN (from West Ryder Pauper Lunatic Asylum)&lt;br /&gt;http://www.youtube.com/watch?v=RBo9bfdS4DE&lt;br /&gt;&lt;br /&gt;270. Bonkers – DIZZEE RASCAL &amp; ARMAND VAN HELDEN (from Tongue N Cheek)&lt;br /&gt;http://www.youtube.com/watch?v=Ci40ae8BlcE&lt;br /&gt;&lt;br /&gt;269. Pussy – RAMMSTEIN (from Liebe Ist Fur Alle Da): Berlin’s favorite Neue Deutsche Harte sextet unweld their flies and let loose with a stereo porno grind that channels the best of all that is “adult entertainment”.  A XXX video where each member of the band plays a porn stereotype (playboy, cowboy, fetishist, etc.) and full-frontal nudity is the least of the v-chip’s worries. The most concise come-on in music history (pun intended) with the instant classic lyric “You’ve got a pussy. I’ve got a dick. So what’s the problem? Let’s do it quick” and delivered with all the subtlety of a sledgehammer. Plus, the album form whence it came is entitled Liebe Ist Fur Alle Da (“Love Is There For Everyone”). Oh that German sense of humor…&lt;br /&gt;(For obvious reasons, I will include a link to the track only. No video. It’s a porno folks. If you want to see it, Google it for yourself)&lt;br /&gt;http://www.youtube.com/watch?v=jlLPUw_rScM&lt;br /&gt;&lt;br /&gt;268. Bagpipes From Baghdad – EMINEM (from Relapse): http://www.youtube.com/watch?v=kPIug2pM3SY&lt;br /&gt;&lt;br /&gt;267. Slow Life - GRIZZLY BEAR w/VICTORIA LEGRAND (from Twilight: New Moon Soundtrack)&lt;br /&gt;http://www.youtube.com/watch?v=4w_uVfPVShs&lt;br /&gt;&lt;br /&gt;266. Escape These Walls – THE EYES OF A TRAITOR (from A Clear Perception)&lt;br /&gt;http://www.youtube.com/watch?v=pZJr9ZIC-8A&lt;br /&gt;&lt;br /&gt;265. Mettanpeiton Valtiaalle – KORPIKLAANI (from Karkelo)&lt;br /&gt;http://www.youtube.com/watch?v=VhaFDhaKpDE&lt;br /&gt;&lt;br /&gt;264. Relentless Fours – GRAMMATICS (from Self-Titled)&lt;br /&gt;http://www.youtube.com/watch?v=qhidXv-Upvc&lt;br /&gt;&lt;br /&gt;262. Flight Of The Demoiselles – BLACKLIST (from Midnight Of The Century) http://www.youtube.com/watch?v=VTaWOERlkqw&lt;br /&gt;&lt;br /&gt;261. Medicine – STARFUCKER (from Jupiter EP) http://www.youtube.com/watch?v=UfJWkfqN97E&lt;br /&gt;&lt;br /&gt;260. Blessed Are They Who Bash Your Children’s Heads Against A Rock / No Question – DALEK (from Gutter Tactics) http://www.youtube.com/watch?v=go_GDg7pW0Q&lt;br /&gt;&lt;br /&gt;259. Good Morning John – KRIS KRISTOFFERSON (from Closer To The Bone) http://popup.lala.com/popup/504684669549842755&lt;br /&gt;&lt;br /&gt;258. Last One To Die – RANCID (from Let The Dominoes Fall) http://www.youtube.com/watch?v=ErLZaItKFaY&lt;br /&gt;&lt;br /&gt;257. Tell Me It’s Not Over – STARSAILOR w/ BRANDON FLOWERS (from All The Plans) http://www.youtube.com/watch?v=xHandWOWaVY&lt;br /&gt;&lt;br /&gt;256. Dessicate Earth – TRIGGER THE BLOODSHED (from The Great Depression) http://www.youtube.com/watch?v=Yyj7XWnAQLs&lt;br /&gt;&lt;br /&gt;255. Light After Sound – THESE ARE POWERS (from All Aboard Future) http://popup.lala.com/popup/360569466651292596&lt;br /&gt;&lt;br /&gt;254. Oh, Lonesome Me – M. WARD w/LUCINDA WILLIAMS (from Hold Time) http://www.youtube.com/watch?v=_MRysO58leA&lt;br /&gt;&lt;br /&gt;253. Fitz And Dizzyspells – ANDREW BIRD (from Noble Beast)&lt;br /&gt;http://www.youtube.com/watch?v=AjJknXGR7QE&lt;br /&gt;&lt;br /&gt;252. Summertime Clothes – ANIMAL COLLECTIVE (from Merriweather Post Pavilion) http://www.youtube.com/watch?v=GxhaRgJUMl8&lt;br /&gt;&lt;br /&gt;251. Raindrops – BASEMENT JAXX (from Scars) http://www.youtube.com/watch?v=MeovgXXQZNk&lt;br /&gt;&lt;br /&gt;250. Conceived Into Enslavement – DYING FETUS (from Descend Into Depravity) http://www.youtube.com/watch?v=pdzPph7Qxg8&lt;br /&gt;&lt;br /&gt;249. Heads Up – KAREN O AND THE KIDS (from Where The Wild Things Are Soundtrack) http://www.youtube.com/watch?v=m3nq1zibPjI&lt;br /&gt;&lt;br /&gt;248. Burden Of Empire – IRON AGE (from The Sleeping Eye) http://popup.lala.com/popup/360569458417075232&lt;br /&gt;&lt;br /&gt;247. East Jesus Nowhere – GREEN DAY (from 21st Century Breakdown) http://www.youtube.com/watch?v=wVbwVejOics&lt;br /&gt;&lt;br /&gt;246. I Love College – ASHER ROTH (from Asleep In The Bread Aisle) http://www.youtube.com/watch?v=qYx7YG0RsFY&lt;br /&gt;&lt;br /&gt;245. I Miss You So – WILLIE NELSON (from American Classic) http://popup.lala.com/popup/576742254328617255&lt;br /&gt;&lt;br /&gt;244. Sulphur To Sugarcane – ELVIS COSTELLO (from Secret, Profane And Sugarcane) http://www.youtube.com/watch?v=hxZi0BzmtHU&lt;br /&gt;&lt;br /&gt;243. Russian Roulette – RIHANNA (from Rated R) http://www.youtube.com/watch?v=R24f6vswDI0&lt;br /&gt;&lt;br /&gt;242. Nothing Seems The Same – HEARTLESS BASTARDS (from The Mountain) http://popup.lala.com/popup/648799847531162612&lt;br /&gt;&lt;br /&gt;241. Sending Signals – EVERGREEN TERRACE (from Almost Home) http://www.youtube.com/watch?v=K3qvRzZk_Pk&lt;br /&gt;&lt;br /&gt;240. Ignorance – PARAMORE (from Brand New Eyes) http://www.youtube.com/watch?v=OH9A6tn_P6g&lt;br /&gt;&lt;br /&gt;239. Autochthon – KRALLICE (from Dimensional Bleedthrough) http://www.myspace.com/krallice&lt;br /&gt;&lt;br /&gt;238. Here Eye Come – BRIA VALENTE (from Elixir) http://www.dailymotion.com/video/x7w27h_here-eye-come-bria-valente_music&lt;br /&gt;&lt;br /&gt;237. Let’s Go Surfing – THE DRUMS (from Demos) http://www.youtube.com/watch?v=6OsTUnkqSi4&lt;br /&gt;&lt;br /&gt;236. The Marvelous Slut – EVERY TIME I DIE (from New Junk Aesthetic) http://www.youtube.com/watch?v=Z4TKIwCI_bE&lt;br /&gt;&lt;br /&gt;235. The Winged Panther – DESTROY DESTROY DESTROY (from Battle Sluts) http://www.youtube.com/watch?v=Z4TKIwCI_bE&lt;br /&gt;&lt;br /&gt;234. Skeleton – BLK JKS (from After Robots) http://www.youtube.com/watch?v=ydoJzkOvOrQ&lt;br /&gt;&lt;br /&gt;233. Hell On The Heart – ERIC CHURCH (from Carolina) http://www.youtube.com/watch?v=3--O2_PwoYw&lt;br /&gt;&lt;br /&gt;232. Paranoiac – BLOODHORSE (from Horizoner) Loose, bottom heavy Boston metal trio that falls somewhere between Ozzy-era Sabbath and Undisputed Attitude-era Slayer with a hint of C.O.C. meets Kyuss. They sound like they should be named “Bloodhorse”. Polish up your gravity bong. You’re gonna need it. http://www.youtube.com/watch?v=X_Iksqh_bII&lt;br /&gt; &lt;br /&gt;231. Beneath The Eye Of Mars – THE GATES OF SLUMBER (from Hymns Of Blood And Thunder)&lt;br /&gt;http://www.youtube.com/watch?v=3ZSYHW8bZiA&lt;br /&gt;&lt;br /&gt;230. We’re Going To Hell – CURSIVE (from Mama, I’m Swollen) http://www.youtube.com/watch?v=NUCcTTKgzOA&lt;br /&gt;&lt;br /&gt;229. Summer Things – TYVEK (from Self-Titled) http://popup.lala.com/popup/4900197880213416728&lt;br /&gt;&lt;br /&gt;228. Undead – ADAGIO (from Archangels in Black) http://www.youtube.com/watch?v=aS5Gr4ZlOYo&lt;br /&gt;&lt;br /&gt;227. You Make Me Wait – THE WARLOCKS (from The Mirror Explodes) http://www.youtube.com/watch?v=UBMExmCmXGk&lt;br /&gt;&lt;br /&gt;226. Urbana-Champaign – GOES CUBE (from Another Day Has Passed) http://popup.lala.com/popup/504684678139755678&lt;br /&gt;&lt;br /&gt;225. Red Parrot – REVOLTING COCKS (from Sex-O Olympic-O) http://www.youtube.com/watch?v=oBzOaDerf1s&lt;br /&gt;&lt;br /&gt;224. Heroes And Villains – VREID (from Milorg) http://www.youtube.com/watch?v=1wV-zBQMKaE&lt;br /&gt;&lt;br /&gt;223. Up A Tree (Went This Heart I Have) – THE COTTON JONES BASKET RIDE (from Paranoid Cocoon) http://popup.lala.com/popup/5620773816444519196&lt;br /&gt;&lt;br /&gt;222. On Impulse – ANIMALS AS LEADERS (from Self-Titled) http://www.youtube.com/watch?v=4xaB6dZE9j0&lt;br /&gt;&lt;br /&gt;221. Leaving In The Morning – J.J.CALE (from Roll On) http://www.youtube.com/watch?v=U1V5RZLyPgQ&lt;br /&gt;&lt;br /&gt;220. Cattle - SUCCESS WILL WRITE APOCALYPSE ACROSS THE SKY (from The Grand Partition And The Abrogation Of Idolatry) http://www.youtube.com/watch?v=VSNAu2-GxzU&lt;br /&gt;&lt;br /&gt;219. Let A Poor Man Be – CLUTCH (from Strange Cousins From The West)&lt;br /&gt;http://www.youtube.com/watch?v=dewHxzxkAPQ&lt;br /&gt;&lt;br /&gt;218. My Way To You – JAMEY JOHNSON (Radio Single) http://www.youtube.com/watch?v=bf0cHRUH9FM&lt;br /&gt;&lt;br /&gt;217. Break The Silence – ARKAEA (from Years In The Darkness) &lt;br /&gt;http://www.youtube.com/watch?v=WST7dMMlmWY&lt;br /&gt;&lt;br /&gt;216. Stormcalling – GWYNBLEIDD (from Nostalgia) http://www.youtube.com/watch?v=kQQ3VWHxE2I&lt;br /&gt;&lt;br /&gt;215. Caligulove – THEM CROOKED VULTURES (from Self-Titled) http://www.youtube.com/watch?v=CMARYFxJOqY&lt;br /&gt;&lt;br /&gt;214. Got Nuffin’ – SPOON (from Got Nuffin’) http://www.youtube.com/watch?v=S4Q9zngV52U&lt;br /&gt;&lt;br /&gt;213. Cry Out – THE ANSWER (from Everyday Demons) http://www.youtube.com/watch?v=1JXr9mMTFvc&lt;br /&gt;&lt;br /&gt;212. I Never Said I Was Deep – JARVIS COCKER (from Further Complications) http://www.youtube.com/watch?v=Gr96A9XG1rs&lt;br /&gt;&lt;br /&gt;211. Santuario di Sangua – MY DYING BRIDE (from For Lies I Sire) http://www.youtube.com/watch?v=i9qubiWk8pU&lt;br /&gt;&lt;br /&gt;210. Wetter – TWISTA (from Category F5) http://www.youtube.com/watch?v=X33PHPDx0LA&lt;br /&gt;&lt;br /&gt;209. Wrong – DEPECHE MODE (from Sounds Of The Universe) http://www.youtube.com/watch?v=5bsXOcK9_Cw&lt;br /&gt;&lt;br /&gt;208. Jail La La – DUM DUM GIRLS (from Jail La La) http://www.youtube.com/watch?v=pLA9aJ2hTh4&lt;br /&gt;&lt;br /&gt;207. Tin Pan Alley – BRIAN FALLON (MySpace single)  http://www.youtube.com/watch?v=_OIOj6sCif0&lt;br /&gt;&lt;br /&gt;206. Wolves Of The Sea – ALESTORM (from Black Sails At Midnight) http://www.youtube.com/watch?v=hOr7c7ybAgE&lt;br /&gt;&lt;br /&gt;205. The All Destroying – GOATWHORE (from Carving Out The Eyes Of God) http://www.youtube.com/watch?v=beiipUvY50g&lt;br /&gt;&lt;br /&gt;204. Unthought Known – PEARL JAM (from Backspacer) http://www.youtube.com/watch?v=nxs7KgZFKuI&lt;br /&gt;&lt;br /&gt;203. Win Park Slope – GOMEZ (from A New Tide) http://www.youtube.com/watch?v=dbBX_Q-bYOg&lt;br /&gt;&lt;br /&gt;202. Boom DJ From The Steel City – TODDLA T (from Skanky Skanky) http://www.youtube.com/watch?v=kh4p7HTfj2M&lt;br /&gt;&lt;br /&gt;201. I’ve Never Been Here Before In A Long Time - PARIA (from The Barnacle Cordious) Losing their Fear Factory-esque vocals on two tracks (this one and “Pish Posh”) and showing off their instrumental skills, Paria combine the best of Cynic and Dream Theater with just a hint of Les Claypool meets Steve Harris style fusion jazz bass. &lt;br /&gt;http://www.myspace.com/paria&lt;br /&gt;&lt;br /&gt;200. Monday Bloody Monday – 16 (from Bridges to Burn) http://www.youtube.com/watch?v=QZxtpigNljY&lt;br /&gt;&lt;br /&gt;199. Orbital Elements – OBSCURA (from Cosmogenesis) http://www.youtube.com/watch?v=TYZLp1jhpHI&lt;br /&gt;&lt;br /&gt;198. Bulletproof – LA ROUX (from Self-Titled) http://www.youtube.com/watch?v=EUsbpmQ9-mc&lt;br /&gt;&lt;br /&gt;197. Norden On Fire – IMMORTAL (from All Shall Fall) http://www.youtube.com/watch?v=VbezVB_PT80&lt;br /&gt;&lt;br /&gt;196. Why Wait?- SHAKIRA (from She Wolf) http://www.youtube.com/watch?v=7FcIOqWjfFQ&lt;br /&gt;&lt;br /&gt;195. Billionaire – PEACHES (from I Feel Cream) Just for the line about “Salt in your diet” “Quiet Riot” and “Staying at the Hyatt” http://hypem.com/track/796408/Peaches+-+Billionaire&lt;br /&gt;&lt;br /&gt;194. Shooting The Moon – O.K. GO (from New Moon: Original Soundtrack) http://www.youtube.com/watch?v=7DhV5FHeZWU&lt;br /&gt;193. Heartbeat – NNEKA (from Concrete Jungle) http://www.youtube.com/watch?v=6ivg3J3h5Ps&lt;br /&gt;192. The Purveyor Of Novelty And Nonsense – COALESCE (from Ox) http://www.youtube.com/watch?v=dcwD4I94Y04&lt;br /&gt;191. The Way We Are – THE FLATLANDERS (from Hills And Valleys) http://www.youtube.com/watch?v=U3rYzZMcsHo&lt;br /&gt;190. Bye Bye Bayou – LCD SOUNDSYSTEM (Single) http://www.youtube.com/watch?v=Q7TvFGrs8bQ&lt;br /&gt;189. Losin’ Yo Head – MONSTERS OF FOLK (from Self-Titled) http://www.youtube.com/watch?v=euHj9teuaTo&lt;br /&gt;188. People Got A Lotta Nerve – NEKO CASE (from Middle Cyclone) http://www.youtube.com/watch?v=zXl870NoF4E&lt;br /&gt;187. Scream – CHRIS CORNELL (from Scream) http://www.youtube.com/watch?v=7GiyhVHIiWo&lt;br /&gt;186. Valley Of The Kings – SAXON (from Into The Labyrinth) http://www.youtube.com/watch?v=p2kRGPVt9po&lt;br /&gt;185. Conclusion of An Age – SYLOSIS (from Conclusion Of An Age) http://www.youtube.com/watch?v=msxWbCvuzyA&lt;br /&gt;184. Hurry For The Sky - ROBYN HITCHCOCK AND THE VENUS 3 (from Goodnight Oslo) http://www.youtube.com/watch?v=kWxG53aHEmk&lt;br /&gt;183. A Long, Long Time - BUDDY AND JULIE MILLER (from Written In Chalk) http://www.myspace.com/buddyandjuliemiller&lt;br /&gt;182. Two-Thumbed Fist – COBALT (from Gin) http://www.youtube.com/watch?v=S3Lc1x84FZ0&lt;br /&gt;181. I Need To Know Where I Stand – RHETT MILLER (from Self-Titled) http://www.youtube.com/watch?v=4WibrHnbfRI&lt;br /&gt;180. Set The Controls For The Heart Of The Sun – 1349 (from Revelations Of The Black Flame) If you’ve ever wondered what a Pink Floyd cover would sound like if done by a dark, ambient Norwegian black metal band, now you know…psychedelic, doom-laden and scary as hell. Useless fact: The name “1349” comes from the year that The Black Death reached Norway. You just got learned. http://www.youtube.com/watch?v=gZsymgO02Lw&lt;br /&gt;179. All The Beautiful Things – EELS (from Hombre Lobo) http://www.youtube.com/watch?v=wtmgX2D_ooE&lt;br /&gt;178. Lungs – STEVE EARLE (from Townes) http://popup.lala.com/popup/504684656664919191&lt;br /&gt;177. Forever - DRAKE w/KANYE WEST, EMINEM and LIL WAYNE (from More Than A Game - Soundtrack) http://www.youtube.com/watch?v=eDuRoPIOBjE&lt;br /&gt;176. Electric Avenue – SKINDRED (from Shark Bites And Dog Fights) http://www.youtube.com/watch?v=z1cL5J9bW2U&lt;br /&gt;175. She’s A Genius – JET (from Shaka Rock) http://www.youtube.com/watch?v=IVA799gKNzo&lt;br /&gt;174. Preacher’s Daughter – 3 INCHES OF BLOOD (from Here Waits Thy Doom) http://www.youtube.com/watch?v=RqihjMv9uUE&lt;br /&gt;173. False Knight On The Road – WHITE ANTELOPE (MySpace single) http://www.myspace.com/awhiteantelope&lt;br /&gt;172. My Turn – HOOBASTANK (from For(N)ever) http://www.youtube.com/watch?v=8igfKFZl-3k&lt;br /&gt;171. Drommen Om Undergang – BERGRAVEN (from Til Makabert Vasen) http://popup.lala.com/popup/2017894112368969710&lt;br /&gt;&lt;br /&gt;170. The Royal We – SILVERSUN PICKUPS (from Swoon) http://www.youtube.com/watch?v=U7wZhURS7X8&lt;br /&gt;&lt;br /&gt;169. Superhero – THE PRISCILLAS (from 10,000 Volts) Whether it’s Superman carrying Lois Lane in his arms as they circle the earth or Spider Man kissing Mary Jane upside down in the rain, these British pop-punk rock birds have written the definitive background track for the superhero love scene. http://www.youtube.com/watch?v=F6a1mZt1hrk&lt;br /&gt;&lt;br /&gt;168. Get Your Money Up – KERI HILSON (from In A Perfect World) http://www.youtube.com/watch?v=1B7-rVqT9Gs&lt;br /&gt;&lt;br /&gt;167. Hyph Mngo – JOY ORBISON (from HFT009) http://www.youtube.com/watch?v=Aa_PDKKc2_A&lt;br /&gt;&lt;br /&gt;166. Bury The Vatican – COUGAR DEN (from Keepondrifter)&lt;br /&gt;&lt;br /&gt;165. Manslaughter – DREAMING DEAD (from Within One) From Los Angeles, Dreaming Dead are fronted by a metal goddess named Elizabeth Schall who sounds eerily like late era Death frontman Chuck Schuldiner (circa Symbolic). Even the band itself sounds ike Death (with just a hint of Carcass thrown in). If you like Central Florida metal by way of California (and a sick case of deja-vu), check ‘em out.&lt;br /&gt; &lt;br /&gt;164. Life Is Good - D.J. DECKSTREAM w/MOS DEF (from Soundtracks 2) http://www.youtube.com/watch?v=vyZ7axrViu4&lt;br /&gt;&lt;br /&gt;163. Kinda Like A Big Deal - CLIPSE w/KANYE WEST (Single) http://www.youtube.com/watch?v=3LD98c-9fGY&lt;br /&gt;&lt;br /&gt;162. Days Of High Adventure – GRAF ORLOCK (from Destination Time Today) The standout track from the California quartet’s first actual album take clips from Arnold Scwarzenegger’s classic Conan The Barbarian. As a man and a metal fan, it’s impossible not to love a Cimmerian grindcore song based on the Conan theme. Good stuff. http://www.myspace.com/graforlock&lt;br /&gt; &lt;br /&gt;161. Lust For Life – GIRLS (from Album) http://www.youtube.com/watch?v=SuoTjYYqe4c&lt;br /&gt;&lt;br /&gt;160. Papa Was A Rodeo – BRIGHT EYES (from Score! 20 Years Of Vantage Records: The Covers!) Falling somewhere between The Temptations and Donnie And Marie, Conor Oberst and his crew cover the 1999 Magnetic Fields ironic cowboy lament  with their usual tongue-in-cheek  gusto. http://www.youtube.com/watch?v=Ek1UlNWoRCw&lt;br /&gt;&lt;br /&gt;159. Lime - FRANCIS AND THE LIGHTS (MySpace single) http://www.youtube.com/watch?v=KcmTs6Q3kZQ&lt;br /&gt;&lt;br /&gt;158. You’re A Cad – THE BIRD AND THE BEE (from Ray Guns Are Not Just the Future) http://www.youtube.com/watch?v=5D2Orp3Y98k&lt;br /&gt;&lt;br /&gt;157. Do The Joy – AIR (from Love 2) http://www.youtube.com/watch?v=a84UWK50C-w&lt;br /&gt;&lt;br /&gt;156. Prom Queen – LIL WAYNE (from Rebirth) http://www.youtube.com/watch?v=lTurfn7vvCk&lt;br /&gt;&lt;br /&gt;155. Somebody Put Something In My Drink – CHILDREN OF BODOM (from Skeletons In The Closet)&lt;br /&gt;http://www.youtube.com/watch?v=_BG0oJD2Nic&lt;br /&gt;&lt;br /&gt;154. Dust Devil – MADNESS (from The Liberty Of Norton Folgate) http://www.youtube.com/watch?v=69oq5kiDSn4&lt;br /&gt;&lt;br /&gt;153. Saintbleeder – DEVIAN (from God To The Illfated) http://www.youtube.com/watch?v=e8O6b83Pjuo&lt;br /&gt;&lt;br /&gt;152. Let it Rock -  KEVIN RUDOLF w/LIL WAYNE (from In The City) http://www.youtube.com/watch?v=u0n4eMGXAyk&lt;br /&gt;&lt;br /&gt;151. Around The Bend – THE ASTEROIDS GALAXY TOUR (from Fruit) http://www.youtube.com/watch?v=yq-aNkBc2_M&lt;br /&gt;&lt;br /&gt;150. Dead Harvest – THIS ENDING (from Dead Harvest) http://www.youtube.com/watch?v=TjBTvwyMgD4&lt;br /&gt;&lt;br /&gt;149. Vodka Inferno - DIABLO SWING ORCHESTRA (from Sing-Along Songs For The Damned And Delirious)&lt;br /&gt;http://www.youtube.com/watch?v=-hTrgZfw8io&lt;br /&gt;&lt;br /&gt;148. The Ripe Beneath the Rind – CATTLE DECAPITATION (from The Harvest Floor) http://www.youtube.com/watch?v=tEyCK4sb28g&lt;br /&gt;&lt;br /&gt;147. Dick To Mouth Resuscitation - AGORAPHOBIC NOSEBLEED (from Agorapocalypse) The life-saving track from Massachusetts’ favorite drum machine grindcore band puts a whole new spin on first aid fellatio. Forget The Fray, THIS is how to save a life. http://www.youtube.com/watch?v=hUThR9WItnU&lt;br /&gt;&lt;br /&gt;146. Payback – OBITUARY (from Darkest Day) http://www.youtube.com/watch?v=weHtWcZ6Jdw&lt;br /&gt;&lt;br /&gt;145. Radical Resistance – KREATOR (from Hordes Of Chaos) http://www.youtube.com/watch?v=iZwEHf-CK48&lt;br /&gt;&lt;br /&gt;144. Anti-Orgasm – SONIC YOUTH (from The Eternal) Between “mission control” and “the brain police”, bassist Kim Gordon flatout humps her bass amp in coital vocal unison with husband/guitarist/vocalist Thurston Moore. http://www.youtube.com/watch?v=zUsam3H4eTQ&lt;br /&gt;&lt;br /&gt;143. I’m Beginning To Think You Prefer 90210 To Me – FIGHT LIKE APES (from Fight Like Apes And The Mystery of The Golden Medallion) http://www.youtube.com/watch?v=bFIZlevrQno&lt;br /&gt;&lt;br /&gt;142. Back With You – TINTED WINDOWS (from Self-Titled) http://www.youtube.com/watch?v=U21sxVm95zE&lt;br /&gt;&lt;br /&gt;141. Not Fair – LILY ALLEN (from It’s Not Me, It’s You) http://www.youtube.com/watch?v=fUYaosyR4bE&lt;br /&gt;&lt;br /&gt;140. Worm Mountain - THE FLAMING LIPS w/MGMT (from Embryonic) http://www.youtube.com/watch?v=6Z9HDrk6gFg&lt;br /&gt;&lt;br /&gt;139. Misery Hymn – THE RED SHORE (from Unconsecrated) http://s0.ilike.com/play#The+Red+Shore:Misery+Hymn:111606215:s45477963.11695102.21630460.0.2.136%2Cstd_047dafab8fb347808b4d61ddb4b6d1bd&lt;br /&gt;&lt;br /&gt;138. America’s Favorite Pastime – TODD SNIDER (from The Excitement Plan) http://www.youtube.com/watch?v=7zlAuY_-M30&lt;br /&gt;&lt;br /&gt;137. Beheading And Burning – CANNIBAL CORPSE (from Evisceration Plague) http://www.youtube.com/watch?v=UCSkFwDpjlM&lt;br /&gt;&lt;br /&gt;136. Walking On A Dream – EMPIRE OF THE SUN (from Walking On A Dream) http://www.youtube.com/watch?v=eimgRedLkkU&lt;br /&gt;&lt;br /&gt;135. Faith Divides Us – Death Unites Us – PARADISE LOST (from Faith Divides Us – Death Unites Us) http://www.youtube.com/watch?v=9BONcpuDcrc&lt;br /&gt;&lt;br /&gt;134. Delusions Of Grandeur – ARTILLERY (from When Death Comes) http://www.youtube.com/watch?v=4GZf8pjy40c&lt;br /&gt;&lt;br /&gt;133. You Were The Cancer – THURSDAY (from Common Esixtence) http://www.youtube.com/watch?v=nrKwW9e7Up8&lt;br /&gt;&lt;br /&gt;132. Inhuman Affliction – OCEANO (from Depths) http://www.youtube.com/watch?v=Uu0_3QN4r9E&lt;br /&gt;&lt;br /&gt;131. Sundial – WOLFMOTHER (from Cosmic Egg) http://www.youtube.com/watch?v=TMhXmFxdzA8&lt;br /&gt;&lt;br /&gt;130. Darkness Into Light – MATISYAHU (from Light) http://www.youtube.com/watch?v=RjgMNgy-qGQ&lt;br /&gt;&lt;br /&gt;129. Venus In Arms – DEATHSTARS (from Night Electric Night) http://www.youtube.com/watch?v=9GztOR8pKtw&lt;br /&gt;&lt;br /&gt;128. C’Mon – CHESTER FRENCH (from Love The Future) http://www.youtube.com/watch?v=Y5OJY9Y95us&lt;br /&gt;&lt;br /&gt;127. Blacklight – SNAIL (from Blood) http://www.myspace.com/snailexhumed&lt;br /&gt;&lt;br /&gt;126. Alligator Assassinator – FAKE PROBLEMS (from It’s Great To be Alive) http://popup.lala.com/popup/360569484175488454&lt;br /&gt;&lt;br /&gt;125. Leave A Scar – MARILYN MANSON (from The High End Of Low) Where Manson takes Nietzsche to his logical cynical conclusion. http://www.youtube.com/watch?v=QuUM8vUgxrs&lt;br /&gt;&lt;br /&gt;124. I’m Losing Myself - BRAZILIAN GIRLS w/DAVID BYRNE (from New York City) http://www.myspace.com/braziliangirls&lt;br /&gt;&lt;br /&gt;123. The Last Baron – MASTODON (from Crack The Skye) http://popup.lala.com/popup/360569475235807649&lt;br /&gt;&lt;br /&gt;122. Run This Town – JAY-Z w/RIHANNA and KANYE WEST(from The Blueprint 3) http://www.youtube.com/watch?v=yVA-xTBeHyM&lt;br /&gt;&lt;br /&gt;121. When Last I Spoke To Carol – MORRISSEY (from Years Of Refusal)&lt;br /&gt;http://www.youtube.com/watch?v=0ra_DnwazNU&lt;br /&gt;&lt;br /&gt;120. Go Square Go – GLASVEGAS (from Self-Titled) http://www.youtube.com/watch?v=SJHbqCipWEM&lt;br /&gt;&lt;br /&gt;119. Frisk – THE BIG PINK (from A Brief History of Love) http://www.youtube.com/watch?v=8cANBChGN34&lt;br /&gt;&lt;br /&gt;118. Lost Weekend - THE QEMISTS w/MIKE PATTON (from Join The Q) http://www.youtube.com/watch?v=7suFAr7WSj0&lt;br /&gt;&lt;br /&gt;117. King Of The Dogs – IGGY POP (from Préliminaires ) http://www.youtube.com/watch?v=MIBMYfQhkJA&lt;br /&gt;&lt;br /&gt;116. Everyone I Know Has Fangs – HE IS LEGEND (from It Hates You) http://www.youtube.com/watch?v=6oFeo_hB8z0&lt;br /&gt;&lt;br /&gt;115. Space Hero Suites - THOSE DANCING DAYS (from In Our Space Hero Suits) Taking their name from the Led Zeppelin song “Dancing Days” and falling somewhere between “Blondie backed by The Attractions” and “The Slits rehearsing with Bow Wow Wow”, this suburban Swedish girl quintet combines the best of early 1960’s girl groups with the upbeat feel of indie pop. Pointless but ludicrously catchy. http://www.youtube.com/watch?v=MD_TJ-O6aoY&lt;br /&gt;&lt;br /&gt;114. London Is The Reason – THE GALLOWS (from Grey Britain) These brutish British boyos simply do not let up EVER. Indicting their homeland and all it’s crippling, problematic issues with the zeal of a militant Clash and Sex Pistols, the band strafes any and everything that moves with collateral damaging drums, Gatling gun guitar and barbed wire vocals. http://www.youtube.com/watch?v=7RcDzVqI250&lt;br /&gt;&lt;br /&gt;113. Just Ain’t Gonna Work Out – MAYER HAWTHORNE (from A Strange Arrangement) http://www.youtube.com/watch?v=pBKx8PyE5qQ&lt;br /&gt;&lt;br /&gt;112. Mature Fantasy – DRUMMER (from Feel Good Together) http://www.youtube.com/watch?v=0nBZhmLPWoo&lt;br /&gt;&lt;br /&gt;111. E.S.T. – WHITE LIES (from To Lose My Life…) http://www.youtube.com/watch?v=aSSskvNbKAY&lt;br /&gt;&lt;br /&gt;110. You Can’t Lose What You Ain’t Never Had – LEVON HELM (from Electric Dirt) http://www.last.fm/music/Levon+Helm/_/You+Can't+Lose+What+You+Ain't+Never+Had&lt;br /&gt;&lt;br /&gt;109. Bang - RYE RYE w/M.I.A. (Single) http://www.youtube.com/watch?v=jjgg7jGSNZU&lt;br /&gt;&lt;br /&gt;108. 1,000 Cigarettes - MSTRKRFT w/FREEWAY (from Fist Of God) http://www.youtube.com/watch?v=d1STkAaWzKI&lt;br /&gt;&lt;br /&gt;107. Calm – MAXIMO PARK (from Quicken The Heart) Newcastle, England alt-indie-rockers conjure up Springsteen’s “I’m On Fire” if it was covered by The Cure for the next Crow movie soundtrack with band vocalist Paul Smith doing a dead-on Morrissey for good measure&lt;br /&gt;http://www.youtube.com/watch?v=7HirqV6fwFE&lt;br /&gt;&lt;br /&gt;106. Wait For Me – MOBY (from Wait For Me) http://www.youtube.com/watch?v=xEnS2zAwYN4&lt;br /&gt;&lt;br /&gt;105. Feel It All Around – WASHED OUT (from  Life Of Leisure) http://www.youtube.com/watch?v=-DkslcOhytU&lt;br /&gt;&lt;br /&gt;104. Soldiers Get Strange - JASON ISBELL AND THE 400 UNIT (from Self-Titled) http://www.last.fm/music/Jason+Isbell+and+The+400+Unit/_/Soldiers+Get+Strange&lt;br /&gt;&lt;br /&gt;103. Pray – GRAVE DIGGER (from Pray E.P.) http://www.youtube.com/watch?v=hsxdsrX3Q-o&lt;br /&gt;&lt;br /&gt;102. Lovesick – GRAND DUCHY (from Petits Four) Pixies frontman Frank Black and his wife Violet Clark churn out a poppy filled song about the libidinous British hotel side of Spring Fever, phone sex and pure love for a plastic doll. http://popup.lala.com/popup/504684643780014423&lt;br /&gt;&lt;br /&gt;101. Chamberlain, S.D. - MARK OLSON AND GARY LOURIS (from Ready For The Flood) http://www.myspace.com/readyfortheflood&lt;br /&gt;&lt;br /&gt;100. Ten Talons Deep – BLACK ANVIL (from Time Insults The Mind) Sewn together from parts of Kill Your Idols, Madball and H2O, this New York City trio seemingly did the impossible in combining hardcore and death metal into an audibly assaulting amalgam highlighted by the raptorous “Ten Talons Deep” http://popup.lala.com/popup/1657606146627277770&lt;br /&gt;&lt;br /&gt;99. Nothing To Do With Love – HALESTORM (from Self-Titled) If Kelly Clarkson fronted a “so bad they’re good” throwback NWOHM (New Wave Of Hair Metal) band, it would be Halestorm. They could just as easily tour with Lita Ford, Vixen and Femme Fatale on the “Cheesy-Cake Tour” as well as Lacuna Coil and Sirenia (if they were opening for Alice Cooper). Guilty pleasure of the year, I must say. http://www.youtube.com/watch?v=IWkxZlbqQMw&lt;br /&gt;&lt;br /&gt;98. Alive – HYPOCRISY (from A Taste Of Extreme Divinity) http://www.youtube.com/watch?v=7EWBVx0U484&lt;br /&gt;&lt;br /&gt;97. Blame Game – THE VON BONDIES (from Love, Hate And Then There’s You) Besides being a great Motor City garage rock-revival track, it’s worth checking out the album just for the jacket / alternate cover to a Bret Easton Elis novel.  http://www.youtube.com/watch?v=0tcO7-sckH0&lt;br /&gt;&lt;br /&gt;96. Somewhere Trouble Don’t Go – MIRANDA LAMBERT (from Revolution) http://www.youtube.com/watch?v=TXuG3xT-QP8&lt;br /&gt;&lt;br /&gt;95. Hour Of Rats – THE RED CHORD (from Fed Through The Teeth Machine) Have you heard a better title for an album this year?  I didn’t think so. It’s like Grant Morrison and Richard Case designed an album cover. Creep-y. http://www.youtube.com/watch?v=HYifxW7UxjQ&lt;br /&gt;&lt;br /&gt;94. Prepare Your Coffin – TORTOISE (from Beacons Of Ancestorship) http://www.youtube.com/watch?v=6zRJftR_508&lt;br /&gt;&lt;br /&gt;93. Break Your Heart Any Day Of The Week – MANDY MOORE (from Amanda Leigh) Yes, I know it’s Mandy Moore. But it’s a catchy track and she grew up like twenty minutes from where I live. Plus, I met her once for about thirty seconds. Gotta represent for Florida. Go Winter Park! http://www.youtube.com/watch?v=SRcOVVMMaE4&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;92. 3 – BRITNEY SPEARS (from The Singles Collection) Britney Spears demanding her boyfriend join her in a threesome. What else do I need to say? http://www.youtube.com/watch?v=oTs6oQx1WJY&lt;br /&gt;&lt;br /&gt;91. Daimonos – BEHEMOTH (from Evangelion) http://www.youtube.com/watch?v=iMB7vyRx6UQ&lt;br /&gt;&lt;br /&gt;90. Eisenbahnmorser – ASPHYX (from Death…The Brutal Way) Written about a giant German railroad mortar used during World War II, this track is as bombastic and flakking as it’s inspiration. http://www.youtube.com/watch?v=S-q36kokppE&lt;br /&gt;&lt;br /&gt;89. Slap Dash For No Cash – ART BRUT (from Art Brut Vs. Satan) The masterstroke of the album, Eddie Argos and his crew of Jean Debuffet fans poke Brian Eno in the ribs, making fun of his many audio labors. http://www.last.fm/music/Art+Brut/_/Slap+Dash+For+No+Cash&lt;br /&gt;&lt;br /&gt;88. Zero – YEAH YEAH YEAHS (from It’s Blitz!) http://www.youtube.com/watch?v=pmGNo8RL5kM&lt;br /&gt;&lt;br /&gt;87. Earth: As A Furnace – ALTAR OF PLAGUES (from White Tomb) http://www.youtube.com/watch?v=6xuRz5IX0ls  /  http://www.youtube.com/watch?v=IG6CIioJOZY&lt;br /&gt;&lt;br /&gt;86. Stronger Than Jesus – A CAMP (from Colonia) Paying for the “Stronger Than Jesus” download? $.89 on Amazon.com. Buying the Colonia cd at Best Buy? $12.99. Owning a song that compares love to the King of the Jews sporting a 12-gauge shotgun? Priceless.&lt;br /&gt;http://www.youtube.com/watch?v=vkeGjbTPcIY&lt;br /&gt;&lt;br /&gt;85. Kafir! – NILE (from Those Whom The Gods Detest) Karl Sanders and his cult of South Carolina Lovecraftian Egyptologists shred the fine lines between an Islam word that can simultaneously mean “Ingrate”, “One who hides the truth of the Quran” or a derogatory term for non-Muslims; turning it on it’s papyrus head and proclaiming “Allah Akhbar” (or there is no god). Brilliant! http://www.youtube.com/watch?v=O3Jb2Bkm8jI&lt;br /&gt;&lt;br /&gt;84. Throne Of Skulls – AZARATH (from Praise The Beast) http://www.youtube.com/watch?v=xCRCIR-7sq0&lt;br /&gt;&lt;br /&gt;83. Legal Tender – HANDSOME FURS (from Face Control) http://popup.lala.com/popup/360569449466175202&lt;br /&gt;&lt;br /&gt;82. Hedonist – ADVERSARY (from Singularity) http://popup.lala.com/popup/432627043555152368&lt;br /&gt;&lt;br /&gt;81. To All The Lights In The Windows – CONOR OBERST AND THE MYSTIC VALLEY BAND (from Outer South) Where Oberst and his stranded in Mexico musician cohorts sing of lost love and Moses..? http://popup.lala.com/popup/1801721334709882276&lt;br /&gt;&lt;br /&gt;80. Ol’ Skool Company – PRINCE AND THE MINNEAPOLIS SOUND (from MPLSoUND) The Purple One returns this year with his call-to-arms to bring real music back to radio. http://www.mefeedia.com/entry/the-leno-experience-1-3-ol-skool-company-aka-i-m-a-funkateer/15940435&lt;br /&gt;&lt;br /&gt;79. The Box – THE 1990s (from Kicks) http://www.youtube.com/watch?v=qsBI7MxUhxw&lt;br /&gt;&lt;br /&gt;78. Evolution Through Revolution – BRUTAL TRUTH (from Evolution Through Revolution) http://www.youtube.com/watch?v=NT7HIsPIZXY&lt;br /&gt;&lt;br /&gt;77. American Saturday Night – BRAD PAISLEY (from American Saturday Night) http://www.youtube.com/watch?v=tvdoKvHYxcA&lt;br /&gt;&lt;br /&gt;76. Liberation – KATATONIA (from Night Is The New Day) http://www.youtube.com/watch?v=0nqvp113mks&lt;br /&gt;&lt;br /&gt;75. Last Place That Love Lives – THE BLACK CROWES (from Before The Frost…Until The Freeze) http://www.youtube.com/watch?v=3cAjfm43IdE&lt;br /&gt;&lt;br /&gt;74. No You Girls – FRANZ FERDINAND (from Tonight: Franz Ferdinand) http://www.youtube.com/watch?v=UkihU5YFy4g&lt;br /&gt;&lt;br /&gt;73. My Lucky Day – BRUCE SPRINGSTEEN (from Working On A Dream) http://www.youtube.com/watch?v=113kJKz2mMI&lt;br /&gt;&lt;br /&gt;72. Carby - DISCOVERY w/EZRA KOENIG (from LP) http://www.youtube.com/watch?v=tfB1ugZwisY&lt;br /&gt;&lt;br /&gt;71. Dark Horse – CONVERGE (from Axe To Fall) http://www.youtube.com/watch?v=1coBXXChNpU&lt;br /&gt;&lt;br /&gt;70. White Dwarf – ZOROASTER (from Voice Of Saturn) http://www.youtube.com/watch?v=EZrf2-Yk_NM&lt;br /&gt;&lt;br /&gt;69. Nashira – COUNT RAVEN (from Mammons War) http://www.youtube.com/watch?v=bbhknQJRB7w&lt;br /&gt;&lt;br /&gt;68. Don’t Stop – CHALI 2NA (from Fish Outta Water) the clear standout track, finding Chali reflecting on the ups and downs of hip-hop (with help from smooth vocalist Anthony Hamilton) and an Emile beat that will absolutely blow out your speakers. http://www.youtube.com/watch?v=6efRBXtZZ1o&lt;br /&gt;&lt;br /&gt;67. Grave Reaper – FUNEBRARUM (from The Sleep of Morbid Dreams) http://www.youtube.com/watch?v=Gcr-lRJkKcw&lt;br /&gt;&lt;br /&gt;66. Fossil Genera - A Feed From Cloud Mountain - BETWEEN THE BURIED AND ME (from The Great Misdirect) http://www.youtube.com/watch?v=WBNKBClDtxE&lt;br /&gt;&lt;br /&gt;65. Spacious Thoughts - N.A.S.A. w/TOM WAITS and KOOL KEITH (from The Spirit Of Apollo) http://www.youtube.com/watch?v=aiJ2E0xGOv8&lt;br /&gt;&lt;br /&gt;64. Where Spirits Lie Dead – LAY DOWN ROTTEN (from Gospel Of The Wretched) a menacing phantasmal monster with banshee wailing guitar and a runaway rhino backbeat layed down by drummer Timo Claason and bassist Uwe Kilian buoying an almost Lemmy-esque vocal flesh-stripping provided by Jost Kleinert. http://www.youtube.com/watch?v=3LfPJvPNZQU&lt;br /&gt;&lt;br /&gt;63. Change – DANIEL MERRIWEATHER (w/WALE) (from Love &amp; War) http://www.youtube.com/watch?v=gvz2PLiHyo4&lt;br /&gt;&lt;br /&gt;62. Little Secrets – PASSION PIT (from Manners) http://www.youtube.com/watch?v=ScC_pi3PJ9k&lt;br /&gt;&lt;br /&gt;61. IRM - CHARLOTTE GAINSBOURG (from IRM) Man, everything sounds better in French.  Even a medical procedure like an MRI or, in the case of this song, “Imagerie par Résonance Magnétique”. Now THAT’S sex-ay. http://www.youtube.com/watch?v=N7KxvSwmzkY&lt;br /&gt;&lt;br /&gt;60. Hey, Snow White – THE NEW PORNOGRAPHERS (from Dark Was The Night Compilation Album)&lt;br /&gt;http://www.youtube.com/watch?v=LdbGCfa8qkg&lt;br /&gt;&lt;br /&gt;59. Jars – CHEVELLE (from Sci-Fi Crimes) A tongue in cheek environmental track about saving the Earth literally by putting it in jars for later. As quirky as the cd cover itself what with it’s (apparent) urinating skeletons and ufo’s and such. http://www.youtube.com/watch?v=2dfh8YaV4mg&lt;br /&gt;&lt;br /&gt;58. Morning After Dark - TIMBALAND w/ SOSHY and NELLY FURTADO (from Shock Value II) http://www.youtube.com/watch?v=25LBTSUEU0A&lt;br /&gt;&lt;br /&gt;57. Fed To Pigs – DEVOURMENT (from Unleash The Carnivore) http://www.youtube.com/watch?v=B3Vb1FEAUEc&lt;br /&gt;&lt;br /&gt;56. Sleep Alone – BAT FOR LASHES (from Two Suns) http://www.youtube.com/watch?v=O1vtr9fXdg8&lt;br /&gt;&lt;br /&gt;55. Lifeline – PAPA ROACH (from Metamorphosis) http://www.youtube.com/watch?v=TxVACta6dbA&lt;br /&gt;&lt;br /&gt;54. My Wife’s Home Town – BOB DYLAN (from Together Through Life) http://popup.lala.com/popup/504684648074981255&lt;br /&gt;&lt;br /&gt;53. Screams From The Deep – SERPENTCULT (from Weight Of Light) http://www.youtube.com/watch?v=f9ribUfdeic&lt;br /&gt;&lt;br /&gt;52. Victim Of Mass Production – THE CRIBS (from Ignore The Ignorant) http://www.youtube.com/watch?v=bQEja_uPjFI&lt;br /&gt;&lt;br /&gt;51. Swim – SURFER BLOOD (from Astro Coast) http://www.youtube.com/watch?v=Q-c5grn5OKg&lt;br /&gt;&lt;br /&gt;50. On The Brink Of Extinction – NAPALM DEATH (from Time Waits For No Slave) http://www.youtube.com/watch?v=CIfnyoKMZeA&lt;br /&gt;&lt;br /&gt;49. Burned Bridges – LIVING COLOUR (from The Chair In The Doorway) Yes, THAT Living Colour. New York City’s favorite band of Black Rock Coalition veterans reunited with all their instrument demi-godness and burn down the roots to make the tree grow with this unapologetic monster of an opening track.  http://www.youtube.com/watch?v=PQcLjlbi2Bo&lt;br /&gt;&lt;br /&gt;48. Enemy Of The Sun – UNANIMATED (from In The Light Of Darkness) http://www.youtube.com/watch?v=90mPd-MM4TQ&lt;br /&gt;&lt;br /&gt;47. The Seventh Summer – SIRENIA (from The 13th Floor) http://www.youtube.com/watch?v=q6qiHNDpP7A&lt;br /&gt;&lt;br /&gt;46. Shame On Me – AMANDA BLANK (from I Love You) An absolutely fantastic lament over love gone wrong, “Shame On Me” is Depeche Mode if Dave Gahan had a sex change, pure and simple. http://www.youtube.com/watch?v=9gwxIzuqUjg&lt;br /&gt;&lt;br /&gt;45. Dear Coach’s Corner – PROPAGANDHI (from Supporting Caste) http://www.youtube.com/watch?v=qAouOc2u1hA&lt;br /&gt;&lt;br /&gt;44. Hallelujah Goat – VOLBEAT (from Guitar Gangsters And Cadillac Blood) http://www.youtube.com/watch?v=wZHqD5ZlXMI&lt;br /&gt;&lt;br /&gt;43. It’s A Business Doing Pleasure With You – TIM McGRAW (from Southern Voice) http://www.youtube.com/watch?v=g2r0Xmkw7Co&lt;br /&gt;&lt;br /&gt;42. Chorus Of Cracking Necks – MARDUK (from Wormwood) If the patron deity of Babylon moved to Sweden, formed a death metal band, got trashed on Absinthe and wrote his own professional wrestling entrance music, it would be this track. Try not to cringe too much at the repeated sound effect of actual necks cracking. Skin crawling and nauseating all at once. http://www.youtube.com/watch?v=VcZazDZeLII&lt;br /&gt;&lt;br /&gt;41. Devilizer – VADER (from Necropolis) http://www.youtube.com/watch?v=TTvAOXDm8K8&lt;br /&gt;&lt;br /&gt;40. A Horse Called Golgotha – BARONESS (from Blue Record) http://www.youtube.com/watch?v=8qii59-7JAM&lt;br /&gt;&lt;br /&gt;39. So Far From Your Weapon – THE DEAD WEATHER (from Horehound) The meaty nougat of the album, vocalist Alison Mosshart’s own staggering solo composition is a didgeridoo based Outback-drop for an Old West, high noon showdown. You can almost see the twitching thumbs, focused stares, drifting tumbleweeds and flapping trenchcoats within the borderline jazz synapses. http://www.youtube.com/watch?v=sEPouBnFFgA&lt;br /&gt;&lt;br /&gt;38. California On My Mind – WILD LIGHT (from Adult Nights) With New Hampshire born vocalist Tim Kyle proclaiming “Fuck Oakland”, “Fuck San Francisco” and “Fuck California” as a whole, the Governator and his crew in Sacramento are most definitely NOT recommending this track to the California Tourism Board. http://www.youtube.com/watch?v=QRJmfjZ2JmE&lt;br /&gt;&lt;br /&gt;37. Contractor – LAMB OF GOD (from Wrath) http://www.youtube.com/watch?v=FN9e_zVhtQc&lt;br /&gt;&lt;br /&gt;36. Just Singing A Song – NEIL YOUNG (from Fork In The Road) from the album inspired by Young's Lincoln Continental that had been retooled to run entirely on alternative energy, this standout track is an “Action, not words” anthem for going Green and sweeping up your carbon footprint. http://www.youtube.com/watch?v=Y_R5Q1b2GIY&lt;br /&gt;&lt;br /&gt;35. You Don’t Belong – DAUGHTRY (from Leave This Town) http://www.youtube.com/watch?v=AYHtt45Ob3U&lt;br /&gt;&lt;br /&gt;34. Obsessed (Cahill Radio Mix) – MARIAH CAREY (from Memoirs Of An Imperfect Angel) Based on a line of dialogue from the film Mean Girls, Carey has stated that this ridiculously upbeat track is one of her all-time favorite songs.  http://www.youtube.com/watch?v=tFx0YKpyx0Y&lt;br /&gt;&lt;br /&gt;33. If I Were King – QUEENSRYCHE (from American Soldier) http://www.youtube.com/watch?v=8BYJhYZ1yuI&lt;br /&gt;&lt;br /&gt;32. The Great Escape – THE RIFLES (from Great Escape) http://www.youtube.com/watch?v=BV7rNoECycs&lt;br /&gt;&lt;br /&gt;31. Choose Your Enemy – SÉANCE (from Awakening Of The Gods) http://www.myspace.com/seanceseance&lt;br /&gt;&lt;br /&gt;30. Satellite Minds – METRIC (from Fantasies) Where the Canadien indie rockers pristinely sing about a stalking ex-lover who listens to her former amour “fucking through the walls”.&lt;br /&gt;http://www.youtube.com/watch?v=bw1Jjc5Baw0&lt;br /&gt;&lt;br /&gt;29. In Your Heart – A PLACE TO BURY STRANGERS (from Exploding Head) http://www.youtube.com/watch?v=MR5JV3qXbak&lt;br /&gt;&lt;br /&gt;28. Jesus Saves! – FUNERAL MIST (from Maranatha) Blood curdling and thought provoking all at the same time, this pummeling track (which could also be known as the “Love Theme From The Exorcist”), is a rabid testimony to the hypocrisy of Christianity as well as a “how-to” on how to destroy it at it’s most base faiths. Oh, and it would terrify Slayer. If you believe in the Bible, this would NOT be an editor’s choice for you. This track DOES make the baby Jesus cry. http://www.youtube.com/watch?v=RQ8PcgAZkm8&lt;br /&gt;&lt;br /&gt;27. Beauty Through Order – SLAYER (from World Painted Blood)  http://www.youtube.com/watch?v=yR-UPaVNcAU&lt;br /&gt; &lt;br /&gt;26. Tell Me True – SARAH JAROSZ (from Song Up In Her Head) where the stunning 18 year old bluegrasser weaves a bruised-fruit teen’s cautionary query to her young love. http://www.youtube.com/watch?v=zVGg38_QzOI&lt;br /&gt;&lt;br /&gt;25. Her Diamonds – ROB THOMAS (from Cradlesong) http://www.youtube.com/watch?v=srg5qHHQ9i4&lt;br /&gt;&lt;br /&gt;24. 1901 – Phoenix (from Wolfgang Amadeus Phoenix) http://www.youtube.com/watch?v=Q4MXFOMpVIw&lt;br /&gt;&lt;br /&gt;23. Crushed Beyond Dust – SKELETONWITCH (from Breathing The Fire) http://www.youtube.com/watch?v=idhHtlRLUIA&lt;br /&gt;&lt;br /&gt;22. Save Me San Francisco – TRAIN (from Save Me, San Francisco) http://www.youtube.com/watch?v=R2_p57YfhlU&lt;br /&gt;&lt;br /&gt;21. A Lot To Drink About – JIMMY BUFFETT (from Buffet Hotel) A “high-speed drinking song” wherein the Key West troubadour makes the troubles of the world go away as only he can; with tongue-in-cheek humor and a cold Margarita. http://www.youtube.com/watch?v=xGbrCJfgH8s&lt;br /&gt; &lt;br /&gt;20. Wars – HURT (from Goodbye To The Machine) http://www.youtube.com/watch?v=gT18DCcvNt0&lt;br /&gt;&lt;br /&gt;19. I’ll Go Crazy If I Don’t Go Crazy Tonight – U2 (from No Line On The Horizon) http://www.youtube.com/watch?v=4q_AHAMVQ9c&lt;br /&gt;&lt;br /&gt;18. Pilgrims In An Unholy Land – RIVERBOAT GAMBLERS (from Underneath The Owl) http://www.youtube.com/watch?v=emC5nGs9kWc&lt;br /&gt;&lt;br /&gt;17. Honestly - YONDER MOUNTAIN STRING BAND (from The Show) http://www.youtube.com/watch?v=spZpMP3IMHs&lt;br /&gt;&lt;br /&gt;16. Beyond To Slight The Maze – ASTRA (from The Weirding) Picture if you will a quintet of San Diego based, space rock Yes fanatics hooking up with Ozzy Osbourne and Jethro Tull at a museum dedicated to the art of Roger Dean. There you go. http://www.youtube.com/watch?v=VJEoxiRzXWs&lt;br /&gt;&lt;br /&gt;15. Body Combat – BLACK LIPS (from 200 Million Thousand) http://popup.lala.com/popup/937030249097502084&lt;br /&gt;&lt;br /&gt;14. In Ashes They Shall Reap – HATEBREED (from Self-Titled) http://www.youtube.com/watch?v=bRd6En458Zw&lt;br /&gt;&lt;br /&gt;13. Back With A Vengeance – DEVILDRIVER (from Pray for Villains) The outright monster on an album of musical mayhem and masterwork. Relentless, unyielding, merciless. A vendetta forged in guitar, bass, drum and vocal. http://www.youtube.com/watch?v=WT_BPQ-GxeM&lt;br /&gt;&lt;br /&gt;12. Ten Thousand Words  - THE AVETT BROTHERS (from I And Love And You) http://www.youtube.com/watch?v=Gt6k8htvc9k&lt;br /&gt;&lt;br /&gt;11. Squirm – DAVE MATTHEWS BAND (from Big Whiskey And The GrooGrux King) a Middle Eastern tinged, funeral dirged attempt to pry open your third eye (thank you Maynard Keenan for the line) backed by Carter Beauford’s goblin war drums. Fitting right in with some of the band’s magnum opus stuff (including “”Typical Situation”, “Drive In Drive Out”, “Grace Is Gone” and “Crush”) it also contains one of Matthews’ best lyrics to date…”If Kindness Is Your King, Then Heaven Will Be Yours Before You Reach The End”. http://www.youtube.com/watch?v=bFCp_axaVZw&lt;br /&gt;&lt;br /&gt;10. Eating The Sun - THE SIGN OF THE SOUTHERN CROSS (from Of Mountains And Moonshine) http://www.youtube.com/watch?v=hSu2I_C1os4&lt;br /&gt;&lt;br /&gt;9. Meet Me On The Equinox – DEATH CAB FOR CUTIE (from Twilight: New Moon – Original Soundtrack)&lt;br /&gt;http://www.youtube.com/watch?v=bjIErrcr75A&lt;br /&gt;&lt;br /&gt;8. Griftefrid – THYRFING (from Hels Vite) http://www.youtube.com/watch?v=sUreZwGqBr8&lt;br /&gt;&lt;br /&gt;7. New Divide – LINKIN PARK (from Transformers: Revenge Of The Fallen Soundtrack)I’m sorry, what? I just heard this behemoth of a song on 5.1 surround sound and I’m still picking up my teeth (along with the “ashes that fell like snow”). As far as I’m concerned, this rampaging track alone makes up for their critically acclaimed (albeit Drager despised) album Minutes To Midnight and almost excuses both of the god-awful Transformers movies (almost). http://www.youtube.com/watch?v=ysSxxIqKNN0&lt;br /&gt;&lt;br /&gt;6. Life And Times – BOB MOULD (from Life And Times) With some angry carry-over from last year’s District Line, Mould rings the bell for round two of pummeling his ex-boyfriend, playing rope-a-dope with the outright venomous rock of the title-track. http://www.lala.com/#album/360569445168255490&lt;br /&gt;&lt;br /&gt;5. Drumming Song – FLORENCE AND THE MACHINE (from Lungs) http://www.youtube.com/watch?v=TpLXQorSQe8&lt;br /&gt;&lt;br /&gt;4. End Transmission – A.F.I. (from Crash Love) http://www.youtube.com/watch?v=dzlla9POXwc&lt;br /&gt;&lt;br /&gt;3. In One Ear – CAGE THE ELEPHANT (from Self-Titled) A show opener, show stopper and lyrical pimp slap to to all the critics, haters and deriders, et al who just don’t get it. http://www.youtube.com/watch?v=T9LRo0D_uWM&lt;br /&gt;&lt;br /&gt;2. Letters From The Sky – CIVIL TWILIGHT (from  Self-Titled ) Named for when the center of the sun is 6 degrees below the horizon, this South African trio burns bright through the dusk and fog on this haunting track lilted with eerie piano and melancholy vocals about a love that cannot (or will not) be denied.  http://www.youtube.com/watch?v=9Wa7dFR09vU&lt;br /&gt;&lt;br /&gt;1. Don’t Let Me Stop You – KELLY CLARKSON (from All I Ever Wanted) Get your airbags ready, your fireproof jockstrap on and pack your bags, boys. Kelly Clarkson is PISSED! With help from co-writers Andreas “Quiz” Romdhane , Josef Larossi and a blast furnace of an attitude, Clarkson forged an ear-hooking, anthemic barnburner about a dude who better shit or get off the pot and takes the defiance to his less than stellar behavior (kissing her with his eyes open, looking over his shoulder at other women) to Defcon-1 with ceiling crumbling vocals and angst and anger a plenty. More than willing to not only show her man the door as throw him through it, Clarkson’s throaty yalp screams from the mountaintops that 1. Any man with her better be all in and 2. She will not be taken advantage of. She’ll be quite alright without you, I assure you.  If you’re not in it for real, don’t waste her time. She didn’t waste our time with this ABSOLUTE monster track, THE best song of 2009 actually. Wasting her time would only be rude. ..and possibly hazardous to your health. http://www.youtube.com/watch?v=JNZv7Hm2GyI&lt;br /&gt;&lt;br /&gt;Best Albums Of 2009&lt;br /&gt;&lt;br /&gt;105. Bria Valente – Elixer (NPG) The smoking hot debut cd from Prince’s new protégé is so sexily smoldering, it should come with a free condom and cigarette for you to smoke after listening to it. Romantic raunchiness over a smooth R&amp;B groove. Is it getting hot in here? http://en.wikipedia.org/wiki/Bria_Valente&lt;br /&gt;&lt;br /&gt;104. Black Math Horseman – Wyllt (Tee Pee) Metacritic: Not Ranked Pitchfork: 7.0&lt;br /&gt;http://www.myspace.com/blackmathhorseman&lt;br /&gt;&lt;br /&gt;103. Rancid – Let The Dominoes Fall (Hellcat) Metacritic: 72  Pitchfork: Not Ranked&lt;br /&gt;http://en.wikipedia.org/wiki/Let_The_Dominoes_Fall&lt;br /&gt;&lt;br /&gt;102. Peaches – I Feel Cream (XL Records) Toronto’s Merrill Beth Nisker (aka “Peaches”) and her band The Herms (short for “Hermaphrodites”. Get it? “Peaches And Herms”?) release another gender-bending electronica album that should somehow be spelt with three X’s. About as subtle as Wendy O’Williams with that sledgehammer on that piano, Peaches pummels you with sex and profanity while finding twelve different ways to tell you she doesn’t give a fuck about you or what you think of her, and you still come back for more. If Missy Elliot and David Bowie had a love child and left it to be raised by Pete Burns of Dead Or Alive, it would be Peaches. Dance at your own risk. http://en.wikipedia.org/wiki/I_Feel_Cream&lt;br /&gt;&lt;br /&gt;101. The Asteroids Galaxy Tour – Fruit  (Import) http://en.wikipedia.org/wiki/Asteroids_Galaxy_Tour&lt;br /&gt;&lt;br /&gt;100. Maximo Park – Quicken The Heart (Warp Records) http://en.wikipedia.org/wiki/Quicken_The_Heart&lt;br /&gt;&lt;br /&gt;99. Chali 2na – Fish Outta Water (Decon Inc.) From his hometown of Chicago to the streets of South Central where he grew up, to the Thursday nights spent at the Good Life Café with fellow high schooler /spoken word artists The Unity Committee to his turn as vocalist for both Jurassic 5 and Ozomatli (not to mention a near death experience on the 2000 Warped Tour), to a cd cover that reminds me of Aquaman when he had his camouflage uniform, Charlie Stewart (a.k.a. “Chali 2na” due to his vocal resemblance to the Starkist mascot) has led a fifteen year career that finally culminated in a long hinted at solo debut. Aptly titled since Chali mainly strays from his comfort zone of collaborative work, the man (and his absolutely fantastic baritone vox) start us off with “Get Focused” featuring the play between both himself and a similarly named radio host (over a Bean One beat, mind you), giving just a hint of the bouncing ebb and flow to come. “So Crazy” is an upbeat critcal rebuttal where Chali shows he’s as deep as his voice. “Lock Shit Down” is only improved with the addition of (former Black Star-er) Talib Kweli. “Comin’ Thru” finds the man making like the Red Queen quote from Alice In Wonderland when she tells Alice “to stay where you are you have to keep running” acknowledging his Jurassic 5 roots while also tilting the musical compass towards where he is headed. “Love’s Gonna Getcha” features an exemplary Scott (not Larry) Storch beat. On “Graff Time” Chali nods to his artistic roots. “Controlled Coincidence” is a lambast of war and the media with assist courtesy of Kanetic Source (also from Ozomatli).The final track “4 Be Be” closes it out with a memoriam of sorts to a deceased cousin featuring soaring help from Ming Xia (of The Spooks). The infectious “Don’t Stop” however is the clear standout, finding Chali reflecting on the ups and downs of hip-hop (with help from smooth vocalist Anthony Hamilton) and an Emile beat that will absolutely blow out your speakers. Vastly underrated as an emcee with one of the best voices I’ve heard in a very long time, Mr. 2na’s solo debut is a new trend cyclical throwback to fun hip-hop that will not only show the growth of the artist as a man and musician, but will also get the asses out of their seats at your next party. I must admit, as a fan of all music, I’m embarrassed I didn’t know about this guy and his absurdicusly good voice and style sooner.  DJ? Cue it up, please. Metacritic: 72  Pitchfork: Not Rated http://en.wikipedia.org/wiki/Chali_2na&lt;br /&gt;&lt;br /&gt;98. Art Brut – Art Brut Vs. Satan (Downtown) An extraordinary goofball, Eddie Argos and his crew of Jean Debuffet fans weave art-punk tales of drinking one too many the night before then having to go to work; a sarcastically sad ode to comics and cold, dairy treats; riding on the bus and in the masterstroke of the album, they poke Brian Eno in the ribs, making fun of his many audio labors. And don’t forget their nod to the Bobby Fuller Four with the line “I fought the floor and the floor won”. Good stuff http://en.wikipedia.org/wiki/Art_Brut_vs._Satan&lt;br /&gt;&lt;br /&gt;97. Black Lips – 200 Million Thousand (Vice) http://en.wikipedia.org/wiki/200_Million_Thousand&lt;br /&gt;&lt;br /&gt;96. Wolfmother – Cosmic Egg (Modular) Metacritic: 65 Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Cosmic_Egg&lt;br /&gt;&lt;br /&gt;95. Nile – Those Whom The Gods Detest (Nuclear Blast) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Those_Whom_the_Gods_Detest&lt;br /&gt;94. Dying Fetus – Descend Into Depravity (Relapse) Metacritic: Not Reviewed Pitchfork: Not Reviewed &lt;br /&gt;http://en.wikipedia.org/wiki/Descend_into_Depravity&lt;br /&gt;&lt;br /&gt;93. U2 – No Line on the Horizon (Interscope) http://en.wikipedia.org/wiki/No_Line_On_The_Horizon&lt;br /&gt;&lt;br /&gt;92. Sylosis – Conclusion Of An Age (Nuclear Blast Records) http://en.wikipedia.org/wiki/Conclusion_of_an_Age&lt;br /&gt;&lt;br /&gt;91. Tortoise – Beacons Of Ancestorship (Thrill Jockey) Metacritic: 71 Pitchfork: 7.9&lt;br /&gt;http://en.wikipedia.org/wiki/Beacons_of_Ancestorship&lt;br /&gt;&lt;br /&gt;90. Thursday – Common Existence (Epitaph) http://en.wikipedia.org/wiki/Common_Existence&lt;br /&gt;&lt;br /&gt;89. Miranda Lambert – Revolution (Columbia Nashville) Metacritic: 84 Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Revolution_(Miranda_Lambert_album)&lt;br /&gt;&lt;br /&gt;88. The Decemberists – The Hazards Of Love (Capitol Records) http://en.wikipedia.org/wiki/Hazards_of_love&lt;br /&gt;&lt;br /&gt;87. Cobalt – Gin (Profound Lore) http://www.myspace.com/stinktown666&lt;br /&gt;86. Séance – Awakening Of The Gods (Pulverised Records) http://en.wikipedia.org/wiki/Awakening_of_the_gods&lt;br /&gt;&lt;br /&gt;85. The Cribs – Ignore The Ignorant (Warner Bros.) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Ignore_the_ignorant&lt;br /&gt;&lt;br /&gt;84. Train – Save Me San Francisco (Columbia) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Save_Me_San_Francisco&lt;br /&gt;&lt;br /&gt;83. Goes Cube – Another Day Has Passed (The End) Metacritic: Not Reviewed  Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Another_Day_Has_Passed&lt;br /&gt;&lt;br /&gt;82. Graf Orlock – Destination Time Today (Level Plane Records) On their first official album, California cinema grind masters (&amp; UCLA alums) Graf Orlock (named after Max Schreck’s character in the 1922 film Nosferatu) combine film quotes from The Shooter, The Terminator, 12 Monkeys and Collateral (amongst others)with grindcore blastcaps into a melange of metal movie madness distributed in quick, violent bursts. http://en.wikipedia.org/wiki/Destination_Time_Today&lt;br /&gt;&lt;br /&gt;81. Sarah Jarosz – Song Up In Her Head (Sugar Hill) Correctly labelled as "a songwriter of uncommon wisdom” by The Austin Chronicle, this stunning bluegrass debut from the 18 year old Wimberley, Texan prodigy on piano, banjo (clawhammer and otherwise), mandolin and guitar showcases Jarosz sounding wise and weary beyond her years with a voice echoing from a turn-of-the-century coalmine. Seemingly the missing bonus cd from Patty Loveless’ brilliant 2001 Mountain Soul compilation, the eleven original compositions  and two covers (The Decemberists’ “Shankill Butchers” about a group that terrorized Irish Catholics in the 1970s and Tom Waits’ masterful “Come On Up To The House”) show a talent rarely seen nowadays  and one that’s gleefully welcome to pick and grin on my front porch anytime. Metacritic: Not Rated Pitchfork: Not Rated http://en.wikipedia.org/wiki/Sarah_Jarosz&lt;br /&gt;&lt;br /&gt;80. Prince – LOtUSFLOW3R (NPG) This time The Purple One simultaneously released two cds of his own (of which this is the far superior album) along with the debut from his protégé Bria Valente in one package. Vintage Prince from end-to-end, it covers the whole spectrum from funk to blues to pop to soul and back again. Check out “Colonized Mind”, hands down one of the best songs he has ever done. But, I have to ask why he didn’t just place the fan-frakking-tastic “Ol’ Skool Company” (with it’s call-to-arms to bring real music to radio) and the ego-tastic “There’ll Never B (Another Like Me)” on this album and dismiss the far weaker (by Prince standards) MPLSoUND all together? But, that’s just me. http://en.wikipedia.org/wiki/Lotusflower&lt;br /&gt;&lt;br /&gt;79. Malefice – Dawn Of Reprisal  (Metal Blade) http://en.wikipedia.org/wiki/Dawn_of_Reprisal&lt;br /&gt;&lt;br /&gt;78. Tinted Windows – Self-Titled (S-Curve Records) Teaming-up like a pop music Justice League Of America, Taylor Hanson, Adam Schlesinger, Bun E. Carlos and James Iha combine the best of Hanson, Ivy, Fountains Of Wayne  and Cheap Trick and just a soupcon of sublime Smashing Pumpkins guitar into a pop palette of late 70’s goodness. http://en.wikipedia.org/wiki/Tinted_Windows_(band)&lt;br /&gt;&lt;br /&gt;77. Conor Oberst And The Mystic Valley Band – Outer South (Merge) On their second album in as many years, Oberst and his stranded in Mexico musician cohorts released an album that runs the plethora gamut. From floating in pools while singing bubbly pop music (“Slowly” and “Air Mattress”) to having sex on Mendeleyev’s table of the elements while listening to “church bells that ring like a mobile phone” (“I Got The Reason”), Oberst manages to sound like Tom Petty and Bob Dylan (“Big Black Nothing” and “Worldwide”), Elvis Costello (“Spoiled”), Nick Drake (“White Shoes”) exactly like himself (“Bloodline”) and Mike Love singing a country dirge (“Snake Hill”). The two stand outs though are “To All The Lights In The Windows”, which combines lost love and Moses (?) and “Roosevelt Room”, where Oberst channels his inner Joe Strummer and recalls the days of his masterpiece Bright Eyes track “Four Winds” with the lyrics “the working poor you’ve been pissing on are pulling double shifts tonight”. In “Difference Is Time” Oberst laments that “life is hard, even if you cheat”. Luckily he and his band didn’t cheat us on this album. Metacritic: 67 Pitchfork: 4.9 http://en.wikipedia.org/wiki/Outer_South&lt;br /&gt;&lt;br /&gt;76. MSTRKRFT – Fist Of God (Universal) http://en.wikipedia.org/wiki/Fist_of_God&lt;br /&gt;&lt;br /&gt;75. Devian – God To The Illfated (Century Media Records) http://en.wikipedia.org/wiki/Devian&lt;br /&gt;&lt;br /&gt;74. Bob Mould – Life And Times (ANTI-) With some angry carry-over from last year’s District Line, Mould rings the bell for round two of pummeling his ex-boyfriend, encompassing everything from the outright venomous rock of the title-track to the heartbreaking freedom song “I’m Sorry Baby, But You Can’t Stand In My Light Anymore”.  Whether in Husker Du, Sugar or solo, Mould is the man. http://en.wikipedia.org/wiki/Life_And_Times_(Bob_Mould_album)&lt;br /&gt;&lt;br /&gt;73. Mantic Ritual – Executioner (Nuclear Blast) Imagine a parallel world where Dave Mustaine didn’t get fired from Metallica, actually became the vocalist, moved the band to Pittsburgh and they became a Slayer tribute band that toured with Venom. Thrash revivalists Mantic Ritual echo the early eighties Bay Are thrash scene so eerily well you’ll pull out your sleeveless jean jacket with the Testament backpatch while listening to this album. “One By One” is Slayer’s “Chemical Warfare” by way of “Evil Has No Boundaries” succinctness. “Black Tar Sin” combines the best of Metallica’s “No Remorse” with Slayer’s “Black Magic”. “Death And Destruction”  is straight out of Metallica’s “Four Horsemen” demos and “Murdered to Death” is the missing track from Slayer’s Hell Awaits plus(!) check out the absurdicus fret work on this track as well as on “Double The Blood”. “Souls” is the best song that British demon masters Venom never wrote.The closing monster “Next Attack” is so vintage Kill ‘Em All Metallica you’ll swear it’s a “Seek And Destroy” outtake right along with being the best song on the album. Horns up, kids. Thrash is back. http://en.wikipedia.org/wiki/Executioner_(album)&lt;br /&gt;&lt;br /&gt;72. Deathstars – Night Electric Night (Nuclear Blast) http://en.wikipedia.org/wiki/Night_Electric_Night&lt;br /&gt;&lt;br /&gt;71. Children Of Bodom – Skeletons In The Closet (Spinefarm) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Skeletons_in_the_Closet_(album)&lt;br /&gt;&lt;br /&gt;70. Hypocrisy – A Taste of Extreme Divinity (Nuclear Blast) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/A_Taste_of_Extreme_Divinity&lt;br /&gt;&lt;br /&gt;69. Living Colour – The Chair in The Doorway (Megaforce Records) Metacritic: Not Reviewed  Pitchfork:  Not Reviewed http://en.wikipedia.org/wiki/The_Chair_in_the_Doorway &lt;br /&gt;&lt;br /&gt;68. Brad Paisley – American Saturday Night (Arista Nashville) Metacritic:84  Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/American_Saturday_Night &lt;br /&gt;&lt;br /&gt;67. Cattle Decapitation – The Harvest Floor (Metal Blade Records) http://en.wikipedia.org/wiki/The_Harvest_Floor &lt;br /&gt;&lt;br /&gt;66. Napalm Death – Time Waits For No Slave (Century Media) http://en.wikipedia.org/wiki/Time_Waits_For_No_Slave&lt;br /&gt;&lt;br /&gt;65. Thyrfing – Hels Vite (Regain Records) http://en.wikipedia.org/wiki/Hels_Vite&lt;br /&gt;&lt;br /&gt;64. Buddy And Julie Miller – Written In Chalk (New West Records) http://en.wikipedia.org/wiki/Written_in_Chalk&lt;br /&gt;&lt;br /&gt;63. The Flaming Lips – Embryonic (Warner Bros.) Metacritic: 80  Pitchfork: 9.0&lt;br /&gt;http://en.wikipedia.org/wiki/Embryonic&lt;br /&gt;&lt;br /&gt;62. Tim McGraw – Southern Voice (Curb) Metacritic: 66 Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Southern_Voice_(album)&lt;br /&gt;&lt;br /&gt;61. Asphyx – Death… The Brutal Way (Century Media) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Death...The_Brutal_Way&lt;br /&gt;&lt;br /&gt;60. Funebrarum – The Sleep Of Morbid Dreams (Cyclone Empire) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://www.myspace.com/funebrarum&lt;br /&gt;&lt;br /&gt;59. Artillery – When Death Comes (Metal Mind Productions) Metacritic: Not Reviewed Pitchfork: Not Reviewed &lt;br /&gt;http://en.wikipedia.org/wiki/When_death_comes&lt;br /&gt;&lt;br /&gt;58. The Eyes Of A Traitor – A Clear Perception (Listenable Records) http://en.wikipedia.org/wiki/A_Clear_Perception&lt;br /&gt;&lt;br /&gt;57. White Lies – To Lose My Life Or Lose My Love (Fiction) http://en.wikipedia.org/wiki/To_Lose_My_Life...&lt;br /&gt;&lt;br /&gt;56. Matisyahu – Light (Epic Records / JDub Records) Metacritic: 57 Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Light_(Matisyahu_album)&lt;br /&gt;&lt;br /&gt;55. Morrissey – Years Of Refusal (Attack / Lost Highway) http://en.wikipedia.org/wiki/Years_of_Refusal&lt;br /&gt;&lt;br /&gt;54. Funeral Mist – Maranatha (Southern Lord) Just when you thought Swedish death metal was languishing comes this dark solo project from Marduk vocalist Daniel “Arioch” Rosten to audibly crucify you. From the eye-bursting scream of “It’s the blood!” that starts off opening track “Sword Of Faith” to the Satanically sarcastic secular strike that is “Jesus Saves!” to the burning red sun and blood of Cain that flows through “A New Light”, Maranatha (which jokingly translates as “Our Lord has come”) is truly an omen of the end times and shows that the kingdom of Lucifer may already be here and it’s about fucking time. In actuality the second official album from the band, this Satanic juggernaut fires on all pitchforks and will burn you at the stake. Unnerving, relentless and just plain scary as hell (pun intended) Mr. Arioch and his skin crawling vocals (which he fittingly describes as “my voice is a thousand open graves”) put the shit in my pants and lit a cigarette off my ashen corpse…and I went back for more. After this nightmare inducing musical monster I understand why people kept playing with that box in the Hellraiser films. You have been warned. Sell your soul if you have to, but get in touch with this macabre masterstroke. I’ll be under the bed pressing “repeat” if you need me. http://en.wikipedia.org/wiki/Funeral_Mist&lt;br /&gt;&lt;br /&gt;53. Keri Hilson – In A Perfect World (Interscope) http://en.wikipedia.org/wiki/In_a_Perfect_World%E2%80%A6&lt;br /&gt;&lt;br /&gt;52. Living Things – Habeus Corpus (Jive) http://en.wikipedia.org/wiki/Habeas_Corpus_(Living_Things_Album)&lt;br /&gt;&lt;br /&gt;51. Elvis Costello – Secret, Profane And Sugarcane (Hear Music) Teaming up with T-Bone Burnett and a gaggle of the country’s best bluegrass and country musicians, Costello combines songs from his catalogue done anew, material from his unfinished commission for the Royal Danish Opera about the life of Hans Christian Andersen and two new songs (one done with Loretta Lynn) into a breath of fresh country air. Whether pushing his friend in front of a train (“Hidden Shame”) attacking America’s slavery past (“Red Cotton” ) or trekking around the country seemingly borrowing ideas from Marilyn Manson to “wrap you up in cellophane” (“Sulphur To Sugarcane”), this one is not to be missed. Metacritic: Not Rated  Pitchfork: 3.8 http://en.wikipedia.org/wiki/Secret,_Profane_%26_Sugarcane&lt;br /&gt;&lt;br /&gt;50. Zoroaster – Voice Of Saturn (Terminal Doom Records) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://www.myspace.com/thezoroaster &lt;br /&gt;&lt;br /&gt;49. My Dying Bride – For Lies I Sire (Peaceville Records) http://en.wikipedia.org/wiki/For_Lies_I_Sire&lt;br /&gt;&lt;br /&gt;48. Queensryche – American Soldier (Rhino Entertainment) http://en.wikipedia.org/wiki/American_Soldier_(album)&lt;br /&gt;&lt;br /&gt;47. Green Day – 21st Century Breakdown (Reprise) http://en.wikipedia.org/wiki/21st_Century_Breakdown&lt;br /&gt;&lt;br /&gt;46. Levon Helm – Electric Dirt (Dirt Farmer / Vanguard) Metacritic: 84 Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Electric_dirt &lt;br /&gt;&lt;br /&gt;45. Rob Thomas – Cradlesong (Emblem / Atlantic) http://en.wikipedia.org/wiki/Cradlesong&lt;br /&gt;&lt;br /&gt;44. The Qemists – Join The Q (Ninja Tune) http://en.wikipedia.org/wiki/The_qemists&lt;br /&gt;&lt;br /&gt;43. Oceano – Depths (Earache Records) http://en.wikipedia.org/wiki/Depths_(album)&lt;br /&gt;&lt;br /&gt;42. Baroness – Blue Record (Relapse) Metacritic: 88  Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Blue_Record&lt;br /&gt;&lt;br /&gt;41. Fight Like Apes – Fight Like Apes &amp; The Mystery Of The Golden Medallion (Model Citizen Records) http://en.wikipedia.org/wiki/Fight_Like_Apes_and_the_Mystery_of_the_Golden_Medallion&lt;br /&gt;&lt;br /&gt;40. Eric Church – Carolina (Capitol Nashville) http://en.wikipedia.org/wiki/Carolina_(Eric_Church_album)&lt;br /&gt;&lt;br /&gt;39. Volbeat – Guitar Gangsters And Cadillac Blood (Megaforce) The Danish quartet return with another fantastic example of what would happen if Glenn Danzig era Misfits joined up with Metallica circa 1983-84 and decided to form a Reverend Horton Heat tribute rockabilly band. (It is unnerving how eerily similar vocalist Michael Poulson sounds to both Glenn Danzig and James Hetfield, especially on the seemingly missing Death Magnetic track “Still Counting” and the referential Metallica track “Wild Rover Of Hell”). Listen if only for the astounding Corrosion Of Conformity-esque “Hallelujah Goat” and their jaw-dropping take on the Hank Williams’ classic “I’m So Lonesome I Could Cry” http://en.wikipedia.org/wiki/Guitar_Gangsters_%26_Cadillac_Blood&lt;br /&gt;&lt;br /&gt;38. Hurt – Goodbye To The Machine (Amusement) http://en.wikipedia.org/wiki/Goodbye_to_the_machine&lt;br /&gt;&lt;br /&gt;37. Propagandhi – Supporting Caste (G7 / Smallman / Hassle) Like the punk rock version of fellow veganarchists Cattle Decapitation, Canada’s own Propagandhi mix hockey, fermentation fetishism, whaling, and wholesale role-reversal slaughter on this, their latest PETA approved, jaw-dropping album. http://en.wikipedia.org/wiki/Supporting_Caste&lt;br /&gt;&lt;br /&gt;36. Gallows – Grey Britain (Warner Bros.) After their debut Orchestra Of Wolves made them the vanguard of new hardcore punk, brutally ironic tattooed frontman Frank Carter and his blighty cohorts had their work cut out for them. With Grey Britain they made the cut. From the opening salvo of “The Riverbank” straight into the blitzing “London Is The Reason” these brutish British boyos simply do not let up EVER. Indicting their homeland and all it’s crippling, problematic issues with the zeal of a militant Clash and Sex Pistols, the band strafes any and everything that moves with collateral damaging drums, Gatling gun guitar and barbed wire vocals. Drawing simultaneously from the wells of both Slayer and The Exploited and with an assload of John Lydon-ism thrown in for good measure, Carter warns us that he knows where we live (“Black Eyes”) gives us the armageddon roll call for the four horsemen (“Death Voices”), pummels us with throwback thrash (“The Riverbed”) and leads the mob scene as the band does their best homage to Pantera’s classic two-headed monster “Suicide Notes, Pt 1 &amp; 2” (“The Vulture: Acts I &amp; II”). Giving us a one-two punch of Iron Maiden riffs (“Queensbury Rules”) and squealing pigs (“Misery”, which Carter said he wrote at “his lowest ebb”), the band shows that bringing in stammering producer GGGarth Richardson (of Chevelle, Rage Against The Machine and Mudvayne fame) was just one more armament in their already explosively lethal arsenal. On “Dread The Night” (which would’ve been on the We Are The Night Soundtrack in another life) Carter expounds that they “Are the new black and serious as a heart attack”. Maybe it’s the snarling British accent, but I believe him. Carter once stated in an interview that Gallows is “a hobby I get paid for”. All I can say is thank god it wasn’t model train collecting. Simply a relentlessly brilliant album. Metacritic: 77 Pitchfork: Not Rated http://en.wikipedia.org/wiki/Grey_Britain&lt;br /&gt;&lt;br /&gt;35. BLK JKS – After Robots (Secretly Canadian) Metacritic: Not Reviewed Pitchfork: 6.2&lt;br /&gt; http://www.myspace.com/blkjks&lt;br /&gt;&lt;br /&gt;34. Marilyn Manson – The High End Of Low (Interscope) Finally recovered from his burlesque divorce, Manson releases his best album in six years and incorporates Iggy Pop, Lou Reed, David Bowie and the fantastic production / bass work of Twiggy Ramirez into a return to sadistic glory.  “Leave A Scar”  takes Nietzsche to his logical cynical conclusion. “Running To the Edge Of The World” is as close as Manson is gonna come to a power ballad. “We’re From America” is self-loathing fascism from a pierced tongue-in-cheek patriot sardonically proud of a country that “doesn’t need credibility because it knows it’s fucking incredible” all while it “turns literatue into litter” and “Into The Fire” finds Manson as a manic-depressive Sisyphus  walking a “November Rain”-esque land where “rapist werewolves” mistake God’s urine for rain. It’s great to have our favorite Anti-Christ back at the controls of the torture chamber. We missed him. Thank you Dita Von Teese and all the good work you did. http://en.wikipedia.org/wiki/High_End_of_Low&lt;br /&gt;&lt;br /&gt;33. This Ending – Dead Harvest  (Metal Blade Records) http://en.wikipedia.org/wiki/This_Ending&lt;br /&gt;&lt;br /&gt;32. Trigger The Bloodshed – The Great Depression (Metal Blade) http://www.myspace.com/triggerthebloodshed&lt;br /&gt;&lt;br /&gt;31. Black Anvil – Time Insults The Mind (Momentum Records) Sewn together from parts of Kill Your Idols, Madball and H2O (among other groups), this New York City trio (comprised of band members P, G and R) seemingly did the impossible in combining hardcore and death metal into an audibly assaulting amalgam. Combining the best parts of Celtic Frost and Darkthrone (including a cover of Celtic Frost’s “Dethroned Emperor”) into a relentless, crunchy coredrill highlighted by the raptorous “Ten Talons Deep” and the anagrammed monstrosity “L.T.H.L.T.K.” (“Longer The Hate, Longer The Knife” in case you were wondering), this album is an urban take on Scandinavian metal that runs rampant through the streets of Brooklyn just like the mythological beast of the same name featured in their song / nod to Clash Of The Titans, “Release the Kraken”. To quote the band themselves “This dirt feels good”.  http://www.myspace.com/blackanvilny&lt;br /&gt;&lt;br /&gt;30. Pearl Jam – Backspacer (English) Metacritic: 80   Pitchfork: 4.6&lt;br /&gt;http://en.wikipedia.org/wiki/Backspacer_(Pearl_Jam_album)&lt;br /&gt;&lt;br /&gt;29. Mastodon – Crack the Skye (Reprise) http://en.wikipedia.org/wiki/Crack_the_skye&lt;br /&gt;&lt;br /&gt;28. Riverboat Gamblers – Underneath The Owl (Volcom Entertainment) http://en.wikipedia.org/wiki/Riverboat_Gamblers&lt;br /&gt;&lt;br /&gt;27. Korpiklaani – Karkelo (Nuclear Blast Records) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Karkelo &lt;br /&gt;&lt;br /&gt;26. Behemoth – Evangelion (Metal Blade / Nuclear Blast / Mystic) Metacritic: Not Reviewed  Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Evangelion_(album) &lt;br /&gt;&lt;br /&gt;25. Amanda Blank – I Love You (Downtown Records) With one foot in Philadelphia performance art group Sweetheart and the other in rap group Spank Rock, Germantown, PA’s Amanda Mallory (a.k.a. Amanda Blank) has decided to take her collaboration skills (see: her mix-tape work with Ghostface Killa, M.I.A. and Santogold amongst others) to the next logical step and released her estrogen fueled solo debut, orgasms,ovarian angst and mouth of a longshoreman included. With help from producers Diplo, Switch and XXXChange, Blank makes like a crunk Debbie Harry (especially on the Blondie-esque “Big Heavy” with it’s undeniable guitar riff), guiding us to the dance floor as I Love You grunts, spins and freestyles from Missy Elliot meets Debbie Allen banging her Fame cane on the floor while screaming at spelling bee contestants (“Something Bigger”) to getting ready for a night out…on Mars (“Make-Up”, a spot-on update cover of a song written by Prince for his 1980’s protégé girl group Vanity 6) to a “How-To” guide on showing losers and hangers-on the door that’s as “smooth as butter on a ‘Ruffie’ (“Lemme Get Some” with Chuck Inglish) to cold-hearted comeuppance for the guys who never call or only want sex (“Leaving You Behind” with help from friend Lykke Li)to her first track, “Might Like You Better”, a single-entendre dance referendum on sex that leaves nothing to the imagination. Between the profanity riddled ode to how fantastic she really is (“Gimme What You Got” with guest appearance by her fellow crass Spank Rockers) to the absolutely fantastic lament over love gone wrong “Shame On Me”(which is Depeche Mode if Dave Gahan had a sex change), there’s more than meets the eye to Miss Blank, and as soon as the DJ stops spinning her next track I’m gonna look into finding out what it is. Metacritic: 58  Pitchfork: 2.0 http://en.wikipedia.org/wiki/I_Love_You_(Amanda_Blank_album)&lt;br /&gt;&lt;br /&gt;24. Sonic Youth – The Eternal (Matador Records) You’ve got to show due respect to an iconic band that, in one song (in this case “Thunderclap For Bobby Pyn”) can name-drop the Heaven’s Gate cult and the lead singer of The Germs. Not only proving that the three years since their last album Rather Ripped (their longest gap ever) was worth the wait, The Eternal, all other things aside, shows that bass-playing vocalist MILF Kim Gordon is truly the best part of the legendary New York avant-punk band. At it’s roots a straight rock album, the cd starts off with the one-two combo of “Sacred Trickster” (with Gordon rubbing up against her bass amp) and “Anti-Orgasm” (where between “mission control” and “the brain police”, Gordon flatout humps her bass amp in coital vocal unison with husband/guitarist/vocalist Thurston Moore). The guitarist Lee Ranaldo penned “What We Know” is as complex as it is face-melting. “Calming The Snake” finds Gordon “no waving” over deadly riffs with double entendre titling to boot. “Poison Arrow”  finds gang leader Thurston Moore doing a spot-on Lou Reed with the best song not written for Reed’s classic Transformer album. A barely hinting return to their original SST sound, The Eternal is not only the band’s first cd for Matador but the first volley in what sounds like a new musical canon for the art-rock masters (see what I did there?). Dedicated to deceased Stooges member Ron Asheton, the punk guitarist is looking down wishing he could make noise sound this good. This album is not to be missed. Metacritic: 78  Pitchfork: 6.8 http://en.wikipedia.org/wiki/The_Eternal_(album)&lt;br /&gt;&lt;br /&gt;23. The Dead Weather – Horehound (Third Man) With yet ANOTHER side-project, Jack White has not only returned to his first instrument (the drums) but managed to combine The White Stripes (himself), The Raconteurs (himself and bassist Jack Lawrence), The Kills (phone sex vocalist Alison Mosshart) and Queens Of The Stone Age (guitarist Dean Fertita) into an amalgam of rock influences that becomes far more than the sum of its parts. Drawing from every area of rock imaginable the quartet outright jam on an album written in just a few weeks and with song insight coming from every band member therein. Drifting through the teasing atmospheric fog of opening track “60 Feet Tall” the band, led by Mosshart’s sultry guile, touch on second-tier Thomas Harris villainy / organ driven reggae with Heimlich maneuver vocals (“I Cut Like A Buffalo”) , a Led Zeppelin-esque soundtrack for Oedipus Rex, complete with syllogism and military marching (or sex) instructions (“Treat Me Like your Mother”) a raucous voodoo cover of Bob Dylan’s “New Pony” (about a little horse named “Lucifer” with bonus face-melting guitar),  twitchy Casio keyboard rhumba (“Bone House”) and  acoustic Delta blues / sea shanty gospel (“Will There be Enough Water?”) The meaty nougat of the album though is Mosshart’s own staggering solo composition “So Far From Your Weapon”, a didgeridoo based Outback-drop for an Old West, high noon showdown. You can almost see the twitching thumbs, focused stares, drifting tumbleweeds and flapping trenchcoats within the borderline jazz synapses. On “Hang You From The Heavens” we are warned that we’ll be “grabbed by the hair and sent off to the devil”. If this is the music I’ll be hearing on the way, I’ll leave the front door unlocked. Just come on in Ms. Mosshart. Metacritic: 75   Pitchfork: 7.5 http://en.wikipedia.org/wiki/Horehound_(album)&lt;br /&gt;&lt;br /&gt;22. Clutch – Strange Cousins From The West (Weathermaker Music) Metacritic: 72  Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Strange_Cousins_from_the_West &lt;br /&gt;&lt;br /&gt;21. Adversary – Singularity (Trustkill)Imagine Better Left Unsaid meet Unearth and they begin jamming on Carcass tunes. That’s Adversary in a nutshell. It’s not gonna blow your mind but it is far better than I thought it was going to be (and it’s wholly better than anything that All That Remains has done). It’s like Arch Enemy, just without the smokin’ hot female lead vocalist. Dig in. http://www.myspace.com/adversarymetal&lt;br /&gt;&lt;br /&gt;20. Sirenia – The 13th Floor (Nuclear Blast) http://en.wikipedia.org/wiki/The_13th_Floor_(album)&lt;br /&gt;&lt;br /&gt;19. Marduk – Wormwood (Regain Records) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Wormwood_(Metal_album)&lt;br /&gt;18. Dave Matthews Band – Big Whiskey And The GrooGrux King (RCA) On their best album since 1998’s Before These Crowded Streets (and the first since the death of saxophonist LeRoi Moore. The album title is a reference to his nickname), the Virginia boys let it rip on a surprisingly upbeat album and fitting tribute to their fallen bandmate. Check out the impending “Time Bomb” which is great in the way that the live version of “Dirty Day” from U2’s Zooropa ’93 – Live In Australia DVD was great and the masterstroke centerpiece “Squirm”, a Middle Eastern tinged, funeral dirged attempt to pry open your third eye (thank you Maynard Keenan for the line) backed by Carter Beauford’s goblin war drums. Fitting right in with some of the band’s magnum opus stuff (including “”Typical Situation”, “Drive In Drive Out”, “Grace Is Gone” and “Crush”) it also contains one of Matthews’ best lyrics to date…”If Kindness Is Your King, Then Heaven Will Be Yours Before You Reach The End”. http://en.wikipedia.org/wiki/Big_whiskey&lt;br /&gt;&lt;br /&gt;17. Cage The Elephant – Self-Titled (Relentless) Fresh from SXSW and Lollapalooza, the Kentucky bred Shultz brothers and their band of backwater brethren mix white garage blues rock with rap-soul-funk and a dead-on impression of Alex Turner vocals into a G. Love and Special Sauce meets The Heavy by way of Red Hot Chili Peppers moonshine that rocks as much as it flows. http://en.wikipedia.org/wiki/Cage_the_Elephant_(album)&lt;br /&gt;&lt;br /&gt;16. Eminem – Relapse (Aftermath / Interscope / Shady)  Fresh from the pseudo rehab center Popsomp Hills, Eminem released the spectacular first of two 2009 discs (Relapse 2 to be released later this year) and charges right out of the gate spewing Detroit venom. Simply the best stuff he’s done since 2002’s The Eminem Show, it’s worth repeated listening just for “Medicine Ball” and it’s hilariously wrong argument between Mr. Mathers and the now deceased Christopher Reeve over use of the Superman costume. Fantastic! http://en.wikipedia.org/wiki/Relapse_(album)&lt;br /&gt;15. A.F.I. – Crash Love (Interscope) Metacritic: 75 Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Crash_Love&lt;br /&gt;&lt;br /&gt;14. Vreid – Milorg (Indie Recordings) http://en.wikipedia.org/wiki/Milorg_(album) &lt;br /&gt;&lt;br /&gt;13. Vader – Necropolis (Nuclear Blast) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Necropolis_(album)&lt;br /&gt;&lt;br /&gt;12. The Sign Of The Southern Cross – Of Mountains And Moonshine (Independent) Metacritic: Not Reviewed  Pitchfork: Not Reviewed&lt;br /&gt;http://www.myspace.com/southerncrossband&lt;br /&gt;&lt;br /&gt;11. The Avett Brothers – I And Love And You (American Recordings) Metacritic: 75 Pitchfork: 5.8&lt;br /&gt;http://en.wikipedia.org/wiki/I_and_Love_and_You&lt;br /&gt;&lt;br /&gt;10. Jimmy Buffett – Buffet Hotel (Mailboat) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Buffet_Hotel&lt;br /&gt;&lt;br /&gt;9. Immortal – All Shall Fall (Nuclear Blast) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/All_Shall_Fall&lt;br /&gt;&lt;br /&gt;8. Yonder Mountain String Band – The Show (Frog Pad Records) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Yonder_Mountain_String_Band&lt;br /&gt;&lt;br /&gt;7. Lay Down Rotten – Gospel Of The Wretched (Metal Blade Records)Simply stated, this proud band of German marauders is neither too technical nor too extreme, but just right in the pocket of what is simply fantastic, chainsaw slinging, Swedish vein death metal. While their Metal Blade debut (and fifth album overall) doesn’t break any molds, it does do it’s best to break your neck with guest appearance help from such vocal legends as Martin Van Drunen (Hail Of Bullets, Pestilence, Asphyx), Marc Grewe (Morgoth) and brutal sound production amped up by engineering master/part-time member of Edge Of Sanity and Katatonia, Dan Swano (who also does some vocal work). “Hours Of Infinity” starts it off and speaking of time travel they apparently brought back Chuck Schuldiner to do vocals as well as vocalist Jost Kleinert does a dead-on phlegm flinging impersonation of the fallen Death founder. “Thy Won’t Be Done” is unintentionally funny hereticism over searing guitar work courtesy of Nils Forster and part-time vocalist Daniel Jakobi. “Altering The Whore” is a meat grinding track that will rape your ear canal while showing that “blood is a serious business”. The pummeling “Conditioning The Weak” is just begging to be played in the background of a Marine Corps recruiting spot. The best of this Teutonic beast are “When All Becomes Nothing” with it’s ominous violin (?) and “Where Spirits Lie Dead”, a menacing phantasmal monster with banshee wailing guitar and a runaway rhino backbeat layed down by drummer Timo Claason and bassist Uwe Kilian buoying an almost Lemmy-esque vocal flesh-stripping provided by Herr Kleinert. Far better than I expected it to be, don’t be surprised if this under the radar album (with creepy nautical zombie cover/nod to Gustave Dore supplied by Killustrations artist Bjorn Gooses) ends up in the top ten for the Drager Awards 2009. Just saying is all. http://www.myspace.com/mylaydownrotten&lt;br /&gt;&lt;br /&gt;6. Florence And The Machine – Lungs (Island) Metacritic: Not Reviewed  Pitchfork: 7.2&lt;br /&gt;http://en.wikipedia.org/wiki/Lungs_(album)&lt;br /&gt;&lt;br /&gt;5. Altar Of Plagues – White Tomb (Profound Lore) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/White_Tomb&lt;br /&gt;4. Lamb Of God – Wrath (Epic / Roadrunner) http://en.wikipedia.org/wiki/Wrath_(album)&lt;br /&gt;&lt;br /&gt;3. Hatebreed – Self-Titled (E1 Music) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Hatebreed_(album)&lt;br /&gt;&lt;br /&gt;2. Slayer – World Painted Blood (American / Sony Music) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/World_Painted_Blood&lt;br /&gt;&lt;br /&gt;1. DevilDriver – Pray For Villains (Roadrunner) When vocalist Dez Fafara screams “Let’s start a riot!” on the track “Another Night In London”, he’s not being facetious. Seemingly taking all the energy gathered from their Guinness record attempts at the “world’s largest circle pits”, Santa Barbara, California groove metallers DevilDriver hone their heaviness into a levelling bulldozer of mind-boggling blast beats, rampant riffs and demon baiting screaming. Completely shed of his former Coal Chamber nu-metal skin, Fafara and his cohorts let loose from the opening title track about fallen heroes and frustrated optimism and never let up, crushing you beneath their juggernaut gears. Drummer John Boecklin is so fast on “Pure Sincerity”, you’d swear it’s a drum machine. “Fate Stepped In” is thrown bones and karmic crunch. The lamenting “I’ve Been Sober” is destined to be covered by Mike Ness, bad math included (“I’ve been sober thirteen days and seven nights…”). “Forgiveness Is A Six-Gun” is a Punisher comic meets Neil Peart lyrics (“Truth is a moving target…”)written in a hail of gunfire and Mike Spreitzer and Jeff Kendrick guitar. “It’s In The Cards” is pure and simple Lamb Of God with Phil Anselmo’s “We’re demon strong” attitude. Savor the irony of “Teach Me To Whisper” where Dez screams the song title with a voice that can shred paint, not just peel it. “Resurrection Blvd.” sounds like an outtake from Hypocrisy’s self-titled masterpiece…and that’s the low-point of this album. “Back with A Vengeance” however, is the outright monster of this musical mayhem. Relentless, unyielding, merciless. A vendetta forged in guitar, bass, drum and vocal. In the album closer “I See Belief”, Dez claims there’s “No method to this madness”. But in the mouth of that madness, there is a spectacular, ludicrously good album. Going back to “Another Night In London”, Mr. Fafara states “It takes people like us to make people like him”. Then we are some very angry people who have helped make the best album of 2009. Note: Make sure you get the special edition of the cd so you can also check out the bonus tracks “Self-Affliction” (which welcomes you “back into the fold” with an actual melodic keyboard/bass line) and the eulogical “Dust Be Thy Destiny” (just for the line “There’s a hole in my head to let the rain in”). Both of these songs were written for Pray For Villains but not included for some reason. Also added are “Damning The Heavens”, a borderline PM5K sounding outtake from the band’s The Last Kind Words cd as well as their cover of the Iron Maiden classic “Wasted Years” from Kerrang! magazine’s compilation Maiden Heaven: A Tribute To Iron Maiden. Metacritic: Not Rated  Pitchfork: Not Rated http://en.wikipedia.org/wiki/Pray_For_Villains&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-8214451142250171337?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/8214451142250171337/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=8214451142250171337' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8214451142250171337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8214451142250171337'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/03/4th-annual-drager-awards-for-2009-as.html' title='4th annual Drager Awards For 2009 (as Presented by Caligula Disco)'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-3341244109675315201</id><published>2010-03-12T10:54:00.000-08:00</published><updated>2010-03-12T10:55:34.518-08:00</updated><title type='text'>I'm Back...March 12th, 2010</title><content type='html'>SONGS THAT I DIG:&lt;br /&gt;&lt;br /&gt;Cavo – “Champagne” (from Bright Nights, Dark Days))&lt;br /&gt;Crash Kings – “Mountain Man” (from Self-Titled)&lt;br /&gt;Jeff Mangum – “Sign The Dotted Line” (from Live at Jittery Joe’s)&lt;br /&gt;Jim James And The Preservation Hall Band – “Louisiana Fairytale” (from Preservation Hall Benefit Album)&lt;br /&gt;Massive Attack – “Paradise Circus” (from Heligoland)&lt;br /&gt;Portishead – “Chase The Tear” (Amnesty International Single)&lt;br /&gt;Throwdown – “The Blinding Light” (from Deathless)&lt;br /&gt;Timbaland – “Morning After Dark” (with Nelly Furtado) (from Presents Shock Value II)&lt;br /&gt;Titus Andronicus – “Theme From Cheers” (from The Monitor)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ALBUMS THAT I LIKE:&lt;br /&gt;&lt;br /&gt;Throwdown – Deathless &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ALBUMS THAT JUST DIDN’T WORK FOR ME:&lt;br /&gt;&lt;br /&gt;Arkona – Goi, Rode, Goi!!&lt;br /&gt;Devin Townsend Project, The - Addicted&lt;br /&gt;OK Go – Of The Blue Colour Of The Sky&lt;br /&gt;Secrets Of The Moon - Privilegivm&lt;br /&gt;Sinister Realm – Self-Titled&lt;br /&gt;Squash Bowels - Grindvirus&lt;br /&gt;Swallow The Sun – New Moon&lt;br /&gt;Tenebrae in Perpetuum - L'eterno Maligno Silenzio&lt;br /&gt;Witchmaster - Trucizna&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-3341244109675315201?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/3341244109675315201/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=3341244109675315201' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3341244109675315201'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3341244109675315201'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2010/03/im-backmarch-12th-2010.html' title='I&apos;m Back...March 12th, 2010'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-3362312912717976242</id><published>2009-12-30T14:35:00.001-08:00</published><updated>2009-12-30T14:51:38.631-08:00</updated><title type='text'>Music Picks for December 22nd and 29th, 2009</title><content type='html'>Attention faithful readers,&lt;br /&gt;     This will be the final posting for the year 2009. For the next sixty (or so) days I will be off the grid collating, prioritizing, and generally streamlining all of this year's choices for "Best Songs" and "Best Albums " of 2009. &lt;br /&gt;     Fret not, I will be back on February 22, 2010 for the 4th Annual Drager Awards for the Best in Music 2009 as Presented by Caligula Disco. Get your tickets now as they won't last long.&lt;br /&gt;     Until then,&lt;br /&gt;     Kole Sere!&lt;br /&gt;     Caligula&lt;br /&gt; &lt;br /&gt;12-22-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;BLK JKS – “Molalatladi”, “Kwa Nqingetje” and “Skeleton” (from After Robots)&lt;br /&gt;&lt;br /&gt;Count Raven – “Nashira” (from Mammon’s War)&lt;br /&gt;&lt;br /&gt;Hatebreed – “Become The Fuse”, “In Ashes They Shall Reap”, “Everyone Bleeds Now”, “Through The Thorns” and “Pollution Of The Soul” (from Self-Titled)&lt;br /&gt;&lt;br /&gt;Immortal – “Norden On Fire”and “Mount North” (from All Shall Fall)&lt;br /&gt;&lt;br /&gt;Jimmy Buffett – “Nobody From Nowhere”, “Big Top”, “Summerzcool”, “Surfing In A Hurricane” and “A Lot To Drink About” (from Buffet Hotel)&lt;br /&gt;&lt;br /&gt;Rammstein – “Waidmann’s Heil”, “Haifisch”, “Weiner Blut” and “Pussy” (from Liebe Ist Fur Alle Da)&lt;br /&gt;&lt;br /&gt;Them Crooked Vultures – “New Fang”, “Warsaw Or The First Breath You Take After You Give Up”, “Caligulove” and “Gunman” (from Self-Titled)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;BLK JKS – After Robots (Secretly Canadian) Metacritic: Not Reviewed Pitchfork: 6.2&lt;br /&gt; http://www.myspace.com/blkjks&lt;br /&gt;&lt;br /&gt;Hatebreed – Self-Titled (E1 Music) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Hatebreed_(album)&lt;br /&gt;&lt;br /&gt;Immortal – All Shall Fall (Nuclear Blast) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/All_Shall_Fall&lt;br /&gt;&lt;br /&gt;Jimmy Buffett – Buffet Hotel (Mailboat) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Buffet_Hotel&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Grief Of War – Worship (Prosthetic Records)&lt;br /&gt;&lt;br /&gt;Malfeitor – Incubus (Agonia Records)&lt;br /&gt;&lt;br /&gt;Raekwon – Only Built 4 Cuban Linx, Pt. II (Ice Water / EMI Records)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;The Bee Gees – “How Deep Is Your Love?” (from Saturday Night Fever Soundtrack 1977)&lt;br /&gt;Converge – “Heartless” (from You Fail Me 2004)&lt;br /&gt;Morbid Angel – “Angel of Disease” (from Covenant 1993)&lt;br /&gt;Motorhead – “Hellraiser” (from March Or Die 1992)&lt;br /&gt;Tom Waits – “In-Between Love” (from from The Early Years, Volume 2 1993)&lt;br /&gt;Neil Young – “Lotta Love” (from Comes A Time 1978)&lt;br /&gt;Savatage – “Back To A Reason” (from Poets And Madmen 2001)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Armored Saint – Raising Fear (Chrysalis Records 1987)&lt;br /&gt;The Cure – Wish (Fiction / Elektra 1992)&lt;br /&gt;Dave Matthews Band – Busted Stuff (RCA 2002)&lt;br /&gt;Kataklysm – Prevail (Nuclear Blast 2008)&lt;br /&gt;Seal –  Second Self-Titled Album (ZZT / Warner Music UK / Sire 1994)&lt;br /&gt;Tears For Fears – Tears Roll Down (Polygram / Fontana 1992)&lt;br /&gt;Tom Petty – Full Moon Fever (MCA 1989)&lt;br /&gt;&lt;br /&gt;12-29-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;A Camp – “Stronger Than Jesus” and “Golden Teeth And Silver Medals” (from Colonia)&lt;br /&gt;&lt;br /&gt;Asphyx – “Death The Brutal Way” and “Eisenbahnmorser” (from Death…The Brutal Way)&lt;br /&gt;&lt;br /&gt;Krallice – “Autochthon” and “Untitled” (from Dimensional Bleedthrough)&lt;br /&gt;&lt;br /&gt;The Red Shore – “Misery Hymn”, “Deception Prologue” and “The Architects Of Repulsion” (from Unconsecrated)&lt;br /&gt;&lt;br /&gt;The Sign Of The Southern Cross – “Huck Finn”, “Weeping Willow” and “Eating The Sun” (from Of Mountains And Moonshine)&lt;br /&gt;&lt;br /&gt;Wolfmother – “New Moon Rising”, “Sundial”, “10,000 Feet” and “Pilgrim” (from Cosmic Egg) &lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;Asphyx – Death… The Brutal Way (Century Media) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Death...The_Brutal_Way&lt;br /&gt;&lt;br /&gt;The Sign Of The Southern Cross – Of Mountains And Moonshine (Independent) Metacritic: Not Reviewed  Pitchfork: Not Reviewed&lt;br /&gt;http://www.myspace.com/southerncrossband&lt;br /&gt;&lt;br /&gt;Wolfmother – Cosmic Egg (Modular) Metacritic: 65 Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Cosmic_Egg&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Ancestors – Of Sound Mind (Tee Pee Records)&lt;br /&gt;&lt;br /&gt;Municipal Waste – Massive Aggressive (Earache)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;Accept – “Restless And Wild” (from Restless And Wild 1983)&lt;br /&gt;Elton John – “Multiple Personality” (from The Muse Soundtrack 1999)&lt;br /&gt;Eric Clapton And B.B. King – “Ten Long Years” (from Riding With The King 2000)&lt;br /&gt;Mudhoney – “Magnolia Caboose Babyshit” (from Self-Titled 1989) &lt;br /&gt;My Dying Bride – “The Light At The End Of The World” (from The Light At The End Of The World 1999)&lt;br /&gt;The Smashing Pumpkins – “Drown”  (from Singles Soundtrack 1992)&lt;br /&gt; Sonny Boy Williamson And The Yardbirds – “I Don’t Care No More” (from Sonny Boy Williamson And The Yardbirds 1966)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Black Sabbath – Volume 4 (Vertigo 1972)&lt;br /&gt;Filter – Title Of Record (Reprise 1999)&lt;br /&gt;Frank Sinatra – In The Wee Small Hours (Capitol 1955)&lt;br /&gt;Jethro Tull – Too Old To Rock N Roll: Too Young To Die! (Chrysalis / Capitol 1976)&lt;br /&gt;Megadeth – So Far, So Good…So What! (Combat / Capitol 1988)&lt;br /&gt;Pink Floyd – The Division Bell (EMI 1994)&lt;br /&gt;Tom Waits – Bone Machine (Island 1992)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-3362312912717976242?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/3362312912717976242/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=3362312912717976242' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3362312912717976242'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3362312912717976242'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/12/music-picks-for-december-22nd-and-29th.html' title='Music Picks for December 22nd and 29th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-498061244167031167</id><published>2009-12-15T20:31:00.000-08:00</published><updated>2009-12-15T20:32:45.967-08:00</updated><title type='text'>Music Picks for December 8th and 15th, 2009</title><content type='html'>12-08-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;Altar Of Plagues – “Earth: As A Furnace” (from White Tomb)&lt;br /&gt;&lt;br /&gt;Gwynbleidd – “Nostalgia” and “Stormcalling” (from Nostalgia)&lt;br /&gt;&lt;br /&gt;Nile – “Kafir” and “Iskander Dhul Karnon” (from Those Whom The Gods Detest)&lt;br /&gt;&lt;br /&gt;Paradise Lost – “Faith Divides Us-Death Unites Us” and “Universal Dream” (from Faith Divides Us-Death Unites Us)&lt;br /&gt;&lt;br /&gt;The Red Chord – “Hour Of Rats” and “Ingest The Ash” (from Fed Through The Teeth Machine)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;Altar Of Plagues – White Tomb (Profound Lore) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/White_Tomb&lt;br /&gt;&lt;br /&gt;Nile – Those Whom The Gods Detest (Nuclear Blast) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Those_Whom_the_Gods_Detest&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Culted – Below The Thunders Of The Upper Deep&lt;br /&gt;Keelhaul – Triumphant Return To Obscurity&lt;br /&gt;Killswitch Engage – Self-Titled&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt; &lt;br /&gt;Cat Stevens – “Northern Wind” (from New Masters 1967)&lt;br /&gt;Cracker – “Mr. Wrong” (from Garage D’Or 2000)&lt;br /&gt;Mudhoney – “The Farther I Go” (from Self-Titled 1989)&lt;br /&gt;Neil Young And Crazy Horse – “Cortez The Killer” (from Zuma 1975)&lt;br /&gt;Rare Earth – “Feelin’ Alright” (from Get Ready 1969)&lt;br /&gt;Steely Dan – “Deacon Blues” (from Aja 1977)&lt;br /&gt;Tapes N’ Tapes – “Hang Them All” (from Walk It Off 2008)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Big Star – Radio City (Ardent Records 1974)&lt;br /&gt;Elvis Costello And The Attractions – Armed Forces (Columbia 1979)&lt;br /&gt;LCD Soundsystem – Sound Of Silver (DFA 2007)&lt;br /&gt;The Police – Ghost in The Machine (A&amp;M 1981)&lt;br /&gt;Sepultura – Chaos A.D. (Roadrunner 1993)&lt;br /&gt;Staind – Tormented (Self-Released 1996)&lt;br /&gt;The Who – A Quick One (Reaction 1966)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;12-15-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Dig:&lt;br /&gt;&lt;br /&gt;Belphegor – “Veneratio Diaboli”, “Reichswehr In Blood”, “The Crosses Made Of Bone” and “Der Geistertreiber” (from Walpurgis Rites-Hexenwahn)&lt;br /&gt;&lt;br /&gt;Death Cab For Cutie – “Meet Me On The Equinox” (from New Moon: Original  Soundtrack)&lt;br /&gt;&lt;br /&gt;Grizzly Bear w/ Victoria Legrand – “Slow Life” (from New Moon: Original Soundtrack)&lt;br /&gt;&lt;br /&gt;Hope Sandoval And The Warm Inventions – “For The Rest Of Your Life” (from Through The Devil Softly)&lt;br /&gt;&lt;br /&gt;Lykke Li – “Possibility” (from New Moon: Original  Soundtrack)&lt;br /&gt;&lt;br /&gt;Marduk – “Funeral Dawn”, “Into Utter Madness” and “Chorus Of Cracking Necks” (from Wormwood)&lt;br /&gt;&lt;br /&gt;OK Go – “Shooting The Moon” (from New Moon: Original Soundtrack)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;Marduk – Wormwood (Regain Records) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Wormwood_(Metal_album)&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Delain – April Rain&lt;br /&gt;Major Lazer – Guns Don’t Kill People…Lazers Do&lt;br /&gt;November’s Doom – Into Night’s Requiem Infernal&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;The Blues Brothers – “Everybody Needs Somebody To Love” (from Blues Brothers: Music From The Soundtrack 1980)&lt;br /&gt;Cryptic Slaughter – “Rage To Kill” (from Convicted 1986)&lt;br /&gt;Frank Sinatra – “Head On My Pillow” (Radio Single 1940)&lt;br /&gt;Nick Cave And The Bad Seeds – “The Mercy Seat” (from Tender Prey 1988) &lt;br /&gt;Pink Floyd – “The Fletcher Memorial Home” (from The Final Cut 1983)&lt;br /&gt;Player – “Baby Come Back” (Radio Single 1977)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Five For Fighting – Message For Albert (Nettwerk 1997)&lt;br /&gt;Iron Maiden – The X Factor (EMI 1995)&lt;br /&gt;Matt Nathanson – Some Mad Hope (Vanguard 2007)&lt;br /&gt;Pearl Jam – Vitalogy (Epic 1994)&lt;br /&gt;Rush – Vapor Trails (Atlantic 2002)&lt;br /&gt;U2 – How To Dismantle An Atomic Bomb (Island / Interscope 2004)&lt;br /&gt;Wu-Tang Clan – Enter The Wu-Tang: 36 Chambers (Loud/RCA/BMG 1993)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-498061244167031167?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/498061244167031167/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=498061244167031167' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/498061244167031167'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/498061244167031167'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/12/music-picks-for-december-8th-and-15th.html' title='Music Picks for December 8th and 15th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-3553727515127150249</id><published>2009-12-01T16:17:00.000-08:00</published><updated>2009-12-01T16:19:09.358-08:00</updated><title type='text'>Music Picks for November 24th and December 1st, 2009</title><content type='html'>11-24-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;Katatonia – “The Longest Year”, “Onward Into Battle” and “Liberation” (from Night Is The New Day)&lt;br /&gt;&lt;br /&gt;Passion Pit – “Little Secrets”, “Moth’s Wings”, “To Kingdom Come”, “Swimming In The Flood” and “Let Your Love Grow Tall” (from Manners)&lt;br /&gt;&lt;br /&gt;Yonder Mountain String Band – “Fingerprint”, “Honestly”, Steep Grade, Sharp Curves” and “Causualty” (from The Show)&lt;br /&gt;&lt;br /&gt;Zoroaster – “Spirit Molecule”, “Undying”, “White Dwarf” and Lamen Of The Master Therion” (from Voice Of Saturn)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;Yonder Mountain String Band – The Show (Frog Pad Records) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Yonder_Mountain_String_Band&lt;br /&gt;&lt;br /&gt;Zoroaster – Voice Of Saturn (Terminal Doom Records) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://www.myspace.com/thezoroaster&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Kid Cudi – Man On The Moon: The End Of Day (GOOD, Universal, Motown)&lt;br /&gt;Porcupine Tree – The Incident (Roadrunner Records)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;The Corrs – “Breathless” (from In Blue 2000)&lt;br /&gt;Crowded House – “Don’t Dream It’s Over” (from Self-Titled 1986)&lt;br /&gt;Enya – “Orinoco Flow” (from Watermark 1988)&lt;br /&gt;Europe – “Rock The Night” (from The Final Countdown 1986)&lt;br /&gt;Norman Greenbaum – “Spirit In The Sky” (from Spirit In The Sky 1969)&lt;br /&gt;Mat Kearney – “Nothing Left To Lose” (from Nothing Left To Lose 2006)&lt;br /&gt;The Lemon Pipers – “Rice Is Nice” (Radio Single 1968)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Bobby Bland – Two Steps From The Blues (Duke/MCA 1961)&lt;br /&gt;Alice Cooper – Welcome To My Nightmare (Atlantic 1975)&lt;br /&gt;Genesis – We Can’t Dance (Atlantic, Virgin 1991)&lt;br /&gt;Kix – Blow My Fuse (Atlantic 1988)&lt;br /&gt;Night Ranger – Greatest Hits (MCA 1989)&lt;br /&gt;Samael – Reign Of Light (Galactical Records 2004)&lt;br /&gt;System Of A Down – Steal This Album! (American, Columbia 2002)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;12-01-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;Devourment – “Abomination Unseen”, “Fed To The Pigs” and “Incitement To Mass Murder” (from Unleash The Carnivore)&lt;br /&gt;&lt;br /&gt;Funebrarum – “Grave Reaper”, “Beyond Recognition”, “Incineration Of Mortal Flesh” and “Nex Monumentum” (from The Sleep Of Morbid Dreams)&lt;br /&gt;&lt;br /&gt;Skeletonwitch – “Where The Light Has Failed”, “Released From The Catacombs”, “Stand, Fight And Die”, “The Despoiler Of Human Life” and “Crushed Beyond Dust” (from Breathing The Fire)&lt;br /&gt;&lt;br /&gt;Vader – “Devilizer”, “Impure”, “We Are The Horde”, “Black Metal” and “Fight Fire With Fire” (from Necropolis)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;Vader – Necropolis (Nuclear Blast) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Necropolis_(album)&lt;br /&gt;&lt;br /&gt;Funebrarum – The Sleep Of Morbid Dreams (Cyclone Empire) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://www.myspace.com/funebrarum&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Flyleaf – Memento Mori (A&amp;M, Octone)&lt;br /&gt;Gossip – Music For Men (Columbia)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;The Chemical Brothers – “Galvanize (w/Q-Tip)” (from Push The Button 2005)&lt;br /&gt;Company Flow – “Friend Vs. Friend” (from Little Johnny From The Hospitul 1999)&lt;br /&gt;Rick Dees – “Disco Duck” (from The Original Disco Duck 1976)&lt;br /&gt;The Fabulous Thunderbirds – “Tuff Enuff” (from Tuff Enuff 1986)&lt;br /&gt;J. Geils Band – “Centerfold” (from Freeze Frame 1981)&lt;br /&gt;Gravel – “Legs Are Spreading” (from Dirty Beauty 2008)&lt;br /&gt;John Parr – “Naughty Naughty” (from Self-Titled 1984)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Dream Theater – Images And Words (Atco 1992)&lt;br /&gt;Great White - …Twice Shy (Capitol 1989)&lt;br /&gt;Avirl Lavigne – Let Go (Arista 2002)&lt;br /&gt;Modest Mouse – We Were Dead Before The Ship Even Sank (Epic 2007)&lt;br /&gt;Liz Phair – Exile In Guyville (Matador 1993)&lt;br /&gt;Joe Satriani – Surfing With The Alien (Relativity 1987)&lt;br /&gt;Tom Waits – Closing Time (Asylum 1973)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-3553727515127150249?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/3553727515127150249/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=3553727515127150249' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3553727515127150249'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3553727515127150249'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/12/music-picks-for-november-24th-and.html' title='Music Picks for November 24th and December 1st, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-3193100606833993315</id><published>2009-11-18T09:17:00.000-08:00</published><updated>2009-11-18T09:21:29.395-08:00</updated><title type='text'>Music picks for November 10th and 17th, 2009</title><content type='html'>11-10-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;Dawes – “When You Call My Name”, “Give Me Time” and “Peace In The Valley” (from North Hills)&lt;br /&gt;&lt;br /&gt;Drummer – “Mature Fantasy” and “Good Golly” (from Feel Good Together)&lt;br /&gt;&lt;br /&gt;Every Time I Die – “The Marvelous Slut” and “Who Invented The Russian Soldier?” (from New Junk Aesthetic)&lt;br /&gt;&lt;br /&gt;He Is Legend – “Everyone I Know Has Fangs”, “Cult Of She”, “Stranger Danger”, “That’s Nasty” and “Mean Shadows” (from It Hates You)&lt;br /&gt;&lt;br /&gt;Karen O And The Kids – “Animal” and “Heads Up” (from Where The Wild Things Are)&lt;br /&gt;&lt;br /&gt;Slayer – “World Painted Blood”, “Beauty Through Order”, “Human Strain” and “Playing With Dolls” (from World Painted Blood)&lt;br /&gt;&lt;br /&gt;Snail – “Relief” and “Blacklight” (from Blood)&lt;br /&gt;&lt;br /&gt;Train – “Save Me San Francisco”, “Hey, Soul Sister” and “Words” (from Save Me, San Francisco)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;Slayer – World Painted Blood (American / Sony Music) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/World_Painted_Blood&lt;br /&gt;&lt;br /&gt;Train – Save Me San Francisco (Columbia) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Save_Me_San_Francisco&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Burnt By The Sun – Heart Of Darkness (Relapse Records)&lt;br /&gt;Dinosaur Jr. – Farm (Jagjaguwar)&lt;br /&gt;Sean Bones – Rings (French Kiss)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;Betty Everett – “The Shoop Shoop Song” (Radio Single 1964)&lt;br /&gt;Cornershop – “Brimful Of Asha” (from When I Was Born For The 7th Time 1997)&lt;br /&gt;The Gants – “Road Runner” (Radio Single 1965)&lt;br /&gt;The Georgia Satellites – “Keep Your Hands To Yourself” (from Self-Titled 1986)&lt;br /&gt;Icehouse – “Electric Blue” (from Man Of Colours 1987)&lt;br /&gt;Laura Branigan – “Gloria” (from Branigan 1982)&lt;br /&gt;Love Me Butch – “Hollywood Holiday” (from This Is The New Pop 2005)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;AC/DC – Back In Black (Atlantic Records 1980)&lt;br /&gt;Carcass – Reek Of Putrefaction (Earache Records 1988)&lt;br /&gt;Dio – Holy Diver (Warner Bros. 1983)&lt;br /&gt;Flickerstick – Welcoming Home The Astronauts (226 Records 2001)&lt;br /&gt;Overkill – I Hear Black (Atlantic 1993)&lt;br /&gt;Soul Asylum – Grave Dancers Union (Columbia 1992)&lt;br /&gt;White Zombie – Astro-Creep 2000: Songs Of Love, Destruction And Other Synthetic Delusions Of The Electric Head (Geffen 1995)&lt;br /&gt;&lt;br /&gt;11-17-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;Animals As Leaders – “On Impulse” (from Self-Titled)&lt;br /&gt;&lt;br /&gt;The Big Pink – “Dominos”, “Frisk” and “Tonight” (from A Brief History of Love)&lt;br /&gt;&lt;br /&gt;Diablo Swing Orchestra – “A Tap Dancer’s Dilemma”, “Bedlam Sticks”, “Vodka Inferno” and “Stratosphere Serenade” (from Sing-Along Songs For The Damned And Delirious)&lt;br /&gt;&lt;br /&gt;Dying Fetus – “Conceived Into Enslavement” and “At What Expense” (from Descend Into Depravity)&lt;br /&gt;&lt;br /&gt;Evergreen Terrace – “Sending Signals” (from Almost Home)&lt;br /&gt;&lt;br /&gt;Hypocrisy – “No Tomorrow”, “Alive” and “Tamed” (from A Taste of Extreme Divinity)&lt;br /&gt;&lt;br /&gt;Tim McGraw – “Good Girls”, “It’s A Business Doing Pleasure With You” and “Southern Voice” (from Southern Voice)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;Dying Fetus – Descend Into Depravity (Relapse) Metacritic: Not Reviewed Pitchfork: Not Reviewed &lt;br /&gt;http://en.wikipedia.org/wiki/Descend_into_Depravity&lt;br /&gt;&lt;br /&gt;Hypocrisy – A Taste of Extreme Divinity (Nuclear Blast) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/A_Taste_of_Extreme_Divinity&lt;br /&gt;&lt;br /&gt;Tim McGraw – Southern Voice (Curb) Metacritic: 66 Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Southern_Voice_(album)&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Goreaphobia – Mortal Repulsion (Ibex Moon)&lt;br /&gt;Suffocation – Blood Oath (Nuclear Blast)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;Black Mountain – “Bright Lights” (from In The Future 2008)&lt;br /&gt;Brownsville Station – “Smoking In The Boy’s Room” (from Yeah! 1973)&lt;br /&gt;The Cult – “Love Removal Machine” (from Electric 1987)&lt;br /&gt;Guru Josh – “Infinity” (from Infinity 1989)&lt;br /&gt;Joe Walsh – “Rocky Mountain Way” (from Rocky Mountain Way 1985)&lt;br /&gt;The Marshall Tucker Band – “Can’t You See?” (from Self-Titled 1973)&lt;br /&gt;Tracy Byrd – “Ten Rounds With Jose Cuervo” (from Ten Rounds 2002)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Corrosion Of Conformity – America’s Volume Dealer (Sanctuary 2000)&lt;br /&gt;Evanescence – The Open Door (Wind-Up Records 2006)&lt;br /&gt;Frank Sinatra – Songs For Swingin’ Lovers! (Capitol 1956)&lt;br /&gt;The Jesus And Mary Chain – Automatic (Blanco Y Negro Records 1989)&lt;br /&gt;Kiss – Lick It Up (Mercury 1983)&lt;br /&gt;Metallica – Ride The Lightning (Elektra 1984)&lt;br /&gt;Public Enemy – It Takes A Nation Of Millions To Hold Us Back (Def Jam 1988)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-3193100606833993315?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/3193100606833993315/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=3193100606833993315' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3193100606833993315'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3193100606833993315'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/11/music-picks-for-november-10th-and-17th.html' title='Music picks for November 10th and 17th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-8466214629674717214</id><published>2009-11-04T14:56:00.000-08:00</published><updated>2009-11-04T15:01:35.579-08:00</updated><title type='text'>Music Picks for October 27th and November 3rd, 2009</title><content type='html'>10-27-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;The Avett Brothers – “I And Love And You”, “Ten Thousand Words”, “Laundry Room” and “Tin Man” (from I And Love And You)&lt;br /&gt;&lt;br /&gt;Children Of Bodom – “Somebody Put Something In My Drink”, “Just Dropped In”, “Talk Dirty To Me” and “Oops!..I Didi It Again” (from Skeletons In The Closet)&lt;br /&gt;&lt;br /&gt;Converge – “Dark Horse”, “Cutter”, “Cruel Bloom” and “Wretched World” (from Axe To Fall)&lt;br /&gt;&lt;br /&gt;Willie Nelson – “Fly Me To The Moon”, “Come Rain Or Come Shine”, “Ain’t Misbehavin’”, “I Miss You So”, “Baby, It’s Cold Outside” and “On The Street Where You Live” (from American Classic)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;The Avett Brothers – I And Love And You (American Recordings) Metacritic: 75 Pitchfork: 5.8&lt;br /&gt;http://en.wikipedia.org/wiki/I_and_Love_and_You&lt;br /&gt;&lt;br /&gt;Children Of Bodom – Skeletons In The Closet (Spinefarm) Metacritic: Not Reviewed Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Skeletons_in_the_Closet_(album)&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;The Bullet Monks – Weapons Of Mass Destruction (Napalm Records)&lt;br /&gt;Sugar Ray – Music for Cougars (Pulse Recordings)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;Acda En De Munnik – “Niet Of Nooit Geweest” (from Naar Huis 1998)&lt;br /&gt;Amii Stewart – “Knock On Wood” (from Knock On Wood 1979)&lt;br /&gt;Fair Weather – “Natural Sinner” (radio single 1970)&lt;br /&gt;Feeder – “Just A Day” (radio single 2001)&lt;br /&gt;The Futureheads – “The Beginning Of The Twist” (from This Is Not The World 2008)&lt;br /&gt;Phantom Planet – “Leave Yourself For Somebody Else” (from Raise The Dead 2008)&lt;br /&gt;Remy Zero – “Save Me” (from The Golden Hum 2001)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Bob Marley And The Wailers – Survival (Island / Tuff Gong 1979)&lt;br /&gt;Bruce Springsteen – Human Touch (Columbia 1992)&lt;br /&gt;The Cure – Disintegration (Fiction / Elektra 1989)&lt;br /&gt;House Of Pain – Fine Malt Lyrics (Tommy Boy Records 1992) &lt;br /&gt;Pink – I’m Not Dead (LaFace 2006)&lt;br /&gt;Roxy Music – Country Life (Atco / Reprise 1974)&lt;br /&gt;Wipers – Is This Real? (Sub Pop 1980)&lt;br /&gt;&lt;br /&gt;11-03-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;Baroness – “Steel That Sleeps The Eye” and “A Horse Called Golgotha” (from Blue Record)&lt;br /&gt;&lt;br /&gt;Civil Twilight – “Anybody Out There?”, “Letters From The Sky” and “Perfect Stranger” (from Self-Titled)&lt;br /&gt;&lt;br /&gt;The Flaming Lips – “Your Bats”, “The Ego’s Last Stand”, “Sagittarius Silver Announcement”, “Worm Mountain (w/MGMT)”, “Silver Trembling Hands” and “Watching The Planets (w/Karen O)” (from Embryonic) &lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;Baroness – Blue Record (Relapse) Metacritic: 88  Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Blue_Record&lt;br /&gt;&lt;br /&gt;The Flaming Lips – Embryonic (Warner Bros.) Metacritic: 80  Pitchfork: 9.0&lt;br /&gt;http://en.wikipedia.org/wiki/Embryonic&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Shrinebuilder – Self-Titled (Neurot Recordings)&lt;br /&gt;Yob – The Great Cessation (Profound Lore)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;Bobby Brown – “Every Little Step I Take” (from Don’t Be Cruel 1988)&lt;br /&gt;The Cowsills – “The Rain, The Park And Other Things” (radio single 1967)&lt;br /&gt;Estrella – “Stay” (from Self-Titled 2007)&lt;br /&gt;Irene Cara - “Fame” (from Fame Soundtrack 1980) &lt;br /&gt;Manfred Mann – “The Mighty Quinn” (from Mighty Garvey! 1968)&lt;br /&gt;Shakira – “Wherever, Whenever” (from Laundry Service 2002)&lt;br /&gt;Sheb Wooley – “Purple People Eater” (radio single 1958)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Andrew Ridgeley – Son Of Albert (Columbia 1990)&lt;br /&gt;The Eagles – The Long Run (Asylum 1979)&lt;br /&gt;Genitorturers – Sin City (Cleopatra Records 1998)&lt;br /&gt;Jethro Tull – Crest Of A Knave (Chrysalis 1987)&lt;br /&gt;Jimmy Buffett – Fruitcakes (MCA 1994)&lt;br /&gt;Midnight Oil – Red Sails In The Sunset (Columbia Records 1984)&lt;br /&gt;Nirvana – Bleach (Sub Pop 1989)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-8466214629674717214?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/8466214629674717214/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=8466214629674717214' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8466214629674717214'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8466214629674717214'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/11/music-picks-for-october-27th-and.html' title='Music Picks for October 27th and November 3rd, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-7757591305367482156</id><published>2009-10-22T09:26:00.000-07:00</published><updated>2009-10-22T09:28:06.278-07:00</updated><title type='text'>Music Picks for October 13th and 20th</title><content type='html'>10-13-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;Coalesce – “Wild Ox Moan” and “The Purveyor Of Novelty And Nonsense” (from Ox) &lt;br /&gt;&lt;br /&gt;The Cribs – “We Were Aborted”, “Hari Kari” and “Victim Of Mass Production” (from Ignore The Ignorant)&lt;br /&gt;&lt;br /&gt;Goatwhore – “The All-Destroying” and “Shadow Of A Rising Knife” (from Carving Out The Eyes Of God)&lt;br /&gt;&lt;br /&gt;Living Colour – “”Burned Bridges”, “Young Man” and “Asshole” (from The Chair In The Doorway)&lt;br /&gt;&lt;br /&gt;Shakira – “She Wolf” and “Why Wait?” (from She Wolf)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;The Cribs – Ignore The Ignorant (Warner Bros.) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Ignore_the_ignorant&lt;br /&gt;&lt;br /&gt;Living Colour – The Chair in The Doorway (Megaforce Records) Metacritic: Not Reviewed  Pitchfork:  Not Reviewed http://en.wikipedia.org/wiki/The_Chair_in_the_Doorway&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Children – Hard Times Hanging At The End Of The World (Kemado)&lt;br /&gt;Dead By Sunrise – Out Of Ashes (Warner Bros.)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;Adele – “Chasing Pavements” (from 19 2008)&lt;br /&gt;Animotion – “Obsession” (from Self-Titled 1985)&lt;br /&gt;Briskeby – “Hey Baby” (from Tonight, Captain 2003)&lt;br /&gt;Enrique Iglesias - “Addicted” (from 7 2003)&lt;br /&gt;The Fray – “Over My Head” (from How To Save A Life 2005)&lt;br /&gt;Stevie Nicks – “Stop Draggin’ My Heart Around (w/Tom Petty)” (from Bella Donna 1981)&lt;br /&gt;Ray Stevens – “The Streak” (from Boogity Boogity 1974)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Arcade Fire – Funeral (Merge / Rough Trade 2004)&lt;br /&gt;Blink 182 – Take Off Your Pants And Jacket (MCA 2001)&lt;br /&gt;The Clash – London Calling (CBS / Epic / Legacy 1979)&lt;br /&gt;Flogging Molly – Swagger (SideOneDummy 2000)&lt;br /&gt;The Little Mermaid – Original Soundtrack (Disney 1989)&lt;br /&gt;Nine Days – The Madding Crowd (Sony 2000)&lt;br /&gt;George Thorogood And The Destroyers – Haircut (MCA 1993)&lt;br /&gt;&lt;br /&gt;10-20-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;The Black Crowes – “Garden Gate”, “Roll Old Jeremiah”, “Good Morning Captain”, “What Is Home?” and “Last Place That Love Lives” (from Before the Frost…Until The Freeze)&lt;br /&gt;&lt;br /&gt;Steve Earle – “Pancho And Lefty”, “White Freightliner Blues”, “Lungs (w/Tom Morello)”, “No Place to Fall” and “Loretta” (from Townes)&lt;br /&gt;&lt;br /&gt;Madness – “Dust Devil”, “Rainbows”, “Idiot Child”, “Africa” and “NW5” (from The Liberty Of Norton Folgate)&lt;br /&gt;&lt;br /&gt;Matisyahu – “One Day”, “For You” and “Darkness Into Light” (from Light)&lt;br /&gt;&lt;br /&gt;Daniel Merriweather – “Change (w/Wale)” and “Could You?” (from Love And War)&lt;br /&gt;&lt;br /&gt;Monsters Of Folk – “The Right Place”, “Baby Boomer”, “Man Named Truth” “Ahead Of The Curve”, “Losin’ Yo Head” and “The Sandman, The Brakeman And Me” (from Self-Titled)&lt;br /&gt;&lt;br /&gt;New Album That I Dig:&lt;br /&gt;&lt;br /&gt;Matisyahu – Light (Epic Records / JDub Records) Metacritic: 57 Pitchfork: Not Reviewed http://en.wikipedia.org/wiki/Light_(Matisyahu_album)&lt;br /&gt;&lt;br /&gt;New Album That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Patrick Wolf – The Bachelor (Bloody Chamber Music)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;Bryan Adams – “There Will Never Be Another Tonight” (from Waking Up The Neighbours 1991)&lt;br /&gt;Herb Alpert And The Tijuana Brass – “A Taste Of Honey” (from Whipped Cream And Other Delights 1965)&lt;br /&gt;Bad English – “Forget Me Not” (from Self-Titled 1989)&lt;br /&gt;Cracker – “Teen Angst” (from Self-Titled 1992)&lt;br /&gt;Dionne Farris – “I Know” (from Wild Seed, Wild Flower 1995)&lt;br /&gt;Queen – “Another One Bites The Dust” (from The Game 1980)&lt;br /&gt;Radiohead – “Creep” (from Pablo Honey 1993)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Billy Joel – 52nd Street (Columbia 1978)&lt;br /&gt;Van Morrison – Moondance (Warner Bros. 1970)&lt;br /&gt;Primus – The Brown Album (Interscope 1997)&lt;br /&gt;Pro-Pain – Foul Taste Of Freedom (Regain 1992)&lt;br /&gt;Paul Revere And The Raiders – Greatest Hits (Columbia 1967)&lt;br /&gt;Sly And The Family Stone – Dance To The Music (Epic 1968)&lt;br /&gt;The Velvet Underground – Self-Titled (MGM 1969)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-7757591305367482156?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/7757591305367482156/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=7757591305367482156' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7757591305367482156'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7757591305367482156'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/10/music-picks-for-october-13th-and-20th.html' title='Music Picks for October 13th and 20th'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-5351826629699084078</id><published>2009-10-07T13:31:00.000-07:00</published><updated>2009-10-07T13:34:39.903-07:00</updated><title type='text'>Music Picks for September 29th and October 6th, 2009</title><content type='html'>09-29-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;AFI – “End Transmission”, “I Am Trying Very Hard To Be Here”and “It Was Mine” (from Crash Love)&lt;br /&gt;&lt;br /&gt;The Gates Of Slumber – “Beneath The Eye Of Mars” (from Hymns Of Blood And Thunder)&lt;br /&gt;&lt;br /&gt;Jay-Z – “D.O.A.”, “Run This Town” (w/Kanye West and Rihanna), “Empire State Of Mind” (w/Alicia Keys) and “Off That” (w/Drake) (from The Blueprint 3)&lt;br /&gt;&lt;br /&gt;Korpiklaani – “Mettanpeiton Valtiaalle” (from Karkelo)&lt;br /&gt;&lt;br /&gt;Kris Kristofferson – “Good Morning John” (from Closer To The Bone)&lt;br /&gt;&lt;br /&gt;Unanimated – “Enemy Of The Sun” (from In The Light Of Darkness)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;AFI – Crash Love (Interscope) Metacritic: 75 Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Crash_Love&lt;br /&gt;&lt;br /&gt;Korpiklaani – Karkelo (Nuclear Blast Records) Metacritic: Not Reviewed Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Karkelo&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Voivod – Infini (Relapse)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;Ashton Shepherd – “Takin’ Off This Pain” (from Sounds So Good 2008)&lt;br /&gt;Destiny’s Child – “Bootylicious” (from Survivor 2001)&lt;br /&gt;Evanescence – “Bring Me To Life” (from Fallen and Daredevil Soundtrack 2003)&lt;br /&gt;The Frogs – “Lord Grunge” (from Starjob EP 1997)&lt;br /&gt;Haircut 100 – “Love Plus One” (from Pelican West 1982)&lt;br /&gt;Jonathan Edwards – “Sunshine” (from Self-Titled 1971)&lt;br /&gt;Mountain – “Mississippi Queen” (from Climbing! 1970)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;Anthrax – Persistence Of Time (Island 1990)&lt;br /&gt;David Bowie – Hunky Dory (RCA 1971)&lt;br /&gt;Eric Clapton – 461 Ocean Boulevard (RSO 1974)&lt;br /&gt;Danzig – 2: Lucifuge (Def American 1990)&lt;br /&gt;Iron Maiden – Brave New World (EMI Sony 2000)&lt;br /&gt;New York Dolls – Self-Titled (Mercury 1973)&lt;br /&gt;Bruce Springsteen – Born In The USA (Columbia 1984)&lt;br /&gt;&lt;br /&gt;10-06-2009:&lt;br /&gt;&lt;br /&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;3 Inches Of Blood – “Preacher’s Daughter” (from Here Waits Thy Doom)&lt;br /&gt;&lt;br /&gt;Mariah Carey – “Obsessed” (Cahill Radio Mix) (from Memoirs Of An Imperfect Angel)&lt;br /&gt;&lt;br /&gt;La Roux – “Bulletproof” (from Self-Titled)&lt;br /&gt;&lt;br /&gt;Miranda Lambert – “White Liar”, “Somewhere Trouble Don’t Go” and “Sin For A Sin” (from Revolution)&lt;br /&gt;&lt;br /&gt;Tortoise – “Prepare Your Coffin” (from Beacons Of Ancestorship)&lt;br /&gt;&lt;br /&gt;Neil Young – “Just Singing A Song” and “Johnny Magic” (from Fork In The Road)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;Miranda Lambert – Revolution (Columbia Nashville) Metacritic: 84 Pitchfork: Not Reviewed&lt;br /&gt;http://en.wikipedia.org/wiki/Revolution_(Miranda_Lambert_album)&lt;br /&gt;&lt;br /&gt;Tortoise – Beacons Of Ancestorship (Thrill Jockey) Metacritic: 71 Pitchfork: 7.9&lt;br /&gt;http://en.wikipedia.org/wiki/Beacons_of_Ancestorship&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;Iron Man – I Have Returned (Shadow Kingdom Records)&lt;br /&gt;Stratovarius – Polaris (Victor / Edel Music)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;Aerosmith – “Walk This Way” (from Toys In The Attic 1975)&lt;br /&gt;Thomas Dolby – “She Blinded Me With Science” (from The Golden Age Of Wireless 1982)&lt;br /&gt;Grey Daze – “Sometimes” (from Wake Me 1994)&lt;br /&gt;Harvey Danger – “Flagpole Sitta” (from Where Have All The Merrymakers Gone? 1998)&lt;br /&gt;Paul And Linda McCartney – “Uncle Albert / Admiral Halsey” (from Ram 1971)&lt;br /&gt;Plastiscines – “Mister Driver” (from LP1 2007)&lt;br /&gt;Rinocerose – “Cubicle” (from Self-Titled 2006)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;Disturbed – The Sickness (Giant/Reprise 2000)&lt;br /&gt;Judas Priest – British Steel (Epic 1980)&lt;br /&gt;Led Zeppelin – Houses Of The Holy (Atlantic 1973)&lt;br /&gt;Nine Inch Nails – The Slip (The Null Corporation-Halo 27 2008)&lt;br /&gt;Pink Floyd – A Saucerful Of Secrets (Columbia/EMI 1968)&lt;br /&gt;Radiohead – OK Computer (Parlophone / Capitol 1997)&lt;br /&gt;James Taylor – Sweet Baby James (Warner Bros. 1970)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-5351826629699084078?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/5351826629699084078/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=5351826629699084078' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/5351826629699084078'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/5351826629699084078'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/10/music-picks-for-september-29th-and.html' title='Music Picks for September 29th and October 6th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-5632732128010211555</id><published>2009-09-25T11:21:00.000-07:00</published><updated>2009-09-25T11:34:06.266-07:00</updated><title type='text'>Music Picks for 9-15 and 9-22-2009</title><content type='html'>&lt;strong&gt;09-15-2009:&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;New Songs That I Like:&lt;br /&gt;&lt;strong&gt;Arkaea&lt;/strong&gt; – “Break The Silence” and “Rise Today” (from &lt;em&gt;Years in The Darkness&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Artillery&lt;/strong&gt; – “10,000 Devils” and “Delusions Of Grandeur” (from &lt;em&gt;When Death Comes&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Azarath &lt;/strong&gt;– “Invocation”, “Queen Of The Sabbath” and “Throne Of Skulls” (from &lt;em&gt;Praise The Beast&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Brad Paisley&lt;/strong&gt; – “American Saturday Night”, “Water” and “Catch All The Fish” (from &lt;em&gt;American Saturday Night&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Discovery&lt;/strong&gt; – “Carby” (w/Ezra Koenig) (from &lt;em&gt;LP&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Iron Age&lt;/strong&gt; – “Burden Of Empire” (from &lt;em&gt;The Sleeping Eye&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Artillery&lt;/strong&gt; – &lt;em&gt;When Death Comes&lt;/em&gt; (Metal Mind Productions) &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: &lt;em&gt;Not Reviewed&lt;/em&gt; &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;Not Reviewed&lt;/em&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/When_death_comes"&gt;http://en.wikipedia.org/wiki/When_death_comes&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Brad Paisley&lt;/strong&gt; – &lt;em&gt;American Saturday Night&lt;/em&gt; (Arista Nashville) &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;:84  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;Not Reviewed&lt;/em&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/American_Saturday_Night"&gt;http://en.wikipedia.org/wiki/American_Saturday_Night&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ahab&lt;/strong&gt; – &lt;em&gt;The Divinity Of Oceans&lt;/em&gt; (Napalm Records)&lt;br /&gt;&lt;strong&gt;At War&lt;/strong&gt; – &lt;em&gt;Infidel &lt;/em&gt;(Heavy Artillery)&lt;br /&gt;&lt;strong&gt;Megadeth&lt;/strong&gt; – &lt;em&gt;Endgame &lt;/em&gt;(Roadrunner)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Berlin &lt;/strong&gt;– “The Metro” (from &lt;em&gt;Pleasure Victim&lt;/em&gt; 1982)&lt;br /&gt;&lt;strong&gt;Buffalo Springfield&lt;/strong&gt; – “For What It’s Worth” (from &lt;em&gt;Self-Titled&lt;/em&gt; 1967)&lt;br /&gt;&lt;strong&gt;Joe Nichols&lt;/strong&gt; – “Brokenheartsville” (from &lt;em&gt;Man With A Memory&lt;/em&gt; 2002)&lt;br /&gt;&lt;strong&gt;Low Vs. Diamond&lt;/strong&gt; – “Heart Attack” (from &lt;em&gt;Self-Titled&lt;/em&gt; 2008)&lt;br /&gt;&lt;strong&gt;Men Without Hats&lt;/strong&gt; – “The Safety Dance” (from &lt;em&gt;Rhythm Of Youth&lt;/em&gt; 1982)&lt;br /&gt;&lt;strong&gt;Roberta Flack&lt;/strong&gt; – “Killing Me Softly With His Song” (from &lt;em&gt;Killing Me Softly&lt;/em&gt; 1973)&lt;br /&gt;&lt;strong&gt;Status Quo&lt;/strong&gt; – “Pictures Of Matchstick Men” (from &lt;em&gt;Picturesque Matchstickable Messages From The Status Quo&lt;/em&gt; 1968)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Black Flag&lt;/strong&gt; – &lt;em&gt;Damaged &lt;/em&gt;(SST 1981)&lt;br /&gt;&lt;strong&gt;Elton John&lt;/strong&gt; – &lt;em&gt;Goodbye Yellow Brick Road&lt;/em&gt; (MCA 1973)&lt;br /&gt;&lt;strong&gt;George Thorogood And The Destroyers&lt;/strong&gt; – &lt;em&gt;Maverick&lt;/em&gt; (EMI America Records 1985)&lt;br /&gt;&lt;strong&gt;Miles Davis&lt;/strong&gt; – &lt;em&gt;Sketches Of Spain&lt;/em&gt; (Columbia 1960)&lt;br /&gt;&lt;strong&gt;Mission Of Burma&lt;/strong&gt; – &lt;em&gt;ONoffON&lt;/em&gt; (Matador Records 2004)&lt;br /&gt;&lt;strong&gt;The Rolling Stones&lt;/strong&gt; – &lt;em&gt;Aftermath&lt;/em&gt; (Decca/ABKCO 1966)&lt;br /&gt;&lt;strong&gt;The Zombies&lt;/strong&gt; – &lt;em&gt;Odessey And Oracle&lt;/em&gt; (Date Records 1968)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;09-22-2009:&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;New Songs That I Like:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bergraven&lt;/strong&gt; – “Drommen Om Undergang” (from &lt;em&gt;Till Makabert Vasen&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Clutch&lt;/strong&gt; – “Struck Down”, “50,000 Unstoppable Watts”, “Abraham Lincoln”, “Let A Poor Man Be” and “Freakonomics” (from &lt;em&gt;Strange Cousins From The West&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Goes Cube&lt;/strong&gt; – “Restore”, “Daughter”, “Urbana-Champaign” and “Clenching Jaws” (from &lt;em&gt;Another Day Has Passed&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jarvis Cocker&lt;/strong&gt; – “I Never Said I Was Deep”, “Homewrecker”, “Fuckingsong” and “Caucasian Blues” (from &lt;em&gt;Further Complications&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pearl Jam&lt;/strong&gt; – “Got Some”, “The Fixer”, “Unthought Known” and “Supersonic” (from &lt;em&gt;Backspacer&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Clutch &lt;/strong&gt;– &lt;em&gt;Strange Cousins From The West&lt;/em&gt; (Weathermaker Music) &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: 72  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;Not Reviewed&lt;/em&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Strange_Cousins_from_the_West"&gt;http://en.wikipedia.org/wiki/Strange_Cousins_from_the_West&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Goes Cube&lt;/strong&gt; – &lt;em&gt;Another Day Has Passed&lt;/em&gt; (The End) &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: &lt;em&gt;Not Reviewed&lt;/em&gt;  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;Not Reviewed&lt;/em&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Another_Day_Has_Passed"&gt;http://en.wikipedia.org/wiki/Another_Day_Has_Passed&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pearl Jam&lt;/strong&gt; – &lt;em&gt;Backspacer&lt;/em&gt; (English) &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: 80   &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: 4.6&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Backspacer_(Pearl_Jam_album)"&gt;http://en.wikipedia.org/wiki/Backspacer_(Pearl_Jam_album)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Joker’s Daughter&lt;/strong&gt; – &lt;em&gt;The Last Laugh&lt;/em&gt; (Team Love Records)&lt;br /&gt;&lt;strong&gt;Nahemah &lt;/strong&gt;– &lt;em&gt;A New Constellation (&lt;/em&gt;Lifeforce Records)&lt;br /&gt;&lt;br /&gt;Old Songs: (Note: the recurrence of “Wild Wild West” is just a coincidence, not another drinking game)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;El DeBarge&lt;/strong&gt; – “Who’s Johnny?” (from &lt;em&gt;Short Circuit Soundtrack&lt;/em&gt; 1986)&lt;br /&gt;&lt;strong&gt;Enrique Iglesias&lt;/strong&gt; – “Bailamos” (from &lt;em&gt;Enrique&lt;/em&gt; and &lt;em&gt;Wild Wild West Soundtrack&lt;/em&gt; 1999)&lt;br /&gt;&lt;strong&gt;The Escape Club&lt;/strong&gt; – “Wild, Wild West” (from &lt;em&gt;Wild Wild West&lt;/em&gt; 1988)&lt;br /&gt;&lt;strong&gt;John Cafferty And The Beaver Brown Band &lt;/strong&gt;– “On The Dark Side” (from &lt;em&gt;Eddie And The Cruisers Soundtrack&lt;/em&gt; 1983)&lt;br /&gt;&lt;strong&gt;Nancy Sinatra&lt;/strong&gt; – “These Boots Are Made For Walkin’” (from &lt;em&gt;Boots&lt;/em&gt; 1966)&lt;br /&gt;&lt;strong&gt;The Saw Doctors&lt;/strong&gt; – “Out For A Smoke” (from &lt;em&gt;The Cure&lt;/em&gt; 2005)&lt;br /&gt;&lt;strong&gt;Van McCoy&lt;/strong&gt; – “The Hustle” (from &lt;em&gt;Disco Baby&lt;/em&gt; 1975)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bush &lt;/strong&gt;– &lt;em&gt;Golden State&lt;/em&gt; (Atlantic 2001)&lt;br /&gt;&lt;strong&gt;Five For Fighting&lt;/strong&gt; – &lt;em&gt;Two Lights&lt;/em&gt; (Aware/Columbia 2006)&lt;br /&gt;&lt;strong&gt;Gram Parsons&lt;/strong&gt; –&lt;em&gt;Grievous Angel&lt;/em&gt;  (Reprise 1974)&lt;br /&gt;&lt;strong&gt;Lordi &lt;/strong&gt;– &lt;em&gt;The Market Square Massacre&lt;/em&gt; (Sony BMG 2006)&lt;br /&gt;&lt;strong&gt;Slayer&lt;/strong&gt; – &lt;em&gt;South Of Heaven&lt;/em&gt; (Def Jam/Geffen/Warner Bros. Records 1988)&lt;br /&gt;&lt;strong&gt;Stone Sour &lt;/strong&gt;–&lt;em&gt; Self-Titled&lt;/em&gt; (Roadrunner 2002)&lt;br /&gt;&lt;strong&gt;White Lion&lt;/strong&gt; – &lt;em&gt;Pride&lt;/em&gt; (Atlantic 1987)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-5632732128010211555?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/5632732128010211555/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=5632732128010211555' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/5632732128010211555'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/5632732128010211555'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/09/music-picks-for-9-15-and-9-22-2009.html' title='Music Picks for 9-15 and 9-22-2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-7639735058399768054</id><published>2009-09-08T11:51:00.000-07:00</published><updated>2009-09-08T11:56:55.466-07:00</updated><title type='text'>Music Picks For September 8th, 2009</title><content type='html'>&lt;strong&gt;09-08-2009:&lt;br /&gt;&lt;/strong&gt;New Songs That I Like:&lt;br /&gt;&lt;strong&gt;Behemoth&lt;/strong&gt; – “Daimonos” (from &lt;em&gt;Evangelion&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Florence And The Machine&lt;/strong&gt; – “Dog Days Are Over”, “Kiss With A Fist”, “Drumming” and “My Boy Builds Coffins” (from &lt;em&gt;Lungs&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Kasabian &lt;/strong&gt;– “Fast Fuse” (from &lt;em&gt;West Ryder Pauper Lunatic Asylum&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Levon Helm&lt;/strong&gt; – “You Can’t Lose What You Ain’t Never Had” and “When I Go Away” (from &lt;em&gt;Electric Dirt&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums That I Dig:&lt;br /&gt;&lt;strong&gt;Behemoth&lt;/strong&gt; – &lt;em&gt;Evangelion&lt;/em&gt; (Metal Blade / Nuclear Blast / Mystic) &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: &lt;em&gt;Not Reviewed&lt;/em&gt;  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;Not Reviewed&lt;/em&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Evangelion_(album)"&gt;http://en.wikipedia.org/wiki/Evangelion_(album)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Florence And The Machine&lt;/strong&gt; – &lt;em&gt;Lungs&lt;/em&gt; (Island) &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: &lt;em&gt;Not Reviewed&lt;/em&gt;  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: 7.2&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Lungs_(album)"&gt;http://en.wikipedia.org/wiki/Lungs_(album)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Levon Helm&lt;/strong&gt; – &lt;em&gt;Electric Dirt&lt;/em&gt; (Dirt Farmer / Vanguard) &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: 84 &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: Not &lt;em&gt;Reviewed&lt;br /&gt;&lt;/em&gt;&lt;a href="http://en.wikipedia.org/wiki/Electric_dirt"&gt;http://en.wikipedia.org/wiki/Electric_dirt&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;strong&gt;The Gathering&lt;/strong&gt; – &lt;em&gt;The West Pole&lt;/em&gt; (Psychonaut Records)&lt;br /&gt;&lt;strong&gt;Hacride&lt;/strong&gt; – &lt;em&gt;Lazarus&lt;/em&gt; (Listenable Records)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Breathe&lt;/strong&gt; – “Hands To Heaven” (from &lt;em&gt;All That Jazz&lt;/em&gt; 1988)&lt;br /&gt;&lt;strong&gt;Carolyn Dawn Johnson&lt;/strong&gt; – “Georgia” (from &lt;em&gt;Room With A View&lt;/em&gt; 2001)&lt;br /&gt;&lt;strong&gt;Jude Cole&lt;/strong&gt; – “Take The Reins” (from &lt;em&gt;I Don’t Know Why I Act This Way&lt;/em&gt; 1995)&lt;br /&gt;&lt;strong&gt;New Edition&lt;/strong&gt; – “If It Isn’t Love” (from &lt;em&gt;Heart Break&lt;/em&gt; 1988)&lt;br /&gt;&lt;strong&gt;Nunatak &lt;/strong&gt;– “How Many People?” (Single 2007)&lt;br /&gt;&lt;strong&gt;Ome Henk&lt;/strong&gt; – “Barbie Girl” (Cover Song) (Single 1997)&lt;br /&gt;&lt;strong&gt;Tori Amos &lt;/strong&gt;– “Cornflake Girl” (from &lt;em&gt;Under The Pink&lt;/em&gt; 1994)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;The Beach Boys&lt;/strong&gt; – &lt;em&gt;Pet Sounds&lt;/em&gt; (Capitol 1966)&lt;br /&gt;&lt;strong&gt;Black Sabbath&lt;/strong&gt; – &lt;em&gt;Mob Rules&lt;/em&gt; (Warner Bros. 1981)&lt;br /&gt;&lt;strong&gt;The Clash&lt;/strong&gt; – &lt;em&gt;Self-Titled&lt;/em&gt; (CBS 1977)&lt;br /&gt;&lt;strong&gt;Down&lt;/strong&gt; – &lt;em&gt;NOLa &lt;/em&gt;(Elektra 1995)&lt;br /&gt;&lt;strong&gt;Elton John&lt;/strong&gt; – &lt;em&gt;Tumbleweed Connection&lt;/em&gt; (UNI 1970)&lt;br /&gt;&lt;strong&gt;Gin Blossoms&lt;/strong&gt; – &lt;em&gt;Congratulations I’m Sorry&lt;/em&gt; (A&amp;amp;M 1996)&lt;br /&gt;&lt;strong&gt;Lords Of Acid&lt;/strong&gt; – &lt;em&gt;Lust&lt;/em&gt; (Caroline Records 1991)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-7639735058399768054?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/7639735058399768054/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=7639735058399768054' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7639735058399768054'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7639735058399768054'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/09/music-picks-for-september-8th-2009.html' title='Music Picks For September 8th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-4473198016389104469</id><published>2009-08-31T11:12:00.000-07:00</published><updated>2009-08-31T11:17:35.188-07:00</updated><title type='text'>Music Picks for August 31st, 2009</title><content type='html'>&lt;strong&gt;08-31-2009:&lt;/strong&gt;&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Astra &lt;/strong&gt;– Picture if you will a quintet of San Diego based, space rock Yes fanatics hooking up with Ozzy Osbourne and Jethro Tull at a museum dedicated to the art of Roger Dean (“The Weirding”) before passing out facedown in psychedelics while listening to Iron Butterfly cover Pink Floyd’s “Let There be More Light” (“Beyond To Slight The Maze”) (from &lt;em&gt;The Weirding&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Black Anvil&lt;/strong&gt; – “Ten Talons Deep” and “L.T.H.L.T.K.” (from &lt;em&gt;Time Insults The Mind&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Black Anvil&lt;/strong&gt; – &lt;em&gt;Time Insults The Mind&lt;/em&gt; (Momentum Records) Sewn together from parts of Kill Your Idols, Madball and H2O (among other groups), this New York City trio (comprised of band members P, G and R) seemingly did the impossible in combining hardcore and death metal into an audibly assaulting amalgam. Combining the best parts of Celtic Frost and Darkthrone (including a cover of Celtic Frost’s “Dethroned Emperor”) into a relentless, crunchy coredrill highlighted by the raptorous “Ten Talons Deep” and the anagrammed monstrosity “L.T.H.L.T.K.” (“Longer The Hate, Longer The Knife” in case you were wondering), this album is an urban take on Scandinavian metal that runs rampant through the streets of Brooklyn just like the mythological beast of the same name featured in their song / nod to &lt;em&gt;Clash Of The Titans&lt;/em&gt;, “Release the Kraken”. To quote the band themselves “This dirt feels good”.&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;strong&gt;Amber Asylum&lt;/strong&gt; – &lt;em&gt;Bitter River&lt;/em&gt; (Profound Lore Records)&lt;br /&gt;&lt;strong&gt;Choir Of Young Believers&lt;/strong&gt; – &lt;em&gt;This Is For The White In Your Eyes &lt;/em&gt;(Ghostly International)&lt;br /&gt;&lt;strong&gt;Forsaken&lt;/strong&gt; – &lt;em&gt;After The Fall&lt;/em&gt; (I Hate Records) Imagine Dio becomes a white metal band and simply decides to stop creating good music.&lt;br /&gt;&lt;strong&gt;Japandroids&lt;/strong&gt; – &lt;em&gt;Post-Nothing&lt;/em&gt; (Polyvinyl Records)&lt;br /&gt;&lt;strong&gt;Madder Mortem&lt;/strong&gt; – &lt;em&gt;Eight Ways&lt;/em&gt; (Peaceville UK)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Bobby Lewis&lt;/strong&gt; – “Tossin’ And Turnin” (Radio Single 1961)&lt;br /&gt;&lt;strong&gt;Eve w/Gwen Stefani&lt;/strong&gt; – “Let Me Blow Ya Mind” (from &lt;em&gt;Scorpion&lt;/em&gt; 2001)&lt;br /&gt;&lt;strong&gt;The Hollies&lt;/strong&gt; – “The Air That I Breathe” (from &lt;em&gt;Hollies&lt;/em&gt; 1974)&lt;br /&gt;&lt;strong&gt;Jane’s Addiction&lt;/strong&gt; – “True Nature” (from &lt;em&gt;Strays&lt;/em&gt; 2003)&lt;br /&gt;&lt;strong&gt;Jimmy Eat World&lt;/strong&gt; – “Bleed American” (from &lt;em&gt;Bleed American&lt;/em&gt; 2001)&lt;br /&gt;&lt;strong&gt;Marshall Crenshaw&lt;/strong&gt; – “Someday, Someway” (from &lt;em&gt;Self-Titled&lt;/em&gt; 1982)&lt;br /&gt;&lt;strong&gt;Ricky Skaggs and Travis Tritt&lt;/strong&gt; – “My Little Georgia Rose” (from &lt;em&gt;Ricky Skaggs And Friends Sing The Songs Of Bill Monroe&lt;/em&gt; 2002)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Hole &lt;/strong&gt;– &lt;em&gt;Celebrity Skin&lt;/em&gt; (Geffen 1998)&lt;br /&gt;&lt;strong&gt;Jimmy Buffett&lt;/strong&gt; – &lt;em&gt;License to Chi&lt;/em&gt;ll (Mailboat 2004)&lt;br /&gt;&lt;strong&gt;John Coltrane&lt;/strong&gt; – &lt;em&gt;Giant Steps&lt;/em&gt; (Atlantic 1960)&lt;br /&gt;&lt;strong&gt;Mariah Carey&lt;/strong&gt; – &lt;em&gt;Self-Titled&lt;/em&gt; (Columbia 1990)&lt;br /&gt;&lt;strong&gt;Nile &lt;/strong&gt;–&lt;em&gt; In The Beginning&lt;/em&gt; (Relapse 2000)&lt;br /&gt;&lt;strong&gt;Soulfly&lt;/strong&gt; – &lt;em&gt;3(Aum)&lt;/em&gt; (Roadrunner 2002)&lt;br /&gt;&lt;strong&gt;The Lost Boys&lt;/strong&gt; – &lt;em&gt;Soundtrack&lt;/em&gt; (Atlantic 1987)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-4473198016389104469?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/4473198016389104469/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=4473198016389104469' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4473198016389104469'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4473198016389104469'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/08/music-picks-for-august-31st-2009.html' title='Music Picks for August 31st, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-1695182720737375497</id><published>2009-08-23T16:17:00.000-07:00</published><updated>2009-08-23T16:25:51.163-07:00</updated><title type='text'>Music Picks For August 23rd, 2009</title><content type='html'>&lt;strong&gt;08-23-2009&lt;/strong&gt;:&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Graves Of Valor&lt;/strong&gt; – From yet another ode to the Roman Empire (see: &lt;strong&gt;Ex Deo&lt;/strong&gt; - &lt;em&gt;Romulus&lt;/em&gt; from last week) come some tracks courtesy of the major label debut of the South Carolina band formerly known as Through The Eyes Of The Dead. Check out “Sic Semper Tyrannis” (which just goes to show that in a different timeline John Wilkes Booth could’ve parlayed his acting skills into a career as a vocalist for a death metal band), “To Breathe Blood” (which does Edward Gibbon’s classic &lt;em&gt;The Rise And Fall Of The Roman Empire&lt;/em&gt; proudly) and the closing “No Gods Left” (a slow creeping, echoing requiem dirge that wipes the blood from the blade perfectly) (from &lt;em&gt;Salarian Gate&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Lay Down Rotten &lt;/strong&gt;– “Where Spirits Lie Dead” and “When All Becomes Nothing” (from &lt;em&gt;Gospel Of The Wretched&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Linkin Park&lt;/strong&gt; – “New Divide” (from &lt;em&gt;Transformers: Revenge Of The Fallen Soundtrack&lt;/em&gt;) I know it’s been out since May, but I just heard this behemoth of a song on 5.1 surround sound and I’m still picking up my teeth (along with the “ashes that fell like snow”). As far as I’m concerned, this rampaging track alone makes up for their critically acclaimed (albeit Drager despised) album &lt;em&gt;Minutes To Midnight&lt;/em&gt; and almost excuses both of the god-awful &lt;em&gt;Transformers&lt;/em&gt; movies (almost). A sure front runner for song of the year at the upcoming Drager Awards 2009.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Obituary &lt;/strong&gt;– “Payback” (from &lt;em&gt;Darkest Day&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Lay Down Rotten&lt;/strong&gt; – &lt;em&gt;Gospel Of The Wretched&lt;/em&gt; (Metal Blade Records)Simply stated, this proud band of German marauders is neither too technical nor too extreme, but just right in the pocket of what is simply fantastic, chainsaw slinging, Swedish vein death metal. While their Metal Blade debut (and fifth album overall) doesn’t break any molds, it does do it’s best to break your neck with guest appearance help from such vocal legends as Martin Van Drunen (Hail Of Bullets, Pestilence, Asphyx), Marc Grewe (Morgoth) and brutal sound production amped up by engineering master/part-time member of Edge Of Sanity and Katatonia, Dan Swano (who &lt;em&gt;also&lt;/em&gt; does some vocal work). “Hours Of Infinity” starts it off and speaking of time travel they apparently brought back Chuck Schuldiner to do vocals as well as vocalist Jost Kleinert does a dead-on phlegm flinging impersonation of the fallen Death founder. “Thy Won’t Be Done” is unintentionally funny hereticism over searing guitar work courtesy of Nils Forster and part-time vocalist Daniel Jakobi. “Altering The Whore” is a meat grinding track that will rape your ear canal while showing that “blood is a serious business”. The pummeling “Conditioning The Weak” is just begging to be played in the background of a Marine Corps recruiting spot. The best of this Teutonic beast are “When All Becomes Nothing” with it’s ominous violin (?) and “Where Spirits Lie Dead”, a menacing phantasmal monster with banshee wailing guitar and a runaway rhino backbeat layed down by drummer Timo Claason and bassist Uwe Kilian buoying an almost Lemmy-esque vocal flesh-stripping provided by Herr Kleinert. Far better than I expected it to be, don’t be surprised if this under the radar album (with creepy nautical zombie cover/nod to Gustave Dore supplied by &lt;em&gt;Killustrations&lt;/em&gt; artist Bjorn Gooses) ends up in the top ten for the Drager Awards 2009. Just saying is all.&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;strong&gt;Kult Ov Azazel&lt;/strong&gt; – &lt;em&gt;Destroying The Sacred&lt;/em&gt; (Arctic Music)&lt;br /&gt;&lt;strong&gt;Neaera &lt;/strong&gt;– &lt;em&gt;Omnicide-Creation Unleashed&lt;/em&gt; (Metal Blade Records)&lt;br /&gt;&lt;strong&gt;Poison The Well&lt;/strong&gt; – &lt;em&gt;The Tropic Rot&lt;/em&gt; (Ferret)&lt;br /&gt;&lt;br /&gt;Old Songs:          &lt;br /&gt;&lt;strong&gt;Beau Brummels&lt;/strong&gt; – “Laugh, Laugh” (from &lt;em&gt;Introducing The Beau Brummels&lt;/em&gt; 1965)&lt;br /&gt;&lt;strong&gt;The Calling &lt;/strong&gt;– “Our Lives” (from &lt;em&gt;Two&lt;/em&gt; 2004)&lt;br /&gt;&lt;strong&gt;The Cult &lt;/strong&gt;– “Love Removal Machine” (from &lt;em&gt;Electric&lt;/em&gt; 1987)&lt;br /&gt;&lt;strong&gt;Rogue Traders&lt;/strong&gt; – “Candy Coloured Lights” (from &lt;em&gt;Better In The Dark&lt;/em&gt; 2007)&lt;br /&gt;&lt;strong&gt;Saw Loser&lt;/strong&gt; – “You’re Beautiful” (from &lt;em&gt;Long Distance Phone Calls&lt;/em&gt; 2007)&lt;br /&gt;&lt;strong&gt;The Ventures&lt;/strong&gt;- “Mission: Impossible Theme” (from &lt;em&gt;Tele-Ventures: The Ventures Perform The Great TV Themes&lt;/em&gt; 1996)&lt;br /&gt;&lt;strong&gt;Vicki Lawrence&lt;/strong&gt; – “The Night The Lights Went Out In Georgia” (from &lt;em&gt;The Night The Lights Went Out In Georgia&lt;/em&gt; 1972)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Bloodhound&lt;/strong&gt; &lt;strong&gt;Gang&lt;/strong&gt; - &lt;em&gt;One Fierce Beer Coaster&lt;/em&gt; (Republic Records / Geffen Records 1996)&lt;br /&gt;&lt;strong&gt;Cold&lt;/strong&gt; – &lt;em&gt;13 Ways To Bleed On Stage &lt;/em&gt;(Geffen Records 2000)&lt;br /&gt;&lt;strong&gt;Bob Dylan And The Band&lt;/strong&gt; – &lt;em&gt;The Basement Tapes&lt;/em&gt; (Columbia 1975)&lt;br /&gt;&lt;strong&gt;Chris Isaak&lt;/strong&gt; – &lt;em&gt;Forever Blue&lt;/em&gt; (Reprise 1995)&lt;br /&gt;&lt;strong&gt;Ludacris &lt;/strong&gt;– &lt;em&gt;Chicken N Beer&lt;/em&gt; (Disturbing Tha Peace / Def Jam 2003)&lt;br /&gt;&lt;strong&gt;Beth Orton&lt;/strong&gt; – &lt;em&gt;Trailer Park&lt;/em&gt; (Heavenly / Dedicated 1996)&lt;br /&gt;&lt;strong&gt;Otis&lt;/strong&gt; &lt;strong&gt;Redding&lt;/strong&gt; – &lt;em&gt;The Dock Of The Bay&lt;/em&gt; (Volt / Atco 1968)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-1695182720737375497?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/1695182720737375497/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=1695182720737375497' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/1695182720737375497'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/1695182720737375497'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/08/music-picks-for-august-23rd-2009.html' title='Music Picks For August 23rd, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-7262085798716417567</id><published>2009-08-17T11:19:00.000-07:00</published><updated>2009-08-17T11:28:39.306-07:00</updated><title type='text'>Music Picks for August 17th, 2009</title><content type='html'>&lt;strong&gt;08-17-2009&lt;/strong&gt;: (Special drinking game edition. Take a shot every time you see a reference to “Blondie” and/or “Debbie Harry”)&lt;br /&gt;&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;1349&lt;/strong&gt; – “Maggot Fetus…Teeth Like Thorns” and “Set The Controls For The Heart Of The Sun” (from &lt;em&gt;Revelations Of The Black Flame&lt;/em&gt;) If you’ve ever wondered what an idea straight from a Clive Barker novel and a Pink Floyd cover would sound like if done by a dark, ambient Norwegian black metal band, now you know…psychedelic, doom-laden and scary as hell. Useless fact: The name “1349” comes from the year that The Black Death reached Norway. You just got learned.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Amanda Blank&lt;/strong&gt; – “Something Bigger”, “Shame On Me” and “Might Like You Better” (from &lt;em&gt;I Love You&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Chali 2na&lt;/strong&gt; – “Get Focused”, “Don’t Stop” and “Comin’ Thru” (from &lt;em&gt;Fish Outta Water&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Those Dancing Days&lt;/strong&gt; – “Home Sweet Home” and “SpaceHeroSuites” (from &lt;em&gt;In Our Space Hero Suits&lt;/em&gt;)&lt;br /&gt;Taking their name from the Led Zeppelin song “Dancing Days” and falling somewhere between “Blondie backed by The Attractions” and “The Slits rehearsing with Bow Wow Wow”, this suburban Swedish girl quintet combines the best of early 1960’s girl groups with the upbeat feel of indie pop. Pointless but ludicrously catchy.&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Amanda Blank&lt;/strong&gt; – &lt;em&gt;I Love You&lt;/em&gt; (Downtown Records) With one foot in Philadelphia performance art group Sweetheart and the other in rap group Spank Rock, Germantown, PA’s Amanda Mallory (a.k.a. Amanda Blank) has decided to take her collaboration skills (see: her mix-tape work with Ghostface Killa, M.I.A. and Santogold amongst others) to the next logical step and released her estrogen fueled solo debut, orgasms,ovarian angst and mouth of a longshoreman included. With help from producers Diplo, Switch and XXXChange, Blank makes like a crunk Debbie Harry (especially on the Blondie-esque “Big Heavy” with it’s undeniable guitar riff), guiding us to the dance floor as &lt;em&gt;I Love You&lt;/em&gt; grunts, spins and freestyles from Missy Elliot meets Debbie Allen banging her &lt;em&gt;Fame&lt;/em&gt; cane on the floor while screaming at spelling bee contestants (“Something Bigger”) to getting ready for a night out…on Mars (“Make-Up”, a spot-on update cover of a song written by Prince for his 1980’s protégé girl group Vanity 6) to a “How-To” guide on showing losers and hangers-on the door that’s as “smooth as butter on a ‘Ruffie’ (“Lemme Get Some” with Chuck Inglish) to cold-hearted comeuppance for the guys who never call or only want sex (“Leaving You Behind” with help from friend Lykke Li)to her first track, “Might Like You Better”, a single-entendre dance referendum on sex that leaves nothing to the imagination. Between the profanity riddled ode to how fantastic she really is (“Gimme What You Got” with guest appearance by her fellow crass Spank Rockers) to the absolutely fantastic lament over love gone wrong “Shame On Me”(which is Depeche Mode if Dave Gahan had a sex change), there’s more than meets the eye to Miss Blank, and as soon as the DJ stops spinning her next track I’m gonna look into finding out what it is. &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: 58  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: 2.0&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Chali 2na&lt;/strong&gt; – &lt;em&gt;Fish Outta Water&lt;/em&gt; (Decon Inc.) From his hometown of Chicago to the streets of South Central where he grew up, to the Thursday nights spent at the Good Life Café with fellow high schooler /spoken word artists The Unity Committee to his turn as vocalist for both Jurassic 5 and Ozomatli (not to mention a near death experience on the 2000 Warped Tour), to a cd cover that reminds me of Aquaman when he had his camouflage uniform, Charlie Stewart (a.k.a. “Chali 2na” due to his vocal resemblance to the Starkist mascot) has led a fifteen year career that finally culminated in a long hinted at solo debut. Aptly titled since Chali mainly strays from his comfort zone of collaborative work, the man (and his absolutely fantastic baritone vox) start us off with “Get Focused” featuring the play between both himself and a similarly named radio host (over a Bean One beat, mind you), giving just a hint of the bouncing ebb and flow to come. “So Crazy” is an upbeat critcal rebuttal where Chali shows he’s as deep as his voice. “Lock Shit Down” is only improved with the addition of (former Black Star-er) Talib Kweli. “Comin’ Thru” finds the man making like the Red Queen quote from &lt;em&gt;Alice In Wonderland&lt;/em&gt; when she tells Alice “to stay where you are you have to keep running” acknowledging his Jurassic 5 roots while also tilting the musical compass towards where he is headed. “Love’s Gonna Getcha” features an exemplary Scott (not Larry) Storch beat. On “Graff Time” Chali nods to his artistic roots. “Controlled Coincidence” is a lambast of war and the media with assist courtesy of Kanetic Source (also from Ozomatli).The final track “4 Be Be” closes it out with a memoriam of sorts to a deceased cousin featuring soaring help from Ming Xia (of The Spooks). The infectious “Don’t Stop” however is the clear standout, finding Chali reflecting on the ups and downs of hip-hop (with help from smooth vocalist Anthony Hamilton) and an Emile beat that will absolutely blow out your speakers. Vastly underrated as an emcee with one of the best voices I’ve heard in a very long time, Mr. 2na’s solo debut is a new trend cyclical throwback to fun hip-hop that will not only show the growth of the artist as a man and musician, but will also get the asses out of their seats at your next party. I must admit, as a fan of all music, I’m embarrassed I didn’t know about this guy and his absurdicusly good voice and style sooner.  DJ? Cue it up, please. &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: 72  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;Not Rated&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ex Deo&lt;/strong&gt; – &lt;em&gt;Romulus&lt;/em&gt; (Nuclear Blast) As much of a fan as I am of Maurizio Iacono and his fellow Canadian death metallers in Kataklysm, this side-project concept album of the history of the Roman Empire (which features such high stature guest appearances as Karl Sanders of Nile and Nergal of Behemoth) just,well, you know…&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;The B-52’s&lt;/strong&gt; – “Debbie” (from &lt;em&gt;Time Capsule: Songs For A Future Generation &lt;/em&gt;1998) (if you’re playing this week’s drinking game, take three shots now ‘cause this song is about Blondie vocalist Debbie Harry.)&lt;br /&gt;&lt;strong&gt;Blackfoot &lt;/strong&gt;– “Train, Train” (from &lt;em&gt;Strikes&lt;/em&gt; 1979)&lt;br /&gt;&lt;strong&gt;Blues Image&lt;/strong&gt; – “Ride Captain Ride” (from &lt;em&gt;Open&lt;/em&gt; 1970)&lt;br /&gt;&lt;strong&gt;Daniel Powter&lt;/strong&gt; – “Bad Day” (from &lt;em&gt;Self-Titled&lt;/em&gt; 2005)&lt;br /&gt;&lt;strong&gt;Darkest Of The Hillside Thickets&lt;/strong&gt; – “20 Minutes Of Oxygen” (from the &lt;em&gt;Spaceship Zero Soundtrack &lt;/em&gt;2001)&lt;br /&gt;&lt;strong&gt;50 Cent&lt;/strong&gt; – “In Da Club” (from &lt;em&gt;Get Rich Or Die Tryin’&lt;/em&gt; 2003)&lt;br /&gt;&lt;strong&gt;The Go-Go’s&lt;/strong&gt; – “Our Lips Are Sealed” (from &lt;em&gt;Beauty And The Beat&lt;/em&gt; 1981)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Blondie&lt;/strong&gt; – &lt;em&gt;Parallel Lines&lt;/em&gt; (Chrysalis 1978)&lt;br /&gt;&lt;strong&gt;Dave Matthews Band&lt;/strong&gt; – &lt;em&gt;Under The Table And Dreaming&lt;/em&gt; (RCA 1994)&lt;br /&gt;&lt;strong&gt;The Doors&lt;/strong&gt; – &lt;em&gt;L.A. Woman&lt;/em&gt; (Elektra 1971)&lt;br /&gt;&lt;strong&gt;The Jam&lt;/strong&gt; – &lt;em&gt;All Mod Cons&lt;/em&gt; (Polydor Records 1978)&lt;br /&gt;&lt;strong&gt;The Offspring&lt;/strong&gt; – &lt;em&gt;Smash&lt;/em&gt; (Epitaph 1994)&lt;br /&gt;&lt;strong&gt;Phunk Junkees&lt;/strong&gt; – &lt;em&gt;Injected&lt;/em&gt; (Interscope 1995)&lt;br /&gt;&lt;strong&gt;Red Hot Chili Peppers&lt;/strong&gt; – &lt;em&gt;Californication &lt;/em&gt;(Warner Bros. 1999)&lt;br /&gt;&lt;br /&gt;Note: If you did choose to play this week’s drinking game, you should’ve taken nine (9) shots. Thank you for your patronage. And please, drink responsibly. Choose a designated reader.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-7262085798716417567?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/7262085798716417567/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=7262085798716417567' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7262085798716417567'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7262085798716417567'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/08/music-picks-for-august-17th-2009.html' title='Music Picks for August 17th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-7104969569561900315</id><published>2009-08-10T10:37:00.000-07:00</published><updated>2009-08-10T10:44:38.397-07:00</updated><title type='text'>Music Picks for August 10th, 2009</title><content type='html'>&lt;strong&gt;08-10-2009:&lt;br /&gt;&lt;/strong&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Sarah&lt;/strong&gt; &lt;strong&gt;Jarosz&lt;/strong&gt; – “Tell Me True” (a bruised-fruit teen’s cautionary query to her young love) and “Broussard’s Lament” (a levee breaking nod to natural disaster ala Hurricane Katrina era New Orleans  that is just chomping at the bit to become a jaw-dropping live jam) (from &lt;em&gt;Song Up In Her Head&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Sonic Youth&lt;/strong&gt; – “Anti-Orgasm”, “What We Know” and “Poison Arrow” (from &lt;em&gt;The Eternal&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;The Warlocks&lt;/strong&gt; – “You Make Me Wait” (from &lt;em&gt;The Mirror Explodes&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Sarah Jarosz&lt;/strong&gt; – &lt;em&gt;Song Up In Her Head&lt;/em&gt; (Sugar Hill) Correctly labelled as "a songwriter of uncommon wisdom” by &lt;em&gt;The Austin Chronicle&lt;/em&gt;, this stunning bluegrass debut from the 18 year old Wimberley, Texan prodigy on piano, banjo (clawhammer and otherwise), mandolin and guitar showcases Jarosz sounding wise and weary beyond her years with a voice echoing from a turn-of-the-century coalmine. Seemingly the missing bonus cd from Patty Loveless’ brilliant 2001 &lt;em&gt;Mountain Soul&lt;/em&gt; compilation, the eleven original compositions  and two covers (The Decemberists’ “Shankill Butchers” about a group that terrorized Irish Catholics in the 1970s and Tom Waits’ masterful “Come On Up To The House”) show a talent rarely seen nowadays  and one that’s gleefully welcome to pick and grin on my front porch anytime. &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: &lt;em&gt;Not Rated &lt;/em&gt;&lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;Not Rated&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Sonic Youth&lt;/strong&gt; – &lt;em&gt;The Eternal&lt;/em&gt; (Matador Records) You’ve got to show due respect to an iconic band that, in one song (in this case “Thunderclap For Bobby Pyn”) can name-drop the Heaven’s Gate cult &lt;em&gt;and&lt;/em&gt; the lead singer of The Germs. Not only proving that the three years since their last album &lt;em&gt;Rather Ripped&lt;/em&gt; (their longest gap ever) was worth the wait, &lt;em&gt;The Eternal&lt;/em&gt;, all other things aside, shows that bass-playing vocalist MILF Kim Gordon is truly the best part of the legendary New York avant-punk band. At it’s roots a straight rock album, the cd starts off with the one-two combo of “Sacred Trickster” (with Gordon rubbing up against her bass amp) and “Anti-Orgasm” (where between “mission control” and “the brain police”, Gordon flatout humps her bass amp in coital vocal unison with husband/guitarist/vocalist Thurston Moore). The guitarist Lee Ranaldo penned “What We Know” is as complex as it is face-melting. “Calming The Snake” finds Gordon “no waving” over deadly riffs with double entendre titling to boot. “Poison Arrow”  finds gang leader Thurston Moore doing a spot-on Lou Reed with the best song not written for Reed’s classic &lt;em&gt;Transformer &lt;/em&gt;album. A barely hinting return to their original SST sound, &lt;em&gt;The Eternal&lt;/em&gt; is not only the band’s first cd for Matador but the first volley in what sounds like a new musical canon for the art-rock masters (see what I did there?). Dedicated to deceased Stooges member Ron Asheton, the punk guitarist is looking down wishing he could make noise sound this good. This album is not to be missed. &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: 78  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: 6.8&lt;br /&gt;&lt;br /&gt;New Albums That Just Didn’t Work For Me:&lt;br /&gt;&lt;strong&gt;Inevitable End&lt;/strong&gt; – &lt;em&gt;The Severed Inception&lt;/em&gt; (Relapse)&lt;br /&gt;&lt;strong&gt;Pet Shop Boys&lt;/strong&gt; – &lt;em&gt;Yes &lt;/em&gt;(Parlophone)&lt;br /&gt;&lt;strong&gt;Sunset Rubdown&lt;/strong&gt; – &lt;em&gt;Dragonslayer&lt;/em&gt; (Jagjaguwar)&lt;br /&gt;&lt;strong&gt;Tanya Morgan&lt;/strong&gt; – &lt;em&gt;Brooklynati &lt;/em&gt;(Interdependent Media)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Blind Melon&lt;/strong&gt; – “Tones Of Home” (from &lt;em&gt;Self-Titled&lt;/em&gt; 1992)&lt;br /&gt;&lt;strong&gt;The Blues Brothers&lt;/strong&gt; – “Everybody Needs Somebody to Love” (from &lt;em&gt;The Blues Brothers Soundtrack &lt;/em&gt;1980)&lt;br /&gt;&lt;strong&gt;Botch&lt;/strong&gt; – “Man The Ramparts” (from &lt;em&gt;We Are The Romans&lt;/em&gt; 2000)&lt;br /&gt;&lt;strong&gt;The Butthole Surfers&lt;/strong&gt; – “John E. Smokes” (live) (from &lt;em&gt;Double Live&lt;/em&gt; 1990)&lt;br /&gt;&lt;strong&gt;Death Cab For Cutie&lt;/strong&gt;  - “Cath…” (from &lt;em&gt;Narrow Stairs&lt;/em&gt; 2008)&lt;br /&gt;&lt;strong&gt;Heather Nova&lt;/strong&gt; – “Welcome” (from &lt;em&gt;Redbird &lt;/em&gt;2005)&lt;br /&gt;&lt;strong&gt;The Smashing Pumpkins&lt;/strong&gt; – “1979” (from &lt;em&gt;Mellon Collie And The Infinite Sadness &lt;/em&gt;1995)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Cannibal Corpse&lt;/strong&gt; – &lt;em&gt;Tomb Of The Mutilated&lt;/em&gt; (Metal Blade 1992)&lt;br /&gt;&lt;strong&gt;Genesis&lt;/strong&gt; – &lt;em&gt;The Lamb Lies Down On Broadway&lt;/em&gt; (Charisma / Atco 1974)&lt;br /&gt;&lt;strong&gt;Kraftwerk&lt;/strong&gt; – &lt;em&gt;Trans-Europe Express&lt;/em&gt; (Kling Klang / EMI / Capitol 1977)&lt;br /&gt;&lt;strong&gt;Machine Head&lt;/strong&gt; – &lt;em&gt;Burn My Eyes&lt;/em&gt; (Roadrunner 1994)&lt;br /&gt;&lt;strong&gt;Ozzy Osbourne&lt;/strong&gt; – &lt;em&gt;Diary Of A Madman&lt;/em&gt; (Epic 1981)&lt;br /&gt;&lt;strong&gt;Sister Hazel&lt;/strong&gt; – &lt;em&gt;Chasing Daylight&lt;/em&gt; (Croakin’ Poets / Sixthman 2003)&lt;br /&gt;&lt;strong&gt;The Stooges&lt;/strong&gt; – &lt;em&gt;Raw Power&lt;/em&gt; (Columbia 1973)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-7104969569561900315?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/7104969569561900315/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=7104969569561900315' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7104969569561900315'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7104969569561900315'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/08/music-picks-for-august-10th-2009.html' title='Music Picks for August 10th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-2053553110446188213</id><published>2009-08-03T10:47:00.000-07:00</published><updated>2009-08-03T10:52:59.850-07:00</updated><title type='text'>Music Picks for August 3rd, 2009</title><content type='html'>&lt;strong&gt;08-03-2009:&lt;br /&gt;&lt;/strong&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Daughtry&lt;/strong&gt; – “You Don’t Belong”, “No Surprise” and “What I Meant To Say” (from &lt;em&gt;Leave This Town&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;The Dead Weather&lt;/strong&gt; – “I Cut Like A Buffalo”, “So Far From Your Weapon”, “Treat Me Like Your Mother” and “New Pony” (from &lt;em&gt;Horehound&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Mandy Moore &lt;/strong&gt;– “I Could Break Your Heart any Day Of The Week” (from &lt;em&gt;Amanda Leigh&lt;/em&gt;) Yes, I know it’s Mandy Moore. But it’s a damn catchy track and she grew up like twenty minutes from where I live. Plus, I met her once for about thirty seconds. Gotta represent for Florida. Go Winter Park!&lt;br /&gt;&lt;strong&gt;Moby&lt;/strong&gt; – “Wait For Me” (from &lt;em&gt;Wait For Me&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Rhett Miller&lt;/strong&gt; - “I Need To Know Where I Stand” (from &lt;em&gt;Self-Titled&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Street Sweeper Social Club &lt;/strong&gt;– “100 Little Curses” and “Promenade” (from &lt;em&gt;Self-Titled&lt;/em&gt;) What we need to do is follow in the political action footsteps of Mr. Tom Morello and petition him to stop forming side-projects and just maybe hook up with this vocalist Zach De La Rocha from the duo One Day As A Lion and I think,  together, they would form a pretty good band. I also know of this bassist Tim Commerford and this drummer Brad Wilk both of whom recently worked with Puscifer, who need the work and would be perfect for said group. Just saying is all.                           &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;The Dead Weather&lt;/strong&gt; – &lt;em&gt;Horehound&lt;/em&gt; (Third Man) With yet ANOTHER side-project, Jack White has not only returned to his first instrument (the drums) but managed to combine The White Stripes (himself), The Raconteurs (himself and bassist Jack Lawrence), The Kills (phone sex vocalist Alison Mosshart) and Queens Of The Stone Age (guitarist Dean Fertita) into an amalgam of rock influences that becomes far more than the sum of its parts. Drawing from every area of rock imaginable the quartet outright jam on an album written in just a few weeks and with song insight coming from every band member therein. Drifting through the teasing atmospheric fog of opening track “60 Feet Tall” the band, led by Mosshart’s sultry guile, touch on second-tier Thomas Harris villainy / organ driven reggae with Heimlich maneuver vocals (“I Cut Like A Buffalo”) , a Led Zeppelin-esque soundtrack for Oedipus Rex, complete with syllogism and military marching (or sex) instructions (“Treat Me Like your Mother”) a raucous voodoo cover of Bob Dylan’s “New Pony” (about a little horse named “Lucifer” with bonus face-melting guitar),  twitchy Casio keyboard rhumba (“Bone House”) and  acoustic Delta blues / sea shanty gospel (“Will There be Enough Water?”) The meaty nougat of the album though is Mosshart’s own staggering solo composition “So Far From Your Weapon”, a didgeridoo based Outback-drop for an Old West, high noon showdown. You can almost see the twitching thumbs, focused stares, drifting tumbleweeds and flapping trenchcoats within the borderline jazz synapses. On “Hang You From The Heavens” we are warned that we’ll be “grabbed by the hair and sent off to the devil”. If this is the music I’ll be hearing on the way, I’ll leave the front door unlocked. Just come on in Ms. Mosshart. &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: &lt;em&gt;75 &lt;/em&gt;  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;7.5&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Darkthrone&lt;/strong&gt; – “Eon” (from &lt;em&gt;Soulside Journey&lt;/em&gt; 1990)&lt;br /&gt;&lt;strong&gt;Eddie Money&lt;/strong&gt; – “I Wanna Go Back” (from &lt;em&gt;Can’t Hold Back&lt;/em&gt; 1986)&lt;br /&gt;&lt;strong&gt;The Fitness&lt;/strong&gt; – “Day Job” (from &lt;em&gt;Call Me For Together&lt;/em&gt; 2003)&lt;br /&gt;&lt;strong&gt;Helloween&lt;/strong&gt; – “Twilight Of The Gods” (from &lt;em&gt;Keeper Of The Seven Keys, Part I&lt;/em&gt; 1987)&lt;br /&gt;&lt;strong&gt;Ministry &lt;/strong&gt;– “”Burning Inside” (Live) (from &lt;em&gt;In Case You Didn’t Feel Like Showing Up (Live)&lt;/em&gt; 1990)&lt;br /&gt;&lt;strong&gt;Morbid Angel&lt;/strong&gt; – “Lord Of All Fevers And Plagues” (from &lt;em&gt;Altars Of Madness&lt;/em&gt; 1989)&lt;br /&gt;&lt;strong&gt;Royskopp&lt;/strong&gt; – “Remind Me” (from &lt;em&gt;Melody A.M.&lt;/em&gt; 2001)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Barry White&lt;/strong&gt; – &lt;em&gt;Can’t Get Enough&lt;/em&gt; (20th Century 1974)&lt;br /&gt;&lt;strong&gt;The Clash&lt;/strong&gt; – &lt;em&gt;Super Black Market Clash&lt;/em&gt; (Epic 1993)&lt;br /&gt;&lt;strong&gt;KMFDM &lt;/strong&gt;– &lt;em&gt;XTORT&lt;/em&gt; (Wax Trax / TVT, Metropolis 1996)&lt;br /&gt;&lt;strong&gt;Michael Jackson&lt;/strong&gt; – &lt;em&gt;Off The Wall&lt;/em&gt; (Epic 1979)         &lt;br /&gt;&lt;strong&gt;Operation Ivy&lt;/strong&gt; – &lt;em&gt;Energy&lt;/em&gt; (Lookout! 1989)&lt;br /&gt;&lt;strong&gt;The Rolling Stones&lt;/strong&gt; – &lt;em&gt;Goats Head Soup&lt;/em&gt; (Atlantic 1973)&lt;br /&gt;&lt;strong&gt;10,000 Maniacs&lt;/strong&gt; – &lt;em&gt;MTV Unplugged&lt;/em&gt; (Elektra 1993)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-2053553110446188213?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/2053553110446188213/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=2053553110446188213' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/2053553110446188213'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/2053553110446188213'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/08/music-picks-for-august-3rd-2009.html' title='Music Picks for August 3rd, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-2982794234806158543</id><published>2009-07-27T10:50:00.000-07:00</published><updated>2009-07-27T11:00:20.777-07:00</updated><title type='text'>Music Picks for July 27th, 2009</title><content type='html'>&lt;strong&gt;07-27-2009&lt;/strong&gt;:&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;DevilDriver &lt;/strong&gt;– “Back With A Vengeance”, “It’s In The Cards” and “Another Night In London” (from &lt;em&gt;Pray For Villains&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Elvis Costello&lt;/strong&gt; – “Complicated Shadows” and “Sulphur To Sugarcane” (from &lt;em&gt;Secret, Profane And Sugarcane&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Gallows&lt;/strong&gt; – “London Is The Reason” (from &lt;em&gt;Grey Britain&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Success Will Write Apocalypse Across the Sky&lt;/strong&gt; – “Cattle” and “Despot” (from &lt;em&gt;The Grand Partition And The Abrogation Of Idolatry&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;DevilDriver &lt;/strong&gt;– &lt;em&gt;Pray For Villains&lt;/em&gt; (Roadrunner) When vocalist Dez Fafara screams “Let’s start a riot!” on the track “Another Night In London”, he’s not being facetious. Seemingly taking all the energy gathered from their Guinness record attempts at the “world’s largest circle pits”, Santa Barbara, California groove metallers DevilDriver hone their heaviness into a levelling bulldozer of mind-boggling blast beats, rampant riffs and demon baiting screaming. Completely shed of his former Coal Chamber nu-metal skin, Fafara and his cohorts let loose from the opening title track about fallen heroes and frustrated optimism and never let up, crushing you beneath their juggernaut gears. Drummer John Boecklin is so fast on “Pure Sincerity”, you’d swear it’s a drum machine. “Fate Stepped In” is thrown bones and karmic crunch. The lamenting “I’ve Been Sober” is destined to be covered by Mike Ness, bad math included (“I’ve been sober thirteen days and seven nights…”). “Forgiveness Is A Six-Gun” is a &lt;em&gt;Punisher &lt;/em&gt;comic meets Neil Peart lyrics (“Truth is a moving target…”)written in a hail of gunfire and Mike Spreitzer and Jeff Kendrick guitar. “It’s In The Cards” is pure and simple Lamb Of God with Phil Anselmo’s “We’re demon strong” attitude. Savor the irony of “Teach Me To Whisper” where Dez screams the song title with a voice that can shred paint, not just peel it. “Resurrection Blvd.” sounds like an outtake from Hypocrisy’s self-titled masterpiece…and that’s the low-point of this album. “Back with A Vengeance” however, is the outright monster of this musical mayhem. Relentless, unyielding, merciless. A vendetta forged in guitar, bass, drum and vocal. In the album closer “I See Belief”, Dez claims there’s “No method to this madness”. But in the mouth of that madness, there is a spectacular, ludicrously good album. Going back to “Another Night In London”, Mr. Fafara states “It takes people like us to make people like him”. Then we are some very angry people who have helped make the clear front-runner for album of the year. Note: Make sure you get the special edition of the cd so you can also check out the bonus tracks “Self-Affliction” (which welcomes you “back into the fold” with an actual melodic keyboard/bass line) and the eulogical “Dust Be Thy Destiny” (just for the line “There’s a hole in my head to let the rain in”). Both of these songs were written for Pray For Villains but not included for some reason. Also added are “Damning The Heavens”, a borderline PM5K sounding outtake from the band’s &lt;em&gt;The Last Kind Words &lt;/em&gt;cd as well as their cover of the Iron Maiden classic “Wasted Years” from &lt;em&gt;Kerrang!&lt;/em&gt; magazine’s compilation &lt;em&gt;Maiden Heaven: A Tribute To Iron Maiden&lt;/em&gt;. &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: &lt;em&gt;Not Rated&lt;/em&gt;  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;Not Rated&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Elvis Costello&lt;/strong&gt; – &lt;em&gt;Secret, Profane And Sugarcane&lt;/em&gt; (Hear Music) Teaming up with T-Bone Burnett and a gaggle of the country’s best bluegrass and country musicians, Costello combines songs from his catalogue done anew, material from his unfinished commission for the Royal Danish Opera about the life of Hans Christian Andersen and two new songs (one done with Loretta Lynn) into a breath of fresh country air. Whether pushing his friend in front of a train (“Hidden Shame”) attacking America’s slavery past (“Red Cotton” ) or trekking around the country seemingly borrowing ideas from Marilyn Manson to “wrap you up in cellophane” (“Sulphur To Sugarcane”), this one is not to be missed. &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: &lt;em&gt;Not Rated&lt;/em&gt;  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;3.8&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Gallows &lt;/strong&gt;– &lt;em&gt;Grey Britain&lt;/em&gt; (Warner Bros.) After their debut &lt;em&gt;Orchestra Of Wolves&lt;/em&gt; made them the vanguard of new hardcore punk, brutally ironic tattooed frontman Frank Carter and his blighty cohorts had their work cut out for them. With &lt;em&gt;Grey Britain&lt;/em&gt; they made the cut. From the opening salvo of “The Riverbank” straight into the blitzing “London Is The Reason” these brutish British boyos simply do not let up EVER. Indicting their homeland and all it’s crippling, problematic issues with the zeal of a militant Clash and Sex Pistols, the band strafes any and everything that moves with collateral damaging drums, Gatling gun guitar and barbed wire vocals. Drawing simultaneously from the wells of both Slayer and The Exploited and with an assload of John Lydon-ism thrown in for good measure, Carter warns us that he knows where we live (“Black Eyes”) gives us the armageddon roll call for the four horsemen (“Death Voices”), pummels us with throwback thrash (“The Riverbed”) and leads the mob scene as the band does their best homage to Pantera’s classic two-headed monster “Suicide Notes, Pt 1 &amp;amp; 2” (“The Vulture: Acts I &amp;amp; II”). Giving us a one-two punch of Iron Maiden riffs (“Queensbury Rules”) and squealing pigs (“Misery”, which Carter said he wrote at “his lowest ebb”), the band shows that bringing in stammering producer GGGarth Richardson (of Chevelle, Rage Against The Machine and Mudvayne fame) was just one more armament in their already explosively letahl arsenal. On “Dread The Night” (which would’ve been on the &lt;em&gt;We Are The Night Soundtrack&lt;/em&gt; in another life) Carter expounds that they “Are the new black and serious as a heart attack”. Maybe it’s the snarling British accent, but I believe him. Carter once stated in an interview that Gallows is “a hobby I get paid for”. All I can say is thank god it wasn’t model train collecting. Simply a relentlessly brilliant album. &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: &lt;em&gt;77 &lt;/em&gt;&lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;Not Rated&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;The Bee Gees&lt;/strong&gt; – “Alive” (from &lt;em&gt;To Whom It May Concern&lt;/em&gt; 1972))&lt;br /&gt;&lt;strong&gt;Creedence Clearwater Revival&lt;/strong&gt; – “99 And A Half (Won’t Do)” (from &lt;em&gt;Woodstock Boxset&lt;/em&gt; 1995)&lt;br /&gt;&lt;strong&gt;The Chi-Lites&lt;/strong&gt; – “Oh Girl” (from &lt;em&gt;A Lonely Man&lt;/em&gt; 1972)&lt;br /&gt;&lt;strong&gt;Chris Isaak&lt;/strong&gt; – “Dancin’” (from &lt;em&gt;Silvertone&lt;/em&gt; 1990)&lt;br /&gt;&lt;strong&gt;Repulsion&lt;/strong&gt; – “Radiation Sickness” (from &lt;em&gt;Horrified&lt;/em&gt; 1989)&lt;br /&gt;&lt;strong&gt;Van Morrison&lt;/strong&gt; – “Try For Sleep” (from &lt;em&gt;The Philosopher’s Stone&lt;/em&gt; 1998)&lt;br /&gt;&lt;strong&gt;Volbeat&lt;/strong&gt; – “Mr. &amp;amp; Mrs. Ness” (from &lt;em&gt;Rock The Rebel / Metal The Devil&lt;/em&gt; 2007)&lt;br /&gt;&lt;br /&gt;Old Albums:               &lt;br /&gt;&lt;strong&gt;Brian Setzer &lt;/strong&gt;– &lt;em&gt;Nitro Burnin’ Funny Daddy&lt;/em&gt; (Surfdog Records 2003)&lt;br /&gt;&lt;strong&gt;Evans Blue&lt;/strong&gt; - &lt;em&gt;The Melody And The Energetic Nature Of Volume&lt;/em&gt; (Hollywood 2006)&lt;br /&gt;&lt;strong&gt;Hayes Carll&lt;/strong&gt; – &lt;em&gt;Trouble In Mind&lt;/em&gt; (Lost Highway 2008)&lt;br /&gt;&lt;strong&gt;Korn&lt;/strong&gt; – &lt;em&gt;Take A Look In The Mirror&lt;/em&gt; (Epic / Immortal 2003)&lt;br /&gt;&lt;strong&gt;Oasis &lt;/strong&gt;– &lt;em&gt;Definitely Maybe&lt;/em&gt; (Creation 1994)&lt;br /&gt;&lt;strong&gt;Rob Zombie&lt;/strong&gt; – &lt;em&gt;The Sinister Urge&lt;/em&gt; (Geffen 2001)&lt;br /&gt;&lt;strong&gt;Soundgarden&lt;/strong&gt; – &lt;em&gt;BadMotorFinger&lt;/em&gt; (A&amp;amp;M 1991)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-2982794234806158543?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/2982794234806158543/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=2982794234806158543' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/2982794234806158543'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/2982794234806158543'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/07/music-picks-for-july-27th-2009.html' title='Music Picks for July 27th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-5619297793073609030</id><published>2009-07-20T09:36:00.000-07:00</published><updated>2009-07-20T09:48:55.288-07:00</updated><title type='text'>Music Picks for July 20th, 2009</title><content type='html'>&lt;strong&gt;07-20-2009&lt;/strong&gt;:&lt;br /&gt;     Greetings subscribers. Starting with todays list of music picks you'll notice I've included the respective rankings for each new album provided by critique websites &lt;em&gt;Metacritic&lt;/em&gt; and &lt;em&gt;Pitchfork&lt;/em&gt;. Thought you'd be interested in seeing how other critics' viewpoints compare against those of yours truly. Enjoy!&lt;br /&gt;&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Black Math Horseman&lt;/strong&gt; – “Tyrant”, “Torment Of The Metals” and “Bird Of All Faiths And None” (from &lt;em&gt;Wyllt&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Conor Oberst And The Mystic Valley Band&lt;/strong&gt; – “To All The Lights In the Room” and “Roosevelt Room” (from &lt;em&gt;Outer South&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Rancid &lt;/strong&gt;– “Up To No Good”, “Last One To Die”, “New Orleans”, “L.A. River” (just for the “boom-shaka-lakkas” and the “shimmy-shimmies”. It’s like a song from the &lt;em&gt;Grease Soundtrack&lt;/em&gt;) and “The Highway” (from &lt;em&gt;Let The Dominoes Fall&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Black Math Horseman&lt;/strong&gt; – &lt;em&gt;Wyllt&lt;/em&gt; (Tee Pee) &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: &lt;em&gt;Not Ranked&lt;/em&gt; &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: 7.0&lt;br /&gt;&lt;strong&gt;Conor Oberst And The Mystic Valley Band&lt;/strong&gt; – &lt;em&gt;Outer South&lt;/em&gt; (Merge) On their second album in as many years, Oberst and his stranded in Mexico musician cohorts released an album that runs the plethora gamut. From floating in pools while singing bubbly pop music (“Slowly” and “Air Mattress”) to having sex on Mendeleyev’s table of the elements while listening to “church bells that ring like a mobile phone” (“I Got The Reason”), Oberst manages to sound like Tom Petty and Bob Dylan (“Big Black Nothing” and “Worldwide”), Elvis Costello (“Spoiled”), Nick Drake (“White Shoes”) exactly like himself (“Bloodline”) and Mike Love singing a country dirge (“Snake Hill”). The two stand outs though are “To All The Lights In The Windows”, which combines lost love and Moses (?) and “Roosevelt Room”, where Oberst channels his inner Joe Strummer and recalls the days of his masterpiece Bright Eyes track “Four Winds” with the lyrics “the working poor you’ve been pissing on are pulling double shifts tonight”. In “Difference Is Time” Oberst laments that “life is hard, even if you cheat”. Luckily he and his band didn’t cheat us on this album. &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: 67 &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: 4.9&lt;br /&gt;&lt;strong&gt;Rancid&lt;/strong&gt; – &lt;em&gt;Let The Dominoes Fall&lt;/em&gt; (Hellcat) &lt;span style="font-family:courier new;"&gt;Metacritic&lt;/span&gt;: 72  &lt;span style="font-family:courier new;"&gt;Pitchfork&lt;/span&gt;: &lt;em&gt;Not Ranked&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Dierks Bentley&lt;/strong&gt; – “What Was I Thinking?” (from &lt;em&gt;Self-Titled&lt;/em&gt; 2003)&lt;br /&gt;&lt;strong&gt;Elton John&lt;/strong&gt; – “Goodbye Yellow Brick Road” (from &lt;em&gt;Goodbye Yellow Brick Road&lt;/em&gt; 1973)&lt;br /&gt;&lt;strong&gt;Katatonia&lt;/strong&gt; – “Without God” (from &lt;em&gt;Dance Of December Souls &lt;/em&gt;1993)&lt;br /&gt;&lt;strong&gt;Mastodon&lt;/strong&gt; – “Siberian Divide” (from &lt;em&gt;Blood Mountain&lt;/em&gt; 2006)&lt;br /&gt;&lt;strong&gt;Napalm Death&lt;/strong&gt; – “Thrown Down A Rope” (from &lt;em&gt;Words From The Exit Wound &lt;/em&gt;1999)&lt;br /&gt;&lt;strong&gt;Sleep &lt;/strong&gt;– “Holy Mountain” (from &lt;em&gt;Holy Mountain&lt;/em&gt; 1993)&lt;br /&gt;&lt;strong&gt;Sonny Boy Williamson And The Yardbirds&lt;/strong&gt; – “23 Hours Too Long” (from &lt;em&gt;Sonny Boy Williamson And The Yardbirds&lt;/em&gt; 1966)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Clap Your Hands Say Yeah&lt;/strong&gt; – &lt;em&gt;Some Loud Thunder &lt;/em&gt;(Self Released 2007)&lt;br /&gt;&lt;strong&gt;Godflesh &lt;/strong&gt;– &lt;em&gt;Streetcleaner &lt;/em&gt;(Earache 1989)&lt;br /&gt;&lt;strong&gt;The Kinks&lt;/strong&gt; – &lt;em&gt;UK. Jive&lt;/em&gt; (MCA 1989)&lt;br /&gt;&lt;strong&gt;Neil Young And Crazy Horse&lt;/strong&gt; – &lt;em&gt;Rust Never Sleeps&lt;/em&gt; (Reprise 1979)&lt;br /&gt;&lt;strong&gt;O Brother, Where Art Thou?&lt;/strong&gt; – &lt;em&gt;Original Soundtrack&lt;/em&gt; (Mercury 2000)&lt;br /&gt;&lt;strong&gt;R.E.M.&lt;/strong&gt; –&lt;em&gt; Green&lt;/em&gt; (Warner Bros. 1988)&lt;br /&gt;&lt;strong&gt;Superjoint Ritual&lt;/strong&gt; – &lt;em&gt;A Lethal Dose Of American Hatred&lt;/em&gt; (Sanctuary 2003)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-5619297793073609030?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/5619297793073609030/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=5619297793073609030' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/5619297793073609030'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/5619297793073609030'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/07/music-picks-for-july-20th-2009.html' title='Music Picks for July 20th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-8091256260677499390</id><published>2009-07-13T09:57:00.000-07:00</published><updated>2009-07-13T10:03:55.468-07:00</updated><title type='text'>Music Picks for July 13th, 2009</title><content type='html'>&lt;strong&gt;07-13-2009:&lt;br /&gt;&lt;/strong&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Bloodhorse&lt;/strong&gt; – “Paranoiac” (from &lt;em&gt;Horizoner&lt;/em&gt;) Loose, bottom heavy Boston metal trio that falls somewhere between Ozzy-era Sabbath and &lt;em&gt;Undisputed Attitude&lt;/em&gt;-era Slayer with a hint of C.O.C. meets Kyuss. They sound like they should be named “Bloodhorse”. Polish up your gravity bong. You’re gonna need it.&lt;br /&gt;&lt;strong&gt;Eels &lt;/strong&gt;– “All The Beautiful Things” and “Beginner’s Luck” (from &lt;em&gt;Hombre Lobo&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Halestorm &lt;/strong&gt;– “Nothing To Do With Love” (from &lt;em&gt;Self-Titled&lt;/em&gt;) If Kelly Clarkson fronted a “so bad they’re good” throwback NWOHM (New Wave Of Hair Metal) band, it would be Halestorm. They could just as easily tour with Lita Ford, Vixen and Femme Fatale on the “Cheesy-Cake Tour” as well as Lacuna Coil and Sirenia (if they were opening for Alice Cooper). Guilty pleasure of the year, I must say.&lt;br /&gt;&lt;strong&gt;Maximo Park&lt;/strong&gt; – “Calm” (from &lt;em&gt;Quicken the Heart&lt;/em&gt;) Newcastle, England alt-indie-rockers conjure up Springsteen’s “I’m On Fire” if it was covered by The Cure for the next &lt;em&gt;Crow&lt;/em&gt; movie soundtrack with band vocalist Paul Smith doing a dead-on Morrissey for good measure&lt;br /&gt;&lt;strong&gt;Peaches &lt;/strong&gt;– “Billionaire” (just for the line about “Salt in your diet” “Quiet Riot” and “Staying at the Hyatt”), “Show Stopper” and “Relax” (from I Feel Cream)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Maximo Park&lt;/strong&gt; – &lt;em&gt;Quicken The Heart &lt;/em&gt;(Warp Records)&lt;br /&gt;&lt;strong&gt;Peaches &lt;/strong&gt;– &lt;em&gt;I Feel Cream&lt;/em&gt; (XL Records) Toronto’s Merrill Beth Nisker (aka “Peaches”) and her band The Herms (short for “Hermaphrodites”. Get it? “Peaches And Herms”?) release another gender-bending electronica album that should somehow be spelt with three X’s. About as subtle as Wendy O’Williams with that sledgehammer on that piano, Peaches pummels you with sex and profanity while finding twelve different ways to tell you she doesn’t give a fuck about you or what you think of her, and you still come back for more. If Missy Elliot and David Bowie had a love child and left it to be raised by Pete Burns of Dead Or Alive, it would be Peaches. Dance at your own risk.&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Diamond Head&lt;/strong&gt; – “Sweet And Innocent” (from &lt;em&gt;Lightning To The Nations&lt;/em&gt; 1980)&lt;br /&gt;&lt;strong&gt;Flickerstick&lt;/strong&gt; – “Believe” (Live) (from &lt;em&gt;Causing A Catastrophe&lt;/em&gt; – Live 2002)&lt;br /&gt;&lt;strong&gt;John Coltrane&lt;/strong&gt; – “Theme For Ernie” (from &lt;em&gt;Soultrane&lt;/em&gt; 1958)&lt;br /&gt;&lt;strong&gt;Opeth&lt;/strong&gt; – “Blackwater Park” (from &lt;em&gt;Blackwater Park&lt;/em&gt; 2001)&lt;br /&gt;&lt;strong&gt;Seal &lt;/strong&gt;– “Rolling” (from &lt;em&gt;System&lt;/em&gt; 2001)&lt;br /&gt;&lt;strong&gt;Sonic Youth&lt;/strong&gt; – “Tuff Gnarl” (from &lt;em&gt;Sister&lt;/em&gt; 1987)&lt;br /&gt;&lt;strong&gt;The Yardbirds &lt;/strong&gt;– “I Ain’t Got You” (from &lt;em&gt;For Your Love&lt;/em&gt; 1965)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;The Flaming Lips&lt;/strong&gt; – &lt;em&gt;At War With The Mystics&lt;/em&gt; (Warner Bros. 2006)&lt;br /&gt;&lt;strong&gt;Harry Connick, Jr&lt;/strong&gt;. – &lt;em&gt;We Are In Love &lt;/em&gt;(Sony / Columbia 1990)&lt;br /&gt;&lt;strong&gt;The Mamas And The Papas&lt;/strong&gt; – &lt;em&gt;If You Can Believe Your Eyes And Ears &lt;/em&gt;(Dunhill 1966)&lt;br /&gt;&lt;strong&gt;Our Lady Peace&lt;/strong&gt; – &lt;em&gt;Naveed&lt;/em&gt; (Columbia 1994)&lt;br /&gt;&lt;strong&gt;Portishead&lt;/strong&gt; – &lt;em&gt;Dummy&lt;/em&gt; (Go! Discs / London 1994)&lt;br /&gt;&lt;strong&gt;Tom Waits&lt;/strong&gt; – &lt;em&gt;Rain Dogs&lt;/em&gt; (Island 1985)&lt;br /&gt;&lt;strong&gt;Warren Zevon &lt;/strong&gt;– &lt;em&gt;Excitable Boy&lt;/em&gt; (Asylum 1978)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-8091256260677499390?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/8091256260677499390/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=8091256260677499390' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8091256260677499390'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8091256260677499390'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/07/music-picks-for-july-13th-2009.html' title='Music Picks for July 13th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-6844529365247856703</id><published>2009-07-06T10:27:00.000-07:00</published><updated>2009-07-06T10:31:51.723-07:00</updated><title type='text'>Music Picks for July 6th, 2009</title><content type='html'>&lt;strong&gt;07-06-2009:&lt;br /&gt;&lt;/strong&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Graf Orlock&lt;/strong&gt; – “Franky; Buying Dog Food”and “Days Of High Adventure” (from &lt;em&gt;Destination Time Today&lt;/em&gt;) The two standout tracks from the California quartet’s first &lt;em&gt;actual&lt;/em&gt; album take clips from Steven Seagal’s &lt;em&gt;Out For Justice&lt;/em&gt; and Arnold Scwarzenegger’s classic &lt;em&gt;Conan The Barbarian&lt;/em&gt;. As a man and a metal fan, it’s impossible not to love a Cimmerian grindcore song based on the Conan theme. Good stuff.&lt;br /&gt;&lt;strong&gt;Nadja&lt;/strong&gt; – “Dead Skin Mask” (from &lt;em&gt;When I See The Sun Always Shines On TV&lt;/em&gt;) From the Canadian duo’s doom / metalgaze cover album comes this entrancing, droning, funeral procession send up of the classic Slayer track about Ed Gein.&lt;br /&gt;&lt;strong&gt;Rob Thomas&lt;/strong&gt; – “Her Diamonds”, “Mockingbirds”, “Snowblind” and “Wonderful” (from &lt;em&gt;Cradlesong&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Graf Orlock&lt;/strong&gt; – &lt;em&gt;Destination Time Today&lt;/em&gt; (Level Plane Records) On their first official album, California cinema grind masters (&amp;amp; UCLA alums) Graf Orlock (named after Max Schreck’s character in the 1922 film &lt;em&gt;Nosferatu&lt;/em&gt;) combine film quotes from &lt;em&gt;The Shooter, The Terminator, 12 Monkeys &lt;/em&gt;and &lt;em&gt;Collateral &lt;/em&gt;(amongst others)with grindcore blastcaps into a melange of metal movie madness distributed in quick, violent bursts.&lt;br /&gt;&lt;strong&gt;Rob Thomas&lt;/strong&gt; – &lt;em&gt;Cradlesong&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Old Songs (4th Of July Weekend Edition):&lt;br /&gt;&lt;strong&gt;Caitlin Cary&lt;/strong&gt; – “Fireworks” (from &lt;em&gt;While You Weren’t Looking&lt;/em&gt; 2002)&lt;br /&gt;&lt;strong&gt;Elliott Smith&lt;/strong&gt; – “Independence Day” (from &lt;em&gt;XO&lt;/em&gt; 1998)&lt;br /&gt;&lt;strong&gt;Jimmy Eat World&lt;/strong&gt; – “Just Watch The Fireworks” (from &lt;em&gt;Clarity &lt;/em&gt;1999)&lt;br /&gt;&lt;strong&gt;Less Than Jake&lt;/strong&gt; – “In-Dependence Day” (from &lt;em&gt;In With The Out Crowd&lt;/em&gt; 2006)&lt;br /&gt;&lt;strong&gt;Martina McBride&lt;/strong&gt; – “Independence Day” (from &lt;em&gt;The Way That I Am&lt;/em&gt; 1993)&lt;br /&gt;&lt;strong&gt;No Motiv&lt;/strong&gt; – “Independence Day” (from &lt;em&gt;Daylight Breaking &lt;/em&gt;2004)&lt;br /&gt;&lt;strong&gt;Soundgarden&lt;/strong&gt; – “4th Of July” (from &lt;em&gt;Superunknown &lt;/em&gt;1994)&lt;br /&gt;&lt;strong&gt;X&lt;/strong&gt;  – “Fourth Of July” (from &lt;em&gt;See How We Are&lt;/em&gt; 1987)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;The Byrds&lt;/strong&gt; – &lt;em&gt;Younger Than Yesterday&lt;/em&gt; (Columbia 1967)&lt;br /&gt;&lt;strong&gt;Eve 6&lt;/strong&gt; – &lt;em&gt;Self-Titled&lt;/em&gt; (RCA 1998)&lt;br /&gt;&lt;strong&gt;Megadeth&lt;/strong&gt; – &lt;em&gt;Peace Sells…But Who’s Buying?&lt;/em&gt; (Combat / Capitol 1986)&lt;br /&gt;&lt;strong&gt;Planet Terror&lt;/strong&gt; – &lt;em&gt;Original Soundtrack&lt;/em&gt; (Varese Sarabande 2007)&lt;br /&gt;&lt;strong&gt;Slayer&lt;/strong&gt; – &lt;em&gt;Christ Illusion&lt;/em&gt; (American 2006)&lt;br /&gt;&lt;strong&gt;U2 &lt;/strong&gt;– &lt;em&gt;Zooropa&lt;/em&gt; (Island 1993)&lt;br /&gt;&lt;strong&gt;W.A.S.P.&lt;/strong&gt; – &lt;em&gt;Live…In The Raw&lt;/em&gt; (Capitol 1987)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-6844529365247856703?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/6844529365247856703/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=6844529365247856703' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/6844529365247856703'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/6844529365247856703'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/07/music-picks-for-july-6th-2009.html' title='Music Picks for July 6th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-735862299157567657</id><published>2009-06-28T18:43:00.000-07:00</published><updated>2009-06-28T18:47:14.721-07:00</updated><title type='text'>Music Picks for June 28th, 2009</title><content type='html'>06-28-2009:&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Cage The Elephant&lt;/strong&gt; – “In One Ear” ( a show opener, show stopper and lyrical pimp slap to all the critics, haters and deriders, et al who just don’t get it) “Ain’t No Rest For The Wicked” (about doing what you got to just to survive) and “Back Stabbin’ Betty” (about the worst kind of cold-hearted, shrewish bitch)&lt;br /&gt;&lt;strong&gt;Phoenix&lt;/strong&gt; – “1901” (from &lt;em&gt;Wolfgang Amadeus Phoenix&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Cage The Elephant&lt;/strong&gt; – &lt;em&gt;Self-Titled&lt;/em&gt; (Relentless) Fresh from SXSW and Lollapalooza, the Kentucky bred Shultz brothers and their band of backwater brethren mix white garage blues rock with rap-soul-funk and a dead-on impression of Alex Turner vocals into a G. Love and Special Sauce meets The Heavy by way of Red Hot Chili Peppers moonshine that rocks as much as it flows.&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Cat Stevens&lt;/strong&gt; – “Another Saturday Night” (Radio Single 1974)&lt;br /&gt;&lt;strong&gt;Crosby, Stills, Nash &amp;amp; Young&lt;/strong&gt; – “Sea Of Madness” (&lt;em&gt;Woodstock Original Soundtrack&lt;/em&gt; 1970)&lt;br /&gt;&lt;strong&gt;Eric Clapton&lt;/strong&gt; – “Broken Down” (from &lt;em&gt;Reptile&lt;/em&gt; 2001)&lt;br /&gt;&lt;strong&gt;Fugazi &lt;/strong&gt;– “Reprovisional” (from &lt;em&gt;Repeater &lt;/em&gt;1990)&lt;br /&gt;&lt;strong&gt;Pink Floyd&lt;/strong&gt; – “Apples And Oranges” (Radio Single 1967)&lt;br /&gt;&lt;strong&gt;Rammstein&lt;/strong&gt; – “Mann Gegen Mann” (from &lt;em&gt;Rosenrot&lt;/em&gt; 2006)&lt;br /&gt;&lt;strong&gt;Van Morrison And The Chieftains &lt;/strong&gt;– “I’ll Tell Me Ma” (from &lt;em&gt;Irish Heartbeat&lt;/em&gt; 1988)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Big Brother And The Holding Company&lt;/strong&gt; – &lt;em&gt;Cheap Thrills&lt;/em&gt; (Columbia 1968)&lt;br /&gt;&lt;strong&gt;Butthole Surfers&lt;/strong&gt; – &lt;em&gt;Locust Abortion Technician&lt;/em&gt; (Toucn And Go 1987)&lt;br /&gt;&lt;strong&gt;C.C.R.&lt;/strong&gt; – &lt;em&gt;Bayou Country&lt;/em&gt; (Fantasy 1969)&lt;br /&gt;&lt;strong&gt;The Jimi Hendrix Experience&lt;/strong&gt; – &lt;em&gt;Electric Ladyland&lt;/em&gt; (Reprise 1968)&lt;br /&gt;&lt;strong&gt;Ministry&lt;/strong&gt; – &lt;em&gt;Filth Pig&lt;/em&gt; (Warner Brothers 1996)&lt;br /&gt;&lt;strong&gt;Mudhoney&lt;/strong&gt; – &lt;em&gt;Tomorrow Hit Today&lt;/em&gt; (Reprise 1998)&lt;br /&gt;&lt;strong&gt;The Smashing Pumpkins&lt;/strong&gt; – &lt;em&gt;Machina Acoustic Demos&lt;/em&gt; (Bootleg 1998)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-735862299157567657?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/735862299157567657/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=735862299157567657' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/735862299157567657'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/735862299157567657'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/06/music-picks-for-june-28th-2009.html' title='Music Picks for June 28th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-4609008389790453257</id><published>2009-06-21T17:37:00.000-07:00</published><updated>2009-06-21T17:44:16.922-07:00</updated><title type='text'>Music Picks For June 21st, 2009</title><content type='html'>06-21-2009:&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Art Brut&lt;/strong&gt; – “Alcoholics Unanimous”. “DC Comics And Chocolate Milkshakes”, “The Passenger” and “Slap Dash For No Cash” (from &lt;em&gt;Art Brut Vs. Satan&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Funeral Mist&lt;/strong&gt; – “Jesus Saves!” (from &lt;em&gt;Maranatha&lt;/em&gt;) Blood curdling and thought provoking all at the same time, this pummeling track (which could also be known as the “Love Theme From &lt;em&gt;The Exorcist&lt;/em&gt;”), is a rabid testimony to the hypocrisy of Christianity as well as a “how-to” on how to destroy it at it’s most base faiths. Oh, and it would terrify Slayer. If you believe in the Bible, this would NOT be an editor’s choice for you. This track DOES make the baby Jesus cry.&lt;br /&gt;&lt;strong&gt;Mantic Ritual&lt;/strong&gt; – “One By One” and “Next Attack” (from &lt;em&gt;Executioner&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;White Rabbits&lt;/strong&gt; – “Percussion Gun” (from&lt;em&gt; It’s Frightening!)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Art Brut&lt;/strong&gt; – &lt;em&gt;Art Brut Vs. Satan&lt;/em&gt; (Downtown) An extraordinary goofball, Eddie Argos and his crew of Jean Debuffet fans weave art-punk tales of drinking one too many the night before then having to go to work; a sarcastically sad ode to comics and cold, dairy treats; riding on the bus and in the masterstroke of the album, they poke Brian Eno in the ribs, making fun of his many audio labors. And don’t forget their nod to the Bobby Fuller Four with the line “I fought the floor and the floor won”. Good stuff.&lt;br /&gt;&lt;strong&gt;Funeral Mist&lt;/strong&gt; – &lt;em&gt;Maranatha&lt;/em&gt; (Southern Lord) Just when you thought Swedish death metal was languishing comes this dark solo project from Marduk vocalist Daniel “Arioch” Rosten to audibly crucify you. From the eye-bursting scream of “It’s the blood!” that starts off opening track “Sword Of Faith” to the Satanically sarcastic secular strike that is “Jesus Saves!” to the burning red sun and blood of Cain that flows through “A New Light”, Maranatha (which jokingly translates as “Our Lord has come”) is truly an omen of the end times and shows that the kingdom of Lucifer may already be here and it’s about fucking time. In actuality the second official album from the band, this Satanic juggernaut fires on all pitchforks and will burn you at the stake. Unnerving, relentless and just plain scary as hell (pun intended) Mr. Arioch and his skin crawling vocals (which he fittingly describes as “my voice is a thousand open graves”) put the shit in my pants and lit a cigarette off my ashen corpse…and I went back for more. After this nightmare inducing musical monster I understand why people kept playing with that box in the &lt;em&gt;Hellraiser&lt;/em&gt; films. You have been warned. Sell your soul if you have to, but get in touch with this macabre masterstroke. I’ll be under the bed pressing “repeat” if you need me.&lt;br /&gt;&lt;strong&gt;Mantic Ritual&lt;/strong&gt; – &lt;em&gt;Executioner&lt;/em&gt; (Nuclear Blast) Imagine a parallel world where Dave Mustaine didn’t get fired from Metallica, actually became the vocalist, moved the band to Pittsburgh and they became a Slayer tribute band that toured with Venom. Thrash revivalists Mantic Ritual echo the early eighties Bay Are thrash scene so eerily well you’ll pull out your sleeveless jean jacket with the Testament backpatch while listening to this album. “One By One” is Slayer’s “Chemical Warfare” by way of “Evil Has No Boundaries” succinctness. “Black Tar Sin” combines the best of Metallica’s “No Remorse” with Slayer’s “Black Magic”. “Death And Destruction”  is straight out of Metallica’s “Four Horsemen” demos and “Murdered to Death” is the missing track from Slayer’s &lt;em&gt;Hell Awaits&lt;/em&gt; plus(!) check out the absurdicus fret work on this track as well as on “Double The Blood”. “Souls” is the best song that British demon masters Venom never wrote.The closing monster “Next Attack” is so vintage &lt;em&gt;Kill ‘Em All&lt;/em&gt; Metallica you’ll swear it’s a “Seek And Destroy” outtake right along with being the best song on the album. Horns up, kids. Thrash is back.&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Black Stone Cherry&lt;/strong&gt; – “Devil’s Queen” (from &lt;em&gt;Folklore And Superstition&lt;/em&gt; 2008)&lt;br /&gt;&lt;strong&gt;Gnarls Barkley&lt;/strong&gt; – “Going On” (from &lt;em&gt;The Odd Couple&lt;/em&gt; 2008)&lt;br /&gt;&lt;strong&gt;Joan Jett And The Blackhearts&lt;/strong&gt; – “Light Of Day” (from &lt;em&gt;Light Of Day Soundtrack&lt;/em&gt; 1987)&lt;br /&gt;&lt;strong&gt;Lionel Ritchie&lt;/strong&gt; – “Dancing On The Ceiling” (from &lt;em&gt;Dancing On The Ceiling&lt;/em&gt; 1986)&lt;br /&gt;&lt;strong&gt;Ocean&lt;/strong&gt; – “Elizabeth” (from &lt;em&gt;Give Tomorrow’s Children One More Chance&lt;/em&gt; 2000)&lt;br /&gt;&lt;strong&gt;Sick Puppies&lt;/strong&gt; – “All The Same” (from &lt;em&gt;Dressed Up As Life&lt;/em&gt; 2006)&lt;br /&gt;&lt;strong&gt;Til Tuesday&lt;/strong&gt; – “Voices Carry” (from &lt;em&gt;Voices Carry&lt;/em&gt; 1985)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Burn The Priest&lt;/strong&gt; – &lt;em&gt;Self-Titled&lt;/em&gt; (Legion 1999)&lt;br /&gt;&lt;strong&gt;Flying Burrito Brothers&lt;/strong&gt; – &lt;em&gt;Burrito Deluxe&lt;/em&gt; (A&amp;amp;M 1970)&lt;br /&gt;&lt;strong&gt;Mayhem&lt;/strong&gt; – &lt;em&gt;Chimera &lt;/em&gt;(Season Of Mist 2004)&lt;br /&gt;&lt;strong&gt;Rancid&lt;/strong&gt; – &lt;em&gt;Grease And Garbage&lt;/em&gt; (Import 2007)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-4609008389790453257?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/4609008389790453257/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=4609008389790453257' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4609008389790453257'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4609008389790453257'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/06/music-picks-for-june-21st-2009.html' title='Music Picks For June 21st, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-1819362450022452260</id><published>2009-06-14T14:41:00.000-07:00</published><updated>2009-06-14T14:46:08.410-07:00</updated><title type='text'>Music Picks for June 14th, 2009</title><content type='html'>&lt;strong&gt;06-14-2009:&lt;br /&gt;&lt;/strong&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Dave Matthews Band&lt;/strong&gt; – “Shake Me Like A Monkey”, “Funny The Way It Is”, “Why I Am?”, “Squirm”, “Alligator Pie” and “Time Bomb” (from &lt;em&gt;Big Whiskey And The GrooGrux King&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Gomez&lt;/strong&gt; – “Win Park Slope” (from &lt;em&gt;A New Tide&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Marilyn Manson&lt;/strong&gt; – “Leave A Scar”, “Running To the Edge Of The World”, “We’re From America” and “Into The Fire” (from &lt;em&gt;The High End Of Low&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Mumakil&lt;/strong&gt; – “Barbecue In Bhopal”, “Get Wasted Or Die” (just for the growl), “The Eyes of Wrath” (for it’s seemingly machine-gun attack atmosphere), “Let There Be Meat” (for the failing scuba gear vocals), “Useless Fucks” (just for the “Yee-Haw” that starts it off) and “Wish You The Worst” (for it’s borderline apoplectic seizures) (from &lt;em&gt;Behold The Failure&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;New York Dolls&lt;/strong&gt; – “Making Rain”, “Drown” and “Nobody Got No Bizness” (from &lt;em&gt;Cause I Sez So&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Trigger The Bloodshed&lt;/strong&gt; – “Dessicate Earth” (from &lt;em&gt;The Great Depression&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Dave Matthews Band&lt;/strong&gt; – &lt;em&gt;Big Whiskey And The GrooGrux King&lt;/em&gt; (RCA) On their best album since 1998’s Before These Crowded Streets (and the first since the death of saxophonist LeRoi Moore. The album title is a reference to his nickname), the Virginia boys let it rip on a surprisingly upbeat album and fitting tribute to their fallen bandmate. Check out the impending “Time Bomb” which is great in the way that the live version of “Dirty Day” from U2’s &lt;em&gt;Zooropa ’93 – Live In Australia DVD&lt;/em&gt; was great and the masterstroke centerpiece “Squirm”, a Middle Eastern tinged, funeral dirged attempt to pry open your third eye (thank you Maynard Keenan for the line) backed by Carter Beauford’s goblin war drums. Fitting right in with some of the band’s magnum opus stuff (including “”Typical Situation”, “Drive In Drive Out”, “Grace Is Gone” and “Crush”) it also contains one of Matthews’ best lyrics to date…”If Kindness Is Your King, Then Heaven Will Be Yours Before You Reach The End”.&lt;br /&gt;&lt;strong&gt;Marilyn Manson&lt;/strong&gt; – &lt;em&gt;The High End Of Low&lt;/em&gt; (Interscope) Finally recovered from his burlesque divorce, Manson releases his best album in six years and incorporates Iggy Pop, Lou Reed, David Bowie and the fantastic production / bass work of Twiggy Ramirez into a return to sadistic glory.  “Leave A Scar”  takes Nietzsche to his logical cynical conclusion. “Running To the Edge Of The World” is as close as Manson is gonna come to a power ballad. “We’re From America” is self-loathing fascism from a pierced tongue-in-cheek patriot sardonically proud of a country that “doesn’t need credibility because it knows it’s fucking incredible” all while it “turns literatue into litter” and “Into The Fire” finds Manson as a manic-depressive Sisyphus  walking a “November Rain”-esque land where “rapist werewolves” mistake God’s urine for rain. It’s great to have our favorite Anti-Christ back at the controls of the torture chamber. We missed him. Thank you Dita Von Teese and all the good work you did.&lt;br /&gt;&lt;strong&gt;Trigger The Bloodshed&lt;/strong&gt; – &lt;em&gt;The Great Depression&lt;/em&gt; (Metal Blade)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;The Bangles&lt;/strong&gt; – “Hazy Shade Of Winter” (from &lt;em&gt;Less Than Zero Soundtrack&lt;/em&gt; 1987)&lt;br /&gt;&lt;strong&gt;Bobby Darin&lt;/strong&gt; – “Mack The Knife” (from &lt;em&gt;Mack The Knife&lt;/em&gt; 1958)&lt;br /&gt;&lt;strong&gt;Donny Osmond&lt;/strong&gt; – “Soldier Of Love” (from &lt;em&gt;Self-Titled&lt;/em&gt; 1989)&lt;br /&gt;&lt;strong&gt;Edie Brickell And New Bohemians&lt;/strong&gt; – “What I Am” (from &lt;em&gt;Shooting Rubberbands At The Stars&lt;/em&gt; 1988)&lt;br /&gt;&lt;strong&gt;The Isley Brothers&lt;/strong&gt; – “This Old Heart Of Mine” (Radio Single 1966)&lt;br /&gt;&lt;strong&gt;The Yardbirds&lt;/strong&gt; – “For Your Love” (Radio Single 1965)&lt;br /&gt;&lt;strong&gt;The Young Knives&lt;/strong&gt; – “Terra Firma” (from &lt;em&gt;Superabundance&lt;/em&gt; 2008)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;A Tribe Called Quest&lt;/strong&gt; – &lt;em&gt;The Low End Theory&lt;/em&gt; (Jive / RCA 1991)&lt;br /&gt;&lt;strong&gt;Cracker&lt;/strong&gt; – &lt;em&gt;Kerosene Hat&lt;/em&gt; (Virgin 1993)&lt;br /&gt;&lt;strong&gt;Jason Mraz&lt;/strong&gt; – &lt;em&gt;Waiting For My Rocket to Come&lt;/em&gt; (Elektra 2002)&lt;br /&gt;&lt;strong&gt;Jet &lt;/strong&gt;– &lt;em&gt;Shine On&lt;/em&gt; (Atlantic 2006)&lt;br /&gt;&lt;strong&gt;Snow Patrol&lt;/strong&gt; – &lt;em&gt;Songs For Polar Bears&lt;/em&gt; (Never Records 1999)&lt;br /&gt;&lt;strong&gt;Spider-Man&lt;/strong&gt; – &lt;em&gt;Original Soundtrack&lt;/em&gt; (Sony Music 2002)&lt;br /&gt;&lt;strong&gt;Zero 7&lt;/strong&gt; – &lt;em&gt;When It Falls&lt;/em&gt; (Elektra 2004)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-1819362450022452260?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/1819362450022452260/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=1819362450022452260' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/1819362450022452260'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/1819362450022452260'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/06/music-picks-for-june-14th-2009.html' title='Music Picks for June 14th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-5723246532298656414</id><published>2009-06-07T11:53:00.000-07:00</published><updated>2009-06-07T12:00:48.442-07:00</updated><title type='text'>Music Picks For June 7th, 2009</title><content type='html'>Hey kids.&lt;br /&gt;Yes, I'm back. As you now know I was across the country for a wedding two weeks ago and spent this last week catching up on everything that I missed in my absence. My apologies for the limited pickings this week. Time was constrained this week to say the least. Next week we'll be back to normal, I gahr-ohn-tee.&lt;br /&gt;Kole sere,&lt;br /&gt;Thanks,&lt;br /&gt;Caligula (Mr. Disco if you're nasty)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;06 – 07 - 2009&lt;/strong&gt;:&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Adversary&lt;/strong&gt; – “Hedonist”, “The Grand Mistake” and “Singularity” (from &lt;em&gt;Singularity&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Eminem&lt;/strong&gt; – “Bagpipes From Baghdad”, “We Made You”, “Medicine Ball”, “Old Time’s Sake”(w/Dr. Dre) and “Crack the Bottle” (w/Dr. Dre and 50 Cent) (from &lt;em&gt;Relapse&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Empire Of The Sun&lt;/strong&gt; – “Walking On A Dream” (from &lt;em&gt;Walking On A Dream&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Adversary &lt;/strong&gt;– Singularity (Trustkill)Imagine Better Left Unsaid meet Unearth and they begin jamming on Carcass tunes. That’s Adversary in a nutshell. It’s not gonna blow your mind but it is far better than I thought it was going to be (and it’s wholly better than &lt;em&gt;anything&lt;/em&gt; that All That Remains has done). It’s like Arch Enemy, just without the smokin’ hot female lead vocalist. Dig in.&lt;br /&gt;&lt;strong&gt;Eminem&lt;/strong&gt; – Relapse (Aftermath / Interscope / Shady)  Fresh from the pseudo rehab center Popsomp Hills, Eminem released the spectacular first of two 2009 discs (&lt;em&gt;Relapse 2&lt;/em&gt; to be released later this year) and charges right out of the gate spewing Detroit venom. Simply the best stuff he’s done since 2002’s The Eminem Show, it’s worth repeated listening just for “Medicine Ball” and it’s hilariously wrong argument between Mr. Mathers and the now deceased Christopher Reeve over use of the Superman costume. Fantastic!&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Anberlin&lt;/strong&gt; – “The Feel Good Drag” (from &lt;em&gt;New Surrender&lt;/em&gt; 2008)&lt;br /&gt;&lt;strong&gt;The Bar-Kays&lt;/strong&gt; – “Soul Finger” (Radio Single 1967)&lt;br /&gt;&lt;strong&gt;Coolio &lt;/strong&gt;– “Gangsta’s Paradise” (from &lt;em&gt;Dangerous Minds Original Soundtrack&lt;/em&gt; 1995)&lt;br /&gt;&lt;strong&gt;Crowded House&lt;/strong&gt; – “Don’t Dream It’s Over” (from &lt;em&gt;Self-Titled&lt;/em&gt; 1986)&lt;br /&gt;&lt;strong&gt;Eastmountainsouth &lt;/strong&gt;– “So Are You To Me” (from &lt;em&gt;Self-Titled&lt;/em&gt; 2003)&lt;br /&gt;&lt;strong&gt;Riddlin’ Kids&lt;/strong&gt; – “I Feel Fine” (from &lt;em&gt;Hurry Up And Wait&lt;/em&gt; 2002)&lt;br /&gt;&lt;strong&gt;Rihanna &lt;/strong&gt;– “Unfaithful” (from &lt;em&gt;A Girl Like Me&lt;/em&gt; 2006)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Bob Dylan&lt;/strong&gt; – &lt;em&gt;Blood On The Tracks&lt;/em&gt; (Columbia 1975)&lt;br /&gt;&lt;strong&gt;Cinderella&lt;/strong&gt; – &lt;em&gt;Night Songs &lt;/em&gt;(Mercury 1986)&lt;br /&gt;&lt;strong&gt;Misfits&lt;/strong&gt; – &lt;em&gt;Earth A.D.&lt;/em&gt; (Plan 9 Records 1983)&lt;br /&gt;&lt;strong&gt;Motley Crue&lt;/strong&gt; – &lt;em&gt;Saints Of Los Angeles&lt;/em&gt; (Eleven Seven Music 2008)&lt;br /&gt;&lt;strong&gt;The Rolling Stones&lt;/strong&gt; – &lt;em&gt;Made In the Shade&lt;/em&gt; (Atlantic 1975)&lt;br /&gt;&lt;strong&gt;Rose Tattoo&lt;/strong&gt; – &lt;em&gt;Self-Titled&lt;/em&gt; (Albert Productions 1978)&lt;br /&gt;&lt;strong&gt;Type O Negative&lt;/strong&gt; – &lt;em&gt;Dead Again&lt;/em&gt; (SPV 2007)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-5723246532298656414?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/5723246532298656414/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=5723246532298656414' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/5723246532298656414'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/5723246532298656414'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/06/music-picks-for-june-7th-2009.html' title='Music Picks For June 7th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-8096707893181022931</id><published>2009-05-24T16:05:00.000-07:00</published><updated>2009-05-24T16:08:57.849-07:00</updated><title type='text'>Music Picks for May 24th, 2009</title><content type='html'>&lt;strong&gt;05-24-2009&lt;/strong&gt;:&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Chester French&lt;/strong&gt; – “C’Mon (On My Own)” and “Neal” (from &lt;em&gt;Love The Future&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Dreaming Dead&lt;/strong&gt; – “Manslaughter” (from &lt;em&gt;Within One&lt;/em&gt;) From Los Angeles, Dreaming Dead are fronted by a metal goddess named Elizabeth Schall who sounds eerily like late era Death frontman Chuck Schuldiner (circa Symbolic). Even the band itself sounds ike Death (with just a hint of Carcass thrown in). If you like Central Florida metal by way of California (and a sick case of deja-vu), check ‘em out.&lt;br /&gt;&lt;strong&gt;Grand Duchy&lt;/strong&gt; – “Lovesick” (from &lt;em&gt;Petits Four&lt;/em&gt;) Pixies frontman Frank Black and his wife Violet Clark churn out a poppy filled song about the libidinous British hotel side of Spring Fever, phone sex and pure love for a plastic doll.&lt;br /&gt;&lt;strong&gt;Green Day&lt;/strong&gt; – “East Jesus Nowhere” and “The Static Age” (from &lt;em&gt;21st Century Breakdown&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Hurt&lt;/strong&gt; – “Wars”, “Fighting Tao” and “Flowers” (from &lt;em&gt;Goodbye To The Machine&lt;/em&gt;) Covering casualties of conflict, meditations on mortality and a sardonically entropic list of everyone and thing that’s gonna die (including bunnies, aliens, hermaphrodites, friends, family and even the band itself), these Virginia boys fall somewhere between Seether and Seven Mary Three, are wholly underappreciated and these three standout tracks from their fifth album show why that’s a true shame.&lt;br /&gt;&lt;strong&gt;The Priscillas&lt;/strong&gt; – “Superhero” (from &lt;em&gt;10,000 Volts&lt;/em&gt;) Whether it’s Superman carrying Lois Lane in his arms as they circle the earth or Spider Man kissing Mary Jane upside down in the rain, these British pop-punk rock birds have written the definitive background track for the superhero love scene.&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Green Day&lt;/strong&gt; – &lt;em&gt;21st Century Breakdown&lt;/em&gt; (Reprise) &lt;br /&gt;&lt;strong&gt;Hurt&lt;/strong&gt; – &lt;em&gt;Goodbye To The Machine&lt;/em&gt; (Amusement)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Bobby Brown&lt;/strong&gt; – “Every Little Step” (from &lt;em&gt;Don’t Be Cruel&lt;/em&gt; 1988)&lt;br /&gt;&lt;strong&gt;Kenny Chesney&lt;/strong&gt; – “No Shoes, No Shirt, No Problems” (from &lt;em&gt;No Shoes, No Shirt, No Problems&lt;/em&gt; 2002)&lt;br /&gt;&lt;strong&gt;Material Issue&lt;/strong&gt; – “Valerie Loves Me” (from &lt;em&gt;International Pop Overthrow&lt;/em&gt; 1991)&lt;br /&gt;&lt;strong&gt;Onyx&lt;/strong&gt; – “Slam” (from &lt;em&gt;Bacdafucup&lt;/em&gt; 1993)&lt;br /&gt;&lt;strong&gt;Paula Abdul&lt;/strong&gt; – “Blowing Kisses In The Wind” (from &lt;em&gt;Spellbound&lt;/em&gt; 1991)&lt;br /&gt;&lt;strong&gt;R.E.M. &lt;/strong&gt;– “Living Well Is The Best Revenge” (from &lt;em&gt;Accelerate&lt;/em&gt; 2008)&lt;br /&gt;&lt;strong&gt;Remy Ze&lt;/strong&gt;ro – “Save Me” (from &lt;em&gt;Golden Hum&lt;/em&gt; 2001)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Kiss&lt;/strong&gt; – &lt;em&gt;Carnival of Souls: The Final Sessions (&lt;/em&gt;Mercury 1997)&lt;br /&gt;&lt;strong&gt;Miles Davis&lt;/strong&gt; – &lt;em&gt;Plays Classic Ballads&lt;/em&gt; (Columbia 1981)&lt;br /&gt;&lt;strong&gt;Nile&lt;/strong&gt; – &lt;em&gt;Annihilation Of The Wick&lt;/em&gt;ed (Relapse 2005)&lt;br /&gt;&lt;strong&gt;Radiohead&lt;/strong&gt; – &lt;em&gt;Pablo Honey&lt;/em&gt; (Parlophone 1993)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-8096707893181022931?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/8096707893181022931/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=8096707893181022931' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8096707893181022931'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/8096707893181022931'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/05/music-picks-for-may-24th-2009.html' title='Music Picks for May 24th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-7282983246077563033</id><published>2009-05-17T15:19:00.000-07:00</published><updated>2009-05-17T15:23:27.982-07:00</updated><title type='text'>Music Picks for May 17th, 2009</title><content type='html'>&lt;strong&gt;5-17-2009&lt;/strong&gt;:&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Buddy And Julie Miller&lt;/strong&gt; – “A Long, Long Time” (from &lt;em&gt;Written In Chalk&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Eric Church&lt;/strong&gt; – “Hell On The Heart” (from &lt;em&gt;Carolina&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Oceano&lt;/strong&gt; – “Inhuman Affliction” and “With Legions” (from &lt;em&gt;Depths&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Paria&lt;/strong&gt; – “Pish Posh” and “I’ve Never Been Here Before In A Long Time” (from &lt;em&gt;The Barnacle Cordius&lt;/em&gt;) Losing their Fear Factory-esque vocals on two tracks and showing off their instrumental skills, Paria combine the best of Cynic and Dream Theater with just a hint of Les Claypool meets Steve Harris style fusion jazz bass.&lt;br /&gt;&lt;strong&gt;Propagandhi &lt;/strong&gt;– “Dear Coach’s Corner” and “Human(e) Meat” (from &lt;em&gt;Supporting Caste&lt;/em&gt;) Like the punk rock version of fellow veganarchists Cattle Decapitation, Canada’s own Propagandhi mix hockey, fermentation fetishism, whaling, and wholesale role-reversal slaughter on these stand-out tracks from their latest PETA approved, jaw-dropping album.&lt;br /&gt;&lt;br /&gt; New Albums:&lt;br /&gt;&lt;strong&gt;Buddy And Julie Miller&lt;/strong&gt; – &lt;em&gt;Written In Chalk&lt;/em&gt; (New West Records)&lt;br /&gt;&lt;strong&gt;Eric Church&lt;/strong&gt; – &lt;em&gt;Carolina&lt;/em&gt; (Capitol Nashville)&lt;br /&gt;&lt;strong&gt;Oceano&lt;/strong&gt; – &lt;em&gt;Depths &lt;/em&gt;(Earache Records)&lt;br /&gt;&lt;strong&gt;Propagandhi &lt;/strong&gt;– &lt;em&gt;Supporting Caste&lt;/em&gt; (G7 / Smallman / Hassle)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Boy Meets Girl&lt;/strong&gt; – “Waiting For A Star To Fall” (from &lt;em&gt;Reel Life&lt;/em&gt; 1988)&lt;br /&gt;&lt;strong&gt;Boys Don’t Cry&lt;/strong&gt; – “I Wanna Be A Cowboy” (from &lt;em&gt;Self-Titled&lt;/em&gt; 1986)&lt;br /&gt;&lt;strong&gt;Danny And The Juniors&lt;/strong&gt; – “At The Hop” (Radio Single 1957)&lt;br /&gt;&lt;strong&gt;Five Finger Death Punch&lt;/strong&gt; – “White Knuckles” (from &lt;em&gt;The Way Of The Fist&lt;/em&gt; 2007)&lt;br /&gt;&lt;strong&gt;Gerry Raferty&lt;/strong&gt; – “Baker Street” (from &lt;em&gt;City To City&lt;/em&gt; 1978)&lt;br /&gt;&lt;strong&gt;Local H.&lt;/strong&gt; – “Bound For The Floor” (from &lt;em&gt;As Good As Dead&lt;/em&gt; 1996)&lt;br /&gt;&lt;strong&gt;Patty Loveless&lt;/strong&gt; – “The Boys Are Back in Town” (from &lt;em&gt;Mountain Soul&lt;/em&gt; 2001)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Authority Zero&lt;/strong&gt; – &lt;em&gt;A Passage In Time&lt;/em&gt; (Lava / Atlantic 2002)&lt;br /&gt;&lt;strong&gt;Buddy Guy&lt;/strong&gt; – &lt;em&gt;Skin Deep&lt;/em&gt; (Zomba 2008)&lt;br /&gt;&lt;strong&gt;Chevelle &lt;/strong&gt;– &lt;em&gt;Wonder What’s Next&lt;/em&gt; (Epic Records 2002)&lt;br /&gt;&lt;strong&gt;Death &lt;/strong&gt;– &lt;em&gt;Leprosy&lt;/em&gt; (Combat 1988)&lt;br /&gt;&lt;strong&gt;Jimmy Buffett&lt;/strong&gt; – &lt;em&gt;Live In Las Vegas&lt;/em&gt; (Mailboat 2003)&lt;br /&gt;&lt;strong&gt;Ludacris&lt;/strong&gt; – &lt;em&gt;The Red Light District&lt;/em&gt; (Disturbing Tha Peace / Def Jam 2004)&lt;br /&gt;&lt;strong&gt;Sevendust&lt;/strong&gt; – &lt;em&gt;Chapter VII: Hope And Sorrow&lt;/em&gt; (7 Bros. / Asylum 2008)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-7282983246077563033?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/7282983246077563033/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=7282983246077563033' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7282983246077563033'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/7282983246077563033'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/05/music-picks-for-may-17th-2009.html' title='Music Picks for May 17th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-4767386685297004163</id><published>2009-05-10T17:31:00.000-07:00</published><updated>2009-05-10T17:39:00.222-07:00</updated><title type='text'>Music Picks for May 10th, 2009; Mother's Day Edition</title><content type='html'>5-10-2009: Mother’s Day Edition&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Agoraphobic Nosebleed&lt;/strong&gt; – “Dick To Mouth Resuscitation” (from &lt;em&gt;Agorapocalypse&lt;/em&gt;) The life-saving track from Massachusetts’ favorite drum machine grindcore band puts a whole new spin on first aid fellatio. Forget The Fray, this is how to save a life.&lt;br /&gt;&lt;strong&gt;Bat For Lashes&lt;/strong&gt; – “Sleep Alone” (from &lt;em&gt;Two Suns&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Bob Mould&lt;/strong&gt; – “Life And Tmes” and “I’m Sorry Baby, But You Can’t Stand In My Light Anymore” (from &lt;em&gt;Life And Times&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Bright Eyes&lt;/strong&gt; – “Papa Was A Rodeo” (from &lt;em&gt;Score! 20 Years Of Vantage Records: The Covers!)&lt;/em&gt; Falling somewhere between The Temptations and Donnie And Marie, Conor Oberst and his crew cover the 1999 Magnetic Fields ironic cowboy lament  with their usual tongue-in-cheek gusto.&lt;br /&gt;&lt;strong&gt;The Flatlanders&lt;/strong&gt; – “The Way We Are” (from &lt;em&gt;Hills And Valleys&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Keri Hilson&lt;/strong&gt; – “Get Your Money Up” (w/Keshia Cole and Trina) and “Change Me” (w/Akon) (from &lt;em&gt;In A Perfect World&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Les Savy Fav&lt;/strong&gt; – “Precision Auto” (from &lt;em&gt;Score! 20 Years Of Vantage Records: The Covers!)&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Metric&lt;/strong&gt; – “Satellite Minds”, “Gold Guns Girls”, “Gimme Sympathy” and “Gimme Sympathy (acoustic)” (from &lt;em&gt;Fantasies&lt;/em&gt;) The Canadien indie rockers pristinely sing about a stalking ex-lover (“Satellite Minds”) that next addictive high (“Gold Guns Girls”) and the perpetual musical question: The Beatles or The Rolling Stones? (“Gimme Sympathy”)&lt;br /&gt;&lt;strong&gt;The Mountain Goats&lt;/strong&gt; – “Drug Life” (from &lt;em&gt;Score! 20 Years Of Vantage Records: The Covers!)&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;The New Pornographers&lt;/strong&gt; – “Don’t Destroy The Night” (from &lt;em&gt;Score! 20 Years Of Vantage Records: The Covers!&lt;/em&gt;) Seemingly becoming the go-to band for compilations (this is their second this year), The New Pornographers do a typical great job covering the lesser known track by Rock*A*Teens (from Cabbagetown, Georgia. No, I’m not kidding)&lt;br /&gt;&lt;strong&gt;The Shins&lt;/strong&gt; – “Plenty Is Never Enough” (from &lt;em&gt;Score! 20 Years Of Vantage Records: The Covers!&lt;/em&gt;) Albuquerque’s hometown boys-done-good do New Mexico (and love itself) proud with their pop-a-rific cover originally done by Chris Lopez.&lt;br /&gt;&lt;strong&gt;Ted Leo And The Pharmacists&lt;/strong&gt; – “The Numbered Head” (from &lt;em&gt;Score! 20 Years Of Vantage Records: The Covers!&lt;/em&gt;) The mind fuck Robert Pollard track is taken to it’s most existential feedback extremes by Ted Leo and company. Cue the lava lamps and strobe lights and take your blotter acid…now.&lt;br /&gt;&lt;strong&gt;Tracy Thorn And Jens Lekman&lt;/strong&gt; – “Yeah! Oh, Yeah! (from &lt;em&gt;Score! 20 Years Of Vantage Records: The Covers!&lt;/em&gt;) Yet another Magnetic Fields cover turns killing your spouse into a brilliant black comedy.&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Bob Mould&lt;/strong&gt; – &lt;em&gt;Life And Times&lt;/em&gt; (ANTI-) With some angry carry-over from last year’s District Line, Mould rings the bell for round two of pummeling his ex-boyfriend, encompassing everything from the outright venomous rock of the title-track to the heartbreaking freedom song “I’m Sorry Baby, But You Can’t Stand In My Light Anymore”.  Whether in Husker Du, Sugar or solo, Mould is the man.&lt;br /&gt;&lt;strong&gt;Keri Hilson&lt;/strong&gt; – &lt;em&gt;In A Perfect World&lt;/em&gt; (Interscope)&lt;br /&gt;&lt;br /&gt;Old Songs:  Mother’s Day Edition!&lt;br /&gt;&lt;strong&gt;Blink 182 &lt;/strong&gt;– “Mother’s Day” (from &lt;em&gt;Take Off Your Pants And Jacket&lt;/em&gt; 2001)&lt;br /&gt;&lt;strong&gt;The Close Lobsters&lt;/strong&gt; – “Mother Of God” (from &lt;em&gt;Foxheads Stalk This Land&lt;/em&gt; 1987)&lt;br /&gt;&lt;strong&gt;Danzig&lt;/strong&gt; – “Mother” (from &lt;em&gt;Danzig I&lt;/em&gt; 1988)&lt;br /&gt;&lt;strong&gt;The Decemberists&lt;/strong&gt; – “My Mother Was A Chinese Trapeze Artist” (from &lt;em&gt;Five Songs EP&lt;/em&gt; 2003)&lt;br /&gt;&lt;strong&gt;Good Charlotte&lt;/strong&gt; – “Thank You Mom” (from &lt;em&gt;Self-Titled&lt;/em&gt; 2000)&lt;br /&gt;&lt;strong&gt;Hammock&lt;/strong&gt; – “Gold Star Mothers” (from &lt;em&gt;Maybe They Will Sing For Us Tomorrow&lt;/em&gt; 2008)&lt;br /&gt;&lt;strong&gt;Iron &amp;amp; Wine&lt;/strong&gt; – “Mothers Of The Rodeo” (from &lt;em&gt;Rare &amp;amp; Unreleased&lt;/em&gt; 2002)&lt;br /&gt;&lt;strong&gt;John Lennon&lt;/strong&gt; – “Mother” (from &lt;em&gt;Plastic Ono Band&lt;/em&gt; 1970)&lt;br /&gt;&lt;strong&gt;The Kinks&lt;/strong&gt; – “Some Mother’s Son” (from &lt;em&gt;Arthur (…Or The Decline And Fall Of The British Empire)&lt;/em&gt; 1969)&lt;br /&gt;&lt;strong&gt;Melpo Mene&lt;/strong&gt; – “Good With The Mothers” (from &lt;em&gt;Holes&lt;/em&gt; 2004)&lt;br /&gt;&lt;strong&gt;Metallica&lt;/strong&gt; – “Mama Said” (from &lt;em&gt;Load&lt;/em&gt; 1996)&lt;br /&gt;&lt;strong&gt;Misfits&lt;/strong&gt; – “Mommy, Can I Go Out And Kill Tonight?” (from &lt;em&gt;Walk Among Us&lt;/em&gt; 1982)&lt;br /&gt;&lt;strong&gt;Mull Historical Society&lt;/strong&gt; – “Oh Mother” (from &lt;em&gt;Us&lt;/em&gt; 2003)&lt;br /&gt;&lt;strong&gt;Ozzy Osbourne&lt;/strong&gt; – “Mama, I’m Coming Home” (from &lt;em&gt;No More Tears&lt;/em&gt; 1991)&lt;br /&gt;&lt;strong&gt;Pink Floyd&lt;/strong&gt; – “Mother” (from &lt;em&gt;The Wall&lt;/em&gt; 1979)&lt;br /&gt;&lt;strong&gt;Queen &lt;/strong&gt;– “Tie Your Mother Down” (from &lt;em&gt;A Day At The Races&lt;/em&gt; 1976)&lt;br /&gt;&lt;strong&gt;Quiet Riot&lt;/strong&gt; – “Mama Weer All Crazee Now” (from &lt;em&gt;Condition Critical&lt;/em&gt; 1984)&lt;br /&gt;&lt;strong&gt;The Rolling Stones&lt;/strong&gt; – “Mother’s Little Helper (from &lt;em&gt;Aftermath &lt;/em&gt;1966)&lt;br /&gt;&lt;strong&gt;Three Dog Night&lt;/strong&gt; – “Mama Told Me Not To Come” (from &lt;em&gt;It Ain’t Easy&lt;/em&gt; 1970)&lt;br /&gt;&lt;strong&gt;The Wonder Stuff&lt;/strong&gt; – “Mother And I” (from &lt;em&gt;The Eight-Legged Groove Machine&lt;/em&gt; 1988)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;The Beatles &lt;/strong&gt;– &lt;em&gt;Magical Mystery Tour (&lt;/em&gt;Capitol 1967)&lt;br /&gt;&lt;strong&gt;Garth Brooks&lt;/strong&gt; – &lt;em&gt;Ropin’ The Wind&lt;/em&gt; (Liberty 1991)&lt;br /&gt;&lt;strong&gt;Genesis &lt;/strong&gt;– &lt;em&gt;Self-Titled&lt;/em&gt; (Atlantic / Vertigo / Virgin 1983)&lt;br /&gt;&lt;strong&gt;Jimmy Buffett&lt;/strong&gt; – &lt;em&gt;Havana Daydreamin’&lt;/em&gt; (MCA 1976)&lt;br /&gt;&lt;strong&gt;King Diamond&lt;/strong&gt; – &lt;em&gt;Abigail 2: The Revenge&lt;/em&gt; (Metal Blade 2002)&lt;br /&gt;&lt;strong&gt;Serj Tankian&lt;/strong&gt; – &lt;em&gt;Elect The Dead&lt;/em&gt; (Serjical Strike / Reprise 2007)&lt;br /&gt;&lt;strong&gt;Stone Temple Pilots&lt;/strong&gt; – &lt;em&gt;Shangri-La Dee Da&lt;/em&gt; (Atlantic 2001)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-4767386685297004163?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/4767386685297004163/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=4767386685297004163' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4767386685297004163'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4767386685297004163'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/05/music-picks-for-may-10th-2009-mothers.html' title='Music Picks for May 10th, 2009; Mother&apos;s Day Edition'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-6210191045299877173</id><published>2009-05-03T15:43:00.000-07:00</published><updated>2009-05-03T15:48:11.637-07:00</updated><title type='text'>Music Picks for May 3rd, 2009</title><content type='html'>5-03-2009:&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;16 &lt;/strong&gt;– “Monday Bloody Monday” (from &lt;em&gt;Bridges To Burn&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Bob Dylan&lt;/strong&gt; – “My Wife’s Home Town”, “Shake Shake Mama” and “It’s All Good” (from &lt;em&gt;Together Through Life&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Bria Valente&lt;/strong&gt; – “Here Eye Come” (from &lt;em&gt;Elixer&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Heaven And Hell&lt;/strong&gt; – “Bible Black” (from &lt;em&gt;The Devil You Know&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Prince&lt;/strong&gt; – “Colonized Mind” (from &lt;em&gt;LOtUSFLOW3R&lt;/em&gt;) and “Ol’Skool Company” (from &lt;em&gt;MPLSoUND&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Silversun Pickups&lt;/strong&gt; – “The Royal We” (from &lt;em&gt;Swoon&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Tinted Windows&lt;/strong&gt; – “Back With You” (from &lt;em&gt;Self-Titled&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Volbeat&lt;/strong&gt; – “Hallelujah Goat” (from &lt;em&gt;Guitar Gangsters And Cadillac Blood&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Bria Valente&lt;/strong&gt; – &lt;em&gt;Elixer&lt;/em&gt; (NPG) The smoking hot debut cd from Prince’s new protégé is so sexily smoldering, it should come with a free condom and cigarette for you to smoke after listening to it. Romantic raunchiness over a smooth R&amp;amp;B groove. Is it getting hot in here?&lt;br /&gt;&lt;strong&gt;Prince&lt;/strong&gt; – &lt;em&gt;LOtUSFLOW3R &lt;/em&gt;(NPG) This time The Purple One simultaneously released two cds of his own (of which this is the far superior album) along with the debut from his protégé Bria Valente (see above)in one package. Vintage Prince from end-to-end, it covers the whole spectrum from funk to blues to pop to soul and back again. Check out “Colonized Mind”, hands down one of the best songs he has ever done. But, I have to ask why he didn’t just place the fan-frakking-tastic “Ol’ Skool Company” (with it’s call-to-arms to bring real music to radio) and the ego-tastic “There’ll Never B (Another Like Me)” on this album and dismiss the far weaker (by Prince standards) &lt;em&gt;MPLSoUND&lt;/em&gt; all together? But, that’s just me.&lt;br /&gt;&lt;strong&gt;Tinted Windows&lt;/strong&gt; – &lt;em&gt;Self-Titled&lt;/em&gt; (S-Curve Records) Teaming-up like a pop music Justice League Of America, Taylor Hanson, Adam Schlesinger, Bun E. Carlos and James Iha combine the best of Hanson, Ivy, Fountains Of Wayne  and Cheap Trick and just a soupcon of sublime Smashing Pumpkins guitar into a pop palette of late 70’s goodness.&lt;br /&gt;&lt;strong&gt;Volbeat&lt;/strong&gt; – &lt;em&gt;Guitar Gangsters And Cadillac Blood&lt;/em&gt; (Megaforce) The Danish quartet return with another fantastic example of what would happen if Glenn Danzig era Misfits joined up with Metallica circa 1983-84 and decided to form a Reverend Horton Heat tribute rockabilly band. (It is unnerving how eerily similar vocalist Michael Poulson sounds to both Glenn Danzig and James Hetfield, especially on the seemingly missing &lt;em&gt;Death Magnetic&lt;/em&gt; track “Still Counting” and the referential Metallica track “Wild Rover Of Hell”). Listen if only for the astounding Corrosion Of Conformity-esque “Hallelujah Goat” and their jaw-dropping take on the Hank Williams’ classic “I’m So Lonesome I Could Cry”&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Chris Cagle&lt;/strong&gt; – “Chicks Dig It” (from &lt;em&gt;Self-Titled&lt;/em&gt; 2003)&lt;br /&gt;&lt;strong&gt;Classics IV&lt;/strong&gt; – “Spooky” (from &lt;em&gt;Spooky&lt;/em&gt; 1968)&lt;br /&gt;&lt;strong&gt;Dinah Washington&lt;/strong&gt; – “Relax Max” (from &lt;em&gt;The Swingin’ Miss “D”&lt;/em&gt; 1956)&lt;br /&gt;&lt;strong&gt;The Eels&lt;/strong&gt; – “Elizabeth On The Bathroom Floor” (from &lt;em&gt;Electro-Shock Blues&lt;/em&gt; 1998)&lt;br /&gt;&lt;strong&gt;Elvin Bishop&lt;/strong&gt; – “Fooled Around And Fell In Love” (Radio Single 1976)&lt;br /&gt;&lt;strong&gt;Gary Wright&lt;/strong&gt; – “Love Is Alive” (from &lt;em&gt;The Dream Weaver&lt;/em&gt; 1975)&lt;br /&gt;&lt;strong&gt;Manfred Mann&lt;/strong&gt; – “The Mighty Quinn” (Radio Single 1968)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;The Animals&lt;/strong&gt; – &lt;em&gt;Live At The Go-Go&lt;/em&gt; (MGM 1965)&lt;br /&gt;&lt;strong&gt;The Beach Boys&lt;/strong&gt; – &lt;em&gt;Beach Boys Party – Live!&lt;/em&gt; (Capitol 1965)&lt;br /&gt;&lt;strong&gt;Faces&lt;/strong&gt; – &lt;em&gt;Long Player&lt;/em&gt; (Warner Bros. 1971)&lt;br /&gt;&lt;strong&gt;Fleetwood Mac&lt;/strong&gt; – &lt;em&gt;The Dance&lt;/em&gt; (Reprise 1997)&lt;br /&gt;&lt;strong&gt;Foo Fighters&lt;/strong&gt; – &lt;em&gt;The Colour And The Shape&lt;/em&gt; (Roswell / Capitol 1997)&lt;br /&gt;&lt;strong&gt;Gravity Kills&lt;/strong&gt; – &lt;em&gt;Self-Titled&lt;/em&gt; (TVT 1996)&lt;br /&gt;&lt;strong&gt;Venom&lt;/strong&gt; – &lt;em&gt;Welcome To Hell&lt;/em&gt; (Neat Records 1981)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-6210191045299877173?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/6210191045299877173/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=6210191045299877173' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/6210191045299877173'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/6210191045299877173'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/05/music-picks-for-may-3rd-2009.html' title='Music Picks for May 3rd, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-508336428617360434</id><published>2009-04-26T14:44:00.000-07:00</published><updated>2009-04-26T14:47:34.647-07:00</updated><title type='text'>Music Picks for April 26th, 2009</title><content type='html'>4-26-2009:&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Asher Roth&lt;/strong&gt; – “I Love College” (from &lt;em&gt;Asleep In The Bread Aisle&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Brazilian Girls w/David Byrne&lt;/strong&gt; – “I’m Losing Myself” (MySpace Single)&lt;br /&gt;&lt;strong&gt;Brutal Truth&lt;/strong&gt; – “Evolution Through Revolution” (from &lt;em&gt;Evolution Through Revolution&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Cursive&lt;/strong&gt; – “We’re Going To Hell” (from &lt;em&gt;Mama, I’m Swollen&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;The Decemberists&lt;/strong&gt; – “The Rake’s Song” (from &lt;em&gt;The Hazards of Love&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;MSTRKRFT&lt;/strong&gt; – “1000 Cigarettes” (w/Freeway) (from &lt;em&gt;Fist of God&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Riverboat Gamblers&lt;/strong&gt; – “Pilgrims In An Unholy Land” (from &lt;em&gt;Underneath The Owl&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Rye Rye w/M.I.A.&lt;/strong&gt; – “Bang” (from &lt;em&gt;Fast And Furious Soundtrack&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Vreid &lt;/strong&gt;– “Heroes And Villains” (from &lt;em&gt;Milorg&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Wild Light&lt;/strong&gt; – “California On My Mind” (from &lt;em&gt;Adult Nights&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Yeah Yeah Yeahs&lt;/strong&gt; – “Zero” and “Dull Life” (from &lt;em&gt;It’s Blitz!)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;MSTRKRFT&lt;/strong&gt; – &lt;em&gt;Fist Of God&lt;/em&gt; (Universal)&lt;br /&gt;&lt;strong&gt;Riverboat Gamblers&lt;/strong&gt; – &lt;em&gt;Underneath The Owl&lt;/em&gt; (Volcom Entertainment)&lt;br /&gt;&lt;strong&gt;The Decemberists&lt;/strong&gt; – &lt;em&gt;The Hazards Of Love&lt;/em&gt; (Capitol Records)&lt;br /&gt;&lt;strong&gt;Vreid&lt;/strong&gt; – &lt;em&gt;Milorg &lt;/em&gt;(Indie Recordings)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;The Box Tops&lt;/strong&gt; – “Cry Like A Baby” (from &lt;em&gt;Cry Like A Baby &lt;/em&gt;1968)&lt;br /&gt;&lt;strong&gt;The Frogs&lt;/strong&gt; – “Lord Grunge” (from &lt;em&gt;Starjob EP&lt;/em&gt; 1997)           &lt;br /&gt;&lt;strong&gt;Loggins And Messina&lt;/strong&gt; – “Back To Georgia” (from &lt;em&gt;Sittin’ In&lt;/em&gt; 1972)&lt;br /&gt;&lt;strong&gt;Fountains Of Wayne&lt;/strong&gt; – “Stacey’s Mom” (from &lt;em&gt;Welcome Interstate Managers&lt;/em&gt; 2003)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Buffalo Springfield&lt;/strong&gt; – &lt;em&gt;Self-Titled&lt;/em&gt; (Atco 1967)&lt;br /&gt;&lt;strong&gt;Death Cab For Cutie&lt;/strong&gt; – &lt;em&gt;Narrow Stairs&lt;/em&gt; (Atlantic / Barsuk 2008)&lt;br /&gt;&lt;strong&gt;Jimmy Buffett&lt;/strong&gt; – &lt;em&gt;Take The Weather With You&lt;/em&gt; (Mailboat Records 2006)&lt;br /&gt;&lt;strong&gt;Red Hot Chili Peppers&lt;/strong&gt; – &lt;em&gt;Stadium Arcadium&lt;/em&gt; (Warner Brothers 2006)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-508336428617360434?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/508336428617360434/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=508336428617360434' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/508336428617360434'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/508336428617360434'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/04/music-picks-for-april-26th-2009.html' title='Music Picks for April 26th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-3816428647764950080</id><published>2009-04-19T12:41:00.000-07:00</published><updated>2009-04-19T12:44:52.166-07:00</updated><title type='text'>Music Picks for April 19th, 2009</title><content type='html'>4-17-2009:&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;M. Ward (w/Lucinda Williams)&lt;/strong&gt; – “Oh Lonesome Me”  (from &lt;em&gt;Hold Time&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;My Dying Bride&lt;/strong&gt; – “Echoes From A Hollow Soul” and “Santuario di Sangue” (from &lt;em&gt;For Lies I Sire&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Portrait&lt;/strong&gt; – “A Thousand Nightmares” (from &lt;em&gt;Heavy Metal Killers&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Revolting Cocks&lt;/strong&gt; – “Red Parrot” (from &lt;em&gt;Sex-O Olympic-O&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Séance&lt;/strong&gt; – “Murder” and “Choose your Enemy” (from &lt;em&gt;Awakening Of The Gods&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;The Eyes Of A Traitor&lt;/strong&gt; - “Escape These Walls” and “Decorus” (from &lt;em&gt;A Clear Perception&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;The Qemists&lt;/strong&gt; – “Lost Weekend” (w/Mike Patton) and “Dem Na Like Me” (w/Wiley) (from &lt;em&gt;Join The Q&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Willie Nelson and Asleep At The Wheel&lt;/strong&gt; – “I’m Sittin’ On Top Of The World” (from &lt;em&gt;Willie And The Wheel&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;My Dying Bride&lt;/strong&gt; – &lt;em&gt;For Lies I Sire&lt;/em&gt; (Peaceville Records)&lt;br /&gt;&lt;strong&gt;Séance &lt;/strong&gt;– &lt;em&gt;Awakening Of The Gods&lt;/em&gt; (Pulverised Records)&lt;br /&gt;&lt;strong&gt;The Eyes Of A Traitor&lt;/strong&gt; – &lt;em&gt;A Clear Perception&lt;/em&gt; (Listenable Records)&lt;br /&gt;&lt;strong&gt;The Qemists&lt;/strong&gt; – &lt;em&gt;Join The Q&lt;/em&gt; (Ninja Tune)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Alphaville &lt;/strong&gt;– “Forever Young” (from &lt;em&gt;Forever Young&lt;/em&gt; 1984)&lt;br /&gt;&lt;strong&gt;Rob Thomas&lt;/strong&gt; – “This Is How A Heart Breaks” (from &lt;em&gt;…Something To Be&lt;/em&gt; 2005)&lt;br /&gt;&lt;strong&gt;3rd Bass&lt;/strong&gt; – “Pop Goes The Weasel” (from &lt;em&gt;Derelicts Of Dialect&lt;/em&gt; 1991)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Cinderella&lt;/strong&gt; – &lt;em&gt;Long Cold Winter&lt;/em&gt; (Mercury 1988)&lt;br /&gt;&lt;strong&gt;Jim Croce&lt;/strong&gt; – &lt;em&gt;Photgraphs and Memories&lt;/em&gt; (ABC Records 1974)&lt;br /&gt;&lt;strong&gt;James Taylor&lt;/strong&gt; – &lt;em&gt;Sweet Baby James&lt;/em&gt; (Warner Bros. 1970)&lt;br /&gt;&lt;strong&gt;The Temptations&lt;/strong&gt; – &lt;em&gt;Ultimate Collection&lt;/em&gt; (Motown 2000)&lt;br /&gt;&lt;strong&gt;Traffic&lt;/strong&gt; – &lt;em&gt;Welcome To The Canteen (Live)&lt;/em&gt; (Island 1971)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-3816428647764950080?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/3816428647764950080/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=3816428647764950080' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3816428647764950080'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3816428647764950080'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/04/music-picks-for-april-19th-2009.html' title='Music Picks for April 19th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-399643367261684253</id><published>2009-04-12T09:06:00.000-07:00</published><updated>2009-04-12T09:12:04.767-07:00</updated><title type='text'>Music Picks for April 12th, 2009</title><content type='html'>4-12-2009&lt;br /&gt;New Songs:            &lt;br /&gt;&lt;strong&gt;The Answer&lt;/strong&gt; – “Cry Out” (from &lt;em&gt;Everyday Demons&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Mastodon&lt;/strong&gt; – “The Czar” and “The Last Baron” (from&lt;em&gt; Crack The Skye&lt;/em&gt;)                &lt;br /&gt;&lt;strong&gt;Napalm Death&lt;/strong&gt; – “On The Brink Of Extinction”, “Feeling Redundant” and “A No-Sided Argument” (from &lt;em&gt;Time Waits For No Slave&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Obscura&lt;/strong&gt; – “Orbital Elements” (from &lt;em&gt;Cosmogenesis&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Papa Roach&lt;/strong&gt; – “Lifeline” and “Live It Down” (from &lt;em&gt;Metamorphosis&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Royksopp&lt;/strong&gt; – “The Girl And The Robot” (from &lt;em&gt;Junior&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Sirenia&lt;/strong&gt; – “The Seventh Summer” (from &lt;em&gt;The 13th Floor&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Thyrfing&lt;/strong&gt; – “Griftefrid” (from &lt;em&gt;Hels Vite&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;White Lies&lt;/strong&gt; – “E.S.T.” and “To Lose My Life” (from &lt;em&gt;To Lose My Life Or Lose My Love&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Mastodon&lt;/strong&gt; – &lt;em&gt;Crack the Skye&lt;/em&gt; (Reprise)&lt;br /&gt;&lt;strong&gt;Napalm Death &lt;/strong&gt;– &lt;em&gt;Time Waits For No Slave&lt;/em&gt; (Century Media)&lt;br /&gt;&lt;strong&gt;Sirenia&lt;/strong&gt; – &lt;em&gt;The 13th Floor&lt;/em&gt; (Nuclear Blast)&lt;br /&gt;&lt;strong&gt;Thyrfing&lt;/strong&gt; – &lt;em&gt;Hels Vite&lt;/em&gt; (Regain Records)&lt;br /&gt;&lt;strong&gt;White Lies &lt;/strong&gt;– &lt;em&gt;To Lose My Life Or Lose My Love&lt;/em&gt; (Fiction)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Crazy Town&lt;/strong&gt; – “Drowning” (from &lt;em&gt;Darkhorse&lt;/em&gt; 2002)&lt;br /&gt;&lt;strong&gt;DJ Jazzy Jeff and The Fresh Prince&lt;/strong&gt; – “Summertime” (from &lt;em&gt;Homebase&lt;/em&gt; 1991)&lt;br /&gt;&lt;strong&gt;John Parr&lt;/strong&gt; – “St. Elmo’s Fire” (from &lt;em&gt;St. Elmo’s Fire Soundtrack&lt;/em&gt; 1985)&lt;br /&gt;&lt;strong&gt;Kim Wilde&lt;/strong&gt; – “Kids In America” (from &lt;em&gt;Self-Titled&lt;/em&gt; 1982)&lt;br /&gt;&lt;strong&gt;Paramore&lt;/strong&gt; – “Brighter” (from &lt;em&gt;All We Know Is Falling&lt;/em&gt; 2005)&lt;br /&gt;&lt;strong&gt;Saving Abel&lt;/strong&gt; – “Drowning (Face Down)” (from &lt;em&gt;Self-Titled&lt;/em&gt; 2008)&lt;br /&gt;&lt;strong&gt;The Smashing Pumpkins&lt;/strong&gt; – “Drown” (from &lt;em&gt;Singles Soundtrack&lt;/em&gt; 1992)&lt;br /&gt;&lt;strong&gt;Timex Social Club&lt;/strong&gt; – “Rumors” (from &lt;em&gt;Vicious Rumors&lt;/em&gt; 1986)&lt;br /&gt;&lt;strong&gt;T’Pau&lt;/strong&gt; – “Heart And Soul” (from &lt;em&gt;Bridge Of Spies&lt;/em&gt; 1987)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Duran Duran&lt;/strong&gt; – &lt;em&gt;The Wedding Album&lt;/em&gt; (Capitol / EMI 1993)&lt;br /&gt;&lt;strong&gt;Madonna&lt;/strong&gt; – &lt;em&gt;The Immaculate Collection&lt;/em&gt; (Sire / Warner Bros. 1990)&lt;br /&gt;&lt;strong&gt;Prince &lt;/strong&gt;– &lt;em&gt;1999 &lt;/em&gt;(Warner Bros 1982)&lt;br /&gt;&lt;strong&gt;Prince And The Revolution&lt;/strong&gt; – &lt;em&gt;Purple Rain&lt;/em&gt; (Warner Bros 1984)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-399643367261684253?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/399643367261684253/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=399643367261684253' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/399643367261684253'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/399643367261684253'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/04/music-picks-for-april-12th-2009.html' title='Music Picks for April 12th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-384853846877087479</id><published>2009-04-05T13:06:00.000-07:00</published><updated>2009-04-05T13:09:39.369-07:00</updated><title type='text'>Music Picks for April 5th, 2009</title><content type='html'>&lt;strong&gt;4-05-2009&lt;br /&gt;&lt;/strong&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Heartless Bastards &lt;/strong&gt;– “Nothing Seems The Same” (from &lt;em&gt;The Mountain&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;J.J. Cale&lt;/strong&gt; – “Down To Memphis” and “Leaving In The Morning” (from &lt;em&gt;Roll On&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Kreator &lt;/strong&gt;– “Radical Resistance” and “Demon Prince” (from &lt;em&gt;Hordes Of Chaos&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Lamb Of God&lt;/strong&gt; – “Contractor” and “Grace” (from &lt;em&gt;Wrath&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Queensryche&lt;/strong&gt; – “Hundred Mile Stare” and “If I Were King” (from &lt;em&gt;American Soldier&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Lamb Of God&lt;/strong&gt; – Wrath (&lt;em&gt;Epic / Roadrunner&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Queensryche&lt;/strong&gt; – American Soldier (&lt;em&gt;Rhino Entertainment&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Big Bad Voodoo Daddy&lt;/strong&gt; – “You &amp;amp; Me &amp;amp; The Bottle Makes Three Tonight” (from &lt;em&gt;Americana Deluxe&lt;/em&gt; 1998)&lt;br /&gt;&lt;strong&gt;Blink 182&lt;/strong&gt; – “Dammit” (from &lt;em&gt;Dude Ranch&lt;/em&gt; 1997)&lt;br /&gt;&lt;strong&gt;Nonpoint &lt;/strong&gt;– “What A Day” (from &lt;em&gt;Statement&lt;/em&gt; 2000)&lt;br /&gt;&lt;strong&gt;Rancid&lt;/strong&gt; – “Ruby Soho” (from &lt;em&gt;…And Out Come The Wolves&lt;/em&gt; 1995)&lt;br /&gt;&lt;strong&gt;Real Life&lt;/strong&gt; – “Send Me An Angel” (from &lt;em&gt;Heartland&lt;/em&gt; 1983)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Alice In Chains&lt;/strong&gt; – &lt;em&gt;Dirt &lt;/em&gt;(Columbia 1992)&lt;br /&gt;&lt;strong&gt;Marvin Gaye&lt;/strong&gt; – &lt;em&gt;What’s Going On&lt;/em&gt; (Motown 1971)&lt;br /&gt;&lt;strong&gt;Tool&lt;/strong&gt; – &lt;em&gt;Undertow&lt;/em&gt; (Zoo Entertainment 1993)&lt;br /&gt;&lt;strong&gt;Wallflowers&lt;/strong&gt; – &lt;em&gt;Bringing Down The Horse&lt;/em&gt; (Interscope 1996)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-384853846877087479?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/384853846877087479/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=384853846877087479' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/384853846877087479'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/384853846877087479'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/04/music-picks-for-april-5th-2009.html' title='Music Picks for April 5th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-3488309131286257704</id><published>2009-03-29T08:16:00.000-07:00</published><updated>2009-03-29T08:20:17.767-07:00</updated><title type='text'>Music Picks for March 29th, 2009</title><content type='html'>&lt;strong&gt;3-29-2009&lt;/strong&gt;&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Adagio&lt;/strong&gt; – “Undead” (from &lt;em&gt;Archangels In Black&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Beirut &lt;/strong&gt;– “No Dice” (from &lt;em&gt;March of the Zapotec / Realpeople Holland EP&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Cattle Decapitation&lt;/strong&gt; – “The Ripe Beneath the Rind” (from &lt;em&gt;The Harvest Flo&lt;/em&gt;or)&lt;br /&gt;&lt;strong&gt;The Cotton Jones Basket Ride&lt;/strong&gt; – “Up A Tree (Went This Heart I Have)” (from &lt;em&gt;Paranoid Cocoon&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Cougar Den&lt;/strong&gt; – “Bury The Vatican” (from &lt;em&gt;Keepondrifter&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Dan Auerbach&lt;/strong&gt; – “Street Walkin’” (from &lt;em&gt;Keep It Hid&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Fake Problems&lt;/strong&gt; – “Alligator Assassinator” (from &lt;em&gt;It’s Great To Be Alive&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Grammatics&lt;/strong&gt; – “Relentless Fours” (from &lt;em&gt;Self-Titled&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Grave Digger&lt;/strong&gt; – “Pray” (from &lt;em&gt;Ballads Of A Hangman&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Starsailor w/Brandon Flowers&lt;/strong&gt; – “Tell Me It’s Not Over” (Unreleased Single)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Cattle Decapitation&lt;/strong&gt; – The Harvest Floor (Metal Blade Records)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Drowning Pool&lt;/strong&gt; – “37 Stitches” (from &lt;em&gt;Full Circle&lt;/em&gt; 2007)&lt;br /&gt;&lt;strong&gt;Kottonmouth Kings&lt;/strong&gt; – “Dog’s Life” (from &lt;em&gt;Royal Highness&lt;/em&gt; 1998)&lt;br /&gt;&lt;strong&gt;Nick Lowe&lt;/strong&gt; – “Cruel To Be Kind” (from &lt;em&gt;Labour Of Lust&lt;/em&gt; 1979)&lt;br /&gt;&lt;strong&gt;School Of Fish&lt;/strong&gt; – “Three Strange Days” (from &lt;em&gt;Self-Titled&lt;/em&gt; 1991)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Cracker&lt;/strong&gt; – &lt;em&gt;Kerosene Hat&lt;/em&gt; (Virgin 1993)&lt;br /&gt;&lt;strong&gt;Cream&lt;/strong&gt; –  &lt;em&gt;Disraeli Gears&lt;/em&gt; (Atco 1967)&lt;br /&gt;&lt;strong&gt;Jimmy Buffett&lt;/strong&gt; – &lt;em&gt;A-1-A&lt;/em&gt; (MCA 1974)&lt;br /&gt;&lt;strong&gt;Pearl Jam&lt;/strong&gt; – &lt;em&gt;Lost Dogs&lt;/em&gt; (Epic 2003)&lt;br /&gt;&lt;strong&gt;Puddle Of Mudd&lt;/strong&gt; - &lt;em&gt;Come Clean&lt;/em&gt; (Flawless / Geffen 2001)&lt;br /&gt;&lt;strong&gt;Stevie Ray Vaughn and Double Trouble&lt;/strong&gt;  – &lt;em&gt;Texas Flood&lt;/em&gt; (Epic 1983)&lt;br /&gt;&lt;strong&gt;Stone Temple Pilots&lt;/strong&gt; – &lt;em&gt;Purple&lt;/em&gt; (Atlantic 1994)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-3488309131286257704?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/3488309131286257704/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=3488309131286257704' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3488309131286257704'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/3488309131286257704'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/03/music-picks-for-march-29th-2009.html' title='Music Picks for March 29th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-6953126178547220299</id><published>2009-03-22T11:10:00.000-07:00</published><updated>2009-03-22T11:14:35.038-07:00</updated><title type='text'>Music Picks for March 22nd, 2009</title><content type='html'>3-22-2009&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;Andrew Bird&lt;/strong&gt; – “Fitz and Dizzyspells” (from &lt;em&gt;Noble Beast&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Animal Collective&lt;/strong&gt; – “Summertime Clothes” (from &lt;em&gt;Merriweather Post Pavillion&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Cobalt&lt;/strong&gt; – “Two-Thumbed Fist” (from &lt;em&gt;Gin&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Dalek &lt;/strong&gt;– “Blessed Are They Who Bash Your Children's Heads Against A Rock / No Question” (from &lt;em&gt;Gutter Tactics&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Fight Like Apes&lt;/strong&gt; – “I’m Beginning To Think You Prefer ‘Beverly Hills, 90210’ To Me” (from &lt;em&gt;Fight Like Apes &amp;amp; the Mystery Of The Golden Medallion&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Morrissey&lt;/strong&gt; – “When Last I Spoke To Carol” (from &lt;em&gt;Years Of Refusal&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Serpentcult&lt;/strong&gt; – “Screams From The Deep” (from &lt;em&gt;Weight Of Light&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Sylosis &lt;/strong&gt;– “Conclusion Of An Age” (from &lt;em&gt;Conclusion Of an Age&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;These Are Powers&lt;/strong&gt; – “Light After Sound” (from &lt;em&gt;All Aboard Future&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Cobalt &lt;/strong&gt;– &lt;em&gt;Gin &lt;/em&gt;(Profound Lore)&lt;br /&gt;&lt;strong&gt;Fight Like Apes&lt;/strong&gt; – &lt;em&gt;Fight Like Apes &amp;amp; The Mystery Of The Golden Medallion&lt;/em&gt; (Model Citizen Records)&lt;br /&gt;&lt;strong&gt;Morrissey &lt;/strong&gt;– &lt;em&gt;Years Of Refusal&lt;/em&gt; (Attack / Lost Highway)&lt;br /&gt;&lt;strong&gt;Sylosis &lt;/strong&gt;– &lt;em&gt;Conclusion Of An Age&lt;/em&gt; (Nuclear Blast Records)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;The Beatles&lt;/strong&gt; – “Penny Lane” (Capitol Records Single 1967)&lt;br /&gt;&lt;strong&gt;Golden Earring&lt;/strong&gt; – “Twilight Zone” (from &lt;em&gt;Cut &lt;/em&gt;1982)&lt;br /&gt;&lt;strong&gt;Gravity Kills&lt;/strong&gt; – “Guilty” (from &lt;em&gt;Gravity Kills&lt;/em&gt; 1996)&lt;br /&gt;&lt;strong&gt;Matisyahu&lt;/strong&gt; – “King Without A Crown” (from &lt;em&gt;Live At Stubb’s&lt;/em&gt; 2005)&lt;br /&gt;&lt;strong&gt;Night Ranger&lt;/strong&gt; – “When You Close Your Eyes” (from &lt;em&gt;Midnight Madness&lt;/em&gt; 1983)&lt;br /&gt;&lt;strong&gt;Snow Patrol&lt;/strong&gt; – “Run” (from &lt;em&gt;Final Straw&lt;/em&gt; 2004)&lt;br /&gt;&lt;strong&gt;Stevie Nicks&lt;/strong&gt; – “Rooms On Fire” (from &lt;em&gt;The Other Side Of The Mirror&lt;/em&gt; 1989)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Beat Happening&lt;/strong&gt; – You Turn Me On (&lt;em&gt;K Records / Sub Pop&lt;/em&gt; 1992)&lt;br /&gt;&lt;strong&gt;Big Black &lt;/strong&gt;– Songs About Fucking (&lt;em&gt;Touch &amp;amp; Go&lt;/em&gt; 1987)&lt;br /&gt;&lt;strong&gt;The Black Crowes &lt;/strong&gt;– Shake Your Money Maker (&lt;em&gt;Def American&lt;/em&gt; 1990)&lt;br /&gt;&lt;strong&gt;The Doors&lt;/strong&gt; – The Doors (&lt;em&gt;Elektra / Asylum&lt;/em&gt; 1967)&lt;br /&gt;&lt;strong&gt;The Jackson 5 &lt;/strong&gt;– Boxset (&lt;em&gt;Motown&lt;/em&gt; 2004)&lt;br /&gt;&lt;strong&gt;Meat Loaf&lt;/strong&gt; – Bat Out Of Hell (&lt;em&gt;Epic &lt;/em&gt;1977)&lt;br /&gt;&lt;strong&gt;Metallica &lt;/strong&gt;– ReLoad (&lt;em&gt;Elektra &lt;/em&gt;1997)&lt;br /&gt;&lt;strong&gt;Michael Jackson&lt;/strong&gt; – Bad (&lt;em&gt;Epic &lt;/em&gt;1987)&lt;br /&gt;&lt;strong&gt;Michael Jackson&lt;/strong&gt; – Dangerous (&lt;em&gt;Epic  &lt;/em&gt;1991)&lt;br /&gt;&lt;strong&gt;Michael Jackson&lt;/strong&gt; – Off The Wall (&lt;em&gt;Epic&lt;/em&gt; 1979)&lt;br /&gt;&lt;strong&gt;Michael Jackson&lt;/strong&gt; – Thriller (&lt;em&gt;Epic&lt;/em&gt; 1982)&lt;br /&gt;&lt;strong&gt;Tom Cochrane&lt;/strong&gt; – Mad, Mad World (&lt;em&gt;Capitol&lt;/em&gt; 1992)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-6953126178547220299?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/6953126178547220299/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=6953126178547220299' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/6953126178547220299'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/6953126178547220299'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/03/music-picks-for-march-22nd-2009.html' title='Music Picks for March 22nd, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-2997938542906235909</id><published>2009-03-15T10:30:00.000-07:00</published><updated>2009-03-15T10:35:57.199-07:00</updated><title type='text'>Music Picks for March 15th, 2009</title><content type='html'>3-15-2009&lt;br /&gt;New Songs:&lt;br /&gt;&lt;strong&gt;David Sitek&lt;/strong&gt; – “With A Girl Like You” (from &lt;em&gt;Dark Was The Night&lt;/em&gt; Compilation)&lt;br /&gt;&lt;strong&gt;Feist and Ben Gibbard&lt;/strong&gt; – “Train Song” (from &lt;em&gt;Dark Was The Night&lt;/em&gt; Compilation)&lt;br /&gt;&lt;strong&gt;Flo Rida&lt;/strong&gt; – “Right Round” (from &lt;em&gt;R.O.O.T.S&lt;/em&gt;. )                &lt;br /&gt;&lt;strong&gt;Hoobastank &lt;/strong&gt;– “My Turn” and “Tears of Yesterday” (from &lt;em&gt;For(N)ever&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Kelly Clarkson&lt;/strong&gt; – “Don’t Let Me Stop You” and “Long Shot” (from &lt;em&gt;All I Ever Wanted&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Living Things&lt;/strong&gt; – “Cost Of Living” (from &lt;em&gt;Habeus Corpus&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;N.A.S.A. feat./David Byrne, Chali 2na, Gift of Gab and Z-Trip&lt;/strong&gt; – “The People Tree” (from &lt;em&gt;The Spirit of Apollo&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;N.A.S.A. feat./David Byrne, Chuck D., Ras Congo, Seu Jorge and Z-Trip &lt;/strong&gt;– “Money” (from &lt;em&gt;The Spirit of Apollo&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;N.A.S.A. feat./Del the Funkee Homosapien and DJ Qbert&lt;/strong&gt; – “Samba Soul” (from &lt;em&gt;The Spirit of Apollo&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;N.A.S.A. feat./Karen O, Ol’ Dirty Bastard and Fat Lip&lt;/strong&gt; – “Strange Enough” (from &lt;em&gt;The Spirit of Apollo&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;N.A.S.A. feat./Tom Waits and Kool Keith&lt;/strong&gt; – “SpaciousThoughts” (from &lt;em&gt;The Spirit of Apollo&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;The New Pornographers&lt;/strong&gt; – “Hey, Snow White” (from &lt;em&gt;Dark Was The Night&lt;/em&gt; Compilation)&lt;br /&gt;&lt;strong&gt;This&lt;/strong&gt; &lt;strong&gt;Ending&lt;/strong&gt; – “Instigator Of Dead Flesh” and “Dead Harvest” (from &lt;em&gt;Dead Harvest&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Thursday&lt;/strong&gt; – “You Were The Cancer” (from &lt;em&gt;Common Existence&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Living Things&lt;/strong&gt; – &lt;em&gt;Habeus Corpus&lt;/em&gt; (Jive)&lt;br /&gt;&lt;strong&gt;This Ending&lt;/strong&gt; – &lt;em&gt;Dead Harvest&lt;/em&gt;  (Metal Blade Records)&lt;br /&gt;&lt;strong&gt;Thursday &lt;/strong&gt;– &lt;em&gt;Common Existence&lt;/em&gt; (Epitaph)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;strong&gt;Alien Ant Farm&lt;/strong&gt; – “Smooth Criminal” (from &lt;em&gt;ANThology&lt;/em&gt; 2001)&lt;br /&gt;&lt;strong&gt;Cutting Crew&lt;/strong&gt; – “(I Just) Died In Your Arms”  (from &lt;em&gt;Broadcast &lt;/em&gt;1986)&lt;br /&gt;&lt;strong&gt;Guano Apes&lt;/strong&gt; – “Open Your Eyes” (from &lt;em&gt;Proud Like A God&lt;/em&gt; 1997)&lt;br /&gt;&lt;strong&gt;Iron Maiden&lt;/strong&gt; – “Ides Of March” (from &lt;em&gt;Killers&lt;/em&gt; 1981)&lt;br /&gt;&lt;strong&gt;The O’Jays&lt;/strong&gt; – “Back Stabbers” (from &lt;em&gt;Back Stabbers&lt;/em&gt; 1972)&lt;br /&gt;&lt;strong&gt;Stuck Mojo&lt;/strong&gt; – “Country Road” (from &lt;em&gt;The Great Revival&lt;/em&gt; 2008)&lt;br /&gt;&lt;strong&gt;The Union Underground&lt;/strong&gt; – “Turn Me On ‘Mr. Deadman’” (from …&lt;em&gt;An Education In Rebellion&lt;/em&gt; 2000)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;strong&gt;Bob Dylan&lt;/strong&gt; – &lt;em&gt;The Times They Are A-Changin’&lt;/em&gt; (Columbia 1964)&lt;br /&gt;&lt;strong&gt;Caesar And Cleo&lt;/strong&gt; – &lt;em&gt;Baby Don’t Go&lt;/em&gt; (Atlantic / Atco 1965)&lt;br /&gt;&lt;strong&gt;Carcass&lt;/strong&gt; – &lt;em&gt;Heartwork&lt;/em&gt; (Earache 1993)&lt;br /&gt;&lt;strong&gt;Dream Theater&lt;/strong&gt; – &lt;em&gt;Images and Words&lt;/em&gt; (Atco 1992)    &lt;br /&gt;&lt;strong&gt;Rush&lt;/strong&gt; – &lt;em&gt;Grace Under Pressure&lt;/em&gt; (Anthem 1984)&lt;br /&gt;&lt;strong&gt;U2 &lt;/strong&gt;– &lt;em&gt;Pop &lt;/em&gt;(Island 1997)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-2997938542906235909?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/2997938542906235909/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=2997938542906235909' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/2997938542906235909'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/2997938542906235909'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/03/music-picks-for-march-15th-2009.html' title='Music Picks for March 15th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-4940574794717491609</id><published>2009-03-08T15:12:00.000-07:00</published><updated>2009-03-08T15:15:34.404-07:00</updated><title type='text'>Music Picks for March 8th, 2009</title><content type='html'>3-08-2009&lt;br /&gt;New Songs:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Black Lips&lt;/strong&gt; – “Body Combat” (from 200 Million Thousand)&lt;br /&gt;&lt;strong&gt;Deathstars &lt;/strong&gt;– “Venus In Arms” (from Night Electric Night)&lt;br /&gt;&lt;strong&gt;Lily Allen&lt;/strong&gt; – “Not Fair” (from It’s Not Me, It’s You)&lt;br /&gt;&lt;strong&gt;Saxon&lt;/strong&gt; – “Valley of the Kings” (from  Into The Labyrinth)&lt;br /&gt;&lt;strong&gt;U2&lt;/strong&gt; – “I’ll Go Crazy If I Don’t Go Crazy Tonight” (from No Line on the Horizon)&lt;br /&gt;&lt;strong&gt;The Von Bondies&lt;/strong&gt; – “The Chancer” and “Blame Game” (from Love, Hate and Then There’s You)&lt;br /&gt;&lt;br /&gt;New Albums:&lt;br /&gt;&lt;strong&gt;Black Lips&lt;/strong&gt; – &lt;em&gt;200 Million Thousand&lt;/em&gt; (Vice)&lt;br /&gt;&lt;strong&gt;Deathstars&lt;/strong&gt; – &lt;em&gt;Night Electric&lt;/em&gt; &lt;em&gt;Night &lt;/em&gt;(Nuclear Blast)&lt;br /&gt;&lt;strong&gt;Malefice&lt;/strong&gt; – &lt;em&gt;Dawn Of Reprisal&lt;/em&gt;  (Metal Blade)&lt;br /&gt;&lt;strong&gt;U2 &lt;/strong&gt;– &lt;em&gt;No Line on the Horizon&lt;/em&gt; (Interscope)&lt;br /&gt;&lt;br /&gt;Old Albums:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Boston&lt;/strong&gt; – &lt;em&gt;Self-Titled&lt;/em&gt;  (Epic 1976) &lt;br /&gt;&lt;strong&gt;Soul Coughing&lt;/strong&gt; – &lt;em&gt;Irresistible Bliss &lt;/em&gt;(Slash / Warner Bros. 1996)&lt;br /&gt;&lt;br /&gt;Old Songs:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Framing Hanley&lt;/strong&gt; – “Lollipop” (MySpace single 2008)&lt;br /&gt;&lt;strong&gt;Helloween –&lt;/strong&gt; “I Want Out” (from Keeper of the Seven Keys Part 2 1988)&lt;br /&gt;&lt;strong&gt;Jenn Grant&lt;/strong&gt; – “Make It Home Tonight” (from Orchestra For The Moon 2007)&lt;br /&gt;&lt;strong&gt;Johnette Napolitano&lt;/strong&gt; – “Suicide Note” (from Underworld: Soundtrack 2003)&lt;br /&gt;&lt;strong&gt;Sevendust &lt;/strong&gt;– “Going Back to Cali” (from Take A Bite Outta Rhyme: A Rock Tribute to Rap 2000)&lt;br /&gt;&lt;strong&gt;Sugarcult&lt;/strong&gt; – “Memory” (from Palm Trees And Power Lines 2004)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-4940574794717491609?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/4940574794717491609/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=4940574794717491609' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4940574794717491609'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/4940574794717491609'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/03/music-picks-for-march-8th-2009.html' title='Music Picks for March 8th, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-6369800700622088998</id><published>2009-03-01T10:49:00.000-08:00</published><updated>2009-03-01T10:50:24.921-08:00</updated><title type='text'>Music Picks for March 01, 2009</title><content type='html'>Greetings readers,&lt;br /&gt;      Hope you all enjoyed the 2008 Drager Awards (those that are done with them. And those that are still trying to finish, I know, I went a little overboard this year on the longwindedness). Thank you to everyone for their feedback. Your concerns and comments were most welcome (except for what my faithful readers in Ohio said about where I could put my Madonna cd pick. Sorry, but that physical feat is just impossible. My head won't fit there)&lt;br /&gt;As I was playing catch-up the last few weeks, I don't have as many choices for albums as I would like but I found two so far that are at least worth checking out. I hopefully gave you enough songs to start your year off right.&lt;br /&gt;     Enjoy!&lt;br /&gt;    Songs:&lt;br /&gt;&lt;br /&gt;The 1990s – “The Box” (from Kicks)&lt;br /&gt;Alestorm – “Wolves Of The Sea” (from Leviathan EP)&lt;br /&gt;The Asteroids Galaxy Tour - “Around The Bend” (from Fruit)&lt;br /&gt;The Bird And The Bee – “You’re A Cad” (from Ray Guns Are Not Just the Future)&lt;br /&gt;Bruce Springsteen – “My Lucky Day” (from Working On A Dream)&lt;br /&gt;Cannibal Corpse – “Beheading And Burning” (from Evisceration Plague)&lt;br /&gt;Chris Cornell – “Take Me Alive” (MusicRemedy single)&lt;br /&gt;Destroy Destroy Destroy – “The Winged Panther” (from Battle Sluts)&lt;br /&gt;Devian – “Saintbleeder” (from God To The Illfated)&lt;br /&gt;Francis And The Light – “Lime” (MySpace single)&lt;br /&gt;Franz Ferdinand – “No You Girls” (from Tonight: Franz Ferdinand)&lt;br /&gt;Glasvegas – “Go Square Go” (from Glasvegas)&lt;br /&gt;Handsome Furs – “Legal Tender” (from Face Control)&lt;br /&gt;Jason Isbell &amp;amp; The 400 Unit – “Soldiers Get Strange” (from Jason Isbell and The 400 Unit)&lt;br /&gt;Lil Wayne – “Prom Queen” (from Rebirth)&lt;br /&gt;Mark Olson And Gary Louris – “Chamberlain, SD” (from Ready For The Flood)&lt;br /&gt;Neko Case – “People Got A Lotta Nerve” (from Middle Cyclone)&lt;br /&gt;The Rifles – “The Great Escape” (from The Great Escape)&lt;br /&gt;Robyn Hitchcock And The Venus 3 – “Hurry For The Sky” (from Goodnight Oslo)&lt;br /&gt;Skindred – “Electric Avenue” (MySpace single)&lt;br /&gt;White Antelope – “False Knight On The Road” (MySpace single)&lt;br /&gt;&lt;br /&gt;Albums:&lt;br /&gt;&lt;br /&gt;The Asteroids Galaxy Tour – Fruit  (Import)&lt;br /&gt;Devian – God To The Illfated (Century Media Records)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5065023344788765386-6369800700622088998?l=caliguladisco.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://caliguladisco.blogspot.com/feeds/6369800700622088998/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5065023344788765386&amp;postID=6369800700622088998' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/6369800700622088998'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5065023344788765386/posts/default/6369800700622088998'/><link rel='alternate' type='text/html' href='http://caliguladisco.blogspot.com/2009/03/music-picks-for-march-01-2009.html' title='Music Picks for March 01, 2009'/><author><name>Caligula Disco</name><uri>http://www.blogger.com/profile/11113467578192051161</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://4.bp.blogspot.com/_zp7h8Z50qNk/SLLc1tSJkzI/AAAAAAAAAAQ/dTnsL9V7OoQ/S220/Caligula+Disco+pic.bmp'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5065023344788765386.post-5794500712313627763</id><published>2009-02-22T15:23:00.000-08:00</published><updated>2009-02-22T15:29:10.967-08:00</updated><title type='text'>The Drager Awards for the Best in Music 2008 as Presented by Caligula Disco</title><content type='html'>Alright, loyal readers. The moment you’ve been waiting for all year. The Drager Awards for the Best in Music 2008 (as presented by Caligula Disco).&lt;br /&gt;     Before we begin, you will notice that this year’s list looks quite a bit different from the previous two years. In those years, I simply posted the top 12 albums and the top 36 songs of that year with little snippets of my review about each. Inspired by  a year full of changes, both on the homefront and abroad, I decided to change it up as well. This year I have included every song that I felt merited mentioning (174 of them) as well as every album (55 of those). Included are the full, unabridged reviews of (almost) every album. I know. I’m nutty.&lt;br /&gt;     You will also notice that some of the albums, as well as some of the songs, don’t have any review at all. Lemme ‘splain.  Some songs also appear on the best albums of the year and you will find a little notation therein to read the album review. This was simply to avoid repeating myself. Some songs don’t have a review, period. If I didn’t like what I wrote, I didn’t put it in. I think you deserve the best of my opinion or nothing at all. Some albums don’t have a review. I didn’t have the time to write one for each album. I’m sorry. I’m not going to hurry at the end and just throw a review together for the hell of it. The music deserves better than that.&lt;br /&gt;     Rest assured, if it’s on either of these lists, you should check it out, if only long enough to go “Chris, you’re out of your fracking mind. Do you hate me? Is that why you told me to get this album or song? Do you want to see me cry?” Etc, etc. You get the idea.&lt;br /&gt;      This year also marks the last time I will be doing any reviews at all (your shocked and awed expression followed by uncontrollable weeping and sobbing here). Fret not, loyal readers. I will still be ranking albums and songs, just not reviewing them. I simply don’t have the time anymore. But, as a compromise, starting the last week of March (and every month after that) I will be posting what I think is good both album and song wise at my various venues followed, as usual, by The Drager Awards on February 22nd, 2010. In case you’re not in the know, those venues are &lt;a href="http://www.myspace.com/caliguladisco"&gt;www.myspace.com/caliguladisco&lt;/a&gt;, &lt;a href="http://www.caliguladisco.blogspot.com/"&gt;www.caliguladisco.blogspot.com&lt;/a&gt; as well as the emails I will be sending out to my various friends, family members and hangers on.&lt;br /&gt;      Lastly,this year’s list would have been brought to you by the following contributors, but they all went belly up. Those contributors would have been…Circuit City, Bennigans, Steak And Ale, Washington Mutual, Lehman Brothers, Hollywood Video, Sharper Image, Linens N Things, DHL, Performance Team Freight, Levitz, Bed, Bath and Beyond and Alex Rodriguez’s credibility. Luckily we still get our grant from the Chubb Group, though.&lt;br /&gt;     Without further adieu, I give you…&lt;br /&gt;     The 3rd Annual Drager Awards for the Best in Music 2008 as Presented by Caligula Disco!!!  &lt;br /&gt;     (Let the arguing begin)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;174. New Soul – Yael Naim: Israeli-French singer-songwriter Yael Naim starts off this year’s list with a “la la la” hook driven pop piece about a new soul due to learn “A bit ‘bout how to give and take”  that’s as light as the Macbook Air laptop in the Apple ads in which the track was featured.&lt;br /&gt;173. Many Moons – Janelle Monae: “Urban / Alternative” is the tip of the description iceberg for this Bad Boy Records recording artist’s nouveau lunar track which features the melody from the Sesame Street cartoon “Pinball  Number Count”.&lt;br /&gt;172. People (We’re Only Gonna Live So Long) –Alejandro Escovedo: 57 year old rock legend Escovedo plays a dirty, jumping Texas blues riff while proclaiming his love for all genres of people all the while doing a boogie-woogie on the thin lines in-between, never choosing one type of person over another.&lt;br /&gt;171. Party Ain’t Over – G-Unit: With now ousted member Young Buck’s twitchy cadence, the hand claps and guitars are simply background for the homeys in lockdown, toasting with Kristal (if you bring your own bottle), spending 50 Cent’s “Vitamin Water” millions, girls who like facials, girls who swallow, dissing Lil’ Wayne, red and black coupes, private planes, marijuana, more diamonds than you know what to do with, the lasting image of Mr. Cent in a purple Polo and neon gator shoes and the heads up that even if you see him yawning, the party is, in fact, not over. Hip-hop overindulgence at it’s best&lt;br /&gt;170. Put On – Young Jeezy w/ Kanye West&lt;br /&gt;169. Cash Flow – Ace Hood w/ T. Pain &amp;amp; Rick Ross: With a DJ Khaled intro claiming that Ace weighs his money instead of carrying it, Hood name drops everything from AFLAC insurance to Tampax in a greenback track that can be listened to only while wearing the finest platinum bling.&lt;br /&gt;168. Making Progress – Electric Six: What else would you expect from a Detroit sextet that includes members  with names like Dick Valentine, Smorgasbord! And The Colonel but a indietronic track that begins with a cigarette smoking robot and comments on love, sex and progress in these entropic times, all told through vocorder vocals? Nothing less than this ridiculouly catchy hand-clap of a track, that’s what.&lt;br /&gt;167. 1,000,000 – Nine Inch Nails&lt;br /&gt;166. Sunset Beach – The Teenagers: From a Paris, France electro-synth- pop group that originally started out as a joke (and described as Kraftwerk if they did soundtracks for porno films) comes this irresistible snotty indie-synth / spoken word  piece about a one night stand involving two uber despicable Euro-trash twenty somethings that ends with the theft of a silver shaker and a Fender Jazzmaster guitar. Pur Francais fantastique.&lt;br /&gt;165. Vampire Voltage No. 6 – Beck: Even if it is about two minutes too short, this studio-live clapping b-side to the “Chemtrails” 7” is The Zombies if they stole Jack White’s guitar. And check out that copped Sabbath “Paranoid” riff. Good stuff.&lt;br /&gt;164. Alice – Moby: The first single from Moby’s 2008 album Last Night is a pummeling track featuring guest appearances from both British DJ Aynzli Jones as well as Nigerian group 419 Squad that pounds you like the video’s footage of  James Earl Jones hitting that watermelon in the film Blood Tide.&lt;br /&gt;163. Pork And Beans – Weezer: Name dropping everything from Rogaine to Oakley to Timbaland this pop referential riffer is River Cuomo’s response to Geffen executives’ request that the band record more commercial material taken to it’s sarcastic extreme. And what exactly  does candy and pork and beans taste like? Thankfully, as a vegetarian I’ll never need find out.&lt;br /&gt;162. You Cheated Me – Martha Wainwright: Daughter to Loudon Wainwright III and Kate McGarrigle and sister to Rufus Wainwright, Martha Wainwright’s musical roots run deep on her family tree. With a little help from her friends (including electric guitar courtesy of Pete Townshend) this bitingly rueful track is the closest she’s ever come to a pop song and it shows her walking out of the shadow of that tree.&lt;br /&gt;161. Just For Me – Al Green:&lt;br /&gt;160. Dancers To A Dischordant System – Meshuggah:  (Please see # 31 on the “Best Albums” list)&lt;br /&gt;159. Puppy Toy – Tricky: There’s a lot of venom in Tricky’s braids and it shows on the start off track from his autobiographical Knowle West Boy cd. Full of triphop sprechgesang and sounding like it was recorded in Tom Waits’ favorite saloon, the former frontman to the legendary Massive Attack,  here supported by a single piano and the searing chorus vocals of Alex Mills, lets loose on a man hating gold digger with a  “bruised fruit” who he wishes would “cough up a lung”. Make sure you duck.&lt;br /&gt;158. No Air – Rissi Palmer: A rarity in country music (an African-American woman from Pittsburgh), the stunningly  beautfiul Palmer covers the R&amp;amp;B hit originally done by Chris Brown and Jordin Sparks. With mandolin, slide guitar, violin and a planate like honey voice, she adds a suffocating romantic charm that will leave you grasping your chest.&lt;br /&gt;157. The Kramer – Wale: With this track, from his Mixtape About Nothing, Washington D.C. hip-hop artist Wale (real name Olubowale Victor Akintimehin and pronounced “Wah-lay”) uses his self-professed obsession with Seinfeld to comment on self-hatred and the use of the word “nigger”, complete with audio from Michael “Kramer” Richards infamous incident at the Laugh Factory Comedy Club. Stirring not only for the social commentary but also to hear audience members laughing as Richards tries to apologize for his outburst on The Late Show With David Letterman.&lt;br /&gt;156. Leave Me Forever – Testament&lt;br /&gt;155: If Only It Were True – The Walkmen: Closing out You &amp;amp; Me, the band’s 2008 album of atmospheric longing,  vocalist Hamilton Leithauser’s tempered realizations sit somewhere between a John Steinbeck short story and a Ben Shahn painting and the sound is like the wailing jukebox in a Depression-era Death Valley diner.&lt;br /&gt;154: Bad Girlfriend – Theory Of A Deadman:&lt;br /&gt;153. Real Emotional Trash – Stephen Malkmus And The Jicks: The quota for ten minute jam band opuses in 2008 was filled by the former Pavement frontman  and his band of merry pranksters. The title track from their latest offering shows the band at their tandem, freestyle, belly swelling best. Borderline redundant at times, it still makes for a great background vibe.&lt;br /&gt;152. No Matter What – T.I: Written while he was awaitng trial for federal weapons and possession charges, T.I. offers up his definitive track. Covering everything from his beef with Shawty Lo to answering his critics, the grittiness beckons from T.I.’s campaign for his cause. Uplifting without losing an ounce of cred.&lt;br /&gt;151. Highly Suspicious – My Morning Jacket&lt;br /&gt;150. I’m Not Jesus – Apocalyptica w/ Corey Taylor: No, they’re not Jesus. They are Eicca, Paavo, Perttu and Mikko. They’re Finnish. They’re symphonic metal cellists and with Slipknot / Stone Sour frontman Corey Taylor guesting as their mouthpiece they turn their upright axes into tools of vengeance against pedophiliac priests. Banging his metal gavel in a Helsinki version of the film Sleepers, Taylor makes like judge, jury and executioner in this tale of cleric induced comeuppance that will make you cheer and your skin crawl. &lt;br /&gt;149. Acid Jazz Singer – The Fratellis: If Robbie Williams and Billy Joe Armstrong vacationed in Scotland together, stumbled into a Glasgow pub and started jamming out Who tunes with a bar band whose familial nomenclature was inspired by The Ramones,it would kinda sound like “Acid Jazz Singer”.  Over pop punk guitars, vocalist Jon Fratelli (real name Jon Lawler) spins a witty yarn about meeting a mysterious “saintly swinger” of a woman while “laid in the gutter” that is best enjoyed over a bottle of Balmenach.&lt;br /&gt;148. Hang Them All – Tapes ‘N Tapes&lt;br /&gt;147. Little Lucid Moments – Motorpsycho: Grungy Norwegian psychedelia has never sounded better than this 21 minute, 4 movement suite from the Trondheim trio’s twelfth album of the same name. With movement titles like “Consciousness Causes Collapse” and “Hallucifuge”, the ingestion of acid shouldn’t be a suggestion, it should be included as a bonus gift with the cd.&lt;br /&gt;146. Feedback – Janet Jackson: Forget vinyl records, the only vinyl involved in this track is her crotchless catsuit. Like a cannon to kill a mosquito, Janet (“Ms. Jackson if you’re nasty”)mixes three different genres of music, namely electro, pop and R&amp;amp;B, to get across one idea…”sexual tension is bad”. With lyrical XXX-bombs like “Heavy like a first-day period” and “Strum me like a guitar, blow out my amplifier”, Jackson leaves less to the imagination then her now infamous “wardrobe malfunction”.&lt;br /&gt;145. Too Drunk… - Buckcherry: With titular inspiration seemingly drawn from the Dead Kennedys, Josh Todd and crew composed a simple, dirty rock song and they know how to get to the point. Over a crawling blues-rock riff and Todd’s snarling vocals memories of wasted days spent blowing off work with your friends and losing the girl of your dreams because you’re too plowed to get it up come rushing back for the first time since…I don’t remember. Forget it. Crank it!&lt;br /&gt;144. I Don’t Want To Die (In The Hospital) – Conor Oberst:  With backing from his Mystic Valley Band and inspiration provided by the Tepoztlan, Mexico scenery Oberst makes his second straight trip to the Drager Awards courtesy of swinging saloon piano twang. Slyly referencing both the Ramones’ “I Don’t Wanna Go Down To The Basement”  and Cracker’s “Take Me Down To The Infirmary” , Oberst’s hospital escape plan is so catchy you’ll help him make a rope out of the bed sheets.&lt;br /&gt;143. Walcott – Vampire Weekend&lt;br /&gt;142. That Kind Of Man – The Heavy &lt;br /&gt;141. G.L.O.W. – Smashing Pumpkins: No, not the Gorgeous Ladies Of Wrestling but just as surreal. Corgan and company also make a return to the list with this “One last trip to hell” supplied by rending guitar and drums that push the rollercoaster car off the funhouse tracks.&lt;br /&gt;140. Too Drunk To Dream – The Magnetic Fields: Spiraling off their album Distortion and run through a Jesus And Mary Chain filter, “Too Drunk To Dream” chronicles chief songwriter Stephin Merritt’s bass voiced, hilariously catchy, almost oompa-esque attempts to forget how heartbroken he is through intake of alcohol and garbled vocal effects. Bartender? Make it a double.&lt;br /&gt;139. Don’t Go To Nightclubs Anymore – Van Morrison: While comforting in a music induced trance-like state he calls “Entrainment” Belfast’s favorite boyo seemingly turns  Duke Ellington and Bob Russell’s  “Don’t Get Around Much Anymore” into a comment on his new found sobriety, with wry lyrics walking a straight line right out of the pub.&lt;br /&gt;138. Gobbledigook – Sigur Ros:  The “gobbledigook” in question must refer to the kjotsupa mixture of made-up languages (in this case Hopelandic) ,tribal rhythms, falsetto vocals  and sunshine poppiness worthy of a Cowsills reunion that bubble around the hand clap happiness of this track, the first single from the Icelandic band’s fifth album Med sud I eyrum vid spilum endalaust  (“With a buzz in our ears we play endlessly”).  If Bjarni Herjulfsson went to go see the musical Hair, this is the song playing in his car.&lt;br /&gt;137. Fat Man In The Bathtub – Little Feat w/Dave Matthews and Sonny Landreth&lt;br /&gt;136. She Left Me For Jesus – Hayes Carll: While being banned at many radio stations in The Bible Belt may be enough to pique your audio interest, Carll’s laughabilly hymnal of how his sinful ways led his born again woman to leave him for the Son Of God will have you rolling in the pews. The country-fied “Dear Apostle John” Letter eventually descends into total denial when Carll threatens “If I ever find Jesus, I’m kicking his ass”. Heretical hilarity. Amen.&lt;br /&gt;135. Cold Summer – Get ‘Em Mamis&lt;br /&gt;134. Working Bees – The Pinker Tones: From a Spanish electronica hive comprised of pop, funk, bossa and decorated in lounge psychedelia comes Mister Furia, Professor Manso &amp;amp; DJ Niño with their funky, hexagon horn driven space falsetto “making honey for your ears”. Bouncing Barcelona bass at it’s best.&lt;br /&gt;133. Transliterator – Devotchka: And the award for “Best Song To Use In A  Final Fantasy VII Burlesque Scene” goes to the Denver, Colorado quartet whose name is taken from Anthony Burgess’ Nadsat word for “Young Girl”. The warbling Romani, Greek and Slavic piano etude, pizzicato violin / string section and romantically mutilating lyrics are at once cavity inducing and hypnotically hectic.&lt;br /&gt;132. Touch My Body – Mariah Carey:  You want proof of God’s existence? Mariah Carey recorded a track about taping her own home porno.  With help from “Tricky” Stewart, Crystal Johnson and The-Dream, Mariah drips voyeur steam over a simple, sexy, mid-tempo groove. By the time she mentions wrapping her thighs around things, putting her on the floor and what she’ll do if she sees the triple-x domicile escapade on YouTube, your mp3 player will be sweating.&lt;br /&gt;131. Play Your Part (Pt. 1) – Girl Talk: From the instant Spencer Davis Group’s “Gimme Some Lovin” kicks in underneath DJ Funk’s “Pump That Shit”, Girl Talk (aka Gregg Gillis) has you lock, stock and sample filled barrel. Blending everything from Unk, Huey Lewis And The News and Temple Of The Dog to Lil’ Wayne, Edwin Starr and Sinead O’Connor, biomedical engineering student Gillis leaves no stone (either Sly or Josh) unturned on this mashup master stroke of a first track from his fourth album Feed The Animals.&lt;br /&gt;130. Scream, Aim, Fire – Bullet For My Valentine:  Mixing influences such as Joey Belladona-era Anthrax, vocals taken from Chuck Billy’s last soundcheck and blazing guitar straight out of Megadeth, Arizona the Welsh metalcorists thankfully killed their inner emo roots. At least for one track, anyway. Aside from the Sylvester Stallone-esque arm wrestling hook, the title track from their latest album singes as soon as it leaves the barrel. Cigarette and blindfold not included.&lt;br /&gt;129. Single Fins And Safety Pins – Japanese Motors:  Paddling in from their most recent surfing safari through the “Green Room”, Orange County, California’s own Japanese Motors (led by pro surfer / vocalist Alex Knost who looks EXACTLY like Milo from Last Boy Scout) bring beer soaked, seaweed pop punk out of the tide and onto the beach.  Lyrics about sun, shades and making out in the swell notwithstanding, I’m waiting for Iggy Pop, Frankie, Annette and Moondoggy to show up for a game of Beach Blanket Bingo.&lt;br /&gt;128. Going On – Gnarls Barkley:&lt;br /&gt;127. Eraser – No Age&lt;br /&gt;126. Deer-Ree-Shee – The Black Angels:  Happily (if not sullenly) showing their Velvet Underground inspirations in every aspect of their existence, Austin, Texas’ own psychedelic quintet get off the elevator at the 13th floor with this looping tribal track, the best spiraling descent into sitar dirgedom since Spacemen 3 broke up.&lt;br /&gt;125. Raise The Dead – Phantom Planet: Building up to their outburst like they’re pulling Lazarus himself from the ground (and doing one hell of a Strokes impersonation in the process), this Southern California band reveals a light-hearted macabreness on the title track to their latest cd. Not bad for “the band that wrote that ‘California’ song for The O.C.” or “the band that Jason Scwartzman used to be in.”&lt;br /&gt;124. Hammerhead – The Offspring (Please see #7 on the “Best Albums” list)&lt;br /&gt;123. Corona And Lime – Shwayze: Whitestarr front man Cisco Adler (as in “son of legendary producer Lou Adler…”) and rapper Aaron Smith give shout outs to girls across the nation with lyrics so sunny, you’ll need shades to hide your beer soaked, bloodshot eyes.&lt;br /&gt;122. High Cost Of Living – Jamey Johnson:  Trading everything for “cocaine and a whore”, Johnson takes his own story of falling to rock bottom and wrenches it from the jaws of cliché country music, weaving a heartbreaking  tale as gritty as the floor on which he crawled.&lt;br /&gt;121. Go Away – Elvis Costello And The Imposters: Taken from an album named after the man who invented Ramen Noodles (Momofuku) Costello serves up a simple, addictive, echoing closing track (with help from Jenny Lewis of Rilo Kiley fame) that is part spy movie, part screwball comedy and matches the best of his vintage stuff.&lt;br /&gt;120. G.F.C. – Albert Hammond, Jr.&lt;br /&gt;119. Nothin’ Burns Like A Memory – Heidi Newfield: From her first cd since leaving Trick Pony, Newfield torches all semblance of her ex on the country funk altar of Gretchen Wilson and Miranda Lambert.&lt;br /&gt;118. Columbus Avenue – Aimee Mann:  Critical darling Mann offers up a melancholy allegory of a street as metaphor for the downfall of an ex but truth be told she’d be on here for two other reasons altogether. One: Her latest album is titled @#%&amp;amp;*! Smilers (pron. “Fucking Smilers”) and two: She was in the video for, and did the backup vocals on, the classic Rush track “Time Stand Still”. It was twenty-two years ago but it’s still good enough for me.&lt;br /&gt;117. My Drive-Thru – N.E.R.D. w/ Julian Casablancas and Santogold: Even if it is used in a Converse ad, this bell ringing, rifftacular dance track pepper shakes with Pharrell’s falsetto shenanigans and Casablancas’ best Bowie-isms until Santogold outright steals the song from them.&lt;br /&gt;116. Let Me Love You – Lonestar&lt;br /&gt;115. Universal Mind Control – Common:  What do you get when you cross Common with Afrika Bambaataa, Pharrell and electro / techno / hip-hop? A Neptunian synth percussion immersed groove that actually pops out of your stereo, that’s what.&lt;br /&gt;114. Crash And Burn Girl – Robyn&lt;br /&gt;113. Bleeding Love – Leona Lewis&lt;br /&gt;112. Never Enough – Five Finger Death Punch:  With members recruited from various made metal bands (including W.A.S.P, Anubis Rising and Motograter) so-called “super group” 5FDP unleashed a ridiculously catchy groove metal monster with this self-damaging diatribe.&lt;br /&gt;111. Cassius – Foals: With a lead singer who’s cool enough to avidly collect analogue tape echoes (?) Oxford, England’s favorite math-rock minimalists show their eclecticism extends to their music as well, twitching their way through this ticklish tale of lighthouses, love and Caesar’s other assassin.&lt;br /&gt;110. Here’s To The Halcyon – Old 97’s: Dallas based, alt-country maestros show that after fifteen years they can still swing it with this tale of a repentant sailor who, while watching his ship being swallowed by the ocean, promises to “pore over his Bible and pour out all his gin.”&lt;br /&gt;109. Pop Lie – Okkervil River&lt;br /&gt;108. My Medicine – Snoop Dogg:  With help from Everlast and fellow THC enthusiast Willie Nelson, Snoop dedicates a song to Johnny Cash and makes like a Grand Ole Opry Gangsta on this tribute to getting paid and getting stoned. Need I say more?&lt;br /&gt;107. Fort Hood – Mike Doughty:  Mixing up Galt McDermot’s  “Aquarius Medley” with a Marvin Gaye “What’s Going On” groove, the former Soul Coughing frontman’s non-sequiter nod to just feeling good makes you all warm and fuzzy inside and even has a shout out to Young Jeezy.&lt;br /&gt;106. Last Call – Lee Ann Womack:  Womack’s bitterly sad country lament about a drunk and desperate ex who’s sulking in a bar rings of self-determination and more than makes up for that god awful “I Hope You Dance” song she vomited onto the music world eight years ago.&lt;br /&gt;105. Still In The Dark – Aranda:  No, not named after the species of orchid but instead for two brothers from Oklahoma whose band does the best Dokken song that Dokken never wrote.&lt;br /&gt;104. Green Light – John Legend w/Andre 3000: Over Paul McCartney “Simply Having A Wonderful Christmas Time” synthesizers, Legend lets loose a simple, smooth dance jam with off-the-cuff Andre 3K directing traffic like Sammy Davis, Jr dressed as a crossing guard. Just try not to listen to the horrifically insipid, “cut-off-your-own-ears-to-not-hear-them” lyrics.&lt;br /&gt;103. Black And Gold – Sam Sparro:  Shamelessly God-centric and showing a strong conviction for creationism, Australian born Sparro lets loose on the theory of evolution with a bass-laden groove so catchy Darwin himself would be getting down with his bad homo sapien self.&lt;br /&gt;102. Dancing On My Grave – Ghostland Observatory:  With a sound self-described as “A robot making love to a tree” this Austin, Texas duo gives us an electro-rock-dance-funk rumination on mortality and spite with a poor man’s impersonation of Freddie Mercury to boot.&lt;br /&gt;101. Harvey Haddix – The Baseball Project:  Comprised of R.E.M’s Peter Buck,  Minus 5’s Scott McCaughey, Dream Syndicate’s Steve Wynn (no, not that Steve Wynn) and Linda Pitmon, the baseball obsessed supergroup recants the tale of  Harvey Haddix , famous for pitching a 12 2/3 inning perfect game in 1959 that, due to a technicality, isn’t counted as a perfect game by the Major League record books. The band voices their disgust at this fact with a raconteur quality reminiscient of Peter, Paul and Mary meeting Vin Scully that will have you storming the Cooperstown ramparts.&lt;br /&gt;100. Google Me – Teyana Taylor&lt;br /&gt;99. Indestrucible – Disturbed:  Written as both a battle cry for soldiers going into war and an anthem for the Chicago born band itself, “Indestructible” thunders out with marching stomp riffs and war drum beatdowns  like the soundtrack to the Battle Of Thermopylae.&lt;br /&gt;98. California Dreamer – Wolf Parade: Quirky quintet of Quebec natives present a swelling, borderline prog rock attack on the left coast “Dream Factory” right up until the crashing, must-sing-along blizzard of a chorus "I thought I might have heard you on the radio, but the radio waves are like snow"  buries you alive.&lt;br /&gt;97. The Girls Don’t Care – Eef Barzelay:  Born in Israel, raised in New Jersey, studied jazz at U.C. Berkeley, dropped out to start a alt country band named Clem Snide (after the talking asshole in Naked Lunch) and writes an indie tinged track (off his solo Lose Big cd) about composing a love song for girls. What more do you need?&lt;br /&gt;96. Spanish Key – Various Artists: Taken from the cd Miles From India, an album of Miles Davis’ alums (including John McLaughlin and Jimmy Cobb) doing their take on Davis classics with a group of India’s best jazz musicians (including members of Louiz Banks’ Silk and tabla player Badal Roy, who recorded with Miles in 1972), “Spanish Key” (originally on Davis’ fusion / acid jazz masterpiece Bitches Brew) starts with a wordless vocal from &lt;a href="http://en.wikipedia.org/wiki/Shankar_Mahadevan" target="_blank"&gt;Shankar Mahadevan&lt;/a&gt; that flows into a dialogue of sorts between himself and Wallace Roney’s trumpet. The track reverberates and billows with precision and beauty throughout but the highlight is U.S. based &lt;a href="http://www.dustedmagazine.com/reviews/3522" target="_blank"&gt;Rudresh Mahanthappa&lt;/a&gt;’s searing alto solo. They can’t fill Davis’ shoes but they do one hell of a job trying to do so.&lt;br /&gt;95. (I Used To Couldn’t Dance) Tight Pants – The Eagles Of Death Metal:  The California duo, comprised of Queens Of The Stone Age and Kyuss member Josh Homme and his best friend Jesse “the Devil” Hughes, EoDM (as they’re also known) fired off this libidinous, low slung, garage rock update of the idea behind the 1962 Contour’s classic “Do You Love Me?” and made it into a hilariously swarthy “zero to hero” success story about learning how to boogie in painted on blue jeans.&lt;br /&gt;94. Mr. Carter – Lil’ Wayne w/Jay-Z&lt;br /&gt;93. A Little Bit Cooler – The Cool Kids: Wearing everything from Star Wars belts to limited edition sneakers while playing  Sega’s Street Fighter and eating Fruity Pebbles, Antoine "Mikey Rocks" Reed and Evan "Chuck Inglish" Ingersoll let loose on poseurs and haters with this hilarious glimpse into their trunk rattling, wood blocking definition of what is hip.&lt;br /&gt;92. Keeps Getting’ Better – Christina Aguliera&lt;br /&gt;91. Brooklyn Girls – Charles Hamilton&lt;br /&gt;90. Stupid Now – Bob Mould:  Returning to his rock roots and reading like the sports page recap of a boxing match, former Husker Du and Sugar frontman Mould is livid as he lashes out in this blow-by-blow tale of the ugly break up and end of his relationship.&lt;br /&gt;89. Dirty City – Steve Winwood: Teaming up with former Blind Faith bandmate Eric Clapton (who provides a searing Slowhand guitar solo), the choking tell all of life in the concrete jungle from Winwood’s Nine Lives cd is bumped along by Karl Van Den Bossche’s congas and djembes and Winwood’s own B3 Hammond Organ that billows forth like smoke from a stack.&lt;br /&gt;88. Train – 3 Doors Down: Lurching from the station of their 2008 self-titled cd, “Train” mows down more than rolls down the tracks of scenic salvation, tearing up the rails with vocalist Brad Arnold and his  fellow Mississippians only adding Lynyrd Skynyrd bred coal to the fire.&lt;br /&gt;87. Black Hole – She &amp;amp; Him&lt;br /&gt;86. Hero – Pop Evil&lt;br /&gt;85. White Winter Hymnal – Fleet Foxes:  The critically adored Seattle indie band’s self-described “baroque harmonic pop jams” are best exemplified by this simply beautiful, harmonic, jangly drum circle track that balances indie folk pop melodies (especially lead singer Robin Pecknold’s gorgeously warm vocals) against truly dark, child rhyme-esque lyrics ( "Michael you would fall and turn the white snow red as strawberries in summertime") creating a perfect background score for the 1559 Pieter Bruegel painting Netherlandish Proverbs that adorns the cd cover.&lt;br /&gt;84. Takin’ Off This Pain – Ashton Shepherd:  Sexy but dangerous Leroy, Alabama native Shepherd sings like shes always got a bottle in her hand and it shows (along with her self-aware sneer) on this scathing goodbye to a marriage gone horribly, horribly wrong. With a dripping country drawl, Shepherd shows her neglectful man the door with all the subtlety of a bulldozer and makes it sound like the best time she’s had in a long time.&lt;br /&gt;83. Metal Heart – Cat Power  (Please see # 41 on the “Best Albums” list)&lt;br /&gt;82. Hero – Nas w/Keri Hilson: Flying into action with a bass driven air-raid siren, Nas appoints himself the savior of rap (after claiming rap had died on his previous cd) and he won’t be thwarted.  With cape fluttering help from sldekick Keri Hilson, Nas confronts the controversy over originally naming his 2008 album Nigger, manages to name drop influences from Bruce Springsteen to Bob Dylan to Billy Joel and, with flagellation scars still fresh, makes one of the catchiest, most intelligent hip-hop tracks of the year all at the same time.&lt;br /&gt;81. You Don’t Have To Say You Love Me – Shelby Lynne:  Taken from Just A Little Lovin’ , Lynne’s breathtaking  tribute album to her muse Dusty Springfield, Shelby dodged producer Phil Spector’s gunfire long enough to record (using Frank Sinatra’s microphone, mind you) a wrenching take on the Springfield classic. With drum brush lament and woeful acoustic guitar, Lynne adores more than imitates the heartbreaking tale of a woman in complete denial and absolutely nails it.&lt;br /&gt;80. Do You Believe Me Now? – Jimmy Wayne&lt;br /&gt;79. Chemicals – Scars On Broadway:  Obnoxious, satirical and riddled with drug abuse fueled madness, this throbbing rant from the remains of former band System Of A Down is urine caked fellatio at it’s most snot pounding.&lt;br /&gt;78. You’ll Find A Way – Santogold&lt;br /&gt;77. Live Fast, Die Young – Black Tide: Forget the argument that the band does not have the life experience to play metal (lead singer Gabriel Garcia formed the Miami band in 2004 when he was just eleven years old and none of the band members are as yet over twenty) and just listen to the face melting guitars that speak of Metallica and Motley Crue being discovered all over again.&lt;br /&gt;76. Oh My God – Ida Maria: Norwegian alt-rock chick Ida Maria Børli Sivertsen fulfilled the obligation of her manifesto to create “pop music that hits you hard” on this twitchy, stop-frame track that shows Nesna’s answer to both Liz Phair and Bjork is clearly not in control, complete with perscription pad vocals and referential Police lyrics.&lt;br /&gt;75. The Rabbit, The Bat And The Reindeer – Dr. Dog:  (Please see # 17 on the “Best Albums” list)&lt;br /&gt;74. Real Love – Lucinda Williams: With backing from Susanna Hoffs, Matthew Sweet, Rob Burger and Doug Pettibone, alt-country /rock queen Williams broadcasts from the mountaintops and the Lousiana swamps that Cupid has hit her dead on target and his arrow landed smack dab between jangly guitars, swinging drums and polished lyrics of the heart.&lt;br /&gt;73. Methamphetamine – Old Crow Medicine Show: Nashville’s favorite old-time string band takes what could easily have been a dark Neil Young song and jug-band-ifies it into an almost upbeat update of The Volunteer State’s crystal meth problem (note, I said “almost”). Fitting, since the album it comes from is entitled Tennessee Pusher.&lt;br /&gt;72. The Turning – Oasis&lt;br /&gt;71. Home – David Byrne And Brian Eno: Reuniting for the first time in twenty-seven years, music legends Byrne and Eno aimed for self-described “electronic Gospel…about humans trying to survive in an increasingly digital world” and nailed it, binarily speaking. “Home” (from their cd Everything That Happens Will Happen Today) buoys atop acoustic guitar and drum loops, with a simply enchanting Byrne melody about “every hand searching for its partner in crime.”&lt;br /&gt;70. Shake A Fist – Hot Chip:  (Please see # 53 on the “Best Albums” list)&lt;br /&gt;69. Nine Lives – Def Leppard w/Tim McGraw: Co-written with the country singer, the track (from their horribly titled cd Songs From The Sparkle Lounge. Can’t you just see the sequins and chest hair?) is an absolutely fantastic pop-rock return to the late ‘80s/early ‘90s heydays between Hysteria and Adrenalize. A guaranteed summer tour setlist smash, even the handclaps in the final chorus shimmer. The most cursed band in rock history may not have many lives left, but it’s nice to know they can still land on their feet, even if the lyrics make no sense what-so-ever. “Took a chance on a chance?” Seriously, only Joe Elliott can pull that off.&lt;br /&gt;68. Buffalo – Kathleen Edwards&lt;br /&gt;67. Saints Of Los Angeles – Motley Crue: The title track from the ninth album by L.A.’s favorite badboys is a return to glory, period. Making like a war cry as the guys wreak havoc up and down the Sunset Strip, the codpiece call-to-arms will have you pumping your tattooed fist, “Flying the flag…” as Tommy Lee put it on the Summer Tour ”…until the fucking wheels come off”.&lt;br /&gt;66. Time To Pretend – MGMT: The Brooklyn indie-electronic duo summons forth a borderline ABBA-esque jem that outright mocks the cliché rock n’roll, hooker, booze and drugs lifestyle over a squelching, squawking space jam that cries out to be played louder with each listen.&lt;br /&gt;65. Evil Is Alive And Well – Jakob Dylan&lt;br /&gt;64. Chinese Democracy – Guns N’ Roses:  While the album failed to live up to fourteen years of hype and expectations that it couldn’t possibly meet, the title-track, from what in actuality is just the Axl Rose solo project, is a brilliant, crunchy, wailing, four-chord testimonial to the dichotomy that is the Chinese government and its policies. Except in this case, the tank runs you over.&lt;br /&gt;63. I Got Ideas – The Whigs: Know this. If Paul Westerberg had taken I-75 from Minnesota to Georgia he would’ve formed The Whigs. Delivered from the back half of the Athens trio’s second album Mission Control , “I Got Ideas” finds the band making like a Peach State version of The Replacements with a loud/quiet/loud, garage rock dynamic (complete with horns!) that really hooks you. There is nothing new here and you can’t pinpoint why you like it, you just do.&lt;br /&gt;62. Shattered – O.A.R.:  I had no idea Ohio State University was so hard to leave. Buckeye band (by way of Rockville, Maryland) Of A Revolution ruminates on that one train wreck of a situation (or person) that you just can’t seem to get away from (with Goo Goo Dolls stylings to boot) . We’ve all been there before(unfortunately). Why do we keep going back? Maybe once, lead singer Marc Roberge won’t turn the car around.  &lt;br /&gt;61. I Got Mine – The Black Keys:  Akron, Ohio blues-rock duo makes good…good and dirty, that is. With the best riffs and grooves  south of Jack White’s Detroit, Fellow Buckeye Staters (see above)Dan Auerbach and Patrick Carney do a sloppy ode to leaving the road (and all the oats you sowed) behind that flatout oozes out of your speakers. Fuzz and Led Zeppelin “Ramblin’ On” nods included.  &lt;br /&gt;60. 5 Years Time – Noah And The Whale: And the official 2008 song that will be smeared to your cranium is…this folk rock nod to love, having a good time, sunshine and going to the zoo from London’s biggest  Wes Anderson fans. And just try to get that whistling part out of your head.&lt;br /&gt;59. 1,2,3 Stop – The Postelles&lt;br /&gt;58. Shine Over Babylon – Sheryl Crow:  Bowing before the altar of Bob Dylan, Crow hangs off the precipice, desperately closing the gap of public awareness while calling attention to everything from “bloated bank accounts” to “cities drowning under boiling fountains” to the “waning sun” with heartfelt determination, “environmental consciousness”  and help from “ganja smoking gurus”.&lt;br /&gt;57. Deep This Time – Moe&lt;br /&gt;56. No Sex For Ben – The Rapture&lt;br /&gt;55. Bright Lights – Black Mountain:  Taking a nod from fellow Canadians Rush (as well as other prog rockers like King Crimson), Vancouver’s Black Mountain unveiled this sixteen plus minute opus built around their love of “the night and all the witchery” and the letter “H”. Their own lyrics best describe the feel and flow of the song…”lightning crawls”. What more do I have to say?&lt;br /&gt;54. The Wrong Thing To Do – Mudcrutch: Tom Petty reunited his original band (the one before The Heartbreakers) to “play and talk about the old days” and birthed this country rock dwell on camping trips, parental arguments, Japanese cars, losing your virginity and hitting the road all while “wearing dungarees that (his) mother stole”. Taken from their eponymous cd / cruise through the back roads, no one does Southern Americana rock better than Mr. Petty.&lt;br /&gt;53. That’s How People Grow Up – Morrissey&lt;br /&gt;52. Come On Over – Jessica Simpson: Go ahead. Get it out of your system. I’ll wait…America’s favorite airhead returned to her country music roots in 2008 and recorded a steamy song about dropping everything and getting down to business when your girl calls. I like it. Plus, she’s really, Really, REALLY hot. So there.&lt;br /&gt;51. Viva La Vida – Coldplay: (Please see # 48 on the “Best Albums” list)&lt;br /&gt;50. I Will Possess Your Heart – Death Cab For Cutie: Described by Death Cab guitarist / producer Chris Walla as “dissonant and abrasive”, this downright creepy eight plus minute stalker treat weaves the story of a lovelorn antagonist who, admittedly has some boundary and voyeur issues and simply wants to spend some time with his intended amour, over an eerie bass line as repetitive as the knife strokes to the head and chest with which I’m sure this story ended.&lt;br /&gt;49. Cheap And Cheerful – The Kills: “Bored of hospital bills”, lo-fidelity, half American / half British duo wants us to be crazy because we’re “boring when we’re straight”, we’re “stupid when we’re sane”. With a voice as sexy as vocalist Alison Mosshart’s, I’ll lose my “cool in public” anytime she wants.&lt;br /&gt;48. Confessor – Annuals: Imagine if stoned hippie artist Bob Ross did some layouts for a Rankin / Bass animated movie remake of  the 1985 Michelle Pfeiffer / Rutger Hauer / Matthew Broderick fairy tale film Ladyhawke. Now imagine the indie pop soundtrack. Forsooth, knaves and wenches.That’s the sound of North Carolina’s Annuals, so sayeth I. &lt;br /&gt;47. I’d Love To Be A Hippy – North Mississippi Allstars:  Dripping with Dixieland sarcasm, Hernando, Mississippi jam band trio unload both barrels like Pickett’s Charge if it had taken place at Woodstock. You know tree huggers? These Magnolia State brothers and their friend are the lumberjacks and this slow Allman Brothers groove is the chainsaw. If Eric Cartman ever had a favorite song, this is it (besides “Come Sail Away” that is.)&lt;br /&gt;46. Swagga Like Us – Jay-Z, T.I., Kayne West and Lil Wayne&lt;br /&gt;45. Requiem For A Dying Song – Flogging Molly: The only true high-light from the sub par effort Float, “Requiem..” finds  Dave King and his merry band of Los Angeles’s favorite Leprechauns railing against government corruption and greed with drunk, post-punk pogo-ing enthusiasm, Irish pub pride and lyrics written on a 1916 Easter Rebellion typewriter.&lt;br /&gt;44. Low – Flo Rida: (Please see # 45 on the “Best Albums” list)&lt;br /&gt;43.The Beginning Of The Twist – The Futureheads: From England somewhere between The Jam and Fugazi, comes this propulsive post-punk revival rocker about either the beginning of a relationship or the end of the world. With vocalist Barry Hyde’s dead-on Joe Strummer, it doean’t really matter. Just press “play”.&lt;br /&gt;42. Hanging Tree – Counting Crows&lt;br /&gt;41. Be Somebody – Kings Of Leon: Nashville’s alt/garage/Southern rock quartet of brothers and cousins cooked up a rolling boil of rhythm and rhyme on this tie loosening track (from their cd Only By The Night) that soars as much as it shakes as much as it swaggers. Thanks to Caleb Followill’s ridiculously good vocals,having that one chance to be something, anything, even for a minute, never sounded so tangible… or so scary.&lt;br /&gt;40. 24 Hour Break-Up Session – Local H: If the only Local H you know is that unbelievably repetitive, yet unbelievably good song from 1996 “Bound For The Floor”, you’re in for a surprise. Taken from the album Twelve Angry Months (where each track represents one month after the end of songwriter / vocalist Scott Lucas’ relationship), “24 Hour…” is the meaty middle of the turmoil where Lucas resigns himself to the fact that the pairing (not unlike MC Hammer’s gangsta rap career or “New Coke”) was doomed from the start. Albeit with guitar and drums creating a bitter alt-rock background.&lt;br /&gt;39. Movin’ On Down The Line – The Black Crowes: From their first album in seven years, Atlanta’s favorite hippie bar band of gypsies took a brief jam from the live version of “Soul Singing” and turned it into a camp fire call to pass the bottle and the love before they gets back to their vagabond ways. Preaching from the pulpit of boogie and blues, Allman and Faces, this comeback is really something “to crow about” (sorry. Had to do it.)&lt;br /&gt;38. Living Well Is The Best Revenge – R.E.M.&lt;br /&gt;37. Hero Of War – Rise Against&lt;br /&gt;36. How I Became Paranoid – CSS.: You have to give it up to any band that names themselves after a Beyonce Knowles’ quote. Brazil’s CSS (Cansei de Ser Sexy, literally Portuguese for “Tired Of Being Sexy”), led by sultry vocalist Lovefoxxx, are the definition of electro- pop reference- rock. Her Shirley Manson meets Nena  vocals bubble over the dance-a-rific lunacy as she lists all the ways she went from normal to cuckoo for Cocoa Puffs in one short week. &lt;br /&gt;35. 27th Avenue Shuffle – Foxboro Hot Tubs: Consisting of Green Day (using nom de plumes like Billy Joe Armstrong as “Reverend Strychnine Twitch”) and three other Bay Area musicians, Foxboro Hot Tubs (named after a California locale where the boys would sneak booze and girls) mix a 60’s garage rock revival sound that sits somewhere between The Stooges and The Fratellis and it culminates like a cannon barrage on “27th Avenue Shuffle” (from their debut album Stop Drop And Roll!!!) , which takes The Who’s “Run Run Run” and simply moves it to San Francisco.&lt;br /&gt;34. That’s All – Willie Nelson And Wynton Marsalis:  Closing out the duo’s Two Men With The Blues cd, the Merle Travis classic “That’s All” sounds like it was recorded in a rollicking Southern Baptist Church as opposed to Lincoln Center. With the playful interaction between the band, each other as well as the crowd, you can’t tell who’s having more fun, the audience or the two legends on stage.&lt;br /&gt;33. Handlebars – Flobots&lt;br /&gt;32. Rising Up – The Roots: Famed Philadelphia hip-hop jazz band The Roots, led by drumming / production god Ahmir “?uestlove” Thompson, close out their cd Rising Down (released on the 16th anniversary of the riots after the Rodney King verdict) with help from Def Jam vocalist Chrisette Michelle and D.C. rapper Wale. Almost an upbeat jazz-a-go-go, the track proves “?uestlove” was correct when he said of the album “the lights are lighter” and that when vocalist Black Thought ends the track with the line “We 'bout to dominate the world like Orah did it", they may not be too far from the truth.&lt;br /&gt;31. Dig, Lazarus, Dig!!! – Nick Cave And The Bad Seeds:  (Please see #12 on the “Best Albums” list)&lt;br /&gt;30. Carnival Of Crows – The Parlor Mob&lt;br /&gt;29. Maiden, Mother And Crone – The Sword:  Sounding like they just travelled here from 1970’s Birmingham, England in Black Sabbath’s “Time Machine”, Metallica’s favorite Austin, Texas quartet comes roaring from the Lone Star state (and their second album Gods Of The Earth) with a doom metal masterpiece about a medieval feminine holy trinity courtesy of lead singer J.D. Cronise’s dead on Ozzy vocals and riffs channeled straight from Tony Iommi’s frets. Bell bottoms and three foot bong not included.&lt;br /&gt;28. Acid Tongue – Jenny Lewis: Explaining it as a “thinly veiled way of getting out of writing a strictly ‘confessional’ song”, old soul Rilo Kiley vocalist Lewis references her experiences with LSD at age fourteen, drunken one night stands ,quitting both smoking and drugs and, oh yeah, how she may or may not be a liar on the Appalachian ballad-esque title track from her most recent critically hailed album.&lt;br /&gt;27. Magick – Ryan Adams And The Cardinals:  Now sober Adams and his cohorts mindlessly blend R.E.M. tracks “It’s The End Of The World As We Know It” and “Radio Song” along with zombies, pristine Bono vocals and an apocalyptic trip to the mall into the most fun garage-rock sing-along this side of the mushroom cloud.&lt;br /&gt;26. Thank God – Ice Cube: (Please see # 34 on the “Best Albums” list)&lt;br /&gt;25. Son The Father – Fucked Up: To be honest, Toronto’s own hardcore punk Habs would’ve gotten an honorable mention just for their lineup aliases (Pink Eyes, 10,000 Marbles, Gulag, Mustard Gas, Mr. Jo and Young Governor, respectively) but this bombastic opening track (from their masterful second full-length album The Chemistry Of Common Life) rattles off such topics as sins of the father, born again theology and Oedipal complexes based on power instead of sex and kicks your teeth in from the word “aye?” (with help from fellow Canadian band Lullabye Arkestra, of course, hoser.)&lt;br /&gt;24. Great Expectations: The Gaslight Anthem: (Please see #25 on the “Best Albums” list)&lt;br /&gt;23. Hell Yeah! – Rev Theory&lt;br /&gt;22. The Stone – ASHES dIVIDE: Band creator Billy Howerdel’s A Perfect Circle pedigree is amped up on this coarsing journey to what’s real inside. Chipped away by Howerdel’s searing vocals and axe work and the thundering drums of fellow APC member Josh Freese, “The Stone” will run you down like that luminescent handcart in the song’s video.&lt;br /&gt;21. Too Much, Too Young, Too Fast – Airbourne: And the award for best AC/DC impersonation 2008 goes to Australian brothers and friends Airbourne on this end of the world party rocker. When lead singer Joel O’Keeffe growls “if it’s the end of days I’m goin’ out in style” you know the last thing the eye in the sky will see is an empty keg, a bra and a blown out guitar amp.&lt;br /&gt;20. Chasing Pavement – Adele: (Pron: Ah’Dell) British mistress of “heartbroken soul” Adele Laurie Blue Adkins recalls a truelife incident that occurred after a fight with her then boyfriend where she ended up running down the street at 6 a.m. telling herself she was “chasing an empty pavement” on this languishing tale of amour gone wrong, taken from her debut album 19.&lt;br /&gt;19. Rockferry – Duffy:  Sounding every bit like a Welsh hybrid of Lulu and Amy Winehouse (minus the crippling drug and alcohol addictions), Aimee Anne Duffy’s blue-eyed, blond-haired soul soaks you on the echoing, soaring and mobile, tear soaked title track that slowly builds to a crashing, carotid choking climax.&lt;br /&gt;18. If I Die Sudden – John Mellencamp:  Having already survived one heart attack, Indiana’s favorite farmer son looks on his own mortality and finds no reconciliation. Borrowing influence from Bob Dylan’s “In My Time Of Dyin’”, Mellencamp’s sullen track (from his ludicrously depressing Life, Death, Love And Freedom album) reads like a page torn from a diary written during the collapse of a coal mine and yet, still manages to rock.&lt;br /&gt;17. Dawn Of The Dead – Does It Offend You, Yeah?: Fitting somewhere between Klaxons and Flock Of Seagulls, Reading, England’s synth-pop quartet give us a spastic dance floor George Romero homage to leaving your past behind that shouldn’t be taken too seriously. Especially when you consider the band name comes via a Ricky Gervais quote from The Office and the album title is courtesy of Robin Williams’ character in Jumanji.&lt;br /&gt;16. Shut Up And Let Me Go – The Ting Tings:  Fresh from your favorite iPod commercial, uber-British duo Jules De Martino and snarling vocalist Katie White offer up a ridiculously obnoxious, disco-punk,&lt;br /&gt;love ‘em and leave ‘em playground chant/ Karen O tribute and layer it with a catchiness not seen since the Bubonic Plague and they “ain’t faking this”.&lt;br /&gt;15. Runaway – Thriving Ivory:  Contorting U2 guitars, Coldplay keyboards and vocalist Clayton Stroope’s dead on impression of what Raine Maida, Carol Channing and Lukas Rossi would sound like if they merged into some kind of amalgamated singer, Santa Barbara, California’s Thriving Ivory sent forth this nebula expanding track that will absorb you like a black hole.&lt;br /&gt;14. Blind Man – Black Stone Cherry: Roaring out of the dry county containing Edmonton, Kentucky, Black Stone Cherry (like the cherry flavored Kretek cigarette) channel the Kentucky Headhunters, Baton Rouge, Lynyrd Skynyrd, hints of Josey Scott’s labret piercing and a whole lot of Dixieland pride into this vision impaired, Southern rock folklore monster that torches you with blazing guitar, Molly Hatchet vocals and medicine man machinations.&lt;br /&gt;13. I Kissed A Girl – Katy Perry: (Please see # 8 on the “Best Albums” list)&lt;br /&gt;12. Sittin’ At A Bar (Bartender’s Song) – Rehab:  The comeback track for the Atlanta, Georgia band, vocalist Danny “Boone” Alexander spins the tale about trailer park love on the rocks where the narrator breaks parole to see his wife, has to kick his own front door in, catches her getting high, she slaps him, he steals her Nova, wrecks it, goes to a bar and drinks until the cops show up. Combined with a lamenting country rock guitar riff that implores you to sing along makes this the best bar drinking song of the year, hands down.&lt;br /&gt;11. Light On – David Cook: I know what you’re thinking and yes, it’s  American Idol winner David Cook. But, to be fair, Cook outright shears off your eyebrows with the powerfully forlorn track penned by Chris Cornell (of Soundgarden / Audioslave fame) about staying connected to your home that far and away blows away anything else on his debut cd.&lt;br /&gt;10. Unforgettable Season – Cut Copy: From the Australian indie-electro-dance-rock  trio’s second album In Ghost Colours, the surprisingly guitar based groove dismisses the glow sticks and pacifiers for telephone wire thick bass lines and Dan Whitford’s ethereal vocals that will have you “counting the silence until you smile.”&lt;br /&gt;9. Sequestered In Memphis – The Hold Steady:  Taken from their insanely good album Stay Positive and layered on a piano part stolen from Springsteen’s Darkness On The Edge Of Town, Craig Finn and his Brooklyn bandmates recall sex in a Tennessee bathroom (and other debauchery therein) as seen through thick beer goggles and told with the cigarette still hanging out of their mouth. Subpoena or not, the chorus will stay with you all the way to Texas.&lt;br /&gt;8. I’m Not Gonna Teach Your Boyfriend How To Dance With You – Black Kids:  Combining Robert Smith vocals, Phil Lynott moves and the best new wave groove this side of Human League meeting Kajagoogoo,  vocalist Reggie Youngblood and his Jacksonville band of 1980’s synth music cheerleaders  gave us the disco-poppiest heartbreak kiss-off this side of The Cure doing Gloria Gaynor.&lt;br /&gt;7.  Times Like These – Glen Campbell:  Thanks to producers Julian Raymond and Howard Willing, crossover country legend Campbell plays to his roots and strengths and evokes the best of his ‘70’s heyday with a spectacular cover of the Foo Fighters track.  Flowing with an arrangement worthy of his classic masterpiece “Galveston” as well as my favorite Campbell song “Country Boy”, he makes this song (from his album Meet Glen Campbell) into something all his own. &lt;br /&gt;6. Mayday (M’aidez) – People In Planes: Obsessed with travelling (and flying in particular), the Welsh rock quintet left their Cardiff home with four producers bound for six studios across two continents and returned with a therapeutic outcry to self-deprecation that does anything but fail, even as the protagonist teeters like the ship on the cover of their Beyond The Horizon cd.&lt;br /&gt;5.  Second Chance – Shinedown: An absolute show-stopper written about the day vocalist Brent Smith left his Jacksonville, Florida home to fulfill his rock n’ roll dream, “Second Chance” is the flying from the nest anthem of the year with guitar, bass, drum and soaring vocals bursting the bubble on top of a string arrangement that powers through like Halley’s Comet itself.&lt;br /&gt;4. Beautiful World – Carolina Liar (please see #42 on the “Best Albums” list)&lt;br /&gt;3.  Come On Get Higher (Live) – Sugarland: Yes, it’s a cover of a Matt Nathanson song and yes, it’s a live version of a cover of a Matt Nathanson song, but with Jennifer Nettles’ heartfelt vocals and Kristian Bush’s simple guitar, this bonus track from the deluxe edition of their cd Love On The Inside la la las faith, desire, swinging hips and sparking tongues into a perfectly quirky love song.&lt;br /&gt;2. Spaceman – The Killers (please see #32 on the “Best Albums” list)&lt;br /&gt;1. 4 Minutes – Madonna w/Justin Timberlake and Timbaland:  Technically, it’s four minutes and five seconds to save the world and with the battle for the fate of the world taking place on a dance floor, every second counts. Madonna and her fellow Justice League of altruistic artists Timbaland and Justin Timberlake rush to save the day in this flawless, over the top, time bomb of a track that equals the best that Madonna has ever put out. Pumping, throbbing and hornier than a New Orleans’ funeral, this afropop tinged, Timbaland produced, monstrous marching band masterpiece from Madonna’s Hard Candy cd is a call to dance and superheroics that boils over with all it’s components. From Timbaland counting us down in the beginning to Justin Timberlake’s best Michael Jackson impression to date to Timbaland’s four note synth stampede to the sizzling chorus trade-off between Madonna and Timberlake that alone is worth the price of admission (to even it’s apt inclusion in the Steve Carell film Get Smart) this is a Mardi Gras brass backed beast that rattles the ground like that glass of water in Jurassic Park and leaves it’s footprints all over your subwoofer. The infectious “tick tock, tick tock, tick tocks” that pepper the verses must have been  the timer counting down to this track being named the 2008 Drager Award winner for song of the year… and saving the world has never sounded better.&lt;br /&gt;&lt;br /&gt;The 55* Best Albums Of 2008&lt;br /&gt;(*Due to the intricacies that make up the Drager Music Rating System (DMRS), this year there was once again a tie between two albums (like 2007). Counting Crows and The Raconteurs both received the exact same score and as a result, tied for sixth place on the list. Therefore, while the list only goes to “54”, there are actually 55 albums. Thank you for your patronage and understanding.)&lt;br /&gt;     &lt;br /&gt;54. MY MORNING JACKET – Evil Urges ATO Records Fresh from his whiteface cameo in the Bob Dylan biopic I’m Not There comes vocalist Jim James and the rest of the Louisville crew.  James has stated that with this album, their first studio album since 2005’s Z, he didn’t want My Morning Jacket to remain static and he’s more than  lived up to his end of the bargain. Embracing indie rock, Southern hued prog rock, avant garde art rock, mild Thom Yorke tinged experimentalism and…Prince(?) the band captures more of their jam band framed live sound than ever before. Just don’t spill the bong water when you reach to press “play”. Coming across like a Bonnaroo take on a missing OK Computer track, “Evil Urges” opens the album with the falsetto confliction anthem of “It ain’t evil baby if it ain’t hurting anybody.” Your useless fact for the day: Even though James wrote the song, the “breakdown” bridge is credited to the entire band. Now you know. And knowing is half the battle. G.I Joe. Next up is “Two Tone” Tommy’s relentlessly thumping bass and the enigmatic atmospheres therein of “Touch Me I’m Going To Scream, Part One” where James’ synthetic roboticism is (albeit momentarily) cracked by the want of “I need a human by my side, untied” (and is that a Mini Moog I hear?) Flying his Prince fixation flag high and proud, “Highly Suspicious” has James’ falsetto sounding like the Purple One if he was the front man for Phish. Coming across with both Bill Redpath cynicism (“Wasting all your time on drama / could be solving real crime”) and Ween-esque nonsense lyrics (“Peanut-butter pudding surprise”), it is both catchy bordering on comedic and the “WTF?” moment for the album. “I’m Amazed” is jangly guitar twang buoying bourbon based astonishment at what “they want me to believe”. Disillusionment at its sing-along best. Getting to the meat of the cd, the soulful sway of “Thank You Too” is Gram Parsons meets David Gates with a touch of country bullfrog. “Sec Walkin”, is Glen Campbell dosed on quaaludes and paranoid that he’s being watched (“Demon eyes are watching everywhere”) while “Two Halves” is Roy Orbison backed by the Gin Blossoms. “Librarian” is another in a long line of bibliophile, reference based romance tracks, queuing up behind “Marian The Librarian” from The Music Man, “Love In The Library” by Jimmy Buffett and “Faster Pussycat To The Library” by Sam Phillips (among others) and lest we forget Tears For Fears’ classic video for “Head Over Heels”. In the MMJ version, James longs for the object of his affection over Dan Fogelberg tinged stylings while she sits behind her desk and listens to “Karen of The Carpenters” on AM radio. The simplistic, warbling nostalgia of “Look At You” fades into the straight out Paul Westerberg rock of “Aluminum Park”, which in turn is buffered by the (almost) forgettable “Remnants”. The tag-team finale of  “Smokin’ From Shootin” and “Touch Me I’m Going To Scream, Part Two” glides in to close out the experiment. “Smokin’…” is solemn, droning, melancholy and repetitive without being tired and it bleeds sonically into the eight minute, second half opus of “Touch Me..Part Two” where Brian Eno and Philip Glass (apparently) laid down the groundwork for HAL (from 2001: A Space Odyssey) to produce a disco song. Egressing with the all too fitting lyric “Oh, this feeling is wonderful / don’t turn it off” is par for the course as turning it off is the last thing you’ll want to do. The album ends with the four second blurb “Good Intentions” as it’s finale. The intention pays off in spades. The cd is great, not good.  Jim James has said that “Evil Urges is about how all of these things that you’ve been told are evil really aren’t, unless they’re actually hurting something or somebody.” This album does anything but hurt and you’ll have an “urge” to put it on “repeat”. Go with that feeling. It won’t hurt anyone. I promise.&lt;br /&gt;&lt;br /&gt;53. HOT CHIP – Made In The Dark EMI Moving out of the bedroom where they usually record their albums, London electropop quintet Hot Chip wanted their third album to sound “not quite so homemade” and pulled the tracks together from the studio, live venues and “different acoustic spaces to be obvious to the listener”. Adding to it the influence of comtemporary artists such as Black Dice and William Oldham, the varied recording locales are reflected in the gluttunous  plethora of non-sequitors that comprise the album.  A little here, a little there production and mixing that bounces back and forth between proper British sass and wrenching of the heart and creates an overall sense of mostly hit and some miss.  The off kilter “Out At The Pictures” starts off the album with a flatline warbling that grows into a twitchy, snapping beat complete with stop, start, stop timing and “ph-ph-ph” phrasing about either going to the movies, watching The Weather Channel or buying hair gel. Written by vocalist / chief lyricist Alexis Taylor after fellow vocalist Joe Goddard ingested the legal herbal substance &lt;a title="Salvia divinorum" href="http://en.wikipedia.org/wiki/Salvia_divinorum"&gt;salvia divinorum&lt;/a&gt; during the Glastonbury Festival which caused him to feel like he was teleporting,the funky, school-is-in lessons of “Shake A Fist” stutter and stammer in next with the narrator (courtesy of a Todd Rundgren voice sample) teaching us his new game “Sounds Of The Studio” (headphones required). A moving, stream-of-consciousness sound effects barrage that is (to quote our guide) “A pure solution…the incantation” and well worth the oft quoted “once over”. “Ready For The Floor” is a catchy, oblique dance pop track (incorrectly rumored to have been written by the band for Kylie Minogue)  that alludes to Tim Burton’s Batman with the line “You’re my number one guy” and is comparable to a number written for Jack Palance if he was in a subdued drag queen cabaret act. “Bendable, Poseable” is neither. A formulaic, lightly brushed, Lego Block of a track that is nothing but poorman Kraftwerk filler til the first of the many heartfelt ballads that salt and pepper the cd. “We’re Looking For A Lot Of Love” is British Bone Thugs N Harmony with a slowed Spandau Ballet groove. “Touch Too Much” is a wanton, high-hat backed snare rim lament. The soulful restraint of the Van Morrison tinged titled track features Alexis Taylor’s airy vocals via rustic James Carr stylings. “One Pure Thought” is a catchy, immediately magnetic, African sent Byrne / Eno rhumba and perfect for a multi-band jam with Vampire Weekend. The sugarloaf mountain mixture of “Hold On” has the band bounding eccumenically (if not sarcastically) between heaven and hell, only going through The Pearly Gates if it reeks of brimstone and tastes like caramel. Having its genesis in a text message sent from James Murphy of LCD Soundsystem concerning Hot Chip guitarist (and fellow LCD percussionist) Al Doyle, the borderline William Faulker R &amp;amp; B / hip-hop track “Wrestlers” mentions (among other things) rodent gum, elbow drops, head locks, suplexes and Willie Nelson (?) and in the end reveals it’s the protagonist versus himself. The distorted “Don’t Dance” is an alt timed lub-a-dub “freewill versus determinism” groove that makes you slightly nauseous. “Whistle For Will” is a droning two-note misstep seemingly culled from Paul McCartney’s McCartney II album castoffs. The heartbreaking, electro doo-wop of “In The Privacy Of Our Love” closes out what most critics have called a “loveable but flawed” album. That may be true, but “loveable” is the key word. Not for everyone but not to be overlooked.&lt;br /&gt;&lt;br /&gt;52. SLIPKNOT – ALL HOPE IS GONE Roadrunner / Nuclear Blast By the time vocalist Corey Taylor asks “Are you ready for the time of your life?” on the scratched and bleeding “Vendetta”, it’s already too late for you. Dumping Rick Rubin, hiring Dave Fortman to produce and recording their first album in four years, in their home state of Iowa no less,  has seemed to conjure up some mixed feelings amongst our nine numbered friends. “.execute / Gematria” is a two fisted meat mallet that begins with excerpts from former  Vice President Spiro Agnew’s 1972 “effetes corps ofimpudent snobs” rant against Vietnam protestors and morphs into a pillaging assault about foreign policy where “America is a killing name”. (FYI, “gematria” is a Hebrew system of assigning numerical value to an alphabet). The guilt fed,  Nietzschean (“my will is my own”) one man army, line in the sand bombast of “Sulfer” is pummeling, driving and breathes fire like a blast furnace. When Mr. Taylor (a.k.a. “Number Eight”) chuckles menacingly “I’m gonna laugh when I’m buried alive” over the gasoline of the drums and the pistons of the guitars, it turns cornered rats into conquerors. The acidic vocals and cudgel melody of the socially anxious “Psychosocial” burn like a candle lit at both ends until the last moment where the mind boggling guitar / drum time signature shredding ends in absolute entropy. The two All Hope Is Gone ballads must’ve been mistakenly taken off the next Stonesour cd and placed on this album. The crystal clarity of the vocals on “Dead Memories” (the least annoying of the two) aren’t muddied by the lamenting lyrics. “We were never alive, we won’t be born again” are just a hint of this obituary of a long dead relationship, written on a wall behind the woodshed where it was put out of its misery and the obligatory black ballad crescendo of the soppy “Snuff” , peppered with “I love you, I hate you” cliches like “Spit your pain in my soul”, “Break yourself against my stones” ,“My heart is just too dark to care”and “I only wish you weren't my friend then I could hurt you in the end” makes you want to kill this track just like in the film genre of the same name. If I want to see grown men cry about ex-girlfriends while getting hit in the groin and face, there’s a club downtown that I can go to. This schmaltz is blatantly out of place here and disrupts the flow of the album as a whole. The narcissistic Sweeney Todd entrance music  of “Butcher’s Hook” is next. Did the band members know that the song title is Cockney slang for “Take a look?” We’ll never know, but with lyrics like “You’ll never censor me…Fuck you all. I’m the only point of view” it is clear that we are merely cattle being led to the slaughter in the dystopian world of these nine mask covered masters of mayhem. In Biblical times, “Gehenna” was a valley just outside Jerusalem where all manner of refuse (including carcasses and corpses) were burnt. The stench and smoke became synonymous with the Jewish perception of hell. This schizophrenic track of the same name is a “must have been a good idea at the time” attempt at a Slipknot/Cream hybrid and it should be placed at the top of that pyre, just for the “whoo-hooing” vocals, where Corey Taylor makes like a poor man’s Jack Bruce as well as the rehashed images of severed and damaged eyes (see: “Duality” on Volume 3 ). If I’m laughing, it’s just not scary. Sorry, guys. Nice try, though. Luckily the flatline guitar attack of “This Cold Black” offers salvation from the hell before. This pneumatic juggernaut is torque driven torment bent on laying waste to all. “I have every right to kill my own” is the barbaric yalp of this Darwinian anthem to thinning the herd. An absolute race purging crammed into four minutes and forty seconds. The junkyard symphony of “Wherein Lies Continue” grinds it out with oil drum percussion somewhere in-between pessimism, realism and T.S. Eliot’s The Waste Land. “I only want to believe in fucking anything” is the last cynical utterance of a man in a “world that will not change…”. At the end you truly start to believe that there really is “nothing left to save…” and that Mr. Eliot and Mr. Taylor may both be onto something. The double bass ballista of the title track, about the abject failure of America as a whole and the revolution that is brewing within is a “Your time is at hand” death metal phoenix from the ashes that will shear your head clean off. The whispering cinders of “Child Of Burning” are reminiscent of the Iron Maiden classic “Children Of The Damned” if it was done Des Moines, Iowa style. Fueled with echoing vocals, this track billows from the funeral pyre of martyrdom as it’s burnt at the stake and “Vermillion, Pt. 2 (Bloodstone mix)” is a Subliminal Verses track redone as Black Light Burns venting with a string arrangement colonic. Closing it out is the reverberating drone of “Til We Die”, a brothers-in-arms dirge where “Family is much more than blood” that would not be out of place behind Civil War fences, in World War I trenches or in the back of a tour bus. All Hope Is Gone is not Slipknot’s best album (that would be their self-titled debut) nor is it their most intense (that honor goes to Iowa) but, even for its glaring faults, it is still worthy of the Slipknot name and it is definitely worth looking into.&lt;br /&gt;&lt;br /&gt;51. INARA GEORGE (w / VAN DYKE PARKS) – An Invitation Everloving Records Taking a break from her dayjob in the band The Bird And The Bee, Inara George (daughter of Little Feat founding member Lowell George) releases her second trip through the butterfly fields with family friend Van Dyke Parks (of Brian Wilson SmiLE and Joanna Newsom Ys fame) coming along to carry the net and turn the pages. Running along like a diary with Inara playing the part of jazz songstress, the narrative is swept onward by Parks’ layering of brass, strings, flute and piano. Leaving but just a whisper of percussion the album sounds like a pre-Woodstock orchestration for Sinatra. With Parks topping anything Stephen Sondheim did simply with the opening “Overture”, his partner-in-crime Inara makes like Regina Spektor on the follow-up “Right As Wrong”, inviting us to join her in a effervescent ‘60’s Broadway musical (and wholly seperating herself from her 2006 club dance hit “Fucking Boyfriend”).  She does give a hint of gloom to come with “Accidental”, with warning ponderings “Where’s the knife? Where’s the fire? Am I a saint or a liar?” which could simply be an ingredient in the recipe or a foreshadowing  of the femme fatale featured in the later track “Tell Me That You Love Me”, where our boundary challenged muse finds her…ahem…”beloved’s” address by stealing his mail and then hiding out in his car. Running both hot and cold, the duo serves up a pyro theme burning through the undercurrent of the album. On the Parisian “Bomb” Inara is “chopping up our house for firewood”, whereas in the teamwork themed “Duet”, her feet are being “held to the fire”. There’s a fireplace and chimney in “Family Tree”, where she wants to settle down (and she’s willing to kill her own dinner if times get hard) and don’t forget the “fires and flies” of her “Grey’s Anatomy” lesson “Dirty White” where Ms. George would rather go naked than wear a “dirty white wedding dress”. With musical stylings eluding to Rufus Wainwright meets Rodgers and Hart, the Mountain Time Zone longing and love of the duo in “Idaho” are “looking for somewhere to be” and may just find their way with help from the lighthouse of “Grand Design”,featuring a managerie of “skin and bones, blood and stones”. Moving on,  our Burt Bacharach flinging faerie covers topics like the OCD ducks in a row of “Don’t Let It Get You” and not worrying about your age when you die in “Oh, My Love” before taking off her shoes and walking through the clover of the closing track “Night Happens” where, if you listen closely, you can hear her breathing. Sounding like the soundtrack to a schizophrenic Doris Day film (Van Dyke Parks did use to associate with Doris’ son Terry Melcher) there’s a “if it ain’t baroque, don’t fix it” Nick Drake quality and a sublime Bjork quirkniess to this album that can neither be described nor should it be missed. Wholly recommended.&lt;br /&gt;&lt;br /&gt;50. DEICIDE – Till Death Do Us Part Earache Just like the inverted cross branded into founder / vocalist / bassist Glen Benton’s forehead, Tampa, Florida’s death metal demagogues are back to sear your very flesh. Seemingly risen from the dead after a tumultuous four years which saw the schism and loss of guitarist twins Eric and Brian Hoffman, a brief band hiatus, and the release of the critically lauded The Stench of Redemption, Deicide is back with what has been described as “the fastest and most brutal Deicide album ever”. While that is open for debate, just like the “Glen Benton For President” patch included in initial copies of the cd, this album is full of surprises, Satannic and otherwise. Starting off with the ominous slow growing instrumental “The Beginning Of The End” which does a double-bass stroll into the doom laden abandonment of the marriage murdering title track, leaving no doubt that the end of Benton’s nuptials were an impetus for this album’s writing process. The spite filled “Hate Of All Hatreds”  finds lyricist Benton channeling all manner of venom through chief music composer / drummer Steve Ashiem’s never ending barrage, wishing nothing but death itself for his enemies both heavenly and earthbound. His recent divorce again, clearly a catalyst for his lyrical daggers. Not that Jesus bashing and Satanism are completely absent, mind you (even though there are total two uses each of the words “Satan” and “Lucifer” on the entire album). The relentless churn of the borderline melodic  “In The Eyes Of God” scathes Christ as a coward bleeding from the inside out and the horrifically spectacular “Horror In The Halls Of Stone” features a malevolent, bone rattling screech and the word “Die” on repeat (along with impaled angels, the murder of everyone in Heaven, the death of Jesus and the ascension of Satan as ruler over all). “Worthless Misery” is a crunchy mallet to the frontal lobe concerning betrayal, hypocrisy and vengeance at last. “Severed Ties” is a driving call-to-arms against God him (it) self using truth as a weapon that will actually have you bobbing your head . The machine gun attack of “Not As Long As We Both Shall Live” features Jack Owen and Ralph Santolla’s sweeping, searing guitars laying waste to all opposed to Mr. Benton and ends with Glen “dancing on (their) graves”. The languishing death metal lament “Angel Of Agony” finds a fallen cherub to be the “garbage of God” and “stripped of the rights that (he) thought he would never lose”, withering as “The End Of The Beginning” closes out the most recent chapter of Deicide’s tenure as Hell’s house band. Whether you hate God or love The Devil, this broadstroke of brutality is not to be missed.&lt;br /&gt;&lt;br /&gt;49. STAIND – THE ILLUSION OF PROGRESS Flip/Atlantic/Roadrunner The most aptly titled cd released this year thus far, The Illusion of Progress represents anything but progress but, that’s not a bad thing. Staind has found their niche and dammit, they stick with it. Like Neil “God” Peart wrote “I’m in a groove now or is it a rut?”. In this case it’s a little from column A and a little from column B.It’s almost like optimism (?) shatters the molded plaster modalities on the opening track “This Is It” where someone placed a happy face jewel in Aaron Lewis’ head and unleashed him like a golem to spread not unhappy news throughout the land. Speaking of things made of stone, next up is the self-depricating stalwartism of “The Way I Am” with Aaron Lewis playing the part of immovable object. Check out the ADD reiteration of of “the way I am IS the way I am”. Alrighty then. The stammering guitar rhythms of Chapter V’s “Right Here” are reissued for the formulaic “This time I’ll get it right, I SWEAR!” anthem of “Believe”. If Aaron was a cat, he’d be on lives seven or eight by now. Listening to Mr. Lewis send out an s.o.s. in “Save Me” makes you realize that if he ever made a voodoo doll it would be of himself. The enigmatic “All I Want” where he places all his emotional eggs in one basket makes you wonder if the track is a love song or a love gone wrong song. Alas, we are left not knowing. The urbane, yet pessimistic numerology of “Pardon Me” drags along as slowly as Aaron himself would in leaving your house after a bitter argument. If this guy slammed the door on the way out, he’d STILL apologize. I’ve heard more anger in an Amish cow milking contest. Avoid this one, if only for the misplaced twitchiness of the guitar solo. The sanguine “Lost Along The Way” is simplified Robert Frost with Massachusetts bred angst. Aaron reveals his inner Wiccan (so to speak). “Not all who wander are lost” and in this case, they sometimes even find what they’re looking for. The echoing and torque twisted snare with bong rattling bottom crunch of “Break Away” would not have sounded out of place on Dysfunction. The paint-by-number lyrics are the only low point on this, the closest the band has come to experimentation in quite a while. The bare skeleton bones and and mid-range vocals of the beautifully basic “Tangled Up In You” are a black and white photo come to life. If “It’s Been Awhile” has a happy ending, it’s this track. “Raining Again” is decaying flowers and broken glass on the night you know it’s over. The pro-soldier funeral procession of “Rainy Day Parade” reverses the heads-up display to show  you combat and its repercussions from the grunts’ point of view. It reminds you that flag draped coffins aren’t the only casualty of war. The gospel choir backed “The Corner” where Aaron crawls through the mirror to comfort his inner child is too little “mellow” and too much “dramatic” for its own good. The Incubus tinged closer “Nothing Left To Say” is STP’s “Big Empty” without the sex in the car. Aaron Lewis himself has said that this textured cd is their most musical to date. It’s hard to disagree.&lt;br /&gt;&lt;br /&gt;48. COLDPLAY – Viva La Vida Or Death And All His Friends Parlophone With a title taken from Mexican artist Frida Kahlo,an album cover depicting the French Revolution inspired painting Liberty Leading The People by French artist Eugene Delacroix and recording having taken place in Latin America and Barcelona churches (amongst others), British band Coldplay’s fourth album shows from the get-go that their latest offering is going to be an eccletic stew referencing varied influences, artictic and otherwise, starting with bringing in music legend Brian Eno to produce, nay, sculpt them in their processes. In Eno’s capable hands, Chris Martin and the lads look to shake things up from their normally staid, stoic musical personae. Offering a most polite of revolts at the very least. Eno’s influence is peppered amid the tapestry and he is willing to delete as much as he adds. Gone are Martin’s drawn out piano recitals. Vanquished are the catchy hooks upon catchy hooks. Done with are the simpleton ballads (unfortunately the simpleton lyrics do remain).Eviscerated (on a whole) are Martin’s self-indulgences. In their various places are lush orchestrations, no clear “singles” and the “Eno sound” pre-eminent throughout. The album plays as a whole, not a sum of disjointed pop music parts. Instrumentalism replaces melody and is the pulse as the entire work bleeds into one.  Starting off with the Kraftwerk-in-progress instrumental “Life In Technicolor” , the throng looks for, and keeps missing, God in the “ocean ghost towns” of “Cemeteries Of London” with it’s flicking, funky syncopation. Martin claims that “just because he’s losing doesn’t mean he’s lost” on the clearly Blur influenced exclamation of “Lost!”, a clap-along, bongo cacophony buoyed by organ, balancing the boat as our anti-hero searches through strident optimism, cynically waiting for “the shine to wear off”. Said luster shows cobwebs on the piano / string eulogy “42”, just before the blinds are pulled back by the alt-timed percussion and leering, strained guitars. At the heart and foot of the album are three “duo tracks” (two of them mysteriously half hidden. Fitting, given the recurring theme of ghosts among the tracks). “Lovers In Japan / Reign Of Love” is first, followed by “Yes” with the hidden song “Chinese Sleep Chant”. “Lovers…/Reign…” is a propelling tack piano track about Far Eastern amour both near and abroad that actually sounds like the butterfly confetti the band drops on audiences when they play the song live. “Yes…/Chant…” starts off as a Bollywood gypsy drone about lonliness that cartwheels into a driving ode to satisfaction and sleep, albeit with repetitive falsetto. The final song on the cd, “Death And All His Friends / The Escapist”, is the last of the two-track triumvirate. “Death…” shines a poppy stream of photons on the Samuel Beckett lite lyrics and “The Escapist” is the band’s best attempt at being a British U2, circa “Where The Streets Have No Name”. The Manchester mountain spark of “Strawberry Swing” orbits around an African pop guitar, lilting and bobbing behind meshing strings and sugary sweet lyrics.  The band’s first anti-war song, “Violet Hill” is “synthesizer and guitar fuzz”. Inspired by Bill O’Reilly, Fox News (“a carnival of idiots on show”, “A fox became God”) and a part-time musician / bartender friend of Chris Martin, it is crescendo crashes, gulag marching rhythm and the closest Brian Eno has ever come to producing “crunch”. The absolutely audio hypnotism of “Viva La Vida” is the standout track amidst the Eno soundscape. Littered with historical and religious references, the tale of a fallen king wandering the wasteland of his lost realm is both nominal and undeniably catchy. King Lear with a chorus, if you will. While I admittedly don’t “get” the Coldplay “thing”, Viva La Vida… is far and away better than their last album X &amp;amp; Y (which “X’d” out my eyes and had me wondering “Y” I was listening to it’s horrible, horrible music) and no where near the worst thing you’ll hear in music this year. It’s not great, but it’s not that bad. At the very least, it’s not a waste of your time to check it out, Coldplay fan or not.&lt;br /&gt;&lt;br /&gt;47. DR. JOHN AND THE LOWER 911 – CITY THAT CARE FORGOT 429 Records Wow! Is this guy pissed.  Heartbroken by what Hurrican Katrina did to his hometown of New Orleans, but absolutely livid at the plethora of man-made disasters that could have been avoided after the strom. With City That Care Forgot, Dr. John (a.k.a. Mac Rebennack a.k.a. “The Night Tripper”) delivers his outright most political cd and it is both angering and suffering. He sums it up on “We Getting There”  as he wails over a single suicidal trumpet courtesy of  Terence Blanchard…”and if you wonder how we doin’, short version is we getting’ there and if you wonder how we doin’, we is getting’ mad…”. Railing against crooked contractors,opportunistic roofers and  insurance companies that screw you his trademark “Fonk” gravel voice is  as scathing and relentless as the rising river itself. Leading off with the hopeful (?) Dixie swing of “Keep On Goin”, the upbeat nature of the track is paradoxical against the deluge and yet shows an unquenchable resolve in a city and its people that refuse to quit, even though the government has left them behind. The Zydeco redux of “Glory, Glory, Hallelujah” on the absolutely vitriolic “Promises, Promises” is a rallying cry to take to the streets and march all the way to the Capitol. With guest star Willie Nelson helping Dr. John hold their wet and tattered flag high for all to see, their beautifully complimentary vocals breathe fire as they lead the throng. Walking in feet wrapped in rags on a road to the White House that is paved with empty words, you know someone is gonna pay. The good doctor laments that “life is a near death experience” and that “hell is here on earth” in the self-sufficient doo-wop of “You Might Be Surprised”, where no one believes in you if you don’t first believe in yourself. This borderline upbeat track alone makes you believe in the tenacity of the Crescent City. When Mr. Rebennack says “I do what I do” on the merciless “Dream Warrior”, you know that no one does it better. Comparing himself to a samurai and a “guerilla of the bayou”, he guts himself and bleeds N’awlins with an animosity and anger that runs like an open sore right into the anti-Iraq war diatribe that is “Black Gold”.  Against the backdrop of Katrina victims being crammed into tents, he lambasts the U.S. Government for chasing the almighty crude at the the cost of lives both military and civillian, Americans forgotten by politicians who are filling their pockets even as our votes don’t count. He then takes out the flamethrower for the not so subtle, vehemently anti-presidential, catch as catch can frustrations of “Stripped Away”, where neither people nor property can be saved as the water takes it all away. Eric Clapton’s searing guitar buoys the “people hanging like moss” in the Creole cage but  they are lost in the end. The Night Tripper himself makes an appearance on “Say Whut?” reiterating through gritted teeth that “half the story hasn’t been told”. Turning the spotlight on the New Orleans Police Department and the women and children they shot in the back, John is unforgiving as he wades through the growing number of bullet riddled bodies of people deemed expendable. The tongue-in-cheek anger of “My People Need A Second Line” finds our favorite physician asking for help wherever he may find it all the while remaining quite gentile and wholly Southern, handkerchief wiping the sweat off his brow. Even as the Dixieland funeral procession breaks in at the end with parasols waving and horn section blaring, you don’t know whether to laugh or cry. The Diogenesean trumpet of Terence Blanchard lights the way up the “Hurricane Highway” for the driving track “Land Grab” where Dr. John compares Bush, Cheney and Brownie to Christopher Columbus with their selfish real estate concerns being more about acquiring land then the welfare of the people living and dying on it. You can almost hear the music and laughter that once filled the air on the slow blues groove of the title track. You actually can smell the “death hanging on the honeysuckle” thanks to the gilded vocals of recently relocated NOLA resident Ani DiFranco as she helps hold up the Doctor, steadying him as his city dies around him.  Refusing to hold back, he yells at Washington D.C. to “kiss his ass and go to hell.” “Everything sacred” is finally “strung up and shot” as Eric Clapton’s stammering guitar flatlines over voodoo drums and a single bell ringing out its death knell. The bluntness of the closing track “Save Our Wetlands” is not dulled as Mac makes a bitter plea for the return of the land needed to protect the Crescent City from another storm on the horizon. Looking to the skies and admitting that New Orleans has its faults, all the while secure in the knowledge that his city’s residents will most certainly “fais do-do” to the pearly gates. When Dr. John subtly requests “Do that thing again”, you can’t help but join in the parade. Although City That Care Forgot is about the Big Easy, it’s topics are anything but. You will find it unnerving, unsettling, eye opening, hopeful, sad and simply brilliant. New Orleans’ favorite son has done his city proud in writing both the epilogue and the prologue for his hometown and it is absolutely a must-have.  Dr. John has never been better, period. What Springsteen’s The Rising was to New York City, City That Care Forgot is to New Orleans. Get it now.&lt;br /&gt;&lt;br /&gt;46. GNARLS BARKLEY – The Odd Couple Atlantic  Not even Neil Simon with a prescription pad and a medical degree could script a screenplay to make these two make sense. Whereas their debut cd St. Elsewhere was frantic, frenetic, came at you from all directions, was vanguarded by the monster smash “Crazy”, and ran riot like outtakes from the movie The Dream Team, their latest offering finds the duo after they’ve been tasered and tranquilized, in the rec room of your neighboorhood mental health facility, Danger Mouse working the turn tables, Cee-Lo lipping the mic, waiting for their afternoon pills, apple sauce and a nice nap. Making like a Rorshach test subject Jack Klugman and Tony Randall, their sophomore effort finds the duo in wardrobe as much as in the studio. Occupying both sides of the same coin, the laid back, mellow “Oscar Madison”groove side belonging to DJ Brian “Danger Mouse” Burton, the schizophrenic, somber, desperate “Felix Ungar” side taken up by vocalist (and resident nut job) Thomas “Cee-Lo Green” Callaway. From the moment the projector cues the film you find yourself flying through the clouds of Sam Cooke “Oohs” and “Ahhs” that billow along with “Charity Case” where we find Cee-Lo making like a salvation seeking  Peter Pan who ”doesn’t understand how he’s so understanding” and even his “shadow leaves him alone at night”. Skip to the next scene and it’s an expose on solipsism as the disconsolate “Who’s Gonna Save My Soul?” digs through the complex relationship between artist and fan, questioning those whom live vicariously through their cd collection. The self-awareness  masterpiece “Going On” starts up with a Spaghetti western closing credit score that breaks into a hip-hop getaway song, and is best suited for a David Zak car chase scene. With a voice you could pick out of a line-up, Cee-Lo turns phrase after phrase (“Connect the cause and effect / one foot in front of the next / this is the start of a journey”) into an anthemic call-to-arms for those who need to just move on, with or without you , whatever may come and whether you like it or not (“And my mind is already gone / And though there’s  other unknowns / Somehow this doesn’t concern me/ And you can stand right there if you want / But I’m going on / And I’m prepared to do it alone”) When Dylan McKay said “May the bridges I burn light the way” on the “Things That Go Bang In The Night” episode of Beverly Hills, 90210, he had this song in mind. The manic “Run” is what would result if Smokey Robinson and Phil Spector wrote a song about  a panic attack. The almost too loud percussion, the twitchy background vocalists, the solicitous urgency to Cee-Lo’s voice, his pleading of “Run away / Run for your life!” before you and the children die too makes for a catchy fight-or-flight response and the perfect dramatic segue into the ominous “Would Be Killer” where Cee-Lo sounds like the voice on the phone just before the bomb goes off, floating over a cocked and loaded beat worthy of a missing track from the Natural Born Killers soundtrack. The jungle canopy soundscape of “Open Book” is a schizophrenic symphony more likely to give you epileptic seizures than anything else.  “Whatever” is emo-hop at it’s sarcastic finest. With Cee-Lo speaking through the nasally twinge of a “oh so sad” disaffected teen brat, it makes for perfect background music while you’re wrapping the “My First Cutting Kit” for your favorite little Panic At The Disco fan. “Surprise” is Cee-Lo’s Latin-fringed, dancing soliloquoy on how his smile is a disguise, love is fleeting and finds him apologizing for rambling over a seemingly Marilyn McCoo / Billy Davis, Jr.-esque vocal harmony. The forlorn love ballad “No Time Soon” places Cee-Lo’s jaw-dropping vocals inside a stammering minstrel / hip-hop take on “Greensleeves” and sets it against Star Wars blaster sound effects. It is soon to be found on a break-up mix cd for fans of Asenapine and Divalproex. The ghost of Cee-Lo’s seemingly deceased ex haunts him thruough the Burt Bacharach hiss of “She Knows”, causing him such duress he has to start stalking (and possibly killing) a vision-impaired girl in the David Lynch carnival ride “Blind Mary”, where Danger Mouse and an oompa band play as Mr. Green recants how he held her (possibly severed?) hand. The suburban horrorscope“Neighbors” is Danger Mouse and Cee-Lo’s response to John Landis’ statement that “it’s not the guy with the axe that scares him, it’s the next door neighbor”. Imagine Alfred Hitchcock directing a black comedy starring Jennifer Jason Leigh from Single White Female, Michael Keaton from Pacific Heights and Christian Bale from American Psycho and it would barely scratch the surface of this improv, low end, bass driven beatnik bongo expose on things that go bump at the neighborhood barbecue. The subwoofer needle skip of “A Little Better” makes  like a 70’s police drama montage, backlighting Cee-Lo’s What About Bob? baby-stepping through self-psycho analysis, ending the therapy session with a parting shot of “thanks” to his mom and dad for all the hurt. When it comes to The Odd Couple, Cee-Lo said it himself when, on the aforementioned “Neighbors”, he asks “Isn’t this all insane?” Yes. Yes it is. Up my dosage and hit “repeat”.&lt;br /&gt;&lt;br /&gt;45. FLO RIDA – Mail On Sunday Atlantic / Poe Boy Despite having a stage name that sounds like he’s the newest female member of The Ruff Ryders,  Flo Rida (pronounced “Flow Ryda”) ,aka Tramare Dillard, is in actuality a male and quite proud of his home state (
